Moviegoers, start your guesses: The Umpteenth Annual Laemmle Oscar Contest has begun.
The Oscar nominations are out, and in spite of the fact that Bradley Cooper was robbed of one and possibly even two nominations, it’s time for our Umpteenth Annual Laemmle Oscar Contest! Correctly guess how the Academy will vote and win movie passes good at all Laemmle venues and Laemmle Virtual Cinema.
Oscar Update: Contests, KStew, Sleepers from India and Bhutan, Plus Doc, Animated and Live Action Shorts!
Please note: this year neither the animated nor live action short programs are appropriate for children.
Reminder: Submit your 2021 Top Ten Movie List for a chance to win fabulous prizes (gift cards)!
Tell us your favorite ten films of 2021 for a chance to win a Gift Card valid at all eight Laemmle locations and at home on watch.laemmle.com! The deadline for submission is February 21, 2022.
For inspiration, here’s Greg Laemmle’s Top 10 list:
“Touchingly absurd and absurdly touching,” BRIGHTON 4TH comes to L.A. February 11 via Tbilisi, Georgia and Brighton Beach, Brooklyn.
In this portrait of parental sacrifice and the love of a father for his son, former wrestler Kakhi (played by real-life Olympic champion Levan Tediashvili) embarks on a journey from his home in the Republic of Georgia to visit his son Soso (Giorgi Tabidze) in the Russian-speaking neighborhood of Brighton Beach, Brooklyn. There he finds him living in a shabby boarding house populated by a colorful group of fellow Georgian immigrants. Soso is not studying medicine, as Kakhi believed, but is working for a moving company and has accrued a $14,000 gambling debt to a local Russian mob boss. Kakhi sets his mind to helping his hapless son out of his debt, leading to situations as often comic as they are dire. Lensed by Oscar®-nominated cinematographer Phedon Papamichael (The Trial of the Chicago 7, Nebraska), Levan Koguashvili Brighton 4th won three major awards at the Tribeca Film Festival – Best International Film, Best Actor, and Best Screenplay – and is Georgia’s official submission to the 94th Academy Awards®.
Laemmle Theatres is proud to open Brighton 4th on February 11 at our Encino, Pasadena and West L.A. theaters.
“Touchingly absurd and absurdly touching… A slow-burn family drama infused with welcome doses of deadpan dark humor.” ~ Frank Scheck, The Hollywood Reporter
“A tragicomedy that sneaks up on you stealthily before flooring you with an emotional sucker punch in the final reel.” ~ Matt Fagerholm, RogerEbert.com
“The melancholy-infused narrative neatly balances rueful humor with genuine sweetness.” ~ Alissa Simon, Variety
“A near-perfect, semi-comic portrait of the low-rent Georgian enclave in Brighton Beach.” ~ Michael Atkinson, The Village Voice
“A touching and surprising exploration of masculinity that features a stunning central performance from former Olympic wrestling champion Levan Tediashvili.” ~ Kaleem Aftab, Cineuropa
“Koguashvili deftly blends tones in his vividly realised snapshots of Georgian manhood.” ~ Wendy Ide, Screen Daily
“A compelling portrait of the Eastern European community that exists in Brighton, [featuring] a great performance by Tediashvili, in his first film role.” ~ Christian Gallichio, The Playlist
Greg Laemmle: “Now is the time to show that arthouse audiences still want to support the theatrical experience.”
Michael Ordona’s piece in today’s L.A. Times Calendar section — headlined “Movie theater safety during COVID, the sequel: This time it’s personal” —
and the latest newsletter from the National Association of Theatre Owners got Laemmle Theatres President Greg Laemmle thinking about the state of American arthouse exhibition:
“In addition to #CinemaSafe measures, Laemmle Theatres is providing a one-seat lateral buffer even though this is not required. You never have to share an armrest with someone who isn’t part of your party. And in addition to the distancing benefit, the reduced capacity also likely enhances the ability of the ventilation system to clear the air.
“For those who are vaxxed and boosted, there’s arguably a greater risk to one’s health in driving to the theatre than the likelihood of getting sick from an infection acquired while in the theatre (or other “regular” activity). And that’s not me saying that. See journalist David Leonhardt’s quote in the New York Times daily email for January 25, 2022:
“It’s a remarkable disconnect between perception and reality. A majority of the boosted say they are worried about getting sick from Covid. In truth, riding in a car presents more danger to most of them than the virus does.”
“If people want to wait another week or two to let numbers continue to drop, I can’t argue with that. But with Oscar nominations coming on February 8, and absent a new variant, now is the time to show that arthouse audiences still want to support the theatrical experience. With that show of support, distributors will feel confident that movie theatres are back for all audiences and all types of films. Without that show of support, you can expect a future where going to a movie theatre is just for blockbusters like SPIDER-MAN: NO WAY HOME.”
Learn more about Laemmle Theatres’ health and safety measures to combat the pandemic here.
“COMPARTMENT NO. 6 evokes a powerful nostalgia for a type of loneliness we don’t really have any more, and for the type of love that was its cure.” The Finnish Oscar contender opens next week.
