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SABBATH QUEEN, the fascinating new documentary about a radical queer rabbi, opens this week with copious Q&A’s and an Inside the Arthouse interview.

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Sabbath Queen, the new documentary filmed over two decades, follows Rabbi Amichai Lau-Lavie’s epic journey as the dynastic heir of 38 generations of Orthodox rabbis, including the Chief Rabbis of Israel. He is torn between rejecting and embracing his destiny and becomes a drag queen rebel, a queer bio-dad and the founder of Lab/Shul—an everybody-friendly, God-optional, artist-driven, pop-up experimental congregation.

Sabbath Queen followsAmichai on his lifelong quest to creatively and radically reinvent religion and ritual, challenge patriarchy and supremacy, champion interfaith love, and stand up for peace. The film interrogates what Jewish survival means in a difficult, rapidly
changing 21st century.

“How [Amichai] went from the Radical Faeries’ joyous, transgressive vision of queerness — which led to creating his drag alter ego, Rebbetzin Hadassah Gross — to embracing Conservative Judaism is the subject of Sandi DuBowski’s fascinating look at the act of questioning yourself and your family, your surroundings and your decisions.” ~ Elisabeth Vincentelli, New York Times

“This fast-paced, well-shot doc does place its finger on the quickening pulse of an ever-wider gap between liberalizing Western social values and the Orthodox sphere that believes they are antithetical to Judaism.” ~ Dennis Harvey, Variety

“The director delicately contextualizes his subject’s desired legacy by threading Lau-Lavie’s harrowing familial history into the narrative.” ~ Robyn Bahr, Hollywood Reporter

The regular engagement starts tomorrow at the Royal, and we are also showing the film December 9 at the NoHo, December 10 and 12 in Glendale, and December 11 at the Town Center. Director Sandi Simcha Dubowski (Trembling Before G-d) was interviewed for Greg Laemmle and Raphael Sbarge’s Inside the Arthouse podcast (the episode will be out Friday). He and protagonist Rabbi Amichai Lau-Lavie will participate in Q&A’s at multiple screenings along with special guests.

Thursday, December 5th at 7PM
Royal Theater — Q&A with director Sandi DuBowski and Amy Ziering

Award-winning investigative filmmaker and activist Amy Ziering is the woman behind the last decade’s most important films about sexual assault that have directly impacted American culture and politics. Ziering’s work is a lightning rod for conversation with lauded works such as The Invisible War, The Hunting Ground, The Bleeding Edge, On the Record, and Allen v. Farrow. Ziering is the recipient of countless prestigious awards including an Oscar nomination, two Emmy awards, a Peabody, an Independent Spirit Award, a duPont-Columbia award, and the George Polk Award.

Friday, December 6th at 7:10PM
Royal Theater — Q&A with director Sandi DuBowski.

Saturday, December 7th at 7:10PM
Royal Theater — Q&A with director Sandi DuBowski and protagonist Rabbi Amichai Lau-Lavie with journalist Jessica Yellin.

Jessica Yellin, the founder of News Not Noise. For years, Yellin worked in network news at ABC, MSNBC, and CNN, where she was the Chief White House Correspondent.

Saturday, December 7th, 4pm – 5.45pm
Afternoon SoulSpa led by Rabbi Amichai Lau-Lavie — a meditative spa for soul and body, which is an adaptation of the Shabbat day service into an interactive musical experience which is everybody-friendly and God-optional, offering grounding, gratitude and contemplative conversations to lift up healing and hope. Location in Sawtelle. If you are interested email: hello@sabbathqueen.com.

Sunday, December 8th Sabbath Queen Editing Masterclass 10:30AM–12:30PM
Francisco Bello ACE, Jeremy Stulberg ACE, Kristin Feely, Sandi DuBowski, Brian Kates ACE
At the Laemmle Royal with Editors/Writers Francisco Bello ACE and Jeremy Stulberg ACE, Editor Kyle Crichton, and director Sandi DuBowski to discuss the process of crafting a longitudinal documentary two decades in the making. Hosted by Brian Kates ACE. Moderated by Kristin Feeley, Director, Documentary Film and Artist Programs, Sundance Institute. In association with Sundance Institute Documentary Film Program, ADE, BIPOC Doc Editors, Karen Schmeer Editing Fellowship, Documentary Producers Alliance. RSVP here.

Sunday, December 8th at 1:20PM
Royal Theater — Q&A with director Sandi DuBowski, protagonist Rabbi Amichai Lau-Lavie, and Caroline Libresco.
Presented by Jewish Story Partners.

