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A Big Screen Must-See, THE SEVEN YEAR ITCH 70th Anniversary Screening June 25.

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THE SEVEN YEAR ITCH 70th Anniversary – Marilyn Monroe classic comedy screens at Laemmle’s historic Royal Theatre on June 25.

Laemmle Theatres and the Anniversary Classics Series present the 70th anniversary of THE SEVEN YEAR ITCH (1955), which features one of the signature pop culture images of the 20th century and of its star, Marilyn Monroe (standing astride a subway grate while her skirt billows up to her shoulders). Billy Wilder produced, directed, and, with George Axelrod, cowrote the film version of Axelrod’s smash Broadway comedy about marital infidelity. It provided a prime vehicle for Monroe. The film screens one night only, Wednesday, June 25 at 7:00 P.M. at the historic Laemmle Royal Theatre in West Los Angeles.

Axelrod’s play opened on Broadway in 1952 and ran almost three years before being adapted for the screen. Seasoned stage actor Tom Ewell scored a major career hit and a Tony Award for his portrayal of a philandering New York publisher who agonizes over straying with “the Girl Upstairs” while his wife and young son are on a two-month summer vacation in Maine. Wilder wanted to cast newcomer Walter Matthau, but Ewell was permitted to reprise his role when Monroe was cast as “the Girl” and the vehicle was rewritten to showcase her. Despite this shift, Ewell won a Golden Globe for his skillful comedic performance, the best of his career.

Wilder had taken on the project for its farcical approach to adultery but was “straitjacketed” by the censorious Production Code and could not sidestep its restrictions as he first thought. Therefore, the emphasis was placed on Monroe’s character, which some reviewers felt unbalanced the story. However, the film is still told from Ewell’s point of view, and even though his milquetoast is no match for Monroe, their innocent sexual bantering still registers, with his lustful fantasies countered by Monroe’s sweet sexuality. Perhaps the best way to view the film is as a satire on mid-century morals and 1950s sexism. Wilder takes a somewhat broad approach, and the light cartoonish style works effectively to generate copious laughs.

Monroe is delightful and incandescent, and the film, a major box-office hit, remains memorable because of her. At the time of its original release in 1955, Delmore Schwartz in The New Republic called her a different type of screen siren, representing “a new attitude, which Miss Monroe embodies with such natural and joyous ebullience.” Who could argue? The subway grate image, depicted in a 26-foot statue, Forever Marilyn, by artist Seward Johnson in 2011, further immortalized Monroe’s legacy as the greatest star in movie history. You can currently see the statue in downtown Palm Springs, and now you can see the movie that inspired it on June 25 at the Royal. It is a perfect opportunity to see on the big screen the magnetism of Marilyn Monroe that resonates to this day.

CROUPIER 25th Anniversary Screening with Clive Owen in Person June 4 at the Royal.

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Laemmle Theatres and the Anniversary Classics Series present a 25th anniversary screening of ‘Croupier,’ the sleeper hit that helped to save the specialized movie business during a dry period at the beginning of the 21st century. Mike Hodges, the director of the British crime thriller ‘Get Carter’ with Michael Caine, had his most acclaimed film since then when he directed ‘Croupier.’

Clive Owen, who had mainly appeared in British television dramas before this, rose to full-fledged movie stardom as a result of this movie. He plays an aspiring writer who takes a job at a casino where he juggles a few romantic relationships and also has to contend with a robbery threat. Alex Kingston, Gina McKee, Kate Hardie, and Nicholas Ball costar. The script was written by Paul Mayersberg, who also wrote Nicolas Roeg’s ‘The Man Who Fell to Earth’ and ‘Eureka,’ as well as Nagisa Oshima’s ‘Merry Christmas, Mr. Lawrence.’

The film opened in England in 1999 but made few waves at the box office. When it came to America in 2000, veteran marketing executive Mike Kaplan (who had worked frequently with Stanley Kubrick, Lindsay Anderson, Robert Altman, Alan Rudolph, and Malcolm McDowell) devised a whole new marketing campaign that highlighted Owen’s resemblance to tough-guy Hollywood stars like Humphrey Bogart, Robert Mitchum, and Richard Widmark. The strategy worked, and the picture lit up art house screens for several months, eventually reaching mainstream theaters as well.

The New York Times’ Stephen Holden called the film “a breezy meditation on life as a game of chance,” and he added, “Clive Owen conveys a sharp, cynical intelligence that rolls off the screen whenever he widens his glittering blue eyes.” Newsweek’s David Ansen declared, “Coolly hypnotic, the lean British sleeper ‘Croupier‘ is a reminder that movies don’t have to wave their arms and scream to hold our attention.” Roger Ebert wrote that Owen has “the same sort of physical reserve as Sean Connery in the Bond pictures.”

