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DESPERATELY SEEKING SUSAN 40th Anniversary Screening July 30 at the Royal.

July 16, 2025 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present a 40th Anniversary screening of the delightful comedy ‘Desperately Seeking Susan,’ which teamed Rosanna Arquette and pop star Madonna in her first acting role. This was a feminist movie ahead of its time in many ways, with women holding most of the important positions behind the camera as well as on screen. The original screenplay was written by Leora Barish, and the film was directed by Susan Seidelman as her first mainstream movie after her low-budget hit ‘Smithereens’ had established her as a filmmaker to watch. The movie was produced by Midge Sanford and Sarah Pillsbury, two pioneering female producers who made their mark in an industry that was still male dominated. The screening is Wednesday, July 30, at 7:00 P.M. at Laemmle Royal Theatre. Producers Midge Sanford and Sarah Pillsbury, and executive producer Michael Peyser will be there for an in-person Q&A.

The story centers on Roberta (played by Arquette), a dissatisfied housewife in New Jersey who is fascinated by the personal ads in a New York tabloid and the character of Susan, who seems to be leading the adventurous life that Roberta only dreams about. Eventually she meets Susan and her bohemian entourage, and they swap roles, changing both of them through their unlikely friendship. Arquette was an up-and-coming young actress who starred the same year in Martin Scorsese’s ‘After Hours.’ Madonna had already made her mark as a pop icon with such giant hits as “Material Girl” from her second album, “Like a Virgin.” In her review of the film, Pauline Kael aptly called Madonna “an indolent, trampy goddess.”

DESPERATELY SEEKING SUSAN 40th Anniversary Screening July 30 at the Royal.

The supporting cast included many rising actors, including Aidan Quinn, Robert Joy, Laurie Metcalf, John Turturro, and Giancarlo Esposito. The movie scored at the box office, and reviews were strong. The New York Times’ Vincent Canby ranked it among the 10 best movies of the year. The New York Post called it “the most entertaining movie of the year.” Writing in The Hollywood Reporter, Kirk Ellis declared “an attractive, energetic young cast and some witty, off-center visual humor make the resultant laughs more than worth the wait.” The Los Angeles Times’ Kevin Thomas called the movie “a lark, an exhilarating celebration of people who have the good sense to be in touch with themselves and with each other.”

Later, Rolling Stone ranked it as one of the 100 greatest movies of the 1980s. In 2023 it was selected to be included in the National Film Registry of the Library of Congress, reserved for films of “historical, cultural, or aesthetic significance.” The costumes designed by Santo Loquasto also had an enduring impact. The jacket worn by Madonna in the movie fetched $252,000 at auction in 2014.

Sarah Pillsbury and Midge Sanford also produced such memorable films as ‘River’s Edge,’ ‘How to Make an American Quilt,’ ‘Love Field,’ ‘Eight Men Out,’ ‘Immediate Family,’ and the landmark TV movie about the AIDS crisis, ‘And the Band Played On.’ They will be joined by the executive producer of ‘Desperately Seeking Susan,’ Michael Peyser, whose credits include ‘F/X,’ ‘Ruthless People,’ ‘Big Business,’ and ‘Matilda.’

Leave a Comment Filed Under: Featured Post, Anniversary Classics, Filmmaker in Person, Films, Q&A's, Royal, Theater Buzz

Greg Laemmle on DON’T LET’S GO TO THE DOGS TONIGHT.

July 9, 2025 by Jordan Deglise Moore 1 Comment

This week we’re opening the new drama Don’t Let’s Go to the Dogs Tonight at the Royal. We’ll expand the engagements to all but one of our our other venues around L.A. County the following week. Laemmle Theatres president Greg Laemmle saw the film and loved it so much he was able to secure an interview with the filmmaker/co-star, Embeth Davidtz on his and Raphael Sbarge’s podcast Inside the Arthouse. He wrote the following to introduce the episode:

“As part of producing Inside the Arthouse, we see a lot of movies. And while many are compelling and well-made, naturally some of them stand out. Of all the films we’ve seen so far this year, Don’t Let’s Go to the Dogs Tonight has definitely moved to the top of the list.

