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Oscars 2025: The ANORA director advocates for movie theaters, and the Academy honors Robert Laemmle. Plus: Oscar Contest winners.

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The 2025 Oscars are in the history books. It was a good night, with a funny, skilled host in Conan O’Brien and a fairly equitable distribution of statuettes for some terrific movies. It was also a good night for theatrical exhibition, better known as good, old-fashioned moviegoing. As he did during his speech accepting the Palme d’Or last year in Cannes, Anora filmmaker Sean Baker gave a passionate, trenchant speech in favor of seeing movies as filmmakers have always intended them to be seen, in theaters. After accepting the Oscar for Best Director from filmmaker (and movie theater owner) Quentin Tarantino, Baker said the following to almost 20 million Americans watching live and far more people worldwide:
“I’m going to take this time up here really quick to read something I’m very passionate about…so we’re all here tonight and watching this broadcast because we love movies. Where did we fall in love with the movies? At the movie theater. Watching a film …in the theater with an audience is an experience. We can laugh together, cry together, scream in fright together, perhaps sit in devastated silence together. And in a time in which the world can feel very divided, this is more important than ever. It’s a communal experience you simply don’t get at home, and right now the theatergoing experience is under threat. Movie theaters, especially independently owned theaters, are struggling, and it’s up to us to support them. During the pandemic we lost nearly 1000 screens in the U.S., and we continue to lose them regularly. If we don’t reverse this trend, we’ll be losing a vital part of our culture. This is my battle cry. Filmmakers, keep making films for the big screen. I know I will. Distributors…please focus first and foremost on the theatrical releases of your films. Neon did that for me, and I thank you from the bottom of my heart. Parents…introduce your children to feature films in movie theaters, and you’ll be molding the next generation of movie lovers and filmmakers. And for all of us, when we can, please watch movies in the theater, and let’s keep the great tradition of the moviegoing experience alive and well.”
The always moving In Memoriam section of the Oscars broadcast was especially powerful this year. This may have been because the losses of huge talents seemed particularly heavy this year. For us at Laemmle Theatres, of course, we are still grieving the loss of Robert Laemmle, our former president and Greg Laemmle’s father. What an honor for Bob to be the first exhibitor included in the in Memoriam montage.
Finally, we are pleased to announce this year’s winners of the Umpteenth Annual Laemmle Oscar Contest.
FIRST PLACE: Stefan with 18 correct answers.
SECOND PLACE: Joel with 18 correct answers.
TIE for THIRD PLACE: Kelly & Cole with 17 correct answers (plus closest run-time to actual runtime broadcast).
Check out our nifty pie charts to see how our savvy customers divined the Academy members’ choices. Last year our winner correctly guessed 21 categories, so this was a tough year. As predicted, the Best Actress category was one of the trickiest; only 10.7% guessed that Mikey Madison would win for her turn in Anora, defying the conventional wisdom that Demi Moore would win for The Substance, and that Fernanda Torres was the true dark horse for her performance in I’m Still Here. Half of our contestants thought The Wild Robot would take the Best Animated Feature prize, but the acclaimed little Latvian film Flow came out on top. Almost 25% of contestants thought Timothée Chalamet would win for Best Actor for A Complete Unknown, no doubt misled by his Screen Actors Guild Awards victory.
Winners, we will be in touch to get you your movie pass prizes. Congratulations!

Oscar winners still on screen, as they were meant to be seen: ANORA, THE BRUTALIST, NO OTHER LAND, I’M STILL HERE & FLOW.

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If you still haven’t seen some of the films honored at the Academy Awards on Sunday, you can still see all of the following this week: Anora (winner for Best Picture, Director, Original Screenplay, Editing, and Actress), The Brutalist (Best Actor, Score, and Cinematography), Flow (Best Animated Feature), I’m Still Here (Best International Film), and No Other Land (Best Feature Documentary). All are fantastic and, as one social media user posted after listening to Sean Baker’s speech extolling the virtues of seeing movies in movie theaters, “movies just hit different at the cinema.”
And if you’ve already seen these films, check out The Fishing Place, which we open Friday at the Royal. The New Yorker film critic Richard Brody wrote that it’s better than all of the ten Best Picture nominees!

“A warmhearted, bittersweet tale of father and sons,” EX-HUSBANDS with Griffin Dunne opens Friday.

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Forty years after starring in Martin Scorsese’s After Hours, Griffin Dunne and Rosanna Arquette are back, their days of all-night Manhattan romantic misadventures given way to the sober realities of late middle age. Writer-director Noah Pritzker’s dramedy Ex-Husbands beautifully captures the low-key new milieu, in which Dunne plays a father whose faltering marriage coincides with his adult sons’ romantic troubles. (Both Pritzker and Dunne speak about the film in a recent episode of Inside the Arthouse.) Richard Benjamin, James Norton, and Miles Heizer, all terrific, costar. We open Ex-Husbands this Friday at the Monica Film Center in Santa Monica and the Town Center in Encino.

