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Home » Theater Buzz » Santa Monica » Page 21

Oscar shortlists for International and Documentary Feature Films, including “Flee,” “Compartment No. 6,” “A Hero,” “Ascension” and “Faya Dayi.”

December 22, 2021 by Jordan Deglise Moore

This week the Academy of Motion Picture Arts and Sciences announced shortlists in 10 categories for next year’s Oscars (the ceremony is March 27), including Documentary Feature and International Feature Film. We have a number of these films in or soon to be in theaters, including the double nominee, animated documentary/drama “Flee;” “Compartment No. 6,” the Finnish romantic drama set on a train travelling above the Arctic Circle; Asghar Farhadi’s latest, “A Hero;” the melancholy Japanese masterpiece “Drive My Car;” and the Norwegian romantic comedy “The Worst Person in the World.” We also have a couple of the shortlisted films available on Laemmle Virtual Cinema, the stunning portrait of Chinese society “Ascension” and Ethiopian-Mexican filmmaker Jessica Beshir’s mesmerising “Faya Dayi.” From the Academy:

INTERNATIONAL FEATURE FILM
Fifteen films will advance to the next round of voting in the International Feature Film category for the 94th Academy Awards.  Films from 92 countries were eligible in the category.Academy members from all branches were invited to participate in the preliminary round of voting and must have met a minimum viewing requirement to be eligible to vote in the category.In the nominations round, Academy members from all branches are invited to opt in to participate and must view all 15 shortlisted films to vote.The films, listed in alphabetical order by country, are:Austria, “Great Freedom”
Belgium, “Playground”
Bhutan, “Lunana: A Yak in the Classroom”
Denmark, “Flee”
Finland, “Compartment No. 6”
Germany, “I’m Your Man”
Iceland, “Lamb”
Iran, “A Hero”
Italy, “The Hand of God”
Japan, “Drive My Car”
Kosovo, “Hive”
Mexico, “Prayers for the Stolen”
Norway, “The Worst Person in the World”
Panama, “Plaza Catedral”
Spain, “The Good Boss”

DOCUMENTARY FEATURE
Fifteen films will advance in the Documentary Feature category for the 94th Academy Awards.  One hundred thirty-eight films were eligible in the category.  Members of the Documentary Branch vote to determine the shortlist and the nominees.

The films, listed in alphabetical order by title, are:

“Ascension”
“Attica”
“Billie Eilish: The World’s a Little Blurry”
“Faya Dayi”
“The First Wave”
“Flee”
“In the Same Breath”
“Julia”
“President”
“Procession”
“The Rescue”
“Simple as Water”
“Summer of Soul (…Or, When the Revolution Could Not Be Televised)”
“The Velvet Underground”
“Writing with Fire”

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Filed Under: Awards, Claremont 5, Featured Films, Featured Post, Films, Glendale, Laemmle Virtual Cinema, Newhall, News, NoHo 7, Playhouse 7, Royal, Santa Monica, Theater Buzz, Town Center 5

PRESIDENT, Camilla Nielsson‘s Sundance 2021 Award-Winning and Critically-Acclaimed Documentary on the Fight for Democracy in Zimbabwe, Opens Dec. 17 at the Monica Film Center.

December 8, 2021 by Jordan Deglise Moore

When dictator Robert Mugabe was removed from power in a military coup, the generals promised they would not seize control for themselves but would ensure democracy in a national election. Against a backdrop of economic crisis, food shortages, and political violence, the stakes could not be higher.

Working to defeat the ruling party, which has controlled Zimbabwe since independence, is the young and charismatic Nelson Chamisa, who draws comparisons to a young Nelson Mandela in expressing the country’s utmost desire to be “governed” and not “ruled.” After decades of a corrupt elite clinging to power using any tool available—legal or not—can a free, fair, and credible election be truly possible?

As the follow-up to her widely acclaimed 2014 documentary DEMOCRATS, Camilla Nielsson brings viewers into the heart of the struggle for power with stunningly close access and unhesitating courage, in a nation closely monitored by the entire world. PRESIDENT is a riveting and epic reminder that, while individuals and their specific ideals may differ, the fight for democracy is never-ending and of profound significance everywhere.

