THE SEDUCTION OF MIMI 50th Anniversary Screenings March 2, at the Royal, Playhouse, Glendale & Newhall.
To launch our Anniversary Classics Series in 2022, and during Oscar season, we celebrate the first woman ever to be nominated for Best Director, Lina Wertmüller, who died at the end of last year at the age of 93. Just two years earlier, she had won an honorary Oscar at the Academy’s annual Governors Awards for her sterling body of work, spanning more than 50 years. For our Anniversary screening, we are presenting one of the first movies that brought her to the world’s attention, The Seduction of Mimi.
Wertmüller had served an apprenticeship with the great Federico Fellini, and she began directing her own films in the 1960s. When she presented The Seduction of Mimi at the Cannes Film Festival in 1972, she won widespread acclaim. Mimi and the director’s subsequent film, Love and Anarchy, were both released in the United States in 1974, and the press and the public took notice. The following year she scored an even bigger success with the controversial Swept Away, and in 1976 her unique World War II drama, Seven Beauties, earned four Oscar nominations, including two for Wertmüller, for Best Screenplay as well as Best Director. This historic nomination of a female director was not repeated until 1993 when Jane Campion earned a nod for The Piano.
In The Seduction of Mimi, Wertmüller’s favorite leading man, Giancarlo Giannini, plays a laborer torn between the Mafia and the Communist Party. As he travels from Sicily to Rome, he also gets involved with several women in addition to his wife. One of his lovers is played by another of Wertmüller’s favorite actors, Mariangela Melato, who co-starred with Giannini in Love and Anarchy and Swept Away as well as Mimi. Giannini’s other co-stars in The Seduction of Mimi include Elena Fiore and Agostina Belli.
Writing in The New York Times, Nora Sayre said, “the politics and sex are so well balanced that all the raw emotions and the devastating jokes ring true.” Sayre added, “The Seduction of Mimi is one of the best films of this season.” The Los Angeles Free Press declared, “Wertmüller is a supreme satirist.”

This 50th anniversary screening will play at four Laemmle locations: the Royal in West Los Angeles, the Playhouse in Pasadena, Glendale and Newhall.
https://www.youtube.com/watch?v=ytGPSC35SfI
Moviegoers, start your guesses: The Umpteenth Annual Laemmle Oscar Contest has begun.
The Oscar nominations are out, and in spite of the fact that Bradley Cooper was robbed of one and possibly even two nominations, it’s time for our Umpteenth Annual Laemmle Oscar Contest! Correctly guess how the Academy will vote and win movie passes good at all Laemmle venues and Laemmle Virtual Cinema.
“Haroun shows how the strength of sisterhood extends beyond family to unite women in resistance.” LINGUI, THE SACRED BONDS opens this Friday at the Royal.
Celebrated Chadian director Mahamat-Saleh Haroun (A Screaming Man) makes a remarkable return to his home country with Lingui, The Sacred Bonds, in which a mother struggles to secure an abortion for her pregnant teen daughter. Honest and poignant, gorgeously shot and superbly acted, this official submission to the 2022 Academy Awards is a stunning vision of female solidarity. Film critics have noticed:
“Haroun has a gift for distilling volumes of meaning in his direct, lucid, balanced visuals, which he uses to complement and illuminate the minimalist, naturalistic dialogue.” ~ Manohla Dargis, New York Times

“It’s a bracing work that passes quickly in 87 minutes. But the world it shows us, etched in fully felt performances and beautifully hued compositions, feels vividly, sometimes overwhelmingly present.” ~ Justin Chang, Los Angeles Times

“Beautiful to look at, impeccably shot and boasts a righteous, perfectly judged, weapon-wielding climax.” ~ Kevin Maher, Times [UK]

“Haroun shows how the strength of sisterhood extends beyond family to unite women in resistance, and the movie’s powerful vision of their furtive heroism reflects the overwhelming forces that they confront.” ~ Richard Brody, New Yorker

“As we tag along with Harouns characters, we learn to appreciate their story as a small, but vivid study of lives that are so much more than their progressive developments.” ~ Simon Abrams, RogerEbert.com

