See the Academy Shortlisted Foreign Films and Feature Documentaries at Laemmle.
As a gifted filmmaker told the New Yorker last year, seeing a movie at home rather than in a movie theater is “like reading a novel where you read one word out of two.” With that in mind, check out the Academy’s just-announced list of feature documentaries and international films that they have shortlisted for nominations. We’ll be playing a number of them:
SOCIETY OF SNOW (Spain) is now playing at the NoHo for two-week run.
THE TEACHERS’ LOUNGE (Germany) opened Christmas Day at the Royal and is expanding in January.
Aki Kaurismäki’s FALLEN LEAVES (Finland) is on screen at the Monica Film Center and set to return to Glendale.
THE PROMISED LAND from Denmark (with Mads Mikkelsen!), THE MONK AND THE GUN from Bhutan and TOTEM from Mexico are all set to open on February 2. And THE TASTE OF THINGS from France (with Juliette Binoche and Benoît Magimel!) will be back starting February 9.
And finally, we expect to be opening Jonathan Glazer’s THE ZONE OF INTEREST (United Kingdom) and Wim Wenders’ PERFECT DAYS (Japan)!
Make plans to enjoy the cinematic feast of the holiday season well into 2024!
Now more than ever: Greg Laemmle on singing along to FIDDLER ON THE ROOF in times like these.
From Greg Laemmle: “I started this as a Christmas Eve event (tradition!) specifically because I wanted to celebrate that as Jews in America, we did not need to hide in our homes. My grandmother hated this time of year because she had memories of her childhood in Tsarist Russia and the frequent episodes of violence (pogroms) against the Jewish communities there around the holiday. The America that I grew up in was open enough that it could accept the diversity of our society, recognizing that Americans of all religious (or non-religious) backgrounds were free to celebrate the end of year period in their own fashion. I’m not sure America is as accepting right now, but I’m not prepared to cede this ground to those pushing for a more restrictive vision of what America is. Now, more than ever, it is important that we not hide. And now, as much as ever, we need to feel the joy of the free association that is a Constitutional right of living in America. Fiddler on the Roof tells a complicated tale about the fragility of living as a minority in an oppressive state. But it also shows the joy and beauty of life, and hints at the potential of modernity to provide a freer world that does not discriminate based on race, religion or gender. LOVE is the force that truly shakes the foundations of Tevye’s world. And LOVE, not HATE, will save us from our current predicaments.”
JOIN US on DEC. 24th for our umpteenth annual alternative Christmas Eve, the Fiddler on the Roof Sing-a-Long! Screening at 7 o’clock at our Claremont, Glendale, Newhall, NoHo, West L.A. and Encino theaters.
Belt out your holiday spirit … or your holiday frustrations. Either way, you’ll feel better as you croon along to all-time favorites like “TRADITION,” “IF I WERE A RICH MAN,” “TO LIFE,” “SUNRISE SUNSET,” “DO YOU LOVE ME?” and “ANATEVKA,” among many others.
We encourage you to come in costume! Guaranteed fun for all. Children are welcome (Fiddler is rated “G”) though some themes may be challenging for young children.
Prices this year start at $16 for General Admission and $13 for Premiere Card holders. Typically, Fiddler sells out … so don’t miss the buggy!
Originally based on Sholem Aleichem’s short story “Tevye and His Daughters,” Norman Jewison’s adaptation of the long-running Broadway musical is set in a Russian village at the beginning of the twentieth century. Israeli actor Topol repeats his legendary London stage performance as Tevye the milkman, whose equilibrium is constantly being challenged by his poverty, the prejudice of non-Jews, and the romantic entanglements of his five daughters. Fiddler was nominated for eight Oscars, including Best Picture, Director and Actor, and won three, for Cinematography, Sound and Score (John Williams).
Greg Laemmle on deactivating Laemmle Theatres’ Twitter accounts.
From Laemmle Theatres President Greg Laemmle:
My wife’s uncle Bert has been guiding a Sunday morning family Zoom that started up during the early days of the pandemic. While listening in, I have often heard him repeat a guiding principle for the group discussion. Before speaking, ask yourself these questions:
1.) Is it true?