“A warmhearted, bittersweet tale of father and sons.” ~ Melanie Goodfellow, Deadline Hollywood

“A vibrantly charming lead turn from Griffin Dunne…Ex-Husbands is an accessible, ostensibly lightweight offering but one nevertheless carried off with expertise, intelligence and empathetic insight.” ~ Jonathan Romney, Screen Daily

“An interesting, intergenerational snapshot of masculine emotional drift in the modern world. What may strike some as lightweight will connect with attuned viewers as a compassionately observed collection of just-so moments—a worthwhile cinematic novella.” ~ Brent Simon, AV Club

“Pritzker navigates his compassionate tale empathetically, portraying a refreshingly kind, gentle, and soft side of masculinity through a group of characters all stuck inside a crossroads life has thrown at them.” ~ Tomris Laffly, RogerEbert.com

“It doesn’t pretend to offer solutions to the various predicaments it considers. But Mr. Pritzker has a sagacious understanding of our various stumbles and humiliations.” ~ Kyle Smith, Wall Street Journal

 

SIDEWAYS 20th Anniversary Screening, Discussion and Book-Signing March 20, 2025 Laemmle Monica Film Center

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Laemmle Theatres and the Anniversary Classics Series present a 20th anniversary screening of one of the most acclaimed movies of the 21st century: Alexander Payne’s Oscar-winning ‘Sideways.’ The March 20 screening at the Monica Film Center is held in conjunction with the publication of the new book, ‘Sideways Uncorked: The Perfect Pairing of Film and Wine,’ written by critic and journalist Kirk Honeycutt and his wife, Mira Advani Honeycutt. Mira comes to the project with 25 years of experience as a wine journalist. They will be joined by the Oscar-nominated producer of ‘Sideways,’ Michael London.

‘Sideways,’ based on a novel by Rex Pickett, was adapted for the screen by Payne and his frequent collaborator, Jim Taylor. It follows a weeklong journey through Santa Barbara wine country by two mismatched pals, a teacher and unsuccessful writer, played by Paul Giamatti, and a part-time actor played by Thomas Haden Church. Along the way they have encounters with two tantalizing women (Sandra Oh and Virginia Madsen). The sharp, often hilarious insights into character energize the film.

When the film opened in the fall of 2004, it earned universally rave reviews. Kirk Honeycutt wrote the very first review out of the Toronto Film Festival. He declared, “The slapstick is perfectly timed and executed. As with the best comedies of Billy Wilder and Blake Edwards, laughs derive from excruciating pain, both emotional and physical.” Roger Ebert praised the film as “the best human comedy of the year—comedy because it is funny, and human, because it is surprisingly moving.” Newsweek’s David Ansen wrote, “Payne has created four of the most lived-in, indelible characters in recent American movies.”

Both the New York Film Critics Circle and the Los Angeles Film Critics Association named ‘Sideways‘ as the best film of 2004. The screenplay was named the year’s best by those two groups, along with the National Board of Review, the National Society of Film Critics, and the Writers Guild of America. Payne and Taylor also won the Oscar for Best Adapted Screenplay, and the film earned Academy nominations for Best Picture, Best Director, and Best Supporting Acting nods for Church and Madsen.

The film had an influence beyond the world of cinema. In one key scene in the film, Giamatti declaims against merlot and declares pinot noir to be the far superior wine. Sales of pinot noir soared all over the country after the film’s release.

‘Sideways‘ ended up grossing more than $100 million, a huge score for a film that started its life as a small arthouse release.

Kirk and Mira Honeycutt will be selling and signing copies of their book before and after the screening on March 20. Alexander Payne had high praise for it: “The Honeycutts’ account of ‘Sideways‘ and its reverberations is so thorough that even I learned things I hadn’t known. A delightful, accurate chronicle with great wine tips.” Leonard Maltin called ‘Sideways Uncorked’ “an astute and entertaining book about the making of a great American film and its aftermath in the world of wine.”

Producer Michael London has many other distinguished credits, including ‘House of Sand and Fog,’ ‘The Family Stone,’ ‘The Visitor,’ ‘Milk,’ and ‘Trumbo.’

“With a small crew, we were able to work within the ebb and flow of the Camino. We became invisible and nimble, and that allowed us to film the real Camino.” THE WAY, MY WAY opens March 7.

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The Way, My Way, which we open March 7 at our Claremont, Santa Monica, and Encino theaters, is the charming and captivating true story of a stubborn, self-centered Australian man who decides to walk the 800 kilometer-long Camino de Santiago pilgrimage route through Spain. He doesn’t know why he’s doing it… but one step at a time, it will change him and his outlook on life forever. Based on Bill Bennett’s best-selling memoir of the same name.

Bennett penned the following about The Way, My Way:

“I really didn’t want to make this film. I didn’t want to make a film about myself; about my failings and vulnerabilities, and hardships which took me right to the brink. Finally I decided to give it a shot – but then I was faced with the question: how do I make a film on the Camino and make it real?