“But it’s the silent allegiances of sisterhood, a near-underground network operating to safeguard women’s rights, which exercise Haroun’s imagination throughout this excellent piece.” ~ Tim Robey, Daily Telegraph [UK]

“The intense, focused performances from the two central women keep this drama in a hyper-alert state.” ~ Peter Bradshaw, Guardian

“A beautiful portrait of community.” ~ Lovia Gyarkye, Hollywood Reporter
Oscar Update: Contests, KStew, Sleepers from India and Bhutan, Plus Doc, Animated and Live Action Shorts!
Please note: this year neither the animated nor live action short programs are appropriate for children.
Anniversary Classics Abroad Returns with Wertmüller, Almodóvar, Truffaut and more.
With the fifth wave of the pandemic fading, we’re ready to restart Anniversary Classics Abroad, our repertory series of great foreign films. First up is the raucous sex comedy THE SEDUCTION OF MIMI. A tribute to Lina Wertmüller, who recently passed away and was the first female director to be nominated by the Academy, the film provides the best medicine, copious laughter. We’ll follow that up with Almodóvar’s TALK TO HER, Truffaut’s JULES & JIM and the Liv Ullmann-Max von Sydow drama THE EMIGRANTS. We are planning eight more films for the rest of 2022, titles to be announced!
03/02/22 – THE SEDUCTION OF MIMI
03/23/22 – TALK TO HER
04/13/22 – JULES & JIM
05/11/22 – THE EMIGRANTS
We’ll screen them all at our Glendale, Newhall, Pasadena and West L.A. theaters.
Reminder: Submit your 2021 Top Ten Movie List for a chance to win fabulous prizes (gift cards)!
Tell us your favorite ten films of 2021 for a chance to win a Gift Card valid at all eight Laemmle locations and at home on watch.laemmle.com! The deadline for submission is February 21, 2022.
For inspiration, here’s Greg Laemmle’s Top 10 list:
“Touchingly absurd and absurdly touching,” BRIGHTON 4TH comes to L.A. February 11 via Tbilisi, Georgia and Brighton Beach, Brooklyn.
In this portrait of parental sacrifice and the love of a father for his son, former wrestler Kakhi (played by real-life Olympic champion Levan Tediashvili) embarks on a journey from his home in the Republic of Georgia to visit his son Soso (Giorgi Tabidze) in the Russian-speaking neighborhood of Brighton Beach, Brooklyn. There he finds him living in a shabby boarding house populated by a colorful group of fellow Georgian immigrants. Soso is not studying medicine, as Kakhi believed, but is working for a moving company and has accrued a $14,000 gambling debt to a local Russian mob boss. Kakhi sets his mind to helping his hapless son out of his debt, leading to situations as often comic as they are dire. Lensed by Oscar®-nominated cinematographer Phedon Papamichael (The Trial of the Chicago 7, Nebraska), Levan Koguashvili Brighton 4th won three major awards at the Tribeca Film Festival – Best International Film, Best Actor, and Best Screenplay – and is Georgia’s official submission to the 94th Academy Awards®.
Laemmle Theatres is proud to open Brighton 4th on February 11 at our Encino, Pasadena and West L.A. theaters.
“Touchingly absurd and absurdly touching… A slow-burn family drama infused with welcome doses of deadpan dark humor.” ~ Frank Scheck, The Hollywood Reporter

“A tragicomedy that sneaks up on you stealthily before flooring you with an emotional sucker punch in the final reel.” ~ Matt Fagerholm, RogerEbert.com

“The melancholy-infused narrative neatly balances rueful humor with genuine sweetness.” ~ Alissa Simon, Variety

“A near-perfect, semi-comic portrait of the low-rent Georgian enclave in Brighton Beach.” ~ Michael Atkinson, The Village Voice

“A touching and surprising exploration of masculinity that features a stunning central performance from former Olympic wrestling champion Levan Tediashvili.” ~ Kaleem Aftab, Cineuropa

“Koguashvili deftly blends tones in his vividly realised snapshots of Georgian manhood.” ~ Wendy Ide, Screen Daily
“A compelling portrait of the Eastern European community that exists in Brighton, [featuring] a great performance by Tediashvili, in his first film role.” ~ Christian Gallichio, The Playlist
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