Newsday’s Gene Seymour wrote, “Not since 1971 has British director Mike Hodges made a movie as deep, dark and compelling as this thriller.” British film journal Sight and Sound concurred that “Hodges is unfailingly professional in matching style to story.”

The movie’s success catapulted Owen to full-fledged stardom, and he went on to work with many of the world’s top directors and stars. He earned an Oscar nomination when he costarred with Julia Roberts, Jude Law, and Natalie Portman in Mike Nichols’ ‘Closer.’ He costarred in Spike Lee’s ‘Inside Man’ with Denzel Washington and Jodie Foster. Owen was part of the large ensemble cast in Robert Altman’s Oscar-winning ‘Gosford Park.’ He had the leading role in Alfonso Cuaron’s futuristic thriller ‘Children of Men.’ He played Sir Walter Raleigh to Cate Blanchett’s Queen Elizabeth in ‘Elizabeth: The Golden Age,’ then re-teamed with Roberts in ‘Duplicity.’ He also starred with Juliette Binoche in Fred Schepisi’s ‘Words and Pictures.’

Owen scored on television as well, starring in Steven Soderbergh’s acclaimed medical series ‘The Knick.’ He earned an Emmy nomination playing Ernest Hemingway in Philip Kaufman’s ‘Hemingway and Gelhorn,’ co-starring with Nicole Kidman. In Ryan Murphy’s TV miniseries ‘American Crime Story,’ Owen played President Bill Clinton during the Monica Lewinsky affair. And he recently played an older version of detective Sam Spade in ‘Monsieur Spade.’

Mike Kaplan will introduce the screening by reporting on its troubled but ultimately triumphant history. Owen will participate in a Q&A after the film.

GHOST 35th anniversary screening with director Jerry Zucker in person May 21 at the Royal!

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Laemmle Theatres and the Anniversary Classics Series present a special screening of one of the best loved movies of the 20th century, Jerry Zucker’s smash hit supernatural fantasy, ‘Ghost.’ When the movie opened in the summer of 1990, it quickly captivated audiences and eventually became the highest grossing movie of the year, earning $505 million on a budget of just $23 million. When the movie hit home video in 1991, it also became the highest grossing film in the rental market for that year. The movie was nominated for five Oscars in 1990, including Best Picture, and it won awards for Bruce Joel Rubin’s original screenplay and Whoopi Goldberg’s riotous supporting performance.

Rubin’s screenplay marked a fresh contribution to the fantasy genre, following in the tradition of such classics as ‘Here Comes Mr. Jordan,’ Warren Beatty’s remake ‘Heaven Can Wait,’ ‘The Ghost and Mrs. Muir,’ ‘Blithe Spirit,’ and the comic blockbuster, ‘Ghostbusters.’ But it was a very original piece of storytelling that mixed romance, humor, and suspense, with plenty of surprise twists, as a murder victim tries to save his girlfriend’s life from beyond the grave. Patrick Swayze plays a banker in love with an artist played by Demi Moore. Tony Goldwyn plays a colleague of Swayze’s, and Goldberg plays a fake psychic who somehow manages to have a connection with spirits from the afterlife.

The technical crew behind the movie was also outstanding. Walter Murch (an Oscar winner for ‘Apocalypse Now’ and ‘The English Patient’) was the editor and earned a nomination for his work. Maurice Jarre (a multiple Oscar winner—for David Lean’s ‘Lawrence of Arabia,’ ‘Doctor Zhivago,’ and ‘A Passage to India’) also earned a nomination for his score, which famously included the hit song from 1955, “Unchained Melody” (a kind of anthem for the movie). Visual effects supervisor Richard Edlund was also an Oscar winner for ‘Star Wars’ and ‘Raiders of the Lost Ark.’

The romantic pottery casting scene between Swayze and Moore was later cited as one of the most iconic scenes of ’90s movies, though it attracted its share of parodies as well—a sign of the film’s enduring place in pop culture.

Reviews of this smash hit movie were actually mixed, but many of the most perceptive critics praised it. Newsweek’s David Ansen called ‘Ghost‘ “a zippy pastiche that somehow manages to seem fresh.” Entertainment Weekly’s Owen Gleiberman agreed that the movie was “a dazzlingly enjoyable pop thriller.” Peter Bradshaw of the Guardian wrote that “Rubin’s script is a lethally effective fantasy.” The cast also earned high praise. Gene Siskel of the Chicago Tribune said, “Moore has never been more fetching.” The New York Times’ Janet Maslin added, “This is one of those rare occasions on which the uncategorizable Ms. Goldberg has found a film that really suits her, and she makes the most of it.”

