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“It’s a story of how we survive our parents, and the beauty of that survival.” Filmmaker Alessandra Lacorazza Samudio on IN THE SUMMERS, opening September 20 at the Royal and September 27 at the Town Center and NoHo.

September 11, 2024 by Jordan Deglise Moore Leave a Comment

Winner of the U.S. Dramatic Grand Jury Prize at Sundance, In the Summers is a brilliant portrayal of resilience and survival that follows siblings Violeta and Eva. They live in California with their mother, but every summer travel to Las Cruces, New Mexico, to spend time with their loving but unpredictable father, Vicente. Over the course of four formative summers that span adolescence to early adulthood, Violeta and Eva learn to appreciate their father as a person.

Lovia Gyarkye of the Hollywood Reporter wrote that “the feature is a visual poem, an enveloping four-stanza ode to experiences shared by a man and his daughters.”

“These understated scenes of familial intimacy introduce Lacorazza Samudio as a director with a deft hand for crafting character development from lived-in behavior rather than dialogue…In the Summers is the type of personal, confidently executed first outing that should hopefully put the filmmaker on an auspicious track to produce other keenly humanist work.” ~ Carlos Aguilar, Variety

“The most impressive work belongs to that of Residente, a Puerto Rican rapper otherwise known as René Pérez Joglar. As [Vicente], Residente avoids the pitfalls of playing bad fathers… Residente finds the subtlety in his flaws…Because of this attention to the environment that shapes these hot days, In the Summers is brimming full of its characters’ internal aches rendered elegantly across time.” ~ Esther Zuckerman, IndieWire

In the Summers actor Sasha Calle will participate in a Q&As at the Royal on Friday, September 20.

Writer-director Alessandra Lacorazza Samudio’s statement:

“My father was a brilliant and beautiful man. Maybe the smartest person I’ve ever known. He had a love of science he wanted to share, even when his audience wasn’t eager. I knew he was prone to anger and drinking and probably drugs. But there was a lot I didn’t understand until he died. 

“I was in a bad car accident with my father and sister when I was young, one where I was severely injured and suffered traumatic brain trauma. What I thought happened was there was a car accident, an ambulance came, and we were taken to the nearest hospital, and eventually we recovered. What I found out after his death, was that he had to drag our bodies from the wreckage and walk down a deserted road until someone stopped to help him. That realization took the car accident, which I have always thought of as my trauma, and made me realize it was also his trauma. Our shared trauma. It made me realize there was a deeper complexity to my father. A deeply wounded, chaotic, man raised me but he also had a deep love for his daughters. 

“And so I started the long process of creating In the Summers. My aim was to explore this human who, for better or worse, was the root of so much of me. During this process I kept asking, can we make amends? For our missteps, our words, our actions? Or will they forever define us? The closer I get to finishing this film the more I realize that the issue is with the question. Life is far more complex. 

“In the Summers explores Latine identity through its characters and how it intersects with fatherhood, addiction, trauma, sexuality and access to opportunity. It’s a story of how we survive our parents, and the beauty of that survival. This is a personal film for me not only because it is inspired by my life but because I want to see complex Latine and Queer characters shown in an honest way. Thank you for considering this project and having the opportunity to tell my story.”

Leave a Comment Filed Under: Director's Statement, Featured Films, Filmmaker in Person, Films, NoHo 7, Q&A's, Royal, Theater Buzz, Town Center 5

The “spiky, hilarious, and thoroughly unorthodox screwball comedy” BETWEEN THE TEMPLES is charming critics and audiences.

