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“The kind of film where the viewer loses sense of time itself, mesmerized by the beauty and melancholy of each shot,” NANNY opens Friday.

November 30, 2022 by Jordan Deglise Moore Leave a Comment

Nanny, the acclaimed psychological horror fable of displacement, is about Aisha (Anna Diop), a woman who recently emigrated from Senegal. She is hired to care for the daughter of an affluent couple (Michelle Monaghan and Morgan Spector) living in New York City. Haunted by the absence of the young son she left behind, Aisha hopes her new job will afford her the chance to bring him to the U.S., but becomes increasingly unsettled by the family’s volatile home life. As his arrival approaches, a violent presence begins to invade both her dreams and her reality, threatening the American dream she is painstakingly piecing together.

Nanny won the Grand Jury Prize for drama at Sundance at the Directors to Watch award at the Palm Springs International Film Festival and is a nominee for the Someone to Watch prize at the Spirit Awards. We open the film Friday at the Monica Film Center, Claremont 5 and NoHo 7.

“Diop’s delicate, fine-tuned performance works harmoniously with movie’s shape-shifting and with the other actors, especially Monaghan’s more full-bodied, quietly violent turn.” ~ Manohla Dargis, New York Times

"The kind of film where the viewer loses sense of time itself, mesmerized by the beauty and melancholy of each shot," NANNY opens Friday.

“Nanny starts as a movie about a reality that we’d rather not face and ends as a movie about reality that we cannot bear. That is the horror of it — and, in Jusu’s hands, the galvanizing thrill.” ~ K. Austin Collins, Rolling Stone

"The kind of film where the viewer loses sense of time itself, mesmerized by the beauty and melancholy of each shot," NANNY opens Friday.

“The film is an experience for the senses; you’ll hold your breath as you’re consumed.” ~ Pilar Galvan, NPR
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“A work of compassion and unease heralding a thoughtful, genre-probing talent.” ~ Robert Abele, Los Angeles Times

"The kind of film where the viewer loses sense of time itself, mesmerized by the beauty and melancholy of each shot," NANNY opens Friday.

“Its feeling and its images stayed with me long after it ended.” ~ Sahir Avid D’souza, TimeOut
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“Jusu digs into her heroine’s psyche in a way that is unsettling and unforgettable.” ~ Esther Zuckerman, Thrillist
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“It’s the kind of film where the viewer loses sense of time itself, mesmerized by the beauty and melancholy of each shot.” ~ Jourdain Searles, Hollywood Reporter

"The kind of film where the viewer loses sense of time itself, mesmerized by the beauty and melancholy of each shot," NANNY opens Friday.

Leave a Comment Filed Under: News, Claremont 5, Featured Films, Featured Post, Films, NoHo 7, Press, Santa Monica, Theater Buzz

EXPERIMENT IN TERROR 60th Anniversary Screening with co-star Stefanie Powers in person December 7

November 16, 2022 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present the 60th anniversary of director Blake Edwards’ neo-noir suspense thriller Experiment in Terror, one of the noteworthy films from the milestone movie year 1962. Stefanie Powers, who has a key supporting role, will appear for a Q&A after the film. The one-night-only screening will play at the Laemmle NoHo theater on Wednesday, December 7 at 7 PM.

The story deals with vicious criminal Red Garland (Ross Martin), who terrorizes San Francisco bank teller Kelly Sherwood (Lee Remick), forcing her to steal $100,000 for him. Although he threatens to kill her and her teenage sister Toby (Stefanie Powers) if she goes to the police, Remick contacts the local FBI office, where agent John Ripley (Glenn Ford) undertakes a manhunt for Garland. To ensure Kelly’s full cooperation, Garland kidnaps Toby and a race against the clock ensues. Filmed on location in San Francisco, the film notably climaxes in the Bay City’s mid-century landmark, Candlestick Park.

EXPERIMENT IN TERROR 60th Anniversary Screening with co-star Stefanie Powers in person December 7

Blake Edwards, known primarily as a comedy specialist, followed the biggest hit of his early career, Breakfast at Tiffany’s, with a complete change of pace in this taut suspenser adapted by the Gordons from their novel “Operation Terror.” He took advantage of the genre change by utilizing a full range of stylistic flourishes, superbly assisted in exploring the neo-noir format by cinematographer Philip Lathrop, filming appropriately in sharp-edged black and white, and composer Henry Mancini, contributing a striking, eclectic score. Edwards, Remick, Lathrop, and Mancini would all reunite later in the year for the memorable drama Days of Wine and Roses.

EXPERIMENT IN TERROR 60th Anniversary Screening with co-star Stefanie Powers in person December 7

Critics of the day appreciated the investigative protocol, mystery elements, and the convincing, unsentimental acting and storytelling. Later reviewers embraced Edwards’ directing approach, with Time Out stating, “Edwards’ classical feel for pure cinema remains unalloyed.” Emmanuel Levy noted, “this stylish noir thriller is one of Edwards’ best films and one of the genre’s highlights.” The movie also greatly influenced filmmaker David Lynch, particularly his acclaimed Twin Peaks. Richard Brody, film critic of The New Yorker, wrote in 2015 that Experiment in Terror is “a movie about movies, a very early American reflection of the methods and moods of the French New Wave, realized as a mainstream Hollywood film…the exaltation of the ordinary into something extraordinary by means of the power of cinema itself.”

