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Home » Theater Buzz » Playhouse 7 » Page 27

Fifty-fifth Anniversary Screenings of Luchino Visconti’s THE LEOPARD on December 5th in Encino, Pasadena, and West LA

November 21, 2018 by Lamb L.

Laemmle Theatres and the Anniversary Classics Series present a 55th anniversary screening of acclaimed director Luchino Visconti’s sumptuous masterpiece, THE LEOPARD (Il Gattopardo). The film will close out the year for the popular Anniversary Classics Abroad program of showcasing vintage foreign-language cinema.

The Leopard is based on the historical novel by Giuseppe Tomasi de Lampedusa, an international best seller upon publication in 1958. The story is set in the 1860s during the turbulent period of the “Risorgimento,” the struggle for the unification of Italy.

All this is reflected in the fate of one Sicilian aristocratic family, headed by Prince Fabrizio de Salina (Burt Lancaster). The Prince (the Leopard) at first resists all the political and social changes, but comes to accept them after their embrace by his pragmatic nephew (Alain Delon), who joins Garibaldi’s Red Shirts and marries the daughter (Claudia Cardinale) of an ambitious small-town merchant mayor to secure the family’s place in the new Italy.

Visconti was drawn to the material about fading aristocracy from his own heritage, as he was born to nobility in Milan. He had previously explored his country’s past with another historical adaptation, Senso, in 1954, and that film is also considered a masterwork.

The Leopard won the Palme D’or at the 1963 Cannes Film Festival and has been reissued on several occasions. The film is notable for its rich production design by Mario Garbuglia, cinematography by Giuseppe Rotunno, and Oscar-nominated costume design by Piero Tosi, who won an Honorary Oscar in 2014.

The original release reaped praise from The New York Times’ Bosley Crowther, “a stunning visualization of a mood of melancholy and nostalgia at the passing of an age.” Admiration has grown through the decades, with The London Observer calling it “That rare thing—a great film from a great book.” J. Hoberman in the Village Voice exclaimed, “The greatest film of its kind since World War II.”

Martin Scorsese is one of the film’s champions, placing it on his own personal list of the 12 greatest films ever made, extolling “the deeply measured tone…its use of vast spaces, and also the richness of every detail.” As a lament for a lost world, the film is considered Italy’s Gone With the Wind.

Also starring Terrence Hill (Mario Girotti), Paola Stoppa et al. Music by Nino Rota (La Strada, Romeo and Juliet, The Godfather). Visconti co-wrote the screenplay with Suso Cecchi d’Amico, Pasquale Festa Campanile, Enrico Medioli, and Massimo Franciosca.

The Leopard screens on December 5 at 7:00 PM at the Royal, Town Center, and Pasadena Playhouse.

Joanna Lancaster, daughter of Burt Lancaster, will participate in a pre-screening Q&A moderated by film critic Stephen Farber at the Laemmle Royal in West LA.

Click here for tickets.

Running time: 187 minutes
Italian with English subtitles
Format: Blu-ray

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Filed Under: Abroad, Anniversary Classics, Playhouse 7, Repertory Cinema, Royal, Town Center 5

JINN Q&A Opening Night with Cast and Crew at the Playhouse.

November 15, 2018 by Lamb L.

JINN filmmakers Nijla Mu’min, Avril Z. Speaks, cast Simone Missick and Ashlei Foushee will participate in a Q&A after the 7:00 pm show on Friday, 11/16. Moderator DeWanda Wise.

https://www.youtube.com/watch?v=SDHOrcymopk

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Filed Under: Actor in Person, Filmmaker in Person, Films, Playhouse 7, Q&A's

Eightieth Anniversary Screenings of Jean Renoir’s GRAND ILLUSION on November 14 in Encino, Pasadena, and West LA

November 8, 2018 by Lamb L.

Laemmle Theatres and the Anniversary Classics Series present the latest in our Anniversary Classics Abroad program, Jean Renoir’s anti-war masterpiece, GRAND ILLUSION. We present this program to commemorate the 100th anniversary of the end of World War I on November 11, 1918. Renoir’s film is generally regarded as the finest set during the First World War, and it endures as a memorable lament for the loss of an entire generation.