August 28, 2024 by Jordan Deglise Moore 2 Comments

The new comedy Between the Temples, starring Jason Schwartzman as a troubled cantor who finds his world turned upside down when his grade school music teacher (a never-better Carol Kane) re-enters his life as his adult Bat Mitzvah student, is living up to the hype and bringing audiences into theaters. Peruse this sampling of the catalyst for the film’s success, critics’ reviews:

“A spiky, hilarious, and thoroughly unorthodox screwball comedy about a grief-stricken cantor who loses his voice, only to find that he’s surrounded by a chorus of well-intentioned people who are happy to speak for him.” ~ David Ehrlich, indieWire

“We get the sense that Silver would be perfectly happy just sitting there and watching these people forever, story and conflict and resolution be damned. And it really is in these characters’ close exchanges that the movie comes to life.” ~ Bilge Ebiri, New York Magazine/Vulture

“Both stars — romantic leads with character actor cred — have the power to be funny and heartbreaking simultaneously, and their unique chemistry drives the film’s craziness and humanity.” ~ Thelma Adams, AARP Movies for Grownups

“Between the Temples emerges as a quirky and effective showcase for two actors known for playing oddball characters. Kane and Schwartzman bounce off each other so well that their work alone makes the film worth seeing.” ~ Odie Henderson, Boston Globe

“The relationship that unfolds, with shades of Harold and Maude, is honest and unsparing, as well as being blatantly Freudian.” ~ Kevin Maher, Times

“The movie is consistently funny, but its humor tends to be fairly gentle because it’s rooted in human behavior rather than in condescending, judgmental ideas about such behavior.” ~ Manohla Dargis, New York Times

“Schwartzman is very affecting as a perplexed, tragicomic galoot and Kane is a marvel.” ~ Jonathan Romney, Financial Times

“Shot wanly on film in wintertime, Between the Temples takes a while to reveal its depths – its linguistic wit, its cockeyed humor and compassion, how it can modulate from deadpan-slapstick to achingly poignant and still feel authentic in both keys.” ~ Kimberley Jones, Austin Chronicle

“With both misery and comedy, director Nathan Silver satisfyingly captures the Jewish experience.” ~ Joey Shapiro, Chicago Reader

“The real attraction here is the interplay between the two leads, which makes Between the Temples sing.” ~ Randy Myers, San Jose Mercury News

2 Comments Filed Under: News, Claremont 5, Featured Films, Films, Glendale, Newhall, NoHo 7, Press, Royal, Santa Monica, Theater Buzz, Town Center 5

Dropping Today: The First Episode of INSIDE THE ARTHOUSE.

August 28, 2024 by Jordan Deglise Moore Leave a Comment

Introducing the new video podcast Inside the Arthouse. Hosted by Greg Laemmle, President of Laemmle Theatres, and actor and Emmy award-winning director Raphael Sbarge, Inside the Arthouse is an insider’s perspective on filmmakers and the people responsible for the movies showing on arthouse screens across the U.S.

Episode 101: Merchant Ivory: A Conversation with Stephen Soucy is now live everywhere you get your podcasts.

Laemmle Theatres opens Merchant Ivory this Friday at the Royal/West L.A. and Town Center/Encino. In his Hollywood Reporter review, David Rooney wrote of the film, “anyone with a fondness for…what might be described as a gentlemen guerrilla filmmaking operation will find immense pleasure here.” Merchant Ivory director Stephen Soucy will do in-person Q&As following the 7 PM screenings at the Royal on August 30 and 31. Film critic David Ansen will moderate the Q&A on the 30th.

Learn more about Inside the Arthouse at Insidethearthouse.com.

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Leave a Comment Filed Under: Featured Films, Claremont 5, Featured Post, Filmmaker in Person, Films, Glendale, Greg Laemmle, Newhall, NoHo 7, Q&A's, Royal, Santa Monica, Theater Buzz, Town Center 5

Greg Laemmle and Raphael Sbarge Launch New Video Podcast INSIDE THE ARTHOUSE.

August 21, 2024 by Jordan Deglise Moore 2 Comments

Greg Laemmle, President of Laemmle Theaters, along with actor and Emmy Award-winning director Raphael Sbarge, are launching a new  Video Podcast called INSIDE THE ARTHOUSE. The show is dedicated to highlighting new  releases, repertory classics, filmmakers, distributors, and the key personalities who bring movies to the big screen. INSIDE THE ARTHOUSE will be filmed and recorded at the Laemmle Royal Theatre, the 100-year-old theater that has been operated by three generations of Laemmles for the past half century.  