Caroline Libresco is Co-Founder and Head of Granting and Programs of Jewish Story Partners. She is a leading film festival curator, producer, story advisor, and program strategist who recently wrapped nineteen years as a lead programmer at the Sundance Film Festival. Caroline is a member of the Academy of Motion Picture Arts and Sciences, where she serves on the Documentary Branch Executive Committee.

Sunday, December 8th at 7:10PM
Royal Theater — Q&A with director Sandi DuBowski, protagonist Rabbi Amichai Lau-Lavie and Rabbi Sharon Brous.

Rabbi Sharon Brous is the senior and founding rabbi of IKAR, author of The Amen Effect, who offered the invocation at the DNC and Women’s March. She was named #1 on the Newsweek / The Daily Beast list of most influential Rabbis in America.

Monday, December 9th at 7PM
Laemmle Noho — Q&A with director Sandi DuBowski and Sabbath Queen composer Joel Goodman.

An Emmy-winner and four-time Emmy nominee known for a deeply nuanced sound filled with intricate subtleties, Goodman’s diverse body of work includes scores to over 150 films and television programs that have received 5 Oscar nominations, 30 Emmy awards and over 40 Emmy nominations. He has scored over 40 films for HBO and composed the Main Theme for the long-running and critically acclaimed PBS series American Experience.

Tuesday, December 10th at 7PM
Laemmle Glendale — Q&A with director Sandi DuBowski and Damona Hoffman

Celebrity dating coach Damona Hoffman has been coaching singles on how to find love online and offline for over 15 years. Her articles appear regularly in The LA Times and The Washington Post. Plus, she’s a regular on-air contributor to The Drew Barrymore Show, NPR, and NBC’s Access Daily. Damona also starred in two A+E Networks’ TV shows: #BlackLove and A Question of Love. Her weekly podcast Dates & Mates has been featured in Cosmopolitan, Huff Post, Bustle and tops the charts in the Relationships category on the major podcast platforms.

Wednesday, December 11th at 4PM and 7PM
Laemmle Town Center in Encino — Q&A with director Sandi DuBowski at 4pm and Sandi DuBowski and Gabe Dunn at 7pm

Gabe Dunn is an American writer, podcaster, actor, and filmmaker. Since 2014, Dunn has hosted the YouTube comedy show and podcast Just Between Us with fellow former BuzzFeed writer Allison Raskin. Dunn also hosts the podcast Bad with Money, which launched in 2016 and which primarily focuses on personal finances, while also discussing subjects including poverty and economic oppression. Their debut young adult novel I Hate Everyone but You, co-authored with Raskin, was published in 2017 and made The New York Times bestseller list.

Thursday, December 12th at 7PM
Laemmle Glendale — Q&A with director Sandi DuBowski

Kubrick’s LOLITA ~ Special 62nd Anniversary Screening and Discussion of a 1962 Classic.

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Stanley Kubrick’s LOLITA (1962)
Special 62nd Anniversary Screening and Discussion of a 1962 Classic
Wednesday, December 18, at 7 PM
Laemmle’s Royal Theatre
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“How did they ever make a movie of ‘Lolita‘?” Laemmle Theatres and the Anniversary Classics Series help to answer that question — posed in all the advertising for the 1962 release — with a special screening of Stanley Kubrick’s brilliant adaptation of Vladimir Nabokov’s incendiary novel. The theme of a middle-aged man obsessed with a young teenage “nymphet” was controversial when the book and movie first appeared, and the theme is perhaps even more problematic today.

However, the masterful writing and direction of the film, along with four inspired performances, have continued to keep audiences riveted. James Mason portrays the obsessed professor, Humbert Humbert, and he perfectly captures the lecherousness, unctuousness, hypocrisy, and utter lovestruck vulnerability of a professor in thrall to a sexual compulsion he cannot control. Sue Lyon, in her first starring role, brings off astonishingly varied moods. At times she seems like a whiny, petulant teenager, and at other moments she exudes worldly sophistication. As her mother, the culturally pretentious and needy Charlotte Haze, Shelley Winters gives one of the most scintillating performances of her long career.

But Kubrick’s most brilliant casting coup was choosing Peter Sellers to play Quilty, the villain of the piece who steals Lolita away from Humbert. Sellers had made a splash in a few British films but had yet to reach American movie stardom. His flair for impersonation made him an inspired choice to play Quilty, a master of disguises who torments Humbert in many different incarnations through the course of the story.