“Based on Alexandra Fuller’s memoir of the same name, Don’t Let’s Go to the Dogs Tonight captures the childhood of eight-year-old Bobo on her family farm in Zimbabwe (formerly Rhodesia) at the end of the Zimbabwean War for Independence in 1980. Growing up in the midst of this long-running war, Bobo internalizes both sides of the struggle. Conflicted by her love for people on opposing sides, she tries to make sense of her life in a magical way. Through her childish gaze we witness Rhodesia’s final days, the family’s unbreakable bond with Africa, and the deep scars that war leaves on survivors.

Greg Laemmle on DON'T LET'S GO TO THE DOGS TONIGHT.

“This powerful film has been brought to the screen by first-time director Embeth Davidtz. An actress who has worked with filmmakers like Steven Spielberg, Robert Altman, and Sam Raimi, Ms. Davidtz draws from her own experiences growing up in apartheid South Africa to bring striking authenticity to the story of a family of white farmers in Zimbabwe.

“The film is told through the eyes of young Bobo — played with extraordinary depth by newcomer Lexi Venter — as she witnesses the political upheaval in a land on the brink of change.

“A hit at the prestigious Telluride and Toronto International film festivals, Don’t Let’s Go to the Dogs Tonight is opening on July 11 in New York and Los Angeles before rolling out nationally.

“You won’t want to miss our conversation with Ms. Davidtz where we discuss her journey from actor to filmmaker and the challenges of adapting this beloved memoir — on Inside the Arthouse.”

1 Comment Filed Under: Featured Films, Claremont 5, Films, Glendale, Greg Laemmle, Inside the Arthouse, Newhall, NoHo 7, Royal, Theater Buzz, Town Center 5

Filmmaker Embeth Davidtz & Executive Producer Trevor Noah in Person for DON’T LET’S GO TO THE DOGS TONIGHT July 10.

June 25, 2025 by Jordan Deglise Moore Leave a Comment

Based on Alexandra Fuller’s memoir of the same name, Don’t Let’s Go to the Dogs Tonight captures the childhood of eight-year-old Bobo on her family farm in Zimbabwe (formerly Rhodesia) at the end of the Zimbabwean War for Independence in 1980. Growing up in the midst of this long running war, Bobo internalizes both sides of the struggle. Conflicted by her love for people on opposing sides, she tries to make sense of her life in a magical way. Through her eight-year-old gaze we witness Rhodesia’s final days, the family’s unbreakable bond with Africa, and the deep scars that war leaves on survivors.

Don’t Let’s Go to the Dogs Tonight writer-director Embeth Davidtz & executive producer Trevor Noah will participate in an in-person Q&A after the July 10 early access screening at the Royal.

The regular engagement will begin the following day at the Royal, followed by an expansion to all but one of our other theaters on July 18.

Leave a Comment Filed Under: Actor in Person, Claremont 5, Featured Films, Featured Post, Filmmaker in Person, Films, Glendale, Newhall, NoHo 7, Q&A's, Royal, Special Events, Theater Buzz, Town Center 5

“A gorgeous drama with an open, aching heart,” FAMILIAR TOUCH opens Friday at the Royal, Town Center, and Glendale.

June 25, 2025 by Jordan Deglise Moore Leave a Comment

As we approach 2025’s midway point, we are about to open one of the year’s finest films, the locally produced Familiar Touch. A sampling of critics’ encomiums is below. Writer-director Sarah Friedland and star Kathleen Chalfant will participate in Royal Q&A’s after the 7:30 P.M. shows on June 27 & 28; at the Town Center following the 12:50 P.M. show on June 29; and at the Glendale after the 4:30 P.M. show on June 29. Lydia Storie, Director of Culture Change at Caring Across Generations, will moderate the June 27 screening. You can also catch Friedland and Chalfant’s interview on the latest episode of Inside the Arthouse.
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“Familiar Touch is a film about forgetting, but it’s also a reminder — as moving, sincere and gracefully unadorned as any I’ve seen in some time — of the actor’s art.” ~ Zachary Barnes, Wall Street Journal