“The way this film confronts the fragility of democracy and the ever-looming possibility of violence hit home for this American viewer in a way that was both harrowing and humbling.” ~ A.O. Scott, New York Times

“Riveting. Nielsson’s galvanizing, epic-scale docu-thriller…rather like Frederick Wiseman, Nielsson has a knack for excavating savage drama from administrative process and politesse…filmed with astonishing in-the-moment access.” ~ Guy Lodge, Variety

“A thrilling, enraging film, and its intimate access…is extraordinary.” ~ Alissa Wilkinson, Vox

DIRECTOR’S NOTES: It was not in the cards for me to make the film PRESIDENT. My previous film DEMOCRATS (2014) had been banned by Zimbabwe’s Censorship Board with the curt assessment ‘Banned and prohibited in Zimbabwe. Not suitable for showing to the public.’ Ironically, the ban was in direct contravention with the country’s new democratic constitution, which DEMOCRATS had followed the making of for more than three years.

Filmmaker Camilla Nielsson

In the process of filming DEMOCRATS, I had met some of Zimbabwe’s finest lawyers. They suggested that the ban should be challenged on the basis that it violated the constitutionally protected freedom of expression, and the public’s right to information. Together we began the legal challenge to have the ban lifted, and without knowing, this process became the starting point for this new film PRESIDENT.

In February 2018, following a three-year legal battle in the Zimbabwean courts, a High Court judge finally ruled that the ban be lifted, and people were free to watch the film in the country where it matters most. It was during a dinner in Harare in celebration of the court ruling that one of the protagonists from the first film suggested to me to make the sequel. President Mugabe had fallen in a military coup just months before, and the democratic space seemed to have opened, and there was a new sense of freedom in the country. With the fall of dictator Robert Mugabe, a new constitutional democracy was on the horizon, and it seemed that now was the time for the people of Zimbabwe to make a push for democracy that would overcome the tragic and unhappy events that were portrayed in the first film.

I won’t spoil the plot here, but I hope that PRESIDENT will make the audiences think about the universal importance of having independent democratic institutions, and proper checks and balances on presidential powers. It is a film about the dire consequences that happens if these democratic principles are not observed and not in place. – Camilla Nielsson

https://www.youtube.com/watch?v=nPO9FAlYSaE

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Filed Under: Director's Statement, Featured Films, Films, News, Santa Monica, Theater Buzz

The power of the film: Jane Campion’s ‘The Power of the Dog’ is one of the year’s best movies.

November 23, 2021 by Jordan Deglise Moore

Jane Campion’s The Power of the Dog, her eighth feature and first since 2009’s Bright Star, is “a complex and probing adaptation of the late Thomas Savage’s superb 1967 novel about two very different Montana rancher brothers caught in a twisted emotional bind.” (Todd McCarthy, Deadline Hollywood Daily) “It pains me to say it,” Greg Laemmle said this week, “but Netflix may have produced the best film of the year. Certainly one of the best I’ve seen so far. It is a film that needs to be seen on the big screen.” Critics agree.
“Jane Campion makes a thrilling return with The Power of the Dog, a work as boldly idiosyncratic, unpredictable and alive with psychological complexity as anything in the revered director’s output.” ~ David Rooney, Hollywood Reporter
“It’s an epic about the way the male id can crush everyone it touches, anchored by a brilliant masquerade of a performance by Cumberbatch, his best yet.” ~ Esther Zuckerman, Thrillist
“The Power of the Dog sticks its teeth into you so fast and furtively that you may not feel the sting on your skin until after the credits roll, but the delayed bite of the film’s ending doesn’t stop it from leaving behind a well-earned scar.” ~ David Ehrlich, Indiewire
“The film’s secrets are revealed while new ones bloom into being.” ~ Richard Lawson, Vanity Fair
“Campion understands the genre she’s working in, setting the roiling emotions of her characters against the striking landscapes; Cumberbatch’s performance is as immense as the peaks and valleys around him.” ~ David Sims, The Atlantic
“The Power of the Dog divulges its secrets in deliberate, measured fashion, growing richer with each new reveal.” ~ Katie Rife, AV Club

“A beautifully crafted movie with some individual scenes that are some of the tensest I’ve experienced in some time.” ~ Glenn Kenny, RogerEbert.com
“Through it all, Campion remains in masterful control of the film’s obscurely menacing mood, and of every aspect of its craft.” ~ Dana Stevens, Slate
“A film that initially seems too schematic gains in complexity as the characters add dimension and Campion uncorks one gripping set piece after another.” ~ Scott Tobias, The Reveal
Now playing at the Playhouse and Newhall; opening Friday at the Monica Film Center and Town Center and December 3 at the Glendale and Claremont.