Part of the originality and impact of ‘Grand Illusion’ comes from the fact that it has no battle scenes. Much of it is set in a German prison camp where several French soldiers are under the command of an aristocratic German officer, played by silent film director Erich von Stroheim. The prisoners are portrayed by rising French actors Jean Gabin, Pierre Fresnay, and Marcel Dalio. Their struggle to escape the camp provides the suspense in the film’s second half.

Throughout the picture, Renoir sees the humanity in both captives and captors, and the film is especially notable in its portrayal of Dalio’s character, a wealthy French Jew. Filmed on the eve of the Second World War, Renoir deliberately chose to include a prominent Jewish character at a time when virulent anti-Semitism was on the rise in Europe. Nazi propaganda minister Joseph Goebbels called ‘Grand Illusion’ “Cinematic Public Enemy No. 1.”

Elsewhere, the film received nothing but acclaim. In 1937 it won a prize at the Venice Film Festival for Best Artistic Ensemble. When the film opened in the United States in 1938, it became the first foreign language film ever to be nominated by the Academy for Best Picture. (This would not happen again for 30 years, when ‘Z’ received a Best Picture nod in 1969.) Over the years the film was acclaimed by critics and also by other filmmakers. Orson Welles named ‘Grand Illusion’ as one of two films he would take with him to a desert island.

When the film was reissued years later, the New York Times’ Janet Maslin called it “one of the most haunting of all war films… an oasis of subtlety, moral intelligence and deep emotion on the cinematic landscape.” Pauline Kael praised the film as “a triumph of clarity and lucidity; every detail fits simply, easily, and intelligibly.” And Leonard Maltin acclaimed “Renoir’s classic treatise on war, focusing on French prisoners during WWI and their cultured German commandant. Beautiful performances enhance an eloquent script.”

GRAND ILLUSION screens at 7pm on Wednesday, November 14th at the Playhouse 7 in Pasadena, Royal Theatre in West LA, and Town Center 5 in Encino.

Click here to purchase tickets.

Format: DCP

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Filed Under: Abroad, Anniversary Classics, Featured Post, Playhouse 7, Repertory Cinema, Royal, Town Center 5

MASTER Q&A Following the 7:30 PM Show on Wednesday, 11/28 at the Playhouse 7.

November 6, 2018 by Lamb L.

MASTER Grandmaster Zhou Ting and director Dastan Khalili will participate in a Q&A after the 7:30 PM show on Wednesday, 11/28.

 

https://vimeo.com/296481389

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Filed Under: Filmmaker in Person, Films, Playhouse 7, Q&A's

UPDATED HORN FROM THE HEART: THE PAUL BUTTERFIELD STORY Q&A’s at the Playhouse, Noho 7 and Monica Film Center. See Below for Details.

October 31, 2018 by Lamb L.

https://www.youtube.com/watch?v=WGzrmezuOEI

 

HORN FROM THE HEART: THE PAUL BUTTERFIELD STORY Q&A’s after the 7:30 PM shows 11/2 – 11/4 at the Playhouse, and following the 7:30 PM shows at the Noho 7 on Monday, 11/5 and at the Monica Film Center on Tuesday, 11/6.

Playhouse:

11/2 Director John Anderson

11/3 Musician Steve Madaio and director John Anderson

11/4 Director John Anderson

NoHo 7:

11/5 Musician Jim Kweskin, Kathy Butterfield and director John Anderson

Monica Film Center:

11/6 Director John Anderson

 

 

 

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Filed Under: Filmmaker in Person, Films, NoHo 7, Playhouse 7, Q&A's, Santa Monica

Better Angels Q&A with Filmmaker at the Playhouse.

October 26, 2018 by Lamb L.

BETTER ANGELS producer William Mundell will participate in a Q&A after the 7:20 PM show on Thursday, 11/8.

https://www.youtube.com/watch?v=0srZJ8_8YsM

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Filed Under: Filmmaker in Person, Films, Playhouse 7, Q&A's

Two Horror Classics from the Universal Studio Vaults on Tuesday, October 30 in Pasadena, NoHo, and West LA

October 25, 2018 by Lamb L.

Laemmle Theatres and the Anniversary Classics Series present a double feature of classic Universal studios’ horror films on the eve of Halloween, October 30, in our popular Twofer Tuesday (two films for the price of one) program. We will show a “double treat” of the 85th anniversary of THE INVISIBLE MAN (1933) paired with the 70th anniversary of the horror-comedy ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948).