We love a movie set on a train and are excited to open an excellent new addition to the genre, the acclaimed new Finnish movie COMPARTMENT NO. 6. (We may be hosting the filmmaker for a Q&A; check our website for news.) The film follows a young woman who escapes an enigmatic love affair in Moscow by boarding a train to the Arctic port of Murmansk. Forced to share the long ride and a tiny sleeping car with a larger than life Russian miner, the unexpected encounter leads the occupants of compartment no. 6 to face major truths about human connection. In addition to the Royal engagement starting Wednesday, January 26, we’ll expand the film to Encino and Pasadena on February 4. The Academy has short-listed the film for its Best International Feature Oscar and prompted some glowing reviews:
“An engrossingly offbeat rail movie…the two leads…walk us through the human condition with the nuances of a big Russian novel.” ~ Deborah Young, The Film Verdict
“It makes for a take on the love story as fresh, resonant and honest… as you’ll find in a contemporary film.” ~ Robert Abele, L.A. Times
“As bleak as the settings may be, it has a delicious black comic streak and shares the buzz of personal re-awakening without ever feeling obvious or cheap. It turns out to be a beacon of warmth amid a frozen wasteland.” ~ Dave Calhoun, TimeOut
“COMPARTMENT NO. 6 evokes a powerful nostalgia for a type of loneliness we don’t really have any more, and for the type of love that was its cure.” ~ Jessica Kiang, Variety
“Seida Haarla gives a winning, intelligent performance as a naturally very clever person made to feel small and helpless in a strange land. But Yuriy Borisov pops from the first moments you see him.” ~ Mark Asch, Little White Lies
Director/co-screenwriter Juho Kuosmanen penned the following about his film:
“COMPARTMENT NO. 6 is an Arctic road movie, perhaps it could be seen as a clumsy attempt to find harmony and peace of mind in a world of chaos and anxiety. The core of the story lies in the notion of acceptance. It’s a hard duty to accept that you are part of this chaotic world, and that you exist as you do. Our hero, Finnish student Laura, takes a long train ride to visit some ancient petroglyphs. She quotes a man she met: “To know yourself, you need to know your past.” She would like to be an archaeologist who gets fulfilment out of these kind of things, petroglyphs and such. But is she really that person? Or is this just a stolen dream from a person she would like to be?
“On the train she meets Ljoha, an annoying Russian miner who follows her like a shadow. She wanted to know her past, and Ljoha is the embodiment of it. It’s unpleasant and banal, but it is what it is.
“Road movies are often about freedom. In a car you can go where you want, every crossroad is a possibility. But I tend to think that freedom isn’t an endless number of options but rather, the ability to accept your limitations. A train ride is more like destiny. You can’t decide where to go, you just have to take what it gives you.”
LUNANA: A YAK IN THE CLASSROOM, the first film from the Kingdom of Bhutan to make the shortlist for the Best International Feature Oscar, opens January 21.
Ugyen, a young teacher in modern Bhutan, shirks his duties while planning to go to Australia to become a singer. As a reprimand, his superiors send him to the most remote school in the world, in a village called Lunana, to complete his service. He finds himself exiled from his Westernized comforts after an arduous eight-day trek just to get there, where he finds no electricity, no textbooks, not even a blackboard. Though poor, the villagers extend a warm welcome to their new teacher, but he faces the daunting task of teaching the village children without any supplies. He wants to quit and go home, but he learns of the hardship in the lives of the beautiful children he teaches, and begins to be transformed by the villagers’ amazing spiritual strength.
We open LUNANA: A YAK IN THE CLASSROOM Friday, January 21 at the Playhouse, Royal and Town Center.
From the writer-director, Pawo Choyning Dorji:
“Pursuit of Happiness: Being the nation of ‘Gross National Happiness,’ Bhutan is supposedly the world’s happiest country. But what does it really entail to be happy? For that matter are the Bhutanese really that happy? Ironically many Bhutanese leave Bhutan, the land of happiness, to seek their own version of ‘happiness’ in the modern glittering cities of the west. With LUNANA: A YAK IN THE CLASSROOM I wanted to tell a story where Ugyen, the young protagonist of the story also wishes to go in search of his happiness. However, he is sent on another journey… he reluctantly goes into a world that is unlike the modern world in every aspect. Along this journey he realizes what we so desperately seek in the outer material world, actually always exists within us, and that happiness is not really a destination but the journey.
“The Dark valley: The film was shot on-location at the world’s most remote school, in the village of Lunana. The village is a settlement that’s sits along the glaciers of the Himalayas, only accessible through an eight-day trek over some of the highest mountains of the world. There are only 56 people in the village, most of whom had never seen the world outside their village. The word ‘Lunana’ literally means the dark valley; a valley so far and distant that the light doesn’t even reach it. So isolated is the village that even to this day, there are no electricity and cellular network connections. Due to the lack of facilities, the production of the film was totally dependent on solar-charged batteries.
“Though extremely challenging, I specifically wanted to shoot the movie in Lunana, inspired by the purity of the lands and the people. I also wanted everyone involved in the production to experience this life changing journey, so that the authenticity of experience could translate on to the film.
“The major themes of the story are ‘the search for happiness and a sense of belonging’, and these are universal themes that everyone can relate to irrespective of one’s culture and background. However I wanted to present those themes through a medium like Lunana, a world and a people that are so different from not only the rest of the world, but from also Bhutan itself. I wanted to show that even if in such a unique world, the hopes and dreams that connect humanity are the same.”
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