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You are here: Home / Filmmaker in Person

Anniversary Classics Presents: Power, Politics, and Passion in Nixon and Doctor Zhivago

December 2, 2025 by Lamb Laemmle Leave a Comment

This holiday season, Laemmle Theatres and the Anniversary Classics Series present two sweeping cinematic epics: Oliver Stone’s Nixon and David Lean’s Doctor Zhivago, the latter celebrating its 60th anniversary. Though separated by three decades and worlds apart in style, these films form a captivating double feature: one a feverish psychological portrait of American power, the other an expansive romantic epic set against the convulsions of revolutionary Russia. Together, they reflect cinema’s enduring ability to illuminate the human stakes behind history’s most turbulent eras.

Get your tickets today to see Nixon on December 21st, featuring an in-person Q&A with director Oliver Stone alongside author Tim Grieving to discuss his new book on legendary composer John Williams, or Doctor Zhivago on December 30th, both playing at the Laemmle Royal.

Anniversary Classics Presents: Power, Politics, and Passion in Nixon and Doctor Zhivago

Oliver Stone’s Nixon (1995) remains one of the filmmaker’s boldest achievements. Rather than approaching Richard Nixon as a political symbol, Stone crafts a bruised, haunted character study of a man who carried childhood wounds into the Oval Office. Anthony Hopkins delivers a mesmerizing performance as Nixon, capturing him in all his yearning, paranoia, cunning, and profound isolation. Then there’s John Williams’ brooding, elegant score, which guest speaker Tim Grieving argues ranks among the composer’s most underrated works. His and Stone’s post-screening conversation promises an illuminating look into the film’s creation, its political resonance, and the musical architecture that gives it shape.

Seen nearly three decades after its release, Nixon feels startlingly contemporary, its themes of secrecy, ambition, partisan rage, and the weight of personal demons on public decision-making continuing to echo. Stone’s approach, blending documentary grit with operatic intensity, constructs not a straightforward biopic but a cautionary American tragedy.

Anniversary Classics Presents: Power, Politics, and Passion in Nixon and Doctor Zhivago

If Nixon examines a presidency from the inside out, Doctor Zhivago (1965) offers a radically different but equally powerful meditation on individuals swept into history’s path. Even sixty years after its making, David Lean’s adaptation of Boris Pasternak’s Nobel Prize–winning novel remains one of cinema’s most beloved epics: a story of love, revolution, and moral endurance set during Russia’s collapse into modernity. Omar Sharif gives one of his finest performances as Yuri Zhivago, a poet and physician who is forced to navigate the conflicting directives of loyalty, passion, and survival, while Julie Christie’s luminous turn as Lara elevates the film into mythic territory.

Lean’s filmmaking—full of painterly compositions, sweeping landscapes, and meticulous craftsmanship—creates a world that feels both intimate and vast. The film’s visual grandeur is matched by Maurice Jarre’s iconic score, whose themes have become synonymous with cinematic romance. Yet for all its beauty, Doctor Zhivago is fundamentally a story about how political upheaval reshapes the contours of private life, and how love endures even as the world fractures.

Screened across consecutive weekends at the Laemmle Royal, these Anniversary Classics invite audiences to rediscover the emotional, historical, and artistic power of these two landmark films. Whether exploring the shadows of American politics or the passions of a Russia in revolt, Nixon and Doctor Zhivago remind us why great cinema remains one of the profoundest tools we have for understanding both our past and our present.

Leave a Comment Filed Under: Anniversary Classics, Featured Films, Filmmaker in Person, Royal

Where Myth Takes Wing: The Quiet Brilliance of The Tale of Silyan

November 25, 2025 by Lamb Laemmle Leave a Comment

In The Tale of Silyan, filmmaker Tamara Kotevska—whose Honeyland helped redefine what nonfiction storytelling can look like—returns to a landscape shaped by absence. Economic migration has emptied much of rural North Macedonia, leaving behind scattered farmhouses, aging villagers, and the yawning silence of futures deferred. Into that void, she places a story that is part-documentary, part-fable, and wholly grounded in the stubborn beauty of a man who refuses to leave his land behind.

