Film Reviews & Previews
GOODBYE WORLD actors Adrian Grenier and Mark Webber, producer Mary Pat Bentel and co-writer Sarah Adina Smith will participate in a Q&A after the 7:10 PM screening at the Monica on Friday, April 4. Director Denis Henry Hennelly will be at the Monicas for a Q&A after the 7:10 screening on Sunday, April 6.
ROB THE MOB director Raymond De Fellita will participate in Q&A’s after the 7:10 PM screenings at the Monicas on Friday and Saturday, March 28 and 29.
Looking for an easy way to support sustainability, active transportation, and environmental causes? Buy one of our new tasty treats the next time you’re at Laemmle and we will donate a portion of sales to Climate Ride! One dollar of every Kind Bar, $2 of any O.N.E. Coconut Water, and $3 of all Climate Ride Combo purchases will go to help the environment. The combo includes a Small popcorn, one Kind Bar, and a Coconut Water.
This short video featuring company president Greg Laemmle will run before each film we screen to help raise awareness. Watch it here first and enjoy an exclusive outtake not in theaters:
Climate Ride Wine Country 2014 is a fully-supported, four-day group ride covering 250 miles of stellar Northern California scenery starting in San Francisco and winding through the famous wine growing regions of Napa Valley and the Russian River Valley. It culminates at the iconic state capitol building in Sacramento. Interested in doing more for Climate Ride? You can support the winners of our Climate Ride contest or register to participate in the ride yourself! Special thanks to our partners at Kind, O.N.E. Coconut Water, Climate Ride, and the Laemmle Charitable Foundation.
Jackson Pollock is a giant of American painting and one of his largest and most important pieces has been restored and is now on display here in Los Angeles through June 1st. From the Getty website:
“Commissioned by art collector and dealer Peggy Guggenheim for the entry to her New York City apartment in 1943, Mural by Jackson Pollock (American, 1912–1956) is considered one of the iconic paintings of the twentieth century. Now in the collection of the University of Iowa Museum of Art, it represents a transitional moment in Pollock’s career, as he moved toward an experimental application of paint. Following extensive study and treatment at the J. Paul Getty Museum and the Getty Conservation Institute, this exhibition presents the newly conserved work alongside findings from the Getty’s research.”
This is a not-to-be-missed opportunity to see a part of our American heritage as it was meant to be seen, not on a computer monitor or the page of a book, but in person with one’s own eyes.
And if you go, consider supplementing your weekend of visual arts with one of two excellent films about fine art we are currently showing as Saturday/Sunday morning screenings– THE RAPE OF EUROPA and TIM’S VERMEER.
Posted this afternoon on the L.A. Times website:
MOVIES NOW
FILMS: PAST, PRESENT AND FUTURE
Critic’s Pick: The feature film ‘The Monuments Men’ has brought about the re-release of the documentary “The Rape of Europa,’ which details the Nazi wartime theft of European art.
If George Clooney’s “The Monuments Men” did nothing else, it made possible the theatrical re-release of “The Rape of Europa,” a splendid documentary that shows the true story behind the Nazi theft of European art and interviews some of the real-life Monuments Men who got it back. The film is packed with information and also tells a series of wonderful truth-is-stranger-than-fiction tales. “The Rape of Europa” even details the postwar fights about who owns which paintings that culminated in the sale of Gustav Klimt’s gold portrait for a record $135 million. This documentary paints a picture that is vivid and timely. Playing on Saturday and Sunday at [11 AM at] Laemmle’s Monica 4 in Santa Monica, Town Center 5 in Encino, Playhouse 7 in Pasadena and Claremont 5 in Claremont.
Recently posted on the Jewish Exponent site, an excellent think piece about two films — OMAR, from Palestine, which we are currently screening, and BETHLEHEM, from Israel, which we open Friday. They are both terrific films and both tell stories with the same basic subject matter from different sides of the conflict. The piece is by Greg Salisbury:
Israeli Politics at the Oscars: Two Films, One Issue
February 26, 2014
At the 86th Academy Awards ceremonies on March 2, a film about the morally ambiguous and lethal world inhabited by Palestinian informants and their Israeli handlers will be one of the five nominees for Best Foreign Language Film. Win or lose, the evening will cap a successful year in which the film has won awards across the world.
Join us for the NoHo 7’s first art gallery opening and the second installment of Laemmle’s ART IN THE ARTHOUSE program! At select Laemmle Theatre locations, you’ll soon be enjoying fine works by visual artists in our lobbies and on your way to the auditorium.
BEA HUSMAN: BEATIFICA opens this coming Wednesday, February 26, 6-9pm. To join us for the opening celebration, RSVP HERE.
This extraordinary exhibit uncovers the work of BEA HUSMAN (1915-2011), an iconoclast who translated her world travels into inspired artworks in a variety of media. Rarely exhibited during her lifetime, Husman produced art for the sheer pleasure of it, resulting in a legacy unsullied by the marketplace and a body of work that exudes joy and lyricism.
Husman, a fashion designer turned artist, discovered the Intaglio process in the 1970s and soon a printing press and metal plates for etching and engraving became part of her studio, alongside large easel, oil, and acrylic paints. In turn, this led to an interest in paper-making, and, circa 1980, Husman made her way to Kyoto, Japan for a paper-making class with DAVID HOCKNEY. Upon her return, she began utilizing both paper and print making disciplines to create breathtaking collage pieces that incorporated fabrics, string, torn sections of prints, found objects, and coarse, handmade papers.
As she matured as an artist, Husman exhibited an uncanny ability to weave together her myriad influences, including explorations of remote cultures, to create pieces of increasing sophistication. She died in 2011 at 96. leaving a treasure trove of never-before-seen work for the public to discover.
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About ART IN THE ARTHOUSE:
Art in the Arthouse is the brainchild of Laemmle president, Greg Laemmle. Switching to digital poster frames conserves both paper and wall space, creating the opportunity to extend the cultural scope of our theaters to include the visual fine arts.
By reclaiming wall space throughout our theaters for the display of fine art, patrons will have a chance to bond with notable and emerging L.A. based visual artists and their work. Proceeds from the sale of art benefit the activities of the Laemmle Charitable Foundation.
Last year’s Ride with Greg Laemmle Climate Ride Contest was so successful we’re doing it again!
Tell us why you want to ride with Greg and you could win an Unlimited Laemmle Movie Pass for the remainder of 2014, free registration for Climate Ride California, and a $2500 contribution toward your Climate Ride fundraising goal from the Laemmle Charitable Foundation. See the second and third prize packages, eligibility requirements, and all contest details over on the contest entry page.
An outside panel of judges will select the winners based on the quality of their entry statement so take the time to craft something that’ll really knock their cycling socks off! But don’t wait too long, the deadline for entry is Monday, February 17!
Climate Ride Wine Country 2014 is a fully-supported, four-day group ride covering 250 miles of stellar Northern California scenery starting in San Francisco and winding through the famous wine growing regions of Napa Valley and the Russian River Valley. It culminates at the iconic state capitol building in Sacramento. Bike fitness is recommended, but the ride caters to all levels of ability.
You can listen to Greg Laemmle talk about Climate Ride on KPFK’s Bike Talk here. He was joined by past Climate Riders, Ride Director Blake Holiday, and LA County Bicycle Coalition Executive Director Jennifer Klausner.