Laemmle says, “My family has been dedicated to providing a home for independent, foreign and documentary film for almost a century, and we have decided to launch INSIDE THE ARTHOUSE in order to promote the release of new films that will ultimately play in arthouses all across the country.” 

“Our interviews will be recorded in person or via Zoom, with filmmakers appearing large on  the screen,” says Sbarge, an independent filmmaker himself. “Opening a movie in theaters requires all the support they can get, and INSIDE THE ARTHOUSE, is dedicated to the  celebration of seeing films in theaters.” 

Their first guests include Stephen Soucy, the director of MERCHANT IVORY, a documentary about art house mainstays Ismail Merchant and James Ivory; the Golden Lion-winning director of the Swedish film PARADISE IS BURNING, Mika Gustafson; the writer and director  of PREY FOR ROCK AND ROLL, Cheri Lovedog and Alex Steyermark, re-released in theaters via Kino Lorber, for their 20th anniversary; and the co-directors of the new documentary UNION, out of the Sundance and Tribeca film festivals, Brett Story and Steven Main.

In subsequent episodes – initially to be released every two weeks – INSIDE THE ARTHOUSE will focus on new releases and repertory classics, filmmakers, distributors, and  personalities who are responsible for bringing movies to the big screen. The first episode of INSIDE THE ARTHOUSE will premiere on August 28, 2024. The show can be found on  YouTube and all major podcast platforms. For more information, visit www.insidethearthouse.com!

2 Comments Filed Under: Featured Post, Claremont 5, Films, Glendale, Greg Laemmle, Moviegoing, Newhall, News, NoHo 7, Playhouse 7, Royal, Santa Monica, Theater Buzz, Town Center 5

“I just wanted to look at that moment of girlhood where you are shifting away from being ostensibly under the protection of your parents, but also realizing like, ‘Oh, I’m actually not protected by the world. I have to figure out my own, my own way forward.’” India Donaldson on her new film GOOD ONE.

August 14, 2024 by Jordan Deglise Moore Leave a Comment

In India Donaldson’s fantastic debut film Good One, 17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome, brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, tries to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested. Selected for both Sundance and Cannes’ Directors’ Fortnight, Good One is an emotionally expansive work that probes the limits of familial trust, understanding, and ultimately, forgiveness.

We open Good One this Friday in Santa Monica and a week from Friday in North Hollywood.

The nation’s film critics are not holding back. A small sample:

“Collias captures something gossamer here, a quiet shift into adult womanhood that happens, literally, overnight. She’s the new moon, ready to emerge. But unlike the moon, she makes her own light.” ~ Stephanie Zacharek, TIME Magazine

“In its lived-in quality and gathering churn, Good One is a dream of an indie, from the craft in every frame to the humor, epiphanies and mysteries that gird its portraiture.” ~ Robert Abele, Los Angeles Times

“Its most distinctive quality is how much Donaldson and her trio of actors … trust the subterranean, and allow it to do its work far beneath the surface, between the words.” ~ Sheila O’Malley, RogerEbert.com

“So much of the grace and, ultimately, the emotional resonance of Good One lies in Collias’ performance, and how she turns a symphony of reaction shots into a portrait of a woman caught in a crossfire of middle-aged male malaise.” ~ David Fear, Rolling Stone

“Subtly dark, humorous, and wise, Good One leans into its wilderness backdrop in all of its liberating (and, sometimes, paradoxically claustrophobic) properties.” ~ Tomris Laffly, Harper’s Bazaar

Donaldson has sat for several recent interviews to talk about her film. Here’s an excerpt from one with Jordan Raup of The Film Stage:

The best directorial debut of the year, India Donaldson’s Good One, is a carefully-observed portrait of both womanhood and fatherhood, capturing the 17-year-old Sam (Lily Collias, in a revelatory breakthrough performance) who embarks on a camping trip in the Catskills with her father (James Le Gros) and his best friend (Danny McCarthy). As the men are in the middle of a midlife crisis of sorts, Sam is witness to their mindless banter and subtle indecencies, culminating in a piercing point of no return.