Catch The Tale of Silyan in theaters beginning Friday, December 5th at the Laemmle Monica Film Center, followed by a Q&A with Tamara Kotevska and cinematographer Jean Dakar after the 7:30 p.m. showing on Saturday, December 6th.

Where Myth Takes Wing: The Quiet Brilliance of The Tale of Silyan

The film follows Nikola, a middle-aged farmer whose family has left for better prospects abroad. He stays—out of duty, love, and something older and harder to name—until one day he finds a wounded stork amid piles of landfill debris. He carries the bird home, tending to it with a patience that seems almost anachronistic, and names it Silyan, invoking a local folktale about a boy transformed into a stork. What follows is both mythic and matter-of-fact; a braiding of the imagined with the palpably real.

Kotevska’s filmmaking is light on exposition, trusting instead in textures: Nikola’s hands repairing improvised splints, fields washed in early-morning color, the slow choreography of a stork relearning balance. The camera often lingers longer than expected, inviting viewers to inhabit the rhythms of a place where time moves unevenly, marked not by fickle human whims but by the return of birds, the passing of seasons, and the persistent hum of a changing climate.

Where Myth Takes Wing: The Quiet Brilliance of The Tale of Silyan

What emerges is a portrait of interdependence that extends beyond the sentimental. In caring for the stork, Nikola locates a purpose that keeps the encroaching loneliness at bay; in responding to his presence, Silyan becomes a living reminder that the natural world still holds capacity for renewal, even as its fragility grows increasingly apparent. Their relationship is never anthropomorphized, merely observed: two beings sharing space, negotiating trust, and building the kind of bond that can only develop when no one is trying to manufacture meaning.

And yet meaning accumulates. The Tale of Silyan exists in a Europe increasingly shaped by departures: the departure of people from rural regions, of species whose habitats have been reshaped or erased, and of traditions that once anchored entire communities. Through Nikola’s perseverance and Silyan’s tentative recovery, the film rejects the overly simplistic narrative of accepting the inevitable; instead, it asks whether tending to even one fragile thing—a bird, a home, a story—might still matter in a world ruled by indifference.

“An excellent documentary that also happens to be a ravishing work of poetry.” – Christian Blauvelt, IndieWire

“Part nature film, part parable, part ground-level snapshot of downward-spiraling economies.” – Sheri Linden, The Hollywood Reporter

Leave a Comment Filed Under: Filmmaker in Person, Santa Monica

The Art of the Everyday: Peter Hujar’s Day and the Beauty of a Vanishing Moment

November 4, 2025 by Lamb Laemmle Leave a Comment

Peter Hujar’s work has always carried an aura of stillness: photographs that seem to breathe, portraits that reveal as much about the viewer as they do the subject. In his newest film, Peter Hujar’s Day, filmmaker Ira Sachs channels that same quiet electricity. Adapted from Linda Rosenkrantz’s 2021 book of the same name, the film distills a single day in the photographer’s life into an intimate, searching character study, anchored by exquisite performances from both Ben Whishaw and Rebecca Hall.

Tune into Inside the Arthouse to hear Sachs discuss his latest project with co-hosts Greg Laemmle and Raphael Sbarge ahead of its release at the Laemmle Royal on Friday, November 7th, followed by the Glendale on Nov. 14th. Director Ira Sachs and author Linda Rosenkrantz will participate in a Q&A following the 5:10 p.m. show on Sunday, Nov. 9 at the Royal.

The Art of the Everyday: Peter Hujar’s Day and the Beauty of a Vanishing Moment

Whishaw plays the legendary photographer not as a mythic figure, but as a fully lived-in presence: mercurial, tender, impatient, sharp, and unexpectedly funny. The film invites us into his rhythms—late mornings, cigarettes, half-finished thoughts, bursts of creative clarity—skillfully capturing the myriad subtle ways that an artist’s mind moves through the world. Sachs resists nostalgia or biography-by-checklist; instead, he constructs a film that feels observational, almost diaristic, as if we’re seated in the room beside Hujar, absorbing the day as he does.