In adapting the text, Kubrick and producer James B. Harris chose to veer from the novel and introduce Sellers’ Quilty in the opening scene, as Humbert questions Quilty about his sexual history while the two play a bizarre game of ping-pong. The Saturday Review critic, Hollis Alpert, wrote of this opening scene, “There hasn’t been a scene of equal imaginativeness in movies since, perhaps, ‘Citizen Kane.’” Nabokov himself declared that Kubrick’s opening scene was “a masterpiece” and hailed the film as “absolutely first-rate.”

Although Nabokov received sole credit for the screenplay and earned an Academy Award nomination for Best Adaptation, the script was heavily rewritten by Kubrick and Harris. While some critics at the time were perplexed by the movie, many of the most perceptive reviewers had high praise. Writing in Partisan Review, Pauline Kael asserted, “It’s the first new American comedy since those great days in the ’40s when Preston Sturges recreated comedy with verbal slapstick. ‘Lolita‘ is black slapstick, and at times it’s so far out that you gasp as you laugh.” Critic Arthur Schlesinger Jr., who also served as special assistant to President Kennedy at the time, wrote in Show magazine that ‘Lolita‘ was “wildly funny and wildly poignant… It is beautiful and it is depraved… Kubrick renders farce and satire and comedy and pathos and melodrama and psychopathology with equal skill.”

The leading critic of the era, The New York Times’ Bosley Crowther, declared, “The picture has a rare power.” More recently, Leonard Maltin added, “Winters is outstanding as Lyon’s sex-starved mother.” Jon Fortgang of England’s Film4 commented, “’Lolita,’ with its acute mix of pathos and comedy, and Mason’s delivery of Nabokov’s sparkling lines, remains the definitive depiction of tragic transgression.”

Stephen Farber and Michael McClellan, authors of Cinema ’62: The Greatest Year at the Movies, will introduce and discuss the film with the audience. They will also be selling and signing copies of their highly acclaimed book.

P.S.: The subsequent Anniversary Classics screening will be the hugely entertaining Joan Crawford thriller ‘Strait-Jacket‘ on December 30, celebrating its 60th anniversary!

FIDDLER – it’s back! Get your tickets to have a Merry Christmas in Anatevka. And before Hanukkah even starts. Nu, what is the world coming to?

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JOIN US on DECEMBER 24th for our umpteenth annual alternative Christmas Eve! That’s right, It’s time for the return of our Fiddler on the Roof Sing-Along! Screening in five shtetls: Claremont, NoHo, West L.A., Encino, and Newhall.

Belt out your holiday spirit … or your holiday frustrations. Either way, you’ll feel better as you croon along to all-time favorites like “TRADITION,” “IF I WERE A RICH MAN,” “TO LIFE,” “SUNRISE SUNSET,” “DO YOU LOVE ME?” and “ANATEVKA,” among many others.

We encourage you to come in costume! Guaranteed fun for all. Children are welcome (Fiddler is rated “G”) though some themes may be challenging for young children.

Prices this year start at $16 for General Admission and $13 for Premiere Card holders. Typically, Fiddler sells out … so don’t miss the buggy!

ABOUT THE FILM:
Originally based on Sholem Aleichem’s short story “Tevye and His Daughters,” Norman Jewison’s adaptation of the long-running Broadway musical is set in a Russian village at the beginning of the twentieth century. Israeli actor Topol repeats his legendary London stage performance as Tevye the milkman, whose equilibrium is constantly being challenged by his poverty, the prejudice of non-Jews, and the romantic entanglements of his five daughters.

P.S.: We will be screening the excellent documentary Fiddler’s Journey to the Big Screen on December 16 and 17.

Tickets for THE ROOM NEXT DOOR, Almodóvar’s first English-language film, go on sale on Friday.

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On December 20th we are opening Pedro Almodóvar’s first movie in English, The Room Next Door, at the Royal. We’ll bring it to Claremont, Glendale, Newhall, North Hollywood, and Encino in January. Julianne Moore and Tilda Swinton star as two friends who reconnect after decades apart and embark on an unusual new phase of their friendship. Writing in Time Magazine, Stephanie Zacharek describes how “the colors of The Room Next Door are its secret message, a language of pleasure and beauty that reminds us how great it is to be alive. If it’s possible to make a joyful movie about death, Almodóvar has just done it.”

 Tickets for THE ROOM NEXT DOOR, Almodóvar's first English-language film, go on sale on Friday.