Ahead of the film’s limited release beginning this Friday, I spoke with Donaldson about the character dynamics, the film’s subtle accumulation of details, the Hou Hsiao-Hsien and Kelly Reichardt films she watched as inspiration, and the journey from Sundance to New Directors/New Films to the Cannes Film Festival.

The Film Stage: Can you talk about how you initially formed the dynamic between these three characters? In some ways, it feels like an update on Old Joy but with an entirely new perspective.

India Donaldson: When I wrote the script, it was like deep COVID, and I was living back at home for the first time since high school, basically. And I have two half-siblings who at the time were in high school and I was kind of reflecting. I never thought about, before this moment, exploring that moment in film or writing. But through them this triangulation happened where I was reflecting on my own teen years and memories, of the ways that I dealt with conflict, the ways that I was avoidant of conflict, just my qualities of being in the world as a teenager. And how I felt like I had spent my 20s kind of trying to beat back certain instincts I had––to please or this kind of thing that had worked for me as a teenage girl, I feel like it wasn’t working for me in my professional life. I felt like I didn’t have the confidence to really pursue what I wanted to pursue, all these things. I just wanted to look at that moment of girlhood where you are shifting away from being ostensibly under the protection of your parents, but also realizing like, “Oh, I’m actually not protected by the world. I have to figure out my own, my own way forward.”

If you just look at the logline you could think it’s like a coming-of-age movie, but I feel like throughout the movie you learn she’s actually more mature in some ways, and level of maturity is not defined by age. She’s picking up on different social cues. What was it like writing her character and after you met Lily, did her character expand? 

The character was on the page for sure, but the moment I met Lily and saw her audition, she just had added this edge to the character. I was always kind of nervous about the character that she would come across as too much of a doormat. That it would be sort of unsatisfying to watch somebody repeatedly act kind of in service of these men and their needs and struggle with that. Lily just had this quality where even when the character’s at her most obedient, I could always feel her pushing against it. Because I think Lily herself has a natural kind of rebellious [spirit]. She’s a real freethinker and has this incredible confidence that the character doesn’t have. But I think it bleeds into the performance and so it evolved in that sense. As soon as it was sort of in her hands, the character became more powerful to me. Which was a cool thing to discover.

Leave a Comment Filed Under: News, Featured Films, Featured Post, Films, NoHo 7, Press, Santa Monica, Theater Buzz

Repertory Central – Upcoming Classics include THE CONVERSATION, ARMY OF SHADOWS, PARIS, TEXAS and BASQUIAT.