Much of the film’s texture comes from the presence of Linda Rosenkrantz, played with luminous precision by Rebecca Hall. Rosenkrantz, a close friend and confidante of Hujar’s, recorded conversations with him in 1974 that later became the foundation of her book. Hall captures her subject’s mixture of curiosity, affection, and intellectual playfulness, qualities that draw Hujar out and give the film its emotional backbone. Through their dialogue, we glimpse two artists who understand each other deeply, even (perhaps especially) when they challenge each other’s ideas and modes of being.

The Art of the Everyday: Peter Hujar’s Day and the Beauty of a Vanishing Moment

Visually, the film mirrors Hujar’s own aesthetic. The camera lingers on faces, gestures, light falling across skin, and moments that feel simultaneously spontaneous and carefully composed. Music is used sparingly, giving the film a contemplative hush that heightens the emotional subtlety of Whishaw’s and Hall’s performances.

Rather than offering a sweeping biography, Peter Hujar’s Day stays tightly focused on a microcosm: one day, one set of conversations, one friendship that mattered enormously. In that narrow frame, Sachs finds something expansive that speaks to the fragility of creative lives, the intimacy of collaboration, and the fleeting, miraculous nature of artistic clarity.

“Imagine if My Dinner With Andre allowed for the characters to continue talking away from the table.” – Monica Castillo, RogerEbert.com

“[A] salute to the hidden transcendence of the everyday.” – Owen Gleiberman, Variety

“Whishaw and Hall forego showiness for a quiet, shorthand-filled take on these old bohemian pals.” – David Fear, Rolling Stone

Leave a Comment Filed Under: Inside the Arthouse, Filmmaker in Person, Royal

An Evening of Hitchcock & Herrmann

October 28, 2025 by Lamb Laemmle 2 Comments

North by Northwest screening with Oscar winner Paul Hirsch and author Steven C. Smith on November 5th at 7:00 PM at Laemmle’s Royal Theatre.

Laemmle Theatres and the Anniversary Classics Series present “An Evening of Hitchcock and Herrmann,” celebrating the collaboration of two of the most influential masters of cinema, director Alfred Hitchcock and composer Bernard Herrmann, with a screening of one of their greatest triumphs, North by Northwest (1959). This special event coincides with the publication of Hitchcock & Herrmann: The Friendship and Film Scores That Changed Cinema by Steven C. Smith. Academy Award-winning film editor Paul Hirsch, a friend and close collaborator of Herrmann, who was an integral part of the last years of Herrmann’s life, joins us for an introductory discussion of the film on Wednesday, November 5th at 7:00 p.m. at the historic Royal Theatre in West Los Angeles.

An Evening of Hitchcock & Herrmann

North by Northwest, a spy thriller with elements of action, suspense, humor, and romance, is the perfect showcase for the talents of both Hitchcock and Herrmann. They first teamed up in 1955, and over the following decade turned out such seminal masterworks as Vertigo, North By Northwest, and Psycho, thus cementing Hitchcock’s reputation as the “master of suspense” while proving Herrmann as the ideal musical partner for Hitchcock’s visual mastery.

The film’s plot hangs on the premise of mistaken identity. When a Manhattan advertising executive (Cary Grant) is chased across the country by a sinister spy ring mistakenly targeting him as a government agent, as well as by the police, who think him a murderer, he must think fast (and move even faster!) in order to elude his pursuers. With Oscar nominations for original screenplay (Ernest Lehman), film editing (George Tomasini), and color art/set decoration, not to mention additional superlative work by cinematographer Robert Burks (Rear Window, Vertigo, The Music Man), the movie is perhaps the ultimate source of pure entertainment in the entire Hitchcock canon.

Herrmann sets the film’s tone by placing his opening title music over a memorable abstract credit sequence designed by Saul Bass, which Herrmann described as a “kaleidoscopic orchestral fandango designed to kick off the exciting route which follows.” Along the way, Grant encounters nefarious villains (James Mason, Martin Landau); a mysterious, alluring blonde (Eva Marie Saint); and “helpful” government agents headed by Leo G. Carroll, with the action deftly underscored by Herrmann’s propulsive music.