“The Room Next Door, as driven by the scalding humanity of Swinton’s performance, lifts you up and delivers a catharsis. The movie is all about death, yet in the unblinking honesty with which it confronts that subject, it’s powerfully on the side of life.” ~ Owen Gleiberman, Variety

“In these intensely moving moments it feels as if the two artists — [James] Joyce and Almodóvar — are connecting across time, desperate to express the ineffable, and keen to capture a creative moment that honours both the living and the dead.” ~ Kevin Maher, Times

Tickets for THE ROOM NEXT DOOR, Almodóvar's first English-language film, go on sale on Friday.

“The Room Next Door turns into something spiky, unnerving, and at times joyously silly.” ~ Leo Robson, New Statesman

Almodóvar, Moore, and Swinton spoke about the film over the weekend at a Deadline Contenders panel discussion. “It’s wonderful. He really honors the female experience,” said Moore. “I think it’s something that he talks about, sitting under the kitchen table when his mother was talking to her friends and absorbing those stories and how powerful they were, and understanding that point of view. I think he’s always in that feminine point of view. Like I said, he honors that world. You feel very, very seen as an actor when you work with Pedro.”

Tickets for THE ROOM NEXT DOOR, Almodóvar's first English-language film, go on sale on Friday.

“I’m a very dull or heady director,” said Almodóvar. “I say to the actors many, many, many things, and what I learned about these two is that perhaps I don’t need to say so much information to the actors. There was one very important [scene of Moore reading] the letter at the end. For me, it was very important. I was almost crying when I talked to her and I said, ‘Well, Julianne, this is what I want for this letter.’ [She] said, ‘Pedro, please let me do it, and after that, you give me all the indications.’ And she was right. When she just read it, I mean, I couldn’t believe it. I didn’t intervene, but it was more than perfect. So I learned by then that perhaps I don’t need to tell them so many things to the actors.”

Stephen Bogart and the BOGART: LIFE COMES IN FLASHES filmmakers in person for Q&A’s this week at the Royal and Town Center.

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Bogart: Life Comes in Flashes in-person Q&A’s with director Kathryn Ferguson: Friday, 11/15, 7:20 PM at the Royal, moderated by Grae Drake (Entertainment Journalist and Film Critic, Rotten Tomatoes & MovieFone); Saturday, 11/16, 7:10 PM show at the Town Center, moderated by Claudia Puig (NPR Film Critics/President L.A. Film Critics Association). Stephen Bogart will participate in a Q&A after the Saturday, 11/16, 1:20 PM show at the Royal; Scott Mantz (former Access Hollywood film critic) will moderate.

Steve McQueen’s masterful BLITZ opens Friday.

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Tomorrow we open Blitz, the latest film English filmmaker Steve McQueen (Shame, 12 Years a Slave, Occupied City), at the Claremont, Glendale, Monica Film Center, Newhall, and Town Center. Starring Saoirse Ronan, it follows the stories of a group of Londoners during the events of the British capital bombing in World War II. Top film critics have been singing its praises:

“McQueen—a director who understands we can only look forward by looking back—gives us a new lens through which to examine WWII in this masterful film.” ~ Emily Zemler, Observer

“I’ve been to whole film festivals with less cinema than Steve McQueen packs into just two hours.” ~ William Bibbiani, TheWrap

“The quiet puncturing of the myth of WWII solidarity on the homefront feels nearly as visceral a shock to the system… It’s not Blitz’s sensory-overload sturm und drang that leaves you gasping for breath. It’s the sneak attack.” ~ David Fear, Rolling Stone

“McQueen makes a point of integrating into the film what is rarely seen in movies of this sort: a sharp depiction of racism among Londoners, the enraging sort that has so calcified it still surfaces when people are just trying to survive.” ~ Alissa Wilkinson, New York Times

“Blitz is a welcome reminder that a bruised, searching and flawed home front, in the waning days of empire, was its own fascinating emotional terrain too.” ~ Robert Abele, Los Angeles Times

“This is a movie about the way resilience can blossom from vulnerability. No child asks to be a victim of war; sometimes survival, with your soul intact, is the best possible outcome.” ~ Stephanie Zacharek, TIME Magazine

“Blitz, while not exactly a movie for children, is nonetheless a story about a child, and it has powerful moments of wonderment, humor and even joy.” ~ Justin Chang, NPR

“Arguably the most heroic character in the film is the city. And Blitz is, instantly, one of the great “London Movies.” ~ Kevin Maher, Times (UK)

In memory of Maggie Smith – THE PRIME OF MISS JEAN BRODIE screening November 13.