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Filed Under: Claremont 5, Featured Films, Featured Post, Films, Glendale, Newhall, News, Playhouse 7, Santa Monica, Theater Buzz, Town Center 5

THE FIRST WAVE Director in Person for Q&As in Santa Monica.

November 18, 2021 by Jordan Deglise Moore

THE FIRST WAVE director Matt Heineman will participate in Q&As at the Monica Film Center after the 7:30 PM screening on Saturday, November 20 and after the 4:40 screening on Sunday, November 21. Joining him will be Covid survivor Ahmed Ellis and his wife Alexis, Dr. Nathalie Dougė, and physical therapist Karl Arabian.

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Filed Under: Filmmaker in Person, Films, Q&A's, Santa Monica, Theater Buzz

See IDA Documentary Awards Nominees at Laemmle: ‘Faya Dayi,’ ‘Writing with Fire,’ ‘Not Going Quietly,’ and more.

November 17, 2021 by Jordan Deglise Moore

The International Documentary Association just announced the nominees for its 37th annual awards, and we’re screening or soon to screen almost a dozen from this cinematic treasure trove:

FAYA DAYI is a triple nominee for Best Feature, Director and Cinematography and is available on Laemmle Virtual Cinema.

NOT GOING QUIETLY also garnered three nominations: Best Feature, Director and Writing. It, too, is on LVC.

We open the animated FLEE (Best Feature and Director) in January.

We have Best Feature nominee WOJNAROWICZ: F**K YOU F*GGOT F**KER  now on Laemmle Virtual Cinema.

We open Best Feature nominee WRITING WITH FIRE on November 26 at the Royal.

Pare Lorentz Award Winner and Best Cinematography nominee THE FIRST WAVE opens this Friday at the Monica Film Center. The filmmaker will attend for Q&A’s after the 7:30 PM screening on Saturday, November 20 and after the 4:40 screening on Sunday, November 21.

Best Cinematography nominee ASCENSION is available now on LVC.

Best Music Documentary Nominee LYDIA LUNCH is now on LVC.

We open Best Editing Nominee PROCESSION this Friday at our Glendale theater.

Finally, we open ABC News VideoSource Award Nominee LIKE A ROLLING STONE: THE LIFE AND TIMES OF BEN FONG-TORRES November 26 at the Monica Film Center.

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Filed Under: Awards, Claremont 5, Featured Post, Films, Glendale, Laemmle Virtual Cinema, Newhall, News, NoHo 7, Playhouse 7, Press, Royal, Santa Monica, Theater Buzz, Town Center 5

Free Red BECOMING COUSTEAU Beanies Friday, October 29.

October 28, 2021 by Jordan Deglise Moore

Stay warm and emulate Frère Jacques: All BECOMING COUSTEAU ticket buyers for the Friday, October 29 screenings at the Claremont, Monica Film Center, Newhall, Town Center, and Playhouse* get a free beanie while supplies last!

*at the Playhouse, starting with the 7:30 PM show.

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Filed Under: Claremont 5, Newhall, Playhouse 7, Santa Monica, Theater Buzz, Town Center 5

“I saw my job as getting people to know and love the sea…because you only protect what you love.” Jacque-Yves Cousteau in BECOMING COUSTEAU.

October 13, 2021 by Jordan Deglise Moore

Captain Jacques-Yves Cousteau was one of the 20th century’s great explorers, a filmmaker and beloved adventurer who documented the exotic wonders below the ocean with pioneering equipment that yielded a Cannes Film Festival-winning film, two Academy Awards®, and a pair of iconic and long-running television shows, “The Undersea World of Jacques Cousteau” and “The Cousteau Odyssey.” His work became synonymous with life on the sea and on his famous boat, the Calypso. He authored over 50 books on his aquatic life and invented the Aqua-Lung, advancing the boundaries of scuba diving. Yet, it was as an environmentalist that Cousteau would have his most lasting impacts, alerting the world about the warming oceans decades before the climate crisis made headlines. Instrumental in protecting Antarctica and taking part in the first Earth Summit, Cousteau’s insight into what needs to be done for the planet continues to inspire generations.