An Evening of Hitchcock & Herrmann

A critical and commercial smash, North by Northwest has received rapturous reviews ever since its 1959 premiere. Penelope Houston of Sight and Sound called it a “gleefully mischievous chase thriller” while citing Hitchcock’s “unmatched ingenuity.” The Hollywood Reporter touted the tongue-in-cheek element amid the cloak-and-dagger, with apt praise for Grant and the “ice-covered volcano” played by Eva Marie Saint. The New York Times enthused, “a suspenseful and delightful Cook’s tour of the most photogenic spots in these United States all done in brisk, genuinely witty and sophisticated style.”

Renowned for its distinctive set pieces of a menacing crop duster and a memorable climax on Mt. Rushmore, North by Northwest has consistently been ranked as one of the greatest films ever made. In 1995, it was inducted into the National Film Registry for “cultural, historical or aesthetic significance.”

Paul Hirsch won the Academy Award for film editing for Star Wars in 1977. During his distinguished career, spanning five decades and 40+ films, he has collaborated with Brian De Palma on eleven films including Sisters, Carrie, Blow Out and Mission: Impossible; John Hughes on Ferris Bueller’s Day Off and Planes, Trains, and Automobiles; and received a second Oscar nomination for the biopic Ray in 2005. His collaboration with Herrmann in the 70s helped to resurrect the maestro’s A-list career. He recently published his memoir, A Long Time Ago in a Cutting Room Far, Far Away.

Steven C. Smith is a four-time Emmy-nominated journalist and producer of more than 200 documentaries about music and cinema. In addition to Hitchcock and Herrmann, he is the author of the definitive biographies, A Heart at Fire’s Center: The Life and Music of Bernard Herrmann, and Music by Max Steiner: The Epic Life of Hollywood’s Most Influential Composer.

An Evening of Hitchcock & Herrmann

“An Evening of Hitchcock and Herrmann” with a screening of North By Northwest plays one night only, Wednesday, November 5 at 7:00 p.m. at the historic Royal Theater (continuously operating as a movie theater since 1924). Discussion and Q&A with Paul Hirsch and Steven C. Smith will take place before the screening.

A book sale and signing will accompany the event.

2 Comments Filed Under: Anniversary Classics, Filmmaker in Person, Repertory Cinema, Royal, Tribute

Painting Change: Inside the Uplifting World of Artfully United

October 14, 2025 by Lamb Laemmle Leave a Comment

More than a decade in the making, Artfully United traces the work of Mike Norice, a Los Angeles muralist whose expansive, colorful pieces are not just art, but acts of reclamation in neighborhoods too often shut out from visibility and voice.

Catch Artfully United in theaters beginning October 17th at the Laemmle Glendale, highlighted by an in-person Q&A with both Mike Norice and producer Christopher Walters following the 7:45pm showing, moderated by radio personality Tammi Mac.

Chris Walters first met Norice thirteen years ago in the latter’s boutique on Melrose Avenue, an encounter that ignited a collaboration and a creative mission that would persist across time, geography, and mutual adversity. Together with director Dave Benner, Walters follows Norice from his roots in Watts through dozens of cross-country trips and prolonged mural projects, capturing not only the final painted walls but the sweat, doubt, and resolve that underlies each stroke.

Painting Change: Inside the Uplifting World of Artfully United

Rooted as much in quiet reflection as in sweeping public murals, the film traces how Norice’s life shaped his art, from a childhood marked by a teacher mother and an incarcerated father to the spiritual and communal values that serve as guideposts in the creation of art that feels both profoundly personal and powerfully collective. Each mural becomes a gathering place, a message, and a mirror—echoes of hope, defiance, and renewal painted across the city’s worn walls.

Visually, Artfully United doesn’t shy away from spectacle. Murals tower and sprawl, color bursts through grime, and entire city blocks become open-air galleries. But the film also balances those sweeping images with moments of presence and proximity: Norice selecting his palette, a neighbor’s quiet response to a newly finished mural, hands smeared with paint beneath a muted dusk light. These smaller moments anchor the film emotionally, reminding us that transformation is not only seen, but felt.

