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Home » Theater Buzz » Playhouse 7 » Page 52

THE FAREWELL PARTY Filmmakers: “When the body fails and the mind remains lucid, self-irony and humor remain the best way to cope with the prospect of death.”

May 27, 2015 by Lamb L.

THE FAREWELL PARTY is an acclaimed Israeli comedy about the residents of a retirement home who build a machine for self-euthanasia in order to help their terminally ill friend, though they are faced with a series of dilemmas when rumors of the machine begin to spread. (Yes, it’s a comedy.) Well into their ’70s, Yehezkel and his wife Levana are living a comfortable life inside a Jerusalem retirement home. When it comes to retirement, there are some people who find this adjustment an easy one. Even though before this, there is a lot to understand like understanding what Key Equity Release is, for example, and managing finances, but when the time does come to give up working life, hopefully, a lot of people will find it worthwhile, just like Yehezkel and his wife have done. It’s also useful looking into financial benefits that retirees may be eligible to. Things like social security benefits are definitely worthwhile with the ability to cover your spouse and close family members as well as yourself. If you want to learn more, you can look how Social Security spousal benefits are calculated here.

But their contented lives are soon dealt a deep shock when their dear friend Max falls prey to an irreversible illness. Looking for a way out, Max asks Yehezkel for help to end his suffering. Whilst many in real life in these situations end up ignored, and need help from a nursing home neglect lawyer to get the support needed, it is different here. Yehezkel, a longtime amateur inventor, rises to the challenge by constructing a machine that will allow Max to self-administer a dose of tranquilizers. Levana, however, believes that such a device is immoral, and expresses her passionate disapproval. But when Levana herself begins to face a serious health issue, Yehezkel finds that his feelings about his new contraption become increasingly complicated. In THE FAREWELL PARTY, co-directors Sharon Maymon and Tal Granit have tackled an extremely sensitive issue in a vibrant and unique way. You will cry while watching this movie, but whether from laughter or compassion will be difficult to separate.

Co-directors Sharon Maymon and Tal Granit had this to say about their acclaimed — THE FAREWELL PARTY won four Israeli Academy Awards, including in Best Actor for Israeli star Ze’ev Revach, and received a total of 14 nominations, including Best Film, Director, Screenplay, and Actress — film:

“‘For against your will you are formed, against your will you are born, against your will you live.’ ~ Ethics of the Fathers, Chapter 4). Can you at least determine when to die? THE FAREWELL PARTY deals with separation. Separation from someone you love, separation from yourself – when the mind begins to fail, and the separation from life and the right to choose how it all ends. The main characters are senior citizens, in a retirement community in Jerusalem, people who have retired from their life’s work – these type of people are not usually heroes of movies. But out of that very place of retirement and inactivity, they decide to gain control over their fate. As in any tragedy where the protagonist tries to change his destiny and of those surrounding him, there isan unbearable price to pay. THE FAREWELL PARTY is also a film about love and friendship. Our five main characters find comfort, strength and hope in each other in the difficult and funniest moments of life. The plot is not autobiographical, but is based on personal experiences accumulated while caring for a ‘Helga;’ someone close to us, towards the end of their life. In our process of saying goodbye to a loved one, we discovered that when the body fails and the mind remains lucid, self-irony and humor remain the best way to cope with the prospect of death. In our films we try to deal with contemporary social issues, which are often controversial. We try to break the emotional drama with absurd and comic elements. We do so also by casting comedians, and in the case of this film some of the icons of Israeli comedy, in dramatic roles. We feel this makes this difficult and important issue more accessible to our audience, and hopefully, as in life, they will laugh as they wipe away their tears.”

https://www.youtube.com/watch?v=AwdRGUqTTLU

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Filed Under: Featured Films, Playhouse 7, Royal, Town Center 5

Laemmle Theatres & EAT|SEE|HEAR Join Forces for THROWBACK THURSDAY Film Series

May 27, 2015 by Lamb L.

New #TBT Throwback Thursday Series Kicks Off with “Swimming With Sharks” on Thursday, June 4 at Laemmle’s Playhouse 7 Theatre in Pasadena. Get your tickets now!

Opening Night, Every Attendee Will Have a Chance to Win a Pair of Tickets to any upcoming Laemmle film plus a free large popcorn and drink.

Eat|See|Hear, L.A.’s premier outdoor movie, food truck and live music event series, and Laemmle Theaters today announced the first eight movies of their 2015 Throwback Thursday (#TBT) schedule featuring an offbeat mix of older nostalgic and cult films.  #TBT runs every single Thursday night beginning June 4th through 2016 at rotating Laemmle Theaters across Los Angeles.