“I decided the only way to tell my story truthfully was to shoot with a very small crew and use the actual pilgrims I’d walked with ten years earlier. Of the twenty speaking parts in the film, only four are professional actors. The rest are pilgrims.

“They proved to be stellar. They set the standard. They held the truth, the authenticity. The professional actors had to step up to the pilgrims’ benchmark. In fact, we all had to, even those of us behind the cameras.

“And with a small crew, we were able to work within the ebb and flow of the Camino. We became invisible and nimble, and that allowed us to film the real Camino.

“The decision to cast the real pilgrims dictated so many other major creative decisions for me as a director. The shooting style, the editing style, the tone of the movie, the staging and blocking of scenes – even what film gear we should use.

“It all had to point towards the authenticity of the Camino experience.

“Now having almost completed post-production, I feel I’ve achieved what I set out to do – to make a truthful film about a man who ultimately undergoes a fundamental shift in character and outlook, through walking the Camino.”

Top Ten contest results!

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Our movie-loving customers have votes for their favorite films of 2024! The top ten customer-chosen films are, in order from 1 to 10:
  1. Anora
  2. Conclave
  3. The Brutalist
  4. Dune: Part Two
  5. A Complete Unknown
  6. Emilia Pérez
  7. Wicked
  8. A Real Pain
  9. Challengers
  10. The Substance
The lucky randomly chosen winners for free passes (soon to be mailed) are:
1) Jeff W.
2) Mia S.
3) Riley K.
Congratulations to our winners and thanks to everyone for playing!

“A visually arresting exploration of resistance,” the acclaimed WWII drama THE FISHING PLACE opens March 7 at the Monica Film Center.

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Laemmle Theatres and Cinema Parallel are proud to present the U.S. theatrical release of Rob Tregenza’s latest feature film, The Fishing Place. The film had its North American theatrical premiere at MoMA in New York City on February 6 and will open at the Monica Film Center on March 7.
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In this formally inventive historical drama, acclaimed American filmmaker Rob Tregenza explores the moral complexities of World War II and the permutations of history and its representation. Set in occupied Norway, the drama follows Anna (Ellen Dorrit Petersen), a housekeeper who arrives to work for a German priest in rural Telemark. As the priest grapples with his faith amid the corruption of power, Anna navigates her own secrets through clandestine meetings with a local SS officer.
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Known for his masterful debut Talking to Strangers (1988)—which caught Jean-Luc Godard’s attention and led to their collaboration on Inside/Out (1997)—Tregenza brings his distinctive visual style to this nuanced exploration of war’s impact. The director, who also served as cinematographer for Béla Tarr’s Werckmeister Harmonies (2000), employs his characteristic philosophical depth to challenge conventional war narratives, crafting both a powerful meditation on human nature and a meta-commentary on cinema itself. Rob Tregenza’s Gavagai had its U.S. theatrical release in 2018.
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“[Rob] Tregenza displays a virtuosity that is fully integrated into his comprehensive cinematic vision, his finely imagined re-creation of history, and his long-gestating complex of ideas. Not only is he an artist; he’s an artisan of the highest order, whose sense of craft and skill are finer, deeper, and more adventurous than most of the competition in Hollywood—or, for that matter, anywhere. Very few of the year’s officially acclaimed and critically lauded cinematographers can match him in audacity and in achievement; none of the five Oscar-nominated directors unites a world view and an aesthetic as staunchly or deeply.” – Richard Brody, The New Yorker

“A visually arresting exploration of resistance… beautifully shot.” – Manohla Dargis, The New York Times

Watch the trailer.

Moviegoers, start your guesses! The Umpteenth Annual Laemmle Oscar Contest has begun.

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The Oscar nominations are out and it was another excellent cinematic year. As always, some categories will be more unpredictable than others. Last year, most contestants 59.5% thought Lily Gladstone would win Best Actress for Killers of the Flower Moon, while only 29.7% correctly divined that Emma Stone would win for Poor Things. This year, Best Picture may be the most challenging category; there are at least six real possibilities. That’s where you come in because it’s time for our Umpteenth Annual Laemmle Oscar Contest! If you, dear cinephile, can accurately predict how the members of the Academy of Motion Picture Arts & Sciences will vote in all 23 categories, (or close to it), all while coping with the fact that Marianne Jean-Baptiste was snubbed for her stupendous turn in Hard Truths, you will win movie passes good at all Laemmle venues! These contests are always close so we have a tie-breaker question: try to guess the running time! The 97th Academy Awards ceremony takes place on Sunday, March 2 and we’ll announce the winners (with snazzy charts) soon afterwards.

A very entertaining way to improve your odds is to watch the Oscar-nominated shorts. We’ll start screening all of them — the animated, live action, and documentary — beginning February 14.

Good luck!