Time Out summarized the positive reviews by praising the filmmakers: “The real credit…rests on an excellent script by Bruce Joel Rubin, and on the surprisingly sure direction of Jerry Zucker.”

Before making this movie, Zucker had worked with his brother David Zucker and Jim Abrahams on comedy hits ‘Airplane!,’ ‘Top Secret!,’ ‘Ruthless People,’ and ‘The Naked Gun.’ ‘Ghost‘ marked his first solo effort as director and also his first dramatic film. He went on to direct ‘First Knight,’ ‘Rat Race,’ and also helped to produce such films as ‘My Best Friend’s Wedding,’ ‘Fair Game, and ‘Friends with Benefits.’

Alan Rudolph’s CHOOSE ME: Special Restoration Screening Tribute to Bob Laemmle with Keith Carradine, Lesley Ann Warren, and more April 3

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Alan Rudolph’s ‘Choose Me‘ Special 4K Restoration Screening Tribute to Bob Laemmle with costars Keith Carradine, Lesley Ann Warren, and producer David Blocker in person April 3.

Laemmle Theatres and the Anniversary Classics Series present a special 4K restoration screening of writer-director Alan Rudolph’s 1984 comedy-drama fable ‘Choose Me‘ as a tribute to the late Bob Laemmle, owner of Laemmle Theatres, who died in January. The film screens Thursday, April 3 at the historic Royal Theatre in West Los Angeles at 7:00 P.M. Costars Keith Carradine and Lesley Ann Warren will appear in person for a Q&A, joined by producer David Blocker. Bob Laemmle was a long-time supporter of Alan Rudolph and ‘Choose Me’ notably had a lengthy run of several months at the Royal in 1984 and 1985.

Alan Rudolph has been in the forefront of the American indie movement since his breakout arthouse hit ‘Welcome to L.A.’ in 1976. As a protégé of Robert Altman, he specializes in romanticism and fantasy with quirky characters. Set mostly in a nocturnal Los Angeles, ‘Choose Me‘ is essentially a lyrical roundelay among five characters: Nancy (Genevieve Bujold), a radio psychologist who goes by the nom de radio “Dr. Love” and dispenses advice to the lovelorn but is maladjusted herself; Eve (Lesley Ann Warren), a former sex worker who owns a bar in a seedy neighborhood; Mickey (Keith Carradine), a released mental patient who may still be quite mad; Pearl (Rae Dawn Chong), an alcoholic aspiring poet; and her wayward husband Zack (Patrick Bauchau). Working on a low-budget, Rudolph achieves high style collaborating with cinematographer Jan Kiesser and production designer Steven Legler and a soundtrack of soulful late-night jazz for the noirish atmospherics.

Critics embraced the film, with Vincent Canby in the New York Times noting how Rudolph features Los Angeles “as much of fairy-tale town as the Emerald City. It’s this quality that makes ‘Choose Me‘ an adult fable of expressive charm.” Janet Maslin, also in the Times, called the characters “garrulous, love-starved loners,” and praised the film “as free-flowing meditation on love, commitment, jealousy, radio call-in shows and just about anything that comes to mind.” Roger Ebert called it “an audaciously intriguing movie…about the endless surprise of human nature.” The Washington Post cited it as “a movie of manners leavened with sophisticated farce…locates the searching quality of contemporary sexual attitudes as well as any this year.” Pauline Kael noted the comedy-fantasy quality, calling it “crazy bananas,” and “in a magical, pseudo-sultry way — it seems to be set in a poet’s dream of a red-light district.”

Our guests have all enjoyed lengthy show business careers, and among their highlights are Academy Award recognition for both Keith Carradine (Best Song Oscar, “I’m Easy” from 1975’s Nashville) and Lesley Anne Warren (Best Supporting Actress nomination, 1982’s ‘Victor, Victoria’). Warren has had an extensive career on stage, screen, and television, including TV’s ‘Cinderella’ and ‘Desperate Housewives’; memorable movie performances in ‘Clue’ and ‘Life Stinks’; and she gave a Golden Globe-nominated performance (among multiple Globe nominations and one win through the years) in Alan Rudolph’s ‘Songwriter’ in 1984.