Painting Change: Inside the Uplifting World of Artfully United

Walters has called the journey “the experience of a lifetime,” crediting Norice’s artwork, activism, and faith for inspiring communities in Los Angeles and beyond. When the credits roll, viewers will recognize that Norice’s murals are more than just decorations; they are living gestures of solidarity, symbols of what art can be when it reaches beyond aesthetics into the realm of belonging.

Ultimately, Artfully United is more than a portrait of its artist. It is a meditation on place, loss, renewal, and how visual creativity can become a force for collective healing, demonstrating how much stronger spirits can become when we prioritize beauty in the unlikeliest of places.

“A powerful documentary about art, transformation, and the enduring strength of community.” – Jon Stojan, LA Weekly

Leave a Comment Filed Under: Filmmaker in Person, Featured Films, Films, Glendale, Q&A's

IT’S NEVER OVER, JEFF BUCKLEY opens Friday at the Laemmle Glendale and NoHo with in-person director Q&A’s and rare concert footage.

August 6, 2025 by Jordan Deglise Moore Leave a Comment

You may not be familiar with Jeff Buckley’s name. But you almost certainly have heard his haunting cover of Leonard Cohen’s “Hallelujah,” a song which was named to Rolling Stone Magazine’s list of the 500 Greatest Songs of All Time and has been inducted into the Library of Congress’s National Recording Registry.

In her latest documentary, It’s Never Over, Jeff Buckley, Oscar-nominated filmmaker Amy Berg explores the singer’s story and impact.

Tragically, Buckley drowned while swimming in the Wolf River in Memphis just as he was about to start work on his second album. But his stature as a singer and songwriter has only grown in the years since his early death at the age of 31. Acclaimed by musicians like Bob Dylan, David Bowie, and Jimmy Page, Buckley’s life and legacy is being given a thoughtful and thorough review in this new documentary — which includes a treasure trove of archival material, candid interviews with the man’s family, friends, lovers and collaborators. We emerge from the film with a greater understanding of the forces that shaped his artistic aspirations and an appreciation for all that he accomplished in his short life.

Ms. Berg will participate in Q&A’s after the 4:00 P.M. screening at the Glendale on August 10 and the 7:00 P.M. screening at the NoHo on August 11. You can also watch or listen to an interview with her on a recent episode of Inside the Arthouse. We will also open the film on August 15 at the Monica Film Center.

All of the screenings in Glendale and North Hollywood will feature special bonus footage. Very few people were fortunate enough to witness Buckley live, but those who did often described it as transcendent, jaw-dropping, and emotionally shattering. As part of the theatrical release of It’s Never Over, Jeff Buckley, Magnolia Pictures proudly presents 26 minutes of exclusive, remastered footage from a rare solo performance at The Middle East in Cambridge, MA, filmed on February 19, 1994. This previously unreleased set will screen immediately following the film, offering both longtime fans and newcomers a rare opportunity to experience Buckley’s raw, unfiltered brilliance.

“Pays tribute to one of the greatest singers ever…Buckley hasn’t had a million portraits sketched of him, much to this degree. The singularity of It’s Never Over, along with the access and the candor, makes up for a lot here.” ~ David Fear, Rolling Stone

“The film is a resonant depiction of the gaping holes left by Jeff Buckley’s untimely death.” ~ Chris Barsanti, Slant Magazine

“Offer[s] a unique perspective on the varying music of the 1990s, an experimental time where lonely artists like Buckley could buck the system and create a new brand of music.” ~ Matthew Creith, TheWrap

“As we drink in the majesty of his voice, the film lays bare a paradox about him that isn’t nearly as apparent if you just listen to Grace (1994), the only album he ever released.” ~ Owen Gleiberman, Variety

“A stirring tribute made with a lot of heart.” ~ David Rooney, Hollywood Reporter

Leave a Comment Filed Under: News, Featured Films, Filmmaker in Person, Filmmaker Interviews, Films, Glendale, Greg Laemmle, Inside the Arthouse, Monica Film Center, NoHo 7, Q&A's, Santa Monica, Theater Buzz

“Gut-wrenching.” “Harrowing.” “Groundbreaking.” “Haunting.” “Absolutely essential.” 2000 METERS TO ANDRIIKA opens Friday at the Monica Film Center.