“A gorgeous drama with an open, aching heart.” ~ Jourdain Searles, RogerEbert.com

“Because writer-director Sarah Friedland’s debut finds so much depth in its subjective approach to memory loss, it loses much of its stigma and discovers wonder in its place.” ~ Jacob Oller, AV Club

“Friedland’s film, as sharp as it is soft, conveys both the terror of losing the life you recognize, and the intermittent, fragmented joy of finding it again.” ~ Guy Lodge, Variety

“In the end,  Familiar Touch reveals itself to be less about the agonies of change than in the concessions we make to feel closer to our loved ones and ourselves.” ~ Beatrice Loayza, New York Times

“There is great emotional heft to a relatively simple film, and a dignity and empathy afforded to dementia patients that feels astonishingly rare on-screen, where sensationalism tends to bring the house down.” ~ Hannah Strong, Little White Lies

“Familiar Touch can be sad, without question, but it’s also salty and boundlessly tender.” ~ Alison Willmore, New York Magazine/Vulture

“What Friedland keenly understands is the power of what’s unsaid, how memories can tie themselves to sound, smell, and touch too, and how sometimes those are the last to go.” ~ Brian Tallerico, RogerEbert.com

“Like any good coming-of-age movie, Familiar Touch never condescends. It takes its protagonist’s experience with dislocation, unrequited love and the desire to be understood quite seriously.” ~ Lovia Gyarkye, The Hollywood Reporter

“Friedland, who also wrote the film‘s script, is not given over to histrionics or blaring displays of emotion, instead asking us to follow Ruth and experience the world through her eyes. The impact is profound.” ~ Kate Erbland, IndieWire

“There’s a profound tenderness in Sarah Friedland’s affecting first feature and a rare empathy.” ~ Wendy Ide, Screen International

Leave a Comment Filed Under: News, Actor in Person, Featured Films, Filmmaker in Person, Films, Glendale, Inside the Arthouse, Q&A's, Royal, Theater Buzz, Town Center 5

“An engrossing thriller fueled by female rage,” the Iranian-Israeli drama TATAMI opens Friday at the Royal, next week at the Laemmle Glendale and Town Center..

June 18, 2025 by Jordan Deglise Moore Leave a Comment

This Friday we are proud to open TATAMI, the acclaimed collaboration between Iranian and Israeli filmmakers. Some plaudits from top American film critics:

“A superb example of pop cultural translation that freshens up the clichés of the sports corruption thriller and gives the actors and filmmakers a chance to flex their considerable skills.” ~ Matt Zoller Seitz, RogerEbert.com

“The mounting tensions of these moving parts — and steely performances by Mandi and Amir — make for an engrossing thriller fueled by female rage.” ~ Beatrice Loayza, New York Times

"An engrossing thriller fueled by female rage," the Iranian-Israeli drama TATAMI opens Friday at the Royal, next week at the Laemmle Glendale and Town Center..

“Despite its urgent political engagement, TATAMI never forgets to be a gripping watch.” ~ Catherine Bray, Variety

“Vibrantly helmed and performed, with co-director and Cannes best actress winner Zar Amir Ebrahimi playing one of the leads, the film is a win both behind and in front of the camera.” ~ Jordan Mintzer, Hollywood Reporter

Leave a Comment Filed Under: News, Featured Films, Featured Post, Films, Glendale, Royal, Theater Buzz, Town Center 5

A new comedy that draws inspiration from the great ones of the past, BAD SHABBOS opens Friday.