In BECOMING COUSTEAU, from National Geographic Documentary Films and opening October 22 at the Laemmle Claremont, Monica Film Center, Newhall, Playhouse and Town Center, two-time Academy Award-nominated filmmaker Liz Garbus (All In: The Fight for Democracy, What Happened, Miss Simone?) poured through 550 hours of archival material and rarely-seen footage to let Cousteau’s films, words and recollections tell his own story. BECOMING COUSTEAU shines a spotlight on the man many of us grew up worshipping yet knew very little about while introducing him to a new generation. After prospecting for oil companies to support his globe-trotting adventuring, he had a late-in-life awakening and became the first great advocate for ocean preservation. Cousteau led a somewhat fractured family life, checkered with great loss, but he remained true to his one great love — the sea. Over 100 hours of audio journal entries, interviews and observations from collaborators and crew members add to this inside look at Cousteau. The documentary also chronicles his first wife and collaborator Simone Melchior (known aboard the Calypso as “The Shepherdess”), his family experiences, his second wife Francine Triplet, the creation of The Cousteau Society and the crucial work they do, and his evolution into one of the most important environmental voices of the 20th century, whose words and images are more vital today than ever.

Jacques Cousteau wears his iconic red diving cap aboard his ship Calypso, circa 1970s. (Credit: The Cousteau Society)

“Succeeds beautifully in its goal of reminding viewers of Jacques Cousteau’s important legacy of underwater exploration and environmental activism.” ~ Frank Scheck, Hollywood Reporter

Calypso crew members dive in dark waters while filming a scene for The Silent World. (Credit: National Geographic/Luis Marden)

“BECOMING COUSTEAU will well serve as a reminder and clarifier for those who remember him from their youth, and an invigorating introduction for those meeting him for the first time.” ~ Todd McCarthy, Deadline Hollywood Daily

Jacques Cousteau in a diving suit, 1972. (Credit: Yousuf Karsh)

“Compelling throughout, BECOMING COUSTEAU will make you want to strap on some flippers, grab a mask and plunge into an ocean near you.” ~ Christopher Llewellyn Reed, Hammer to Nail

Jacques Cousteau aboard Calypso on a 1963 expedition in the Red Sea. (Credit: National Geographic)
https://www.youtube.com/watch?v=jCjOjaE09gc

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Filed Under: Claremont 5, Featured Films, Featured Post, Films, Newhall, News, Playhouse 7, Santa Monica, Theater Buzz, Town Center 5

“I hope people are moved by seeing what great moral courage looks like.” The filmmakers on THE RESCUE, opening October 15 at the Monica Film Center, Newhall, Playhouse, and Town Center.

October 6, 2021 by Jordan Deglise Moore

In the summer of 2018, a short outing after soccer practice became a two-week saga of survival and a story that soon captured the world’s attention. Monsoon rains had trapped twelve boys and their coach in a labyrinthian cave in Northern Thailand, and within days thousands of people had descended on the area to try to help. But were the boys even still alive? Anticipation and anguish hung in the air until they were found, trapped in a pitch-black chamber two kilometers deep into the cave. The next question—immediate, obvious, and confounding—was how to get them out.

THE RESCUE, the latest feature documentary from Academy Award-winning directors and producers E. Chai Vasarhelyi and Jimmy Chin, brings alive one of the most perilous and extraordinary rescues in modern times. With exclusive interviews and a wealth of never-before-seen material, the film takes us into the infamous cave, highlights the efforts of the Royal Thai Navy SEALs and US Special Forces, and details the expert cave divers’ audacious venture to dive the boys to safety.

Credit: National Geographic

THE RESCUE keeps viewers on the edge of their seats as it shines a light on the high-risk world of cave diving, the astounding courage and compassion of the rescuers, and the shared humanity of the international community that united to save the boys. In the tradition of their earlier films FREE SOLO and MERU, Vasarhelyi and Chin document a profoundly daring physical feat, laying bare the details of the seemingly impossible rescue.

Reviews have been rapturous:

“THE RESCUE keeps you on the edge of your seat for every minute, even if you already know the outcome.” ~ Frank Scheck, Hollywood Reporter

“A stunning documentary of bone-deep moral resonance and cinematic mastery that deserves to be experienced on the big screen.” ~ Tomris Laffly, Variety

THE RESCUE “unfolds with stunning precision, letting the people who were there tell the story, and never softening their unique personalities.” ~ Brian Tallerico, RogerEbert.com

DIRECTORS’ STATEMENT

“Our films attempt to examine questions that transcend their subject matter. Our film MERU is about climbing, but really, it’s about friendship and mentorship. Our film FREE SOLO is about free soloing a mountain, but really, it’s about making intentional decisions about what we want to achieve in life and the sacrifices we make. THE RESCUE is about an impossible rescue, but really, it’s about moral responsibility. When we have the skill set to rescue someone, do we bear the burden to do so even if we put ourselves at risk? It’s also a story about the common humanity that brings us together rather than what divides us.