July 30, 2025 by Jordan Deglise Moore Leave a Comment

The war in Ukraine may no longer dominate the U.S. headlines, but the brutal fight for freedom continues — and brave filmmakers are risking everything to tell the world what’s really happening on the front lines.

Oscar-winning Ukrainian filmmaker Mstyslav Chernov, who won Best Documentary Feature for his 2023 Academy Award-winning film 20 Days in Mariupol, returns with his powerful new documentary 2000 Meters to Andriivka. This gripping film captures the intense 2023 battle to drive Russian forces out of the small village of Andriivka, Ukraine.

Listen to an interview with Chernov on Inside the Arthouse. He will also participate in an in-person Q&A after the 7:10 P.M. screening at the Monica Film Center on July 30. Writer-director Tony Gilroy (Michael Clayton, Andor) will moderate.

Using raw body cam footage, immersive drone shots, and frontline cinematography, Chernov delivers an unflinching look at the courage, sacrifice, and reality of Ukraine’s ongoing fight for survival. Masterful editing transforms chaotic combat into a clear, deeply human story that demands to be seen — and felt.

As difficult as it can be to watch at times, 2000 Meters to Andriivka reminds us why frontline documentaries are more vital now than ever, leaving us wiser and more inspired from the experience.

“The Ukrainian photojournalist and film-maker Mstyslav Chernov stunned us with his eyewitness documentary 20 Days in Mariupol… His new film is if anything more visceral, with waking-nightmare images captured in pin-sharp 4K digital clarity.” ~ Peter Bradshaw, Guardian

“Regardless of its wider effect, it’s probably the most powerful film that will be seen in cinemas this year, and for that reason alone is absolutely essential viewing.” ~ Nick Howells, London Evening Standard

“Chernov asks us to simply observe, and know that these men aren’t just characters on a screen or pawns in a story. He wants us to see what they saw.” ~ Alissa Wilkinson, New York Times

“A groundbreaking view of the horror and pity of war, I can’t remember a cinematic experience quite like it. It’s devastating and extraordinary.” ~ Philip De Semlyen, Time Out

“War is hell, it says, and we’re all doomed. It might be the year’s most important film.” ~ Kevin Maher, The Times (UK)

“Andriivka is a less tersely journalistic and more pensively devastating work than Mariupol: a film of its moment, and an agonizingly extended moment at that.” ~ Guy Lodge, Variety

“Chernov’s gut-wrenching doc is a reminder of the heroics and cost of this brutal war.” Peter Howell, Toronto Star

“A harrowing first-person view of a ceaseless nightmare, defined by both blistering immediacy and crushing sadness.” ~ Nick Schager, The Daily Beast

“2000 Meters to Andriivka is perhaps less instantly harrowing than 20 Days in Mariupol. But its haunting impact may go further toward reshaping viewer perceptions of the ongoing conflict.” ~ Daniel Fienberg, Hollywood Reporter

Leave a Comment Filed Under: News, Featured Films, Featured Post, Filmmaker in Person, Filmmaker Interviews, Films, Greg Laemmle, Inside the Arthouse, Monica Film Center, Q&A's, Santa Monica, Theater Buzz

DESPERATELY SEEKING SUSAN 40th Anniversary Screening July 30 at the Royal.