June 4, 2025 by Jordan Deglise Moore 1 Comment

A huge hit last weekend in New York, we’re excited to open the comedy Bad Shabbos this Friday at the Royal and Town Center with expansion runs planned around L.A. County in the subsequent weeks. The film follows David and his fiancée, Meg, who are about to have their parents meet for the first time over a Shabbat dinner. Things get far more complicated because of an accidental death (or murder?). With Meg’s Catholic parents due any moment, the family dinner soon spirals into a hilarious disaster.

The following Bad Shabbos screenings will feature in-person introductions or Q&A’s: Thursday, June 5 at the Royal w/director Daniel Robbins, producer Adam Mitchell & star Theo Taplitz, moderated by Hilary Helstein; Saturday, June 7, Town Center 5:15 P.M. with Robbins & Taplitz & 7:30 P.M (introduction only).; Royal 7:30 P.M. w/Robbins & Taplitz; Sunday, June 8, Town Center 1:00 w/Robbins & 3:05 P.M. (intro only); Royal 3:05 and 5:15 P.M. w/Robbins.

Bad Shabbos director Daniel Robbins is interviewed on the latest episode of Greg Laemmle and Raphael Sbarge’s video podcast Inside the Arthouse and also wrote the following about his film:

“My grandfather liked to joke that Christians will tell you they’re Christian, Muslims will tell you they’re Muslim, but Jews will tell you they’re Jew…ish.

“There’s a wide range to Judaism and the characters in this film fall in the middle of the spectrum. They’re people who take their faith seriously, but also interact with the secular world. People who, instead of planting their flag on one end of the spectrum, try to exist in between. People who try to manage the polarities of a secular life and a religious one.

“I chose to portray this segment of Judaism not just because it’s how I grew up, but because of the metaphor it presents for a family. Each family is constantly managing its own polarities. Between familial expectations and personal freedoms. Between unconditional love and constructive criticism.

“Between tradition of the old and tolerance for the new. This film is about a family trying to find its place, on a night when they’re meeting the in-laws for the first time, while there’s a dead body in their bathroom.

“It’s a fun, kinetic ride that pulls from the great comedies of the past. There are pieces stolen from Ernst Lubitsch’s blocking, Billy Wilder’s efficiency, Woody Allen’s aesthetic, Mike Nichols’s performances, and Nora Ephron and Neil Simon’s dialogue. But the greatest heist is probably from the early 2000’s comedies I grew up watching. The films Meet the Parents and My Big Fat Greek Wedding were constantly playing on my parents’ TV, broken up with whatever commercials TNT decided to include. These two films were comedies with tight scripts, big laughs, some heart, and authentic portrayals of their subcultures — Chicago Greeks and Long Island Christians. Additional influences were The Birdcage and Death at a Funeral.

The film was shot entirely on location on the Upper West Side. It was important to make it as authentic as possible and stay true to that setting – including shooting at the iconic Upper West Side staple Barney Greengrass and giving the owner Gary Greengrass a small role. The apartment was an actual apartment on 81st Street on the 16th floor, however the lobby was shot in a different building on Riverside drive, the same building they used for Tom Hanks’s lobby in You’ve Got Mail (also a favorite of ours).

Our team’s first goal with Bad Shabbos was to make a film that authentically portrays my subculture — New York Jews. My family gathered for Shabbos dinner every Friday night and, even on the more chaotic nights, there was an underlying warmth. Then our second and, perhaps, main goal was to take everything we love about the comedies of old and — like the characters in this film — try to adapt to modern times.”

From Bob Strauss’s review in the San Francisco Chronicle:

“Jews and gentiles in love have been comically upsetting their respective families for at least 103 years, since the popular stage play “Abie’s Irish Rose” debuted. Dinner parties gone awry are also a theatrical — and by extension, movie and television — staple.

“Mix them together with an inconvenient corpse, and you’ve got the recipe for Bad Shabbos. More crucial ingredients in Daniel Robbins’ New York farce include verbal dexterity and spry visuals, which give the sense of a well-done theatrical production that’s a real movie as well.