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THE PRIME OF MISS JEAN BRODIE (1969)
55th Anniversary Screening
Tribute to Oscar Winner Maggie Smith
Wednesday, November 13, at 7 PM
Laemmle Royal Theatre

Laemmle Theatres and the Anniversary Classics Series present a tribute to the late, great Maggie Smith with a screening of her first Oscar-winning movie, ‘The Prime of Miss Jean Brodie.’ Smith had impressive competition in 1969, including Jane Fonda, Liza Minnelli, Genevieve Bujold, and Jean Simmons, but she prevailed. The film also earned an Oscar nomination for the theme song, “Jean,” written by Rod McKuen.

Jay Presson Allen adapted the highly acclaimed novel by Muriel Spark about an eccentric but popular teacher at a girls’ school in Edinburgh during the 1930s. Ronald Neame (‘The Horse’s Mouth,’ ‘Tunes of Glory,’ ‘The Poseidon Adventure’) directed. The cast includes Robert Stephens (Smith’s husband at the time), Pamela Franklin, Jane Carr, Gordon Jackson, and Celia Johnson, an Oscar nominee two decades earlier for her role in the romantic classic, ‘Brief Encounter.’

Allen had also written the successful play adapted from Spark’s novel; it starred Vanessa Redgrave in London and Zoe Caldwell on Broadway. But most critics agreed that Smith’s portrayal was definitive. She caught the charisma and eccentricity as well as the sometimes dangerous egotism of a revered teacher who steers some of her impressionable students in the wrong direction, even leading one of her charges to volunteer to fight for Franco during the Spanish Civil War.

Variety had high praise for “Maggie Smith’s tour-de-force performance.” Leonard Maltin called the film a “remarkable character study.” In the most detailed review, Pauline Kael wrote, “Maggie Smith, with her gift for mimicry and her talent for mannered comedy, makes Jean Brodie very funny—absurdly haughty, full of affectations, and with a jumble shop of a mind… a bit of an Auntie Mame.” Kael also had praise for the other performances, writing “The casting in general is superb,” and she singled out one supporting performance in particular: “Celia Johnson has a genuine triumph as Miss Mackay, who in the film becomes Miss Brodie’s true adversary.”

Maggie Smith earned a total of six Academy Award nominations over the course of her long career, winning a second Oscar in the supporting actress category for her performance in 1978’s ‘California Suite.’ She won a Tony award for her performance in Peter Shaffer’s ‘Lettice and Lovage’ on Broadway, and she snagged three Emmys for her role in the beloved ‘Downton Abbey.’

 

The superb LA COCINA on Inside the Arthouse and opening Friday at the Monica Film Center.

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The latest episode of Inside the Arthouse features La Cocina filmmaker Alonso Ruizpalacios. The drama takes us behind the scenes at a Times Square restaurant, illuminating the lives of the people who prepare and serve our meals while chasing the American Dream. The ensemble cast, which includes two-time Academy Award-nominee Rooney Mara, delivers stunning performances in this beautifully shot film.

Laemmle Theatres opens La Cocina this Friday at the Monica Film Center. Writer-director Alonso Ruizpalacios will participate in Q&A’s after the 7 PM screening at the Monica Film Center on Friday, November 1st and the 4 PM screening on Saturday, November 2. He will introduce the 7 PM screening on Saturday, November 2. Producer Ivan Orlic and actor Eduardo Olmos will participate in a Q&A after the 1 PM screening on Saturday, November 2.

“A chaotic symphony of nearly two dozen characters, this black-and-white indie confection (garnished with sparing touches of color) mixes biting social critique with stylistic bravura.” ~ Peter Debruge, Variety
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“There’s a surging life force felt in every scene of Alonso Ruizpalacios’ superbly acted La Cocina — at times ebullient but more often on edge, if not careening dangerously toward disaster or violence.” ~ David Rooney, Hollywood Reporter

“La Cocina Mexican writer/director Alonzo Ruizpalacios’ searing black-and-white slice of nightmare, is a monumental work of righteous anger.” ~ Robert Daniels, RogerEbert.com

“La Cocina is a phenomenal showcase for Briones, who gives one of the most mesmerizingly multi-faceted performances of the year.” ~ Brian Tallerico, RogerEbert.com

“La Cocina goes further than recasting the American dream as a nightmare and the much sought-after visa as a ticket to infinite exploitation.” ~ William Repass, Slant Magazine