Each night will feature a themed FOOD TRUCK for patrons to grab dinner and a movie!  For instance, a truck serving French cuisine (frog legs) may accompany a screening of The Triplets of Belleville.  All movie-goers (not just those attending Throwback Thursday) will be allowed to bring food truck items inside the venue.

With respect to the “Hear” aspect, patrons will relax inside the auditorium to playlists specifically curated for each event as they wait for the program to start. What’s more, on certain occasions, celebrities connected to the film will be on hand to make a special presentation or stay afterward for a Q&A.

Tickets are available at http://www.laemmle.com/tbt

Sharon Sperber, Executive Producer at Eat|See|Hear says, “We have partnered with Laemmle Theatres on a variety of events over the last number of years so it was a natural fit for us to join forces to create a regular weekly series designed to show movies we want to see again on the big screen and think everyone else should check out the experience in a theater environment, too.”

Greg Laemmle, President of Laemmle Theatres, concurs: “Working with Eat|See|Hear on Throwback Thursdays allows us to create innovative, event-style programming for our various communities.  In addition, it gives movie buffs a chance to experience theatrically a great selection of eclectic titles that don’t typically get shown on the repertory circuit.  And there’s going to be great food – so what’s not to love?”

Plans for the series include films that have connections to upcoming major releases, such as WESTWORLD in honor of the upcoming Jurassic World and the cult movie SHOWGIRLS timed with the release of Magic Mike XXL. There will also be monthly themes such as “Summer/Beach Movies,” “Back to School,” “Music Films” (not to be confused with Musicals) and a Gangster series featuring such movies as GOODFELLAS and MARRIED TO THE MOB.

Tickets are $12 and may be purchased online at http://www.laemmle.com or at the theater. As with regular screenings, discounts are available for children, seniors, and Laemmle Premiere Card holders.

2015 #TBT SCHEDULE: June-July

DATE VENUE FILM
June 4 Laemmle Playhouse 7 in Pasadena Swimming with Sharks (1994)
June 11 Laemmle NoHo 7 in NoHo Westworld (1973)
Jun 18 Laemmle Royal in West LA Flash Gordon (1980)
Jun 25 Laemmle Music Hall in Beverly Hills Showgirls (1995)
July 2 Laemmle NoHo 7 in NoHo 2001: A Space Odyssey (1968)
July 9 Laemmle Royal in West LA Triplets of Belleville (2003)
July 16 Laemmle Playhouse 7 in Pasadena Innerspace (1987)
July 23 Laemmle Music Hall in Beverly Hills Raging Bull (1980)
July 30 TBA TBA

*Venues and movies subject to change – check http://www.eatseehear.com/tbt or www.laemmle.com for possible updates to the schedule.

Typical Event Schedule

  • 6:30pm – Food Truck Arrives
  • 7:30pm – Movie begins

For more information about the #TBT series, guests are encouraged to visit the Eat|See|Hear website or Laemmle website as well as the Eat|See|Hear Facebook page, Twitter feed (@EatSeeHear) and Instagram for the latest updates.

About Eat|See|Hear

Voted “Best Outdoor Movie Series” by Los Angeles Magazine in 2014, the Eat|See|Hear outdoor movie, food truck and live music series brings an evening of fun to Los Angeles-area venues each summer. The fourth annual summer series is presented by Showtime Networks, featuring up-and-coming bands from the local music scene, the hottest food trucks and the largest inflatable movie screen west of the Mississippi with the highest quality HD-projection with a 52-foot wide image and professional sound. Eat|See|Hear promises an enjoyable movie-going experience for everyone, including dogs. Each event and is produced by LA-based Trailhead Marketing, Inc. For more information visit www.eatseehear.com.

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Filed Under: Music Hall 3, NoHo 7, Playhouse 7, Royal, Throwback Thursdays

SUNSET EDGE Filmmaker Daniel Peddle in Person at the Playhouse 7

May 23, 2015 by Lamb L.

SUNSET EDGE is an exquisitely crafted, meditative portrayal of disaffected youth set in a graveyard of abandoned mobile homes. Part gothic thriller, part coming-of-age tale, filmmaker Daniel Peddle’s narrative feature film debut is a Hitchcockian mash-up that upends teenage horror films. On a lazy afternoon, we follow four aimless suburban teenagers as they explore the ruins of an uninhabited trailer park. As the unsuspecting teens find escape and companionship in this ghost town-turned-amusement park, a lonesome boy lurks amongst them, unearthing clues to his horrific past.