2.) Is it kind?
3.) Is it necessary?
A quick online search provides a number of different attributions. This could come to us from Socrates (via Plato). Another version is attributed to the great Sufi mystic, Rumi. Or maybe it comes from radio host Bernard Meltzer …who may have picked it up from any number of Buddhist sources. Whatever the origin, the point is that across multiple cultures and philosophic traditions, we are urged to think before we speak.
And then there’s the platform formerly known as Twitter.
While Twitter has always had a confrontational side, adequate content moderation kept rancid contributors in check, allowing it to better serve more positive activities like fostering community, encouraging democracy, providing a space for underserved voices, and allowing for a bit of irreverent fun. However, since its sale last year, Twitter is increasingly a bullhorn for hate and harassment, and the unfettered dissemination of conspiracy theories, disinformation, and outright lies. The new owner, who has loudly proclaimed himself a “free speech absolutist,” recently crossed a dangerous line into fascist hypocrisy by suing journalists for using their free speech rights to point out how corporations’ ads are appearing next to neo-Nazi content. He regularly amplifies hateful posts and memes to his 164 million followers and for his latest provocation he has re-platformed the ghoulish torturer of Sandy Hook families, Alex Jones.
Twitter is not the only problematic platform. Social media in general has encouraged disinhibition, contributing to a coarsening of public discourse. But whatever their faults (and crimes), at least these other platforms are working to improve so that they can have a greater positive influence. Twitter has crossed into territory where the bad most definitely outweighs the good. And from what we can see, they are aiming to go even lower.
At Laemmle Theatres, we have a high degree of tolerance for diverse and provocative voices. But this chorus is offered in the hope that our community will be enriched by open discourse. It is the exact opposite of the negative and hateful commentary that has become the bread and butter of Twitter.
At this time, we are deactivating our accounts on Twitter. We hope to return, but only after serious efforts have been undertaken to provide greater content moderation and to root out hate speech. This is not a First Amendment issue. The Constitution limits the government’s ability to restrict speech. But as a private platform, Twitter has the right (and responsibility) to restrict the most extreme and hateful speech. They just don’t want to.
To connect with us on other platforms, visit laemmle.com/connect.
And for the New Year, let’s all make a resolution to better follow Uncle Bert’s maxim. Whether in person or online, always remember the three rules when communicating. Be truthful and kind, and always try to only say what is necessary for a listener to hear.
Greg Laemmle
ONLY IN THEATERS wins award from Film Threat. DVDs now on sale at all venues.
The just-released Only in Theaters DVD is now available for sale at all seven of our theaters. In his recent Film Factual review of the release, Brent Simon described the film as “a rich and fortifying watch, and it thankfully isn’t fanciful enough to peddle easy solutions, or clear skies on the horizon. It’s funny and sad and at times emotionally piercing, but most of all it’s honest — a quality we should all want more of in movies, big and small.”
Hirokazu Kore-eda’s “staggeringly heartbreaking” MONSTER opens Friday.
Gently devastating in its compassion, Monster, the latest from Japanese master Hirokazu Kore-eda (After Life, Shoplifters, Broker), is a masterpiece of shifting perspectives that defies expectations. It begins with a mother who confronts a teacher about her child’s behavioral changes. This is the first time Kore-eda has directed a film he did not write in almost 20 years. (The film was the last scoring project by Ryuichi Sakamoto.) We open Monster this Friday at the Laemmle Monica Film Center, Glendale, Town Center/Encino and Claremont 5.