Carradine has enjoyed a more than five decades career since his debut in Robert Altman’s ‘McCabe & Mrs. Miller’ in 1971, appeared memorably on Broadway in ‘Will Roger’s Follies,’ and collaborated with Rudolph several times, including ‘Welcome to L.A.,’ ‘The Moderns,’ and ‘Mrs. Parker and the Vicious Circle.’ Notably, both Warren and Carradine are still active in entertainment with numerous projects.

David Blocker has produced several Rudolph films: ‘Choose Me,’ ‘Trouble in Mind,’ ‘The Moderns’ (those three with co-producer Carolyn Pfeiffer), ‘Made in Heaven,’ and ‘Equinox.’ His numerous works in television garnered an Emmy for the TV movie ‘Don King: Only in America’ (1997).

 

 

SIDEWAYS 20th Anniversary Screening, Discussion and Book-Signing March 20, 2025 Laemmle Monica Film Center

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Laemmle Theatres and the Anniversary Classics Series present a 20th anniversary screening of one of the most acclaimed movies of the 21st century: Alexander Payne’s Oscar-winning ‘Sideways.’ The March 20 screening at the Monica Film Center is held in conjunction with the publication of the new book, ‘Sideways Uncorked: The Perfect Pairing of Film and Wine,’ written by critic and journalist Kirk Honeycutt and his wife, Mira Advani Honeycutt. Mira comes to the project with 25 years of experience as a wine journalist. They will be joined by the Oscar-nominated producer of ‘Sideways,’ Michael London.

‘Sideways,’ based on a novel by Rex Pickett, was adapted for the screen by Payne and his frequent collaborator, Jim Taylor. It follows a weeklong journey through Santa Barbara wine country by two mismatched pals, a teacher and unsuccessful writer, played by Paul Giamatti, and a part-time actor played by Thomas Haden Church. Along the way they have encounters with two tantalizing women (Sandra Oh and Virginia Madsen). The sharp, often hilarious insights into character energize the film.

When the film opened in the fall of 2004, it earned universally rave reviews. Kirk Honeycutt wrote the very first review out of the Toronto Film Festival. He declared, “The slapstick is perfectly timed and executed. As with the best comedies of Billy Wilder and Blake Edwards, laughs derive from excruciating pain, both emotional and physical.” Roger Ebert praised the film as “the best human comedy of the year—comedy because it is funny, and human, because it is surprisingly moving.” Newsweek’s David Ansen wrote, “Payne has created four of the most lived-in, indelible characters in recent American movies.”

Both the New York Film Critics Circle and the Los Angeles Film Critics Association named ‘Sideways‘ as the best film of 2004. The screenplay was named the year’s best by those two groups, along with the National Board of Review, the National Society of Film Critics, and the Writers Guild of America. Payne and Taylor also won the Oscar for Best Adapted Screenplay, and the film earned Academy nominations for Best Picture, Best Director, and Best Supporting Acting nods for Church and Madsen.

The film had an influence beyond the world of cinema. In one key scene in the film, Giamatti declaims against merlot and declares pinot noir to be the far superior wine. Sales of pinot noir soared all over the country after the film’s release.

‘Sideways‘ ended up grossing more than $100 million, a huge score for a film that started its life as a small arthouse release.

Kirk and Mira Honeycutt will be selling and signing copies of their book before and after the screening on March 20. Alexander Payne had high praise for it: “The Honeycutts’ account of ‘Sideways‘ and its reverberations is so thorough that even I learned things I hadn’t known. A delightful, accurate chronicle with great wine tips.” Leonard Maltin called ‘Sideways Uncorked’ “an astute and entertaining book about the making of a great American film and its aftermath in the world of wine.”

Producer Michael London has many other distinguished credits, including ‘House of Sand and Fog,’ ‘The Family Stone,’ ‘The Visitor,’ ‘Milk,’ and ‘Trumbo.’

SWEPT AWAY 50th anniversary screening February 13 at the Royal. Regular engagement starts February 21 in Glendale.

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For those who don’t like Valentine’s Day, join us for an “anti-romantic” evening with Lina Wertmuller’s Swept Away. Laemmle Theatres and the Anniversary Classics Series present a 50th anniversary screening of the odd-couple arthouse sensation Swept Away. Lina Wertmüller’s provocative, fable-like two-hander brings together Mariangela Melato and Giancarlo Giannini for an oft-ugly battle of the sexes (and classes) cage match with the sparkling Mediterranean for a beautiful backdrop.