We open SUNSET EDGE on Friday, May 29 at the Playhouse 7. The filmmaker will be there to participate in Q&A’s after the 7:50 PM screenings on Sunday, May 21 and Monday, June 1.

https://vimeo.com/84540744

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Filed Under: Filmmaker in Person, Playhouse 7, Q&A's

Girl Talk HQ on MARIE’S STORY: “Incredible True Story of Marie Huertin: A Deaf & Blind Girl Whose Life was Transformed by a Nun”

May 19, 2015 by Lamb L.

The new French drama MARIE’S STORY is set in a nineteenth-century convent, where the idealistic Sister Marguerite sees in a deaf and blind girl a unique potential, and despite her Mother Superior’s skepticism, vows to bring the wild young thing out of the darkness into which she was born. Based on true events, MARIE’S STORY recounts the courageous journey of a young nun and the lives she would change forever, confronting failures and discouragement with joyous faith and love. We are pleased to open the film at the Royal on Friday, May 29 as well as the next day at the Playhouse 7.

This week Girl Talk HQ, “a daily news blog dedicated to female empowerment and inspiration for millennial women,” posted a great piece about MARIE’S STORY that begins:

marie2 all about supporting films that feature female stories and lead characters, which is why we fell in love with French film MARIE’S STORY, directed by Jean-Pierre Ameris. The film stars Ariana Rivoire as the difficult yet extraordinary Marie Heurtin, and Isabelle Carre as the Catholic Nun Sister Margeurite who saw the beauty and depth in a girl who society shunned.

At the turn of the 19th century, a humble artisan and his wife have a daughter, Marie, who is born deaf and blind and unable to communicate with the world around her. Desperate to find a connection to their daughter and avoid sending her to an asylum, the Heurtins send fourteen-year-old Marie to the Larnay Institute in central France, where an order of Catholic nuns manage a school for deaf girls. There, the idealistic Sister Marguerite sees in Marie a unique potential, and despite her Mother Superior’s skepticism, vows to bring the wild young thing out of the darkness into which she was born.

It is a true story depicting a stunning visual sequence of a life transformed despite the odds. Sister Marguerite’s persistence is the most heart-warming part of this film. We were glued to the screen watching how on earth she was going to transform the life of this teen girl who everyone else had pretty much given up on.

Read the rest of the piece at girltalkhq.com.

http://www.youtube.com/watch?v=7HG-bDNEumw

 

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Filed Under: Featured Films, Playhouse 7, Royal

Climate Ride 2015 Is This Weekend! Support the Environment and Our Riders at the Concessions Stand!

May 13, 2015 by Lamb L.

Greg Laemmle, Team LACBC and our contest winners embark on Climate Ride 2015 this Sunday, May 17th!

Follow Greg on Twitter (@greglaemmle) for the latest ride updates as he makes his way from California’s historic Redwood Empire near Eureka, along the scenic coast, and into the famed Russian River Valley before crossing the Golden Gate Bridge into San Francisco.

We’re halfway to our fundraising goal and your help could put us over the top. Just purchase one (or more) of our tasty Climate Ride Concession Specials the next time you see a movie at any of our locations.

When you purchase a –
• CLIF BAR, we give $1 to Climate Ride California
• O.N.E. Coconut Water, we give $2.
• Climate Ride Combo, we give $3.

Climate Ride California raises money for projects and organizations that work on climate change, clean energy, active transportation, sustainable infrastructure, and public health. It seeks to increase awareness and understanding of the inter-connectedness of environmental issues caused by the climate crisis among participants, donors, sponsors, and the general public. For more information, visit: http://www.climateride.org/

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Filed Under: Charity Opportunity, Claremont 5, Music Hall 3, NoHo 7, Playhouse 7, Royal, Town Center 5

‘(Dis)Honesty – The Truth About Lies’ Q&A’s this Weekend with Best-Selling Author Dan Ariely

May 12, 2015 by Lamb L.

It’s human nature to lie; we all do it. From scandalous headlines to little white lies, (Dis)Honesty – The Truth About Lies explores the complex impact dishonesty has on our lives and everyday society. Interweaving groundbreaking experiments from celebrated behavioral economist Dan Ariely with personal stories from individuals affected by the unraveling of their lies, Ariely and a team of scientists uncover our propensity to be dishonest, sometimes even unknowingly. What’s revealed is a fascinating look at the forces behind our collective behavior and the many truths behind lies.