August 7, 2024 by Jordan Deglise Moore Leave a Comment

Wasn’t it fabulous getting to see Akira Kurosawa’s SEVEN SAMURAI on the big screen?  Well, there’s more where that came from. Get fired up for Francis Ford Coppola’s THE CONVERSATION, Jean-Pierre Melville’s ARMY OF SHADOWS, Wim Wenders’s PARIS, TEXAS, and Julian Schnabel’s BASQUIAT in the coming weeks, plus our one-night screening of LEGENDS OF THE FALL (with director Ed Zwick in person for a Q&A).  We’re planning even more for the fall. Add to these all the award-season films coming to Laemmle screens, that is a lot of rewarding moviegoing!
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THE CONVERSATION follows lonely wiretapping expert and devout Catholic Harry Caul (Gene Hackman), who is hired to record a seemingly innocuous conversation in San Francisco’s Union Square between two lovers (Frederick Forsythe and Cindy Williams). Upon re-hearing the tapes, however, Caul believes he may put the couple in danger if he turns the material over to his client (Robert Duvall). But what one hears can ultimately turn out to be quite different from what was actually recorded. Opens this Friday at the Laemmle Royal, Town Center, and Glendale.
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ARMY OF SHADOWS opens August 16 at the Royal and Town Center: A gorgeous restoration of Jean-Pierre Melville’s 1969 epic of the French Resistance during World War II, starring Lino Ventura and Simone Signoret. Based on the novel by Joseph Kessel (perhaps best known for Belle de Jour), the film draws on the wartime experiences of Kessel and Melville himself, both active members of the Resistance and Free French Forces. This is the first time the film has been released in the U.S.
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PARIS, TEXAS opens August 30 at the Royal. New German Cinema pioneer Wim Wenders (Wings of Desire) brings his keen eye for landscape to the American Southwest in Paris, Texas, a profoundly moving character study written by Pulitzer Prize–winning playwright Sam Shepard. PARIS, TEXAS follows the mysterious, nearly mute drifter Travis (a magnificent Harry Dean Stanton, whose face is a landscape all its own) as he tries to reconnect with his young son, living with his brother (Dean Stockwell) in Los Angeles, and his missing wife (Nastassja Kinski).
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BASQUIAT, opening September 13 at the Laemmle NoHo, depicts the meteoric rise of the brilliant artist Jean-Michel Basquiat, played by Jeffrey Wright in one of his first roles. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is “discovered” by Andy Warhol’s art world and becomes a star. But success has a high price, and Basquiat pays with friendship, love, and, eventually, his life.

Leave a Comment Filed Under: Anniversary Classics, Featured Films, Featured Post, Films, Glendale, NoHo 7, Royal, Theater Buzz, Town Center 5

THE TERMINATOR 40th Anniversary Screening with Producer Gale Anne Hurd Thursday at the Laemmle NoHo!

July 23, 2024 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present a 40th anniversary screening of one of the most popular sci-fi films of all time, THE TERMINATOR, the movie that spawned one of the screen’s most profitable film franchises. The film stars Arnold Schwarzenegger, in his most iconic role, Linda Hamilton and Michael Biehn. We’re screening it as part of Art House Theater Day on Thursday, July 25 at 7 PM at the NoHo and will host producer Gale Anne Hurd for a Q&A. You might ask, is this really an indie film? Spoiler alert…it is!

“Knowing that many people have never seen the film or missed out on seeing it on the silver screen, I couldn’t be more thrilled to celebrate THE TERMINATOR‘s 40th anniversary with its return to cinemas on Art House Theater Day,” said producer Gale Anne Hurd (The Walking Dead, Armageddon). “People may wonder if THE TERMINATOR is truly an indie film. As the film’s producer, I can assure you it is. Jim Cameron and I made the film for $6.4 million, which included a completion bond and a 10% contingency. We had a variety of co-financiers, pre-sold rights and our distribution was through Orion Pictures rather than a major studio – the very definition of an indie film, both then and now. We hope you’ll enjoy the nostalgic experience of seeing it this summer!”

Writer-director Cameron and producer Hurd had both apprenticed at Roger Corman’s low-budget factory, New World Pictures, in the late 1970s and early 1980s when they joined forces to create THE TERMINATOR. Their original screenplay (with co-writer William Wisher, inspired by works of Harlan Ellison) chronicles the battle for the survival of the human race against Skynet, a synthetic intelligent machine network of the future. In 2029, an automaton killer, T-800 (Schwarzenegger) is dispatched through time to assassinate an unsuspecting waitress, Sarah Connor (Linda Hamilton) in 1984, who turns out to be the future mother of the twenty-first–century human resistance leader, John Connor. To protect her, Connor sends guerrilla fighter Kyle Reese (Michael Biehn). The ensuing chase, with the seemingly unstoppable Schwarzenegger, a laconic, leather-clad, and lumbering destruction machine pursuing Connor and Reese through the streets of Los Angeles, is a model of low-budget efficiency and resourcefulness.