THE INVISIBLE MAN was a key entry in the cycle of terror films from Universal studios in the early 1930s that helped secure its reputation as the “house of horror” in the early sound era. Produced by Carl Laemmle Jr., son of the studio founder, the film stars Claude Rains in his American screen debut and Gloria Stuart, and was based on the H. G. Wells’ novel, adapted for the screen by R. C. Sheriff (‘Goodbye, Mr. Chips,’ ‘The Four Feathers,’ ‘Odd Man Out’). Universal called on James Whale, the acclaimed director of ‘Frankenstein’ and ‘The Old Dark House’ (with ‘The Bride of Frankenstein’ still waiting in the wings in the genre), to helm the project.

Rains portrays Dr. Jack Griffin, a chemist whose experiments with an obscure drug go awry, rendering him invisible and murderously insane. Rains played the title character mostly as a disembodied voice, often shown swathed in bandages, appearing only briefly on screen. He would later become one of the most recognizable of British actors working in Hollywood, garnering four Oscar nominations (‘Mr. Smith Goes to Washington,’ ‘Casablanca,’ ‘Mr. Skeffington,’ ‘Notorious’) and dozens of notable performances in his illustrious career.

Leading lady Gloria Stuart would have to wait sixty-four years before she capped her career with an Oscar nod for ‘Titanic’ in 1997. THE INVISIBLE MAN was a major hit at the box office, and was named one of the year’s ten best by The New York Times, whose critic at the time wrote,“The story makes such superb cinematic material that one wonders why Hollywood did not film it sooner…it is a remarkable achievement.” In 2008 the Library of Congress added it to the National Film Registry.


ABBOTT AND COSTELLO MEET FRANKENSTEIN, as noted by TV Guide, is a “hilarious spoof of the Universal horror films of the 1930s and early 40s.” Bud Abbott and Lou Costello star as railway freight handlers who unwittingly deliver the “undead” bodies of Dracula (Bela Lugosi) and Frankenstein’s Monster (Glenn Strange) to a wax museum, where they are revived. Lon Chaney Jr. co-stars, recreating his role as the Wolf Man, who tries to aid the comic duo. Lugosi donned Dracula’s cape in a featured role for the second and final time on the screen. The Invisible Man also makes a cameo appearance, this time with the voice of Vincent Price.

The film, directed by Charles Barton from a screenplay by Robert Lees, Frederic Rinaldo, and John Grant, was such a huge hit that it propelled Abbott and Costello onto the Top Ten Box Office Stars Poll the following year, where they would be ranked for four consecutive years. Its success also spawned a series of seven films in which the duo would “meet” more of the monsters from the Universal vaults. The film is ranked 56th on the AFI’s list of the Funniest Movies, and was added to the National Film Registry in 2001.

The Halloween Eve Twofer Tuesday double bill of THE INVISIBLE MAN and ABBOTT AND COSTELLO MEET FRANKENSTEIN plays at three Laemmle locations: Royal, NoHo and Pasadena Playhouse 7 on October 30.

ABBOTT & COSTELLO MEET FRANKENSTEIN shows at 4:40 PM and 8:10 PM. THE INVISIBLE MAN shows at 6:30 PM and 9:55.

Click here to get tickets for the 4:40 PM or 8:10 PM ABBOTT & COSTELLO MEET FRANKENSTEIN with the 6:30 PM or 9:55 THE INVISIBLE MAN included.

Click here to get tickets for the 6:30 PM THE INVISIBLE MAN with the 8:10 PM ABBOTT & COSTELLO MEET FRANKENSTEIN included.

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Filed Under: Anniversary Classics, Featured Post, News, NoHo 7, Playhouse 7, Repertory Cinema, Royal, Special Events, Twofer Tuesdays

BRAMPTON’S OWN Q&A with Cast and Crew at the Playhouse.

October 18, 2018 by Lamb L.

BRAMPTON’S OWN Q&A with filmmaker Michael Doneger and actors Alex Russell, Scott Porter and Kevin Linehan following the 5:20 PM show on Saturday, 10/20 at the Playhouse.

https://vimeo.com/287165861

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Filed Under: Actor in Person, Filmmaker in Person, Films, Playhouse 7, Q&A's

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