We’ll be opening (Dis)Honesty – The Truth About Lies a week-long engagement this Friday at the Playhouse 7 and have weekend morning shows at the Claremont and Royal. Here’s the Q&A schedule:

Friday May 15, Q&A Following the 7:40pm show at the Playhouse with Director Yael Melamede and Dan Ariely;
Saturday May 16, Q&A Following the 11:00am show at the Royal with Director Yael Melamede and Dan Ariely;
Saturday May 16, Q&A Following the 7:40pm show at the Playhouse with Director Yael Melamede and Dan Ariely.

http://www.youtube.com/watch?v=Ql4tRBlQIoU

 

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Filed Under: Claremont 5, Playhouse 7, Q&A's, Royal

André Téchiné on the Themes that Motivated Him to Make IN THE NAME OF MY DAUGHTER: ““I love you how you must be loved, with excess, madness, ardor and despair.’”

May 6, 2015 by Lamb L.

This month we’ll be opening the intense new French thriller IN THE NAME OF MY DAUGHTER, (originally L’homme qu’on aimait trop). Directed by master André Téchiné (My Favorite Season, Wild Reeds), Catherine Deneuve stars as a glamorous casino owner in 1970s Nice. The drama begins when her daughter (Adèle Haenel) moves back home, falls in love with her mother’s formerly trusted adviser (Guillaume Canet), commits a major betrayal and then disappears. Thirty years later, her mother is determined to see justice done. M. Téchiné sat for an interview about his latest film:

The film started out as a commission. What did they want you to do?

Originally, the idea was for me to make a loose adaptation of Renée Le Roux’s memoirs, Une femme face à la mafia (lit: A woman up against the Mafia) written by her son Jean- Charles. From the outset, I knew that I wanted Catherine Deneuve to play the part of Renée Le Roux. The book tells the story of the casino wars on the French Riviera between the 1970s–1980s, from the protagonist’s point of view. It includes the account of the take-over of Madame Le Roux’s Palais de le Mediterranée casino by Jean-Dominique Fratoni, with the support of Jacques Medecin, the then-mayor of Nice. The casinos in this story are a far cry from the casinos of today. In fact, some of the most popular ones, like the ntc33, operate solely as online casinos now. It adds to the growing list of online casino websites that players can enjoy from the comfort of their own homes. Casinos are becoming more accessible, with some allowing their users to play and deposit with phone credit and other amenities. However, this abundance of online casinos isn’t necessarily a good thing. Back in the 1970s-1980s, when the story was set, you knew how good a casino was because of its reputation. You could guarantee that lots of people would have visited them and could give an opinion on them. Today, there are so many online casinos, meaning there will be many which won’t have been played by people you know, so you won’t know how good they are. This is where sites like Casino Martini come in handy; they review online casinos like Barbados so you know which ones are best to use.

André Téchiné. Photo by Roberto Frankenberg. Courtesy of Cohen Media Group.

What interested you about this story?

I focused my attention on the relationship between Renée Le Roux, her daughter Agnès, and Maurice Agnelet: the iron-fisted mother, the rebellious daughter and Agnelet’s desire for recognition by society. It was Agnès that I was most interested in. I wanted to paint her portrait. I agreed to make the film after reading the letters that Agnès had written to Agnelet because, quite unexpectedly, I found a surprising resemblance with another female character that I had long wanted to bring to the screen, Julie de Lespinasse. There are many parallels between the passionate love letters of this woman of letters and Agnes – heir to the Palais de la Mediterranée’s – letters. For example: “I love you how you must be loved, with excess, madness, ardor and despair.”

You turned the story of the casino wars into a story of psychological confrontation that takes on a myth-like status.

This is a war film. But on a human level. I was determined not to remove the events that drive the plot. I wanted to show the process of a takeover of power, the methods used to bring down a casino, the workings of a business in this very shady environment with all the elements of cruelty and servitude. I wanted to follow through on all the events that really happened until the downfall, until defeat. This war-like aspect structures the narrative.

[Read more…]

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Filed Under: Featured Films, Playhouse 7, Royal, Town Center 5

‘CicLAvia: Pasadena’ is Sunday, May 31st! Stop by our Playhouse 7!

May 6, 2015 by Lamb L.

Join us for a day of car-free fun at our Playhouse 7 theater during CicLAvia on Sunday, May 31st! Our green screen photo booth will transport you directly into scenes from iconic films like BREAKING AWAY, PEE WEE’S BIG ADVENTURE, and more! You can vote for your favorite scenes here. Plus, any photos shared on Twitter and Instagram using #LaemmleVia will appear on one of our movie screens! Come inside, sit back with friends, post photos, enjoy some free popcorn, refill your water, and listen to Pasadena-related songs.

Follow us on Twitter, Instagram, and Facebook for updates!