Contemporary critics embraced the sci-fi suspense thriller, with Kirk Ellis of the Hollywood Reporter calling it “a genuine steel metal trap of a movie.” Dave Kehr of The Chicago Reader characterized its “almost graceful violence…(has) the air of a demented ballet,” and Janet Maslin in The New York Times cited it as a “B-movie with flair.” The film was a genuine sleeper, and its success led to several sequels, a television series and video games. The latest incarnation of the series, Terminator: Dark Fate, with Cameron returning to a creative role, is set to open theatrically later this year. The film that started it all, THE TERMINATOR, was added to the Library of Congress’ National Film Registry in 2008.

Cameron, of course, became one of the most sought-after filmmakers in Hollywood, staying in the sci-fi world for several landmark films (Aliens, The Abyss, Avatar) and winning Oscars for a venture into the past, Titanic, the biggest box-office hit of the twentieth century. Schwarzenegger went on to movie superstardom and political success. His terse line reading in the film, “I’ll be back,” is ranked 37th of the American Film Institute’s all-time great movie quotes, and his character Terminator is ranked as the 22nd greatest movie villain. Our guest, Gale Anne Hurd emerged as one of the most successful female producers of the era, with Aliens, Alien Nation, and Armageddon among her hits.

Leave a Comment Filed Under: Anniversary Classics, Featured Films, Featured Post, Filmmaker in Person, Filmmaker's Statement, Films, NoHo 7, Q&A's, Theater Buzz

Glendale Arts Summer Soiree “Under A Thousand Stars” to Honor Laemmle Theatres’ Greg & Tish Laemmle.

July 16, 2024 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres President Greg Laemmle and his wife Tish Laemmle are being honored by the good folks at Glendale Arts “in recognition of their unparalleled legacy of dedication to independent filmmakers and the art of storytelling on the screen.” Glendale Arts is an award-winning 501(c)3 non-profit organization that generates opportunities throughout greater Los Angeles to showcase, promote, encourage, and engage with the arts. From their announcement:

Glendale Arts proudly announces the organization’s highly-anticipated Summer Soiree “Under A Thousand Stars” to be held on Saturday, July 27, 2024 from 7:00-10:00 P.M. at ace/121 Gallery. Tickets for the event of the season are now available for purchase here.

Guests are invited to revel in the dazzling beauty of the gallery, transformed into an elegant indoor/outdoor spectacle of art and performance. The inspirational evening will comprise epicurean delights, artful mixology, a silent auction featuring original works of art by emerging and renowned artists from the Los Angeles area and beyond, and a celebratory program highlighting GA’s dynamic programmatic pillars – the Glendale International Film Festival, Solo Fest, and ace/121 Gallery.

A highlight of the event will be the presentation of The Aura, Glendale Arts’ inaugural award honoring luminaries who power the arts. The first-ever recipients of The Aura are Laemmle Theatres Head Greg Laemmle and his wife Tish Laemmle, Art in the Arthouse Curator at the family-run theatres which have brought the best of foreign and independent cinema to Los Angeles for over 85 years. The Laemmles will be honored in recognition of their unparalleled legacy of dedication to independent filmmakers and the art of storytelling on the screen.

Summer Soiree proceeds benefit Glendale Arts, the city’s premier arts non-profit. Funds raised will support GA’s mission to cultivate year-round opportunities for artists and audiences to convene around mutually enriching experiences that promote creativity, foster meaningful connections, and build community through the performing, cinematic, and visual arts mediums.

“We are excited to bring supporters and community, business, and industry leaders together for a night that salutes the transformative power of the arts,” said Glendale Arts Board Chair Marci DeSousa. “The Summer Soiree will not only showcase the heart and soul that drives Glendale Arts’ mission, but will also celebrate what distinguishes GA as a unique non-profit with local roots, regional impact, and a global footprint.”

Leave a Comment Filed Under: Around Town, Art in the Arthouse, Charity Opportunity, Claremont 5, Glendale, Greg Laemmle, Newhall, NoHo 7, Royal, Santa Monica, Theater Buzz, Town Center 5

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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

Leaving Laemmle: A Goodbye from Jordan