 

Not long after setting off on a yachting expedition, Milanese millionairess Raffaella (Melato) finds herself stranded on an obscure island with the boat’s deckhand (Giannini), a working-class Sicilian communist who promptly establishes dominion over the isle — and his once-prideful ex-employer. A contentious cinematic war of words, which has lost none of its power to inspire heated debate among its viewers.

We will also have a daily regular engagement February 21-27 at the Laemmle Glendale.

In 1976, Wertmüller became the first woman ever to earn an Oscar nomination as Best Director for her film Seven Beauties.

“[With Swept Away,] Wertmüller delivered the first girl power picture, and it’s a stunning masterstroke of a movie.”  – Bill Gibron, DVD Talk

“Wertmüller didn’t just tap the tangled sexual politics of the ’70s— she lit a fuse under them.” – Owen Gleiberman, Variety

“As ferocious as it is funny.” – Judith Crist

“A powder keg of class and sexual politics.” – Scott Tobias, AV Club

 

35th Anniversary WILD AT HEART in memoriam screening for David Lynch February 19 at the NoHo.

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The news of David Lynch‘s death hit like David Bowie’s. Here were two sui generis, irreplaceable artists so original their names became adjectives, and they were gone. There will never be another David Lynch movie, but we can watch Eraserhead, Blue Velvet, Mulholland Drive, Inland Empire, Lost Highway and the extravagantly violent and sexy romantic comedy Wild at Heart — February 19 at the NoHo — on the big screen as the auteur intended. The 1990 Palme d’Or winner stars Laura Dern and Nicolas Cage as Lula and Sailor, roadtripping lovers plagued by Lula’s crazed mother (Diane Ladd, Oscar nominated for this performance). Willem Dafoe’s frightening turn as the creepy Bobby Peru earned him a Spirit Award nomination for Best Supporting Actor.

BREAKING AWAY with actors Dennis Christopher and Paul Dooley in person Tuesday, January 14 at the Laemmle NoHo.

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Laemmle Theatres and the Anniversary Classics Series present a 45th anniversary screening of the Oscar-winning 1979 hit ‘Breaking Away‘ with costar Paul Dooley joining for an in-person Q&A after the screening. The movie earned five Oscar nominations in all, including Best Picture and Best Director for Peter Yates, and it won the Oscar for the Original Screenplay by Steve Tesich. It also won the Golden Globe for Best Comedy or Musical of the year, and it won the Writers Guild award for Best Original Screenplay. Many years later, when the American Film Institute compiled a list of the most inspiring movies in history, ‘Breaking Away‘ ranked in the top 10.

Tesich based the script in part on his own experiences at the University of Indiana in Bloomington. The story tells of the bond between four young working-class men raised in the town but unable to afford college. They are scorned by the college students in town and called “cutters” because of their families’ work as stonecutters in the local quarry. The four young men are played by newcomers Dennis Christopher, Dennis Quaid, Daniel Stern, and Jackie Earle Haley. Christopher’s parents are played by Paul Dooley and Barbara Barrie, and the snooty college kids include actors Hart Bochner and Robyn Douglass.

Christopher’s Dave, the leading character, becomes obsessed with Italian bicycle racers and Italian culture in general, to the dismay of his working-class father, played by Dooley. Eventually he decides to enter the local bicycle race dominated by the college students, and he becomes a symbol to his pals of the possibilities of transcending their humble backgrounds.

Critics were swept up in the story’s inspirational message. Roger Ebert called ‘Breaking Away‘ “a wonderfully sunny, funny, goofy, intelligent movie that makes you feel about as good as any movie in a long time.” The New York Times’ Janet Maslin agreed and declared, “Here is a movie so fresh and funny it didn’t even need a big budget or a pedigree.” Variety summarized the overwhelmingly positive reviews, calling the film “a thoroughly delightful light comedy, lifted by fine performances from Dennis Christopher and Paul Dooley.”

Dooley got his start working several times with director Robert Altman on such films as ‘A Wedding,’ ‘Health,’ and he had a leading role in Altman’s offbeat romantic comedy ‘A Perfect Couple.’ In Altman’s musical adaptation of ‘Popeye,’ Dooley played the role of Wimpy. He also costarred in such films as ‘Paternity,’ ‘Sixteen Candles,’ Steven Soderbergh’s ‘The Underneath,’ ‘Runaway Bride,’ ‘A Mighty Wind,’ and ‘Happy, Texas.’ He provided one of the voices in the ‘Cars’ animated movies, and he also had prominent roles on such popular TV series as ‘thirtysomething’, ‘My So-Called Life,’ ‘Dream On,’ ‘The Practice,’ and ‘Curb Your Enthusiasm.’