“Primarily set in an Upper West Side apartment, the film also boasts a game ensemble, each member of which knows just how to take their moments in the spotlight. Characters aren’t deep but not stick figures either; their flaws and needs become more pronounced as the pressure mounts from a sudden death  — or was it murder?

“Sure, certain roles bear unmistakable traces of stereotype, but no one is solely defined by the fact that they’re a Jewish mother or Midwestern Catholic. Everyone’s core impulses take them to surprising and darkly funny but believable places. And growth is a nice, nourishing dish on this Sabbath comedy’s table.

“Jon Bass (“Miracle Workers”) and Meghan Leathers (“For All Mankind”) are David and Meg, facing their final hurdle to getting married: her Catholic parents coming in from Wisconsin to meet his Jewish family, the Gelfands, for Friday night dinner.

“Observant but not super orthodox, David’s mom Ellen (Kyra Sedgwick) has issues with her future daughter-in-law’s not quite kosher kitchen skills (for starters), while his dad Richard (David Paymer) seems more devoted to his self-help psychology books than to the Talmud.

“Also at the Shabbat is David’s scrawny kid brother, a wannabe Israel Defense Forces commando named Adam (Theo Taplitz, who has the looks and intensity of a very young Adrien Brody), their sister Abby (Milana Vayntrub) and her crummy boyfriend Benjamin (Ashley Zukerman). They all work up believable irritations and concerns before the deadly incident hijacks everyone’s attention.

“With varying success, they attempt to carry on like nothing’s wrong when Meg’s parents, Beth (Catherine Curtin) and John (John Bedford Lloyd), arrive. Prayers and rituals get made up to keep the visitors distracted and away from the body in the kitchen. There are high degrees of cleverness and silliness to all of this.

“But top comic delivery honors go to Vayntrub (of AT&T commercials and, more recently, the Menendez brothers “Monsters” fame) as an unhappy woman who becomes both increasingly drunk and the situation’s moral center. When Ellen disapprovingly learns she drove over on the Sabbath, Abby replies, “How is this worse than murder?”

“Likewise, Lloyd is a slow-burn marvel who builds John from a subtle to a loudly aggrieved fount of micro-anti-semitisms.

“Honorable mention goes to Clifford “Method Man” Smith, who as the building’s doorman Jordan makes it his business to help the only resident family he likes. Additionally, Jordan brings a suspensefully useful ticking clock element as his shift change approaches.

“As noted, Bad Shabbos is about growth as well as laughs, and no one exemplifies that better than Leathers. Lightly touching on Meg’s resentment at having to convert while her fiancé needn’t do anything, she nonetheless gleans practical insights from her rabbinical studies and has a gift for sharing what she knows. As does writer-director Robbins, who modeled the Gelfands on his own family.

“Without making a big deal out of any of their traits, he gives us specific, authentic characters who live their traditional beliefs with modern attitudes. Neither too “oy vey” nor “Weekend at Bernie’s” but steeped in the best aspects of both Jewish and black comedy, Bad Shabbos is a treat any night of the week.”

1 Comment Filed Under: News, Actor in Person, Director's Statement, Featured Films, Featured Post, Filmmaker in Person, Filmmaker's Statement, Films, Glendale, Greg Laemmle, Inside the Arthouse, Newhall, NoHo 7, Press, Q&A's, Royal, Theater Buzz, Town Center 5

THE LAST TWINS Q&A’s June 19-21 at the Royal and Town Center.

June 3, 2025 by Jordan Deglise Moore Leave a Comment

Join us for The Last Twins Q&A’s at Laemmle Royal on Thursday, June 19th at 7:30 P.M. with filmmakers Perri Pelt & Matthew O’Neill, and Judith Richter, who is a participant in the film; Jonathan Jacoby will moderate; and at Laemmle Town Center on June 20th at 5:20 P.M. with the filmmakers and Judith Richter; and June 21st at 7:30 P.M. with Judith Richter and Dr. Nancy Segal moderating the discussion.