July 16, 2025 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present a 40th Anniversary screening of the delightful comedy ‘Desperately Seeking Susan,’ which teamed Rosanna Arquette and pop star Madonna in her first acting role. This was a feminist movie ahead of its time in many ways, with women holding most of the important positions behind the camera as well as on screen. The original screenplay was written by Leora Barish, and the film was directed by Susan Seidelman as her first mainstream movie after her low-budget hit ‘Smithereens’ had established her as a filmmaker to watch. The movie was produced by Midge Sanford and Sarah Pillsbury, two pioneering female producers who made their mark in an industry that was still male dominated. The screening is Wednesday, July 30, at 7:00 P.M. at Laemmle Royal Theatre. Producers Midge Sanford and Sarah Pillsbury, and executive producer Michael Peyser will be there for an in-person Q&A.

The story centers on Roberta (played by Arquette), a dissatisfied housewife in New Jersey who is fascinated by the personal ads in a New York tabloid and the character of Susan, who seems to be leading the adventurous life that Roberta only dreams about. Eventually she meets Susan and her bohemian entourage, and they swap roles, changing both of them through their unlikely friendship. Arquette was an up-and-coming young actress who starred the same year in Martin Scorsese’s ‘After Hours.’ Madonna had already made her mark as a pop icon with such giant hits as “Material Girl” from her second album, “Like a Virgin.” In her review of the film, Pauline Kael aptly called Madonna “an indolent, trampy goddess.”

DESPERATELY SEEKING SUSAN 40th Anniversary Screening July 30 at the Royal.

The supporting cast included many rising actors, including Aidan Quinn, Robert Joy, Laurie Metcalf, John Turturro, and Giancarlo Esposito. The movie scored at the box office, and reviews were strong. The New York Times’ Vincent Canby ranked it among the 10 best movies of the year. The New York Post called it “the most entertaining movie of the year.” Writing in The Hollywood Reporter, Kirk Ellis declared “an attractive, energetic young cast and some witty, off-center visual humor make the resultant laughs more than worth the wait.” The Los Angeles Times’ Kevin Thomas called the movie “a lark, an exhilarating celebration of people who have the good sense to be in touch with themselves and with each other.”

Later, Rolling Stone ranked it as one of the 100 greatest movies of the 1980s. In 2023 it was selected to be included in the National Film Registry of the Library of Congress, reserved for films of “historical, cultural, or aesthetic significance.” The costumes designed by Santo Loquasto also had an enduring impact. The jacket worn by Madonna in the movie fetched $252,000 at auction in 2014.

Sarah Pillsbury and Midge Sanford also produced such memorable films as ‘River’s Edge,’ ‘How to Make an American Quilt,’ ‘Love Field,’ ‘Eight Men Out,’ ‘Immediate Family,’ and the landmark TV movie about the AIDS crisis, ‘And the Band Played On.’ They will be joined by the executive producer of ‘Desperately Seeking Susan,’ Michael Peyser, whose credits include ‘F/X,’ ‘Ruthless People,’ ‘Big Business,’ and ‘Matilda.’

Leave a Comment Filed Under: Featured Post, Anniversary Classics, Filmmaker in Person, Films, Q&A's, Royal, Theater Buzz

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For the 21st consecutive year, Laemmle will be scr For the 21st consecutive year, Laemmle will be screening the Oscar-Nominated Short Films, opening on Feb. 20th. Showcasing the best short films from around the world, the 2026 Oscar®-Nominated Shorts includes three feature-length programs, one for each Academy Award® Short Film category: Animated, Documentary and Live Action.

ANIMATED SHORTS: (Estimated Running Time: 83 mins)
The Three Sisters
Forevergreen
The Girl Who Cried Pearls
Butterfly
Retirement Plan
 
LIVE ACTION SHORTS (Estimated Running Time: 119 minutes)
The Singers
A Friend Of Dorothy
Butcher’s Stain
Two People Exchanging Saliva
Jane Austin’s Period Drama

DOCUMENTARY SHORTS (Estimated Running Time: 158 minutes)
Perfectly A Strangeness
The Devil Is Busy
Armed Only With A Camera: The Life And Death Of Brent Renaud
All The  Empty Rooms
Children No More: “Were And Are Gone”

Please note that some films may not be appropriate for audiences under the age of 14 due to gun violence, shootings, language and animated nudity.
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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
Follow LAEMMLE on INSTAGRAM: http://bit.ly/3y2j1cp
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