Leading film critics have weighed in:
“Monster is one of the finest films of the year, and its structure — like its circle of characters — carries secrets that can only be unraveled through patience and empathy.” ~ Natalia Winkelman, New York Times
“There is so much beauty in Monster, and so much sadness.” ~ Bill Goodykoontz, Arizona Republic
“Monster’s three perspectives are not so much in argument with one another as they are pieces of the same puzzle. And once they are locked together, the final portrait is staggeringly heartbreaking.” ~ Barry Hertz, Globe and Mail
“While Monster depends on dramatic irony and revelatory twists, it’s also a showcase for director Hirokazu Kore-eda, whose knack for collaboration brings out the best in his actors, especially his younger cast members.” ~ Simon Abrams, RogerEbert.com
“One of the director’s finest, its thematic scope and emotional power growing with each new revelation.” ~ Nick Schager, The Daily Beast
“Across the film, you can feel the push and pull between a master technician who built his career on the patient, delicate plucking at our heartstrings and his newfound desire to please a wide audience with the broadest of affective strokes.” ~ Kyle Turner, Slant Magazine
“Monster is another striking piece of work from a master, a movie that’s so carefully calibrated that you get lost in these characters, forgetting they’re performers and not people caught up in a genuinely traumatic chapter of life.” ~ Brian Tallerico, RogerEbert.com
“Monster keeps its secrets until its final moments, leaving us with the feeling that we have earned its trust and are worthy of the precious, beautiful truths that lie at its heart.” ~ Alexandra Heller-Nicholas, AWFJ.org
“A case of Kore-eda’s incredible felicity in handling child actors, or perhaps the kids challenging and inspiring Kore-eda yet again.” ~ Namrata Joshi, The New Indian Express
“Kore-eda is a master of directing children’s performances, so it’s no wonder that Monster is at its best when there are no adults on screen, the children living in their own world of fantasy and adventure and emotion.” ~ Alissa Wilkinson, Vox
A “genuinely delightful” movie about a brilliant teacher, RADICAL Opens Friday.
“Comes to a stirring close that balances optimism with a side of heartbreak for those kids who lack access to the right resources.” ~ Tomris Laffly, Variety
“Zalla teaches a lesson on how to deliver an affirming, emotional gut punch.” ~ Johnny Oleksinski, New York Post
“Derbez, always a charismatic screen presence, is at his best interacting with young people.” ~ Nell Minow, RogerEbert.com
“Those who inspired Radical deserved to be celebrated, and it’s likely that a mass-appealing filmic interpretation of their against-the-odds accomplishments might function as the farthest-reaching vehicle to disseminate them.” ~ Carlos Aguilar, indieWire
“Thoroughly entertaining, completely unpredictable” Finnish Romantic Comedy FALLEN LEAVES opens Wednesday.
The latest deadpan gem from living legend Aki Kaurismäki is a romantic comedy, but discard any preconceived notions about what that connotes. Fallen Leaves looks, sounds and moves audiences unlike a typical, predictable rom-com or most movies, for that matter. It’s sui generis and will almost certainly make the Oscar shortlist for Best International Film, and rightly so. The nation’s top film critics agree, declaring it one of the best movies of the year:
*
“[A] weirdly beguiling delight.” ~ Peter Sobczynski, RogerEbert.com
“Aki Kaurismäki’s deadpan dark comedy dips with style and just a hint of weird whimsy into the lives of his working-class characters, and the tableaux he crafts give off the whiff of a Finnish spin on Hopper’s alienated figures.” ~ Alissa Wilkinson, Vox
“Fallen Leaves is, for all its intended quietness, one of the most trenchant works about modern life to emerge in cinemas, post-pandemic.” ~ David Sims, The Atlantic
“Aki Kaurismäki’s latest is deeply alert to the sensory pleasures of the world.” ~ Carson Lund, Slant Magazine
“Fallen Leaves, short, sweet and utterly delightful, is the kind of movie that’s so charming, you want to run it back the moment it’s over.” Jake Coyle, Associated Press
“The key to this movie’s winning emotional delicacy is its formal sturdiness. Every shot has a specific job to do and does it well. The performances are measured and restrained.” ~ Glenn Kenny, RogerEbert.com
“There’s life boiling under the simple surfaces, which is both Kaurismäki’s aesthetic mantra and his great theme. At their best, these quiet, cool films tear you to pieces. Fallen Leaves already feels like one of his signature works.” ~ Bilge Ebiri, New York Magazine/Vulture
We open the film Wednesday, November 22 at the Royal and December 1 at the Laemmle Glendale, Monica Film Center and Town Center.
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