 

Leave a Comment Filed Under: Filmmaker in Person, Films, Q&A's, Royal, Theater Buzz, Town Center 5

CROUPIER 25th Anniversary Screening with Clive Owen in Person June 4 at the Royal.

May 27, 2025 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present a 25th anniversary screening of ‘Croupier,’ the sleeper hit that helped to save the specialized movie business during a dry period at the beginning of the 21st century. Mike Hodges, the director of the British crime thriller ‘Get Carter’ with Michael Caine, had his most acclaimed film since then when he directed ‘Croupier.’

Clive Owen, who had mainly appeared in British television dramas before this, rose to full-fledged movie stardom as a result of this movie. He plays an aspiring writer who takes a job at a casino where he juggles a few romantic relationships and also has to contend with a robbery threat. Alex Kingston, Gina McKee, Kate Hardie, and Nicholas Ball costar. The script was written by Paul Mayersberg, who also wrote Nicolas Roeg’s ‘The Man Who Fell to Earth’ and ‘Eureka,’ as well as Nagisa Oshima’s ‘Merry Christmas, Mr. Lawrence.’

The film opened in England in 1999 but made few waves at the box office. When it came to America in 2000, veteran marketing executive Mike Kaplan (who had worked frequently with Stanley Kubrick, Lindsay Anderson, Robert Altman, Alan Rudolph, and Malcolm McDowell) devised a whole new marketing campaign that highlighted Owen’s resemblance to tough-guy Hollywood stars like Humphrey Bogart, Robert Mitchum, and Richard Widmark. The strategy worked, and the picture lit up art house screens for several months, eventually reaching mainstream theaters as well.

The New York Times’ Stephen Holden called the film “a breezy meditation on life as a game of chance,” and he added, “Clive Owen conveys a sharp, cynical intelligence that rolls off the screen whenever he widens his glittering blue eyes.” Newsweek’s David Ansen declared, “Coolly hypnotic, the lean British sleeper ‘Croupier‘ is a reminder that movies don’t have to wave their arms and scream to hold our attention.” Roger Ebert wrote that Owen has “the same sort of physical reserve as Sean Connery in the Bond pictures.”

Newsday’s Gene Seymour wrote, “Not since 1971 has British director Mike Hodges made a movie as deep, dark and compelling as this thriller.” British film journal Sight and Sound concurred that “Hodges is unfailingly professional in matching style to story.”

The movie’s success catapulted Owen to full-fledged stardom, and he went on to work with many of the world’s top directors and stars. He earned an Oscar nomination when he costarred with Julia Roberts, Jude Law, and Natalie Portman in Mike Nichols’ ‘Closer.’ He costarred in Spike Lee’s ‘Inside Man’ with Denzel Washington and Jodie Foster. Owen was part of the large ensemble cast in Robert Altman’s Oscar-winning ‘Gosford Park.’ He had the leading role in Alfonso Cuaron’s futuristic thriller ‘Children of Men.’ He played Sir Walter Raleigh to Cate Blanchett’s Queen Elizabeth in ‘Elizabeth: The Golden Age,’ then re-teamed with Roberts in ‘Duplicity.’ He also starred with Juliette Binoche in Fred Schepisi’s ‘Words and Pictures.’

Owen scored on television as well, starring in Steven Soderbergh’s acclaimed medical series ‘The Knick.’ He earned an Emmy nomination playing Ernest Hemingway in Philip Kaufman’s ‘Hemingway and Gelhorn,’ co-starring with Nicole Kidman. In Ryan Murphy’s TV miniseries ‘American Crime Story,’ Owen played President Bill Clinton during the Monica Lewinsky affair. And he recently played an older version of detective Sam Spade in ‘Monsieur Spade.’

Mike Kaplan will introduce the screening by reporting on its troubled but ultimately triumphant history. Owen will participate in a Q&A after the film.

Leave a Comment Filed Under: Actor in Person, Anniversary Classics, Featured Films, Featured Post, Films, Q&A's, Repertory Cinema, Royal, Theater Buzz

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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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