Credit: National Geographic

“All these stories are about overcoming insurmountable odds. They feature unexpected heroes. And they invite the audience into specific worlds in a deep and authentic way. In THE RESCUE, that’s the world of cave diving. Cave diving is very dangerous and very difficult. So why do the cave divers do it? What’s their motivation, experience, inspiration? As a climber, Jimmy knows how vital it is that every last detail be right. Our films are defined by that level of exactitude.

Credit: National Geographic

“We wanted to make this movie for many of the same reasons that the story of the Thai children trapped in the cave captivated the hearts and minds of the world in 2018. It was an against-all-odds story that gave you hope. It brought out the best in people who united from many different nations to help these kids. There’s a line in the film that says, “Generosity is the beginning of everything,” and that’s ultimately what the film is about.

Credit: National Geographic

“But creating THE RESCUE was very challenging. It has all the ingredients of a film you shouldn’t or can’t make: Everything’s pitch black in the cave. It’s underwater and muddy. The main event is over; you can’t shoot footage of it, and the archival sources are scattered all over the world. And, of course, the pandemic hit. We were scheduled to go to Thailand in spring 2020, but as the shoot neared, it became clear that it was too risky to travel internationally. We did interviews by Zoom and focused on building trust and rapport remotely. We were dealing with different cultures, different languages, different time zones; and there were numerous constraints, but ultimately the story is still moving. The children, the cave divers, the Thai Navy SEALs, the US Special Forces and an entire community all showed us what great courage looks like.

Credit: National Geographic

“The story of the rescue is filled with numerous coincidences that could be seen as more than coincidence. There’s a fairy-tale quality to the story. We couldn’t help but be struck by the fact that just as the boys were trapped in place in 2018, the whole world was trapped in place while we were making this movie. And yet, in 2018 the world came together to help the boys. THE RESCUE reminds us that amazing things are possible when people have integrity and a sense of responsibility for each other.”

Credit: National Geographic

Asked in an interview, “What would you like the audience to take from the film?” they replied:

Jimmy Chin: I hope people are inspired by the humanity of the global community of rescuers, the courage of the divers and Thai Navy Seals and the bravery of the kids. I want people to come out of the theater asking themselves “Could I ever do that? Would I have made the same choices?” I think the divers really exemplified great moral courage. They didn’t have to go back in. I hope people are moved by seeing what great moral courage looks like and how people are able to achieve great things and overcome seemingly insurmountable odds through perseverance and determination.

Credit: National Geographic

Elizabeth Chai Vasarhelyi: I think it’s the absolute morality of Rick. He felt an absolute obligation to figure out how to save the kids. If only we all did what’s fundamentally decent and responsible… that’s interesting. It’s about the common thread we all share — about finding your place in the world. We see the divers evolve emotionally. We see their attention to detail and methodology. We cherish that, love it, want to honor and respect it. Truth is so much stronger than fiction.

https://www.youtube.com/watch?v=_-Kw5kAPSbk

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Filed Under: Director's Statement, Featured Films, Featured Post, Films, Newhall, News, Playhouse 7, Santa Monica, Theater Buzz, Town Center 5

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Tickets: http://laemmle.com/film/echo-valley | Subscribe: http://bit.ly/3b8JTym | Kate lives a secluded life—until her troubled daughter shows up, frightened and covered in someone else's blood. As Kate unravels the shocking truth, she learns just how far a mother will go to try to save her child

Tickets: http://laemmle.com/film/echo-valley

RELEASE DATE: 6/13/2025

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RELEASE DATE: 5/23/2025
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  • Argentine film MOST PEOPLE DIE ON SUNDAYS “squeezes magic out of melancholy.”
  • Bille August on adapting a Stefan Zweig novel for his new film THE KISS ~ “It’s probably one of the most beautiful and peculiar stories that exists.”
  • “Joel Potrykus, the undisputed maestro of ‘metal slackerism,’ again serves up a singular experience by taking a simple idea to its logical conclusion, and then a lot further.” VULCANIZADORA opens May 9.

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