CicLAvia – Pasadena takes place from 9:00 a.m. – 4:00 p.m. on Sunday, May 31. Our Playhouse 7 theater located right on the route at 673 East Colorado Boulevard, just east of El Molino Avenue.

laemmle-ciclavia-pasadena

Since 2010, CicLAvia has challenged the concept of Southern California as a car-only region. By temporarily removing cars from streets for one day, people are encouraged to transform their relationship with their communities and with each other.

New to CicLAvia? Here are four things you need to know for May 31:

  • It’s FREE!
  • It’s not a race and you don’t need a bike to participate. You can walk or skate to your heart’s content.
  • There’s no beginning or end. You can start anywhere and go as far or as short as you want.
  • The flow of participants goes both ways, just like regular traffic.

Hope to see you there!

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Filed Under: Around Town, Featured Post, Playhouse 7

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Bille August on adapting a Stefan Zweig novel for his new film THE KISS ~ “It’s probably one of the most beautiful and peculiar stories that exists.”

“I wanted to bring to light the inner lives of these women, their mutual attraction, their powers, the ways in which they conceal in order to reveal at their own pace.” BONJOUR TRISTESSE opens Friday.

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Single mother Sylvie (César Award-winner Virginie Efira) lives with her two young sons, Sofiane and Jean-Jacques. One night, Sofiane is injured while alone, and child services removes him from their home. Sylvie is determined to regain custody of her son, against the full weight of the French legal system in this searing Cannes official selection.

“Virginie Efira excels [in this] gripping debut.” - Hollywood Reporter
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Laemmle Theatres and the Anniversary Classics Series present a special screening of one of the best loved movies of the 20th century, Jerry Zucker’s smash hit supernatural fantasy, 'Ghost.' When the movie opened in the summer of 1990, it quickly captivated audiences and eventually became the highest grossing movie of the year, earning $505 million on a budget of just $23 million.
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A tale of two broken souls. A call-girl named Yumi, “night-blooming flower,” and Tetsuro, a married man with a debt to the yakuza, have a violent rendezvous in a cheap love hotel. Years later, haunted by the memory of that night, they reconnect and begin a strange love affair. "[Somai's] exquisite visual compositions (of lonely bedrooms, concrete piers, and nocturnal courtyards) infuse even the film’s racy images with a somber sense of longing and introspection, finding beauty and humanity in the midst of the macabre." ~ New York Times #LoveHotel #ShinjiSomai #JapaneseCinema
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Tickets: http://laemmle.com/film/lost-starlight | Subscribe: http://bit.ly/3b8JTym | In 2050 Seoul, astronaut Nan-young’s ultimate goal is to visit Mars. But she fails the final test to onboard the fourth Mars Expedition Project. The musician Jay buries his dreams in a vintage audio equipment shop.

The two fall in love after a chance encounter. As they root for each other and dream of a new future. Nan-young is given another chance to fly to Mars, which is all she ever wanted…

“Don’t forget. Out here in space, there’s someone who’s always rooting for you

Tickets: http://laemmle.com/film/lost-starlight

RELEASE DATE: 5/30/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/ghost | Subscribe: http://bit.ly/3b8JTym | Sam Wheat (Patrick Swayze) is a banker, Molly Jensen (Demi Moore) is an artist, and the two are madly in love. However, when Sam is murdered by friend and corrupt business partner Carl Bruner (Tony Goldwyn) over a shady business deal, he is left to roam the earth as a powerless spirit. When he learns of Carl's betrayal, Sam must seek the help of psychic Oda Mae Brown (Whoopi Goldberg) to set things right and protect Molly from Carl and his goons.

Tickets: http://laemmle.com/film/ghost

RELEASE DATE: 5/21/2025
Director: Jerry Zucker
Cast: Patrick Swayze, Demi Moore, Whoopi Goldberg, Tony Goldwyn

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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Tickets: http://laemmle.com/film/polish-women | Subscribe: http://bit.ly/3b8JTym | Rio de Janeiro, early 20th century. Escaping famine in Poland, Rebeca (Valentina Herszage), together with her son Joseph, arrives in Brazil to meet her husband, who immigrated first hoping for a better life for the three of them. However, she finds a completely different reality in Rio de Janeiro. Rebeca discovers that her husband has passed away and ends up a hostage of a large network of prostitution and trafficking of Jewish women, headed by the ruthless Tzvi (Caco Ciocler). To escape this exploitation, she will need to transgress her own beliefs

Tickets: http://laemmle.com/film/polish-women

RELEASE DATE: 7/16/2025
Director: João Jardim
Cast: Valentina Herszage, Caco Ciocler, Dora Friend, Amaurih Oliveira, Clarice Niskier, Otavio Muller, Anna Kutner

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Recent Posts

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