EXPERIMENT IN TERROR 60th Anniversary Screening with co-star Stefanie Powers in person December 7

Our special guest Stefanie Powers is still actively enjoying her seventh decade in show business, starting as a teenager under contract for Columbia Pictures at the end of the studio era. In 1962 she co-starred in three popular movies, If a Man Answers, The Interns, and Experiment in Terror. Later in the decade she starred on television as The Girl from U.N.C.L.E., followed by over 200 appearances on weekly TV series and miniseries, culminating in the hit show Hart to Hart (1979-84), in which she co-starred with longtime friend Robert Wagner. In 1982 she founded the William Holden Wildlife Foundation in Kenya after the 1981 death of her life partner Holden. She remains involved in wildlife conservation and environmental activism in addition to her acting career.

Leave a Comment Filed Under: News, Actor in Person, Anniversary Classics, Films, NoHo 7, Q&A's, Repertory Cinema, Theater Buzz

Greg Laemmle on ONLY IN THEATERS: The filmmaker “ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business.”

November 16, 2022 by Jordan Deglise Moore Leave a Comment

From Greg Laemmle:
     February, 2019.  We had recently hosted a screening of L.A. Foodways at the Fine Arts.  This documentary, about the history of agriculture in Los Angeles, and the current situation with food deserts in certain neighborhoods – where people were unable to easily access fresh fruits and vegetables – delved into a social issue that had interested me for many years.  And I was especially happy to see a favorite local charity, Food Forward, as one of the charity beneficiaries of the screening.
Greg Laemmle on ONLY IN THEATERS: The filmmaker "ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business."
Filmmaker Raphael Sbarge
     I was not surprised that the filmmaker, Raphael Sbarge, had found this a worthy subject for a documentary.  His previous film, A Concrete River: Reviving the Waters of Los Angeles has also turned a lens on something of local interest, and it also was able to see the natural land underneath the asphalt and buildings, and express a desire to see the city embrace this topography and hydrology so that L.A. could become a more sustainable and equitable place for its residents.  It didn’t hurt that my wife and I appeared as interviewees in A Concrete River. But beyond that, I truly felt that Raphael and I shared a similar hope for the City of Angels.
     So when Raphael called me in February, 2019, I was happy to make time to meet with him.
Greg Laemmle on ONLY IN THEATERS: The filmmaker "ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business."
Greg Laemmle
     At that meeting, he basically said that he wanted to make Laemmle Theatres the subject of his next documentary.  And given his previous films, I thought it was a natural fit. We may not be an environmental organization, but over 80+ years, we have become part of the fabric of the city, and I always hoped that we could grow and adapt, finding ways as a business where we could address some of the challenges confronting our home.
     Now over the years, many filmmakers have said that someone “should” make a movie about Laemmle Theatres. But Raphael was the first of them to say that he was going to do it. And within weeks, on March 21 and 22 of 2019, we were sitting in the auditorium at the Fine Arts having the first on-camera interviews. Little did we know how things would change over the course of the next two years.
Greg Laemmle on ONLY IN THEATERS: The filmmaker "ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business."
Robert Laemmle
     Without revealing too much, let’s just say that Raphael ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business. Do we sell? Do we not sell? And then beyond that, how do we survive being closed for 13 months during the coronavirus outbreak?
     The film ends on April 9, 2021. The day of the reopening of our theatres. It was a day of hopefulness, but also a day of reckoning. Clearly, and for a variety of reasons, it was going to take some time to reconnect with the audience, and get our business back on track.
Greg Laemmle on ONLY IN THEATERS: The filmmaker "ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business."
Nancy Laemmle
     As I write this now, with the finished film, Only in Theaters, about to open a theatrical run, how am I feeling? About the film, I feel very honored.  I won’t say proud, since beyond sitting for the interviews, I had nothing to do with the production or editing of the film. I trusted Raphael to make the film as he saw fit, and to be honest with his storytelling. But yes, honored.
     The reaction to the film at festival screenings across the country has been terrific, and while I know that festival enthusiasm does not always translate to the competitive realities of theatrical exhibition, I am confident that people who do see the film will emerge with a greater appreciation for the moviegoing experience, and by extension, the people who make that experience possible.
     The film is not what I thought it would be when I agreed to let Raphael make the movie. But it is honest and true, and that’s what’s important. And as hard as it is for me to watch some portions of the film, I will be forever grateful that it exists.
    Only in Theaters opens this Friday, with a full engagement at the Royal, and limited engagements at Claremont, Glendale, Newhall, NoHo and the Town Center. The filmmaker and I will be appearing at all the venues at some point over the first five days of the run for Q&A. Check here for details on which shows will have a Q&A. Whether you can make one of those screenings or not, I hope you’ll take the time to see the film. According to Joni Mitchell’s “Big Yellow Taxi,” we are destined to only find appreciation for things after they are gone. But really, it doesn’t need to be that way. We can appreciate the things that are unique, and that bring beauty and wonder into our lives. And we can support and nurture those things so that they will always be there for us and those that come after us. And you can start doing that this weekend.

Leave a Comment Filed Under: News, Claremont 5, Featured Films, Featured Post, Filmmaker in Person, Films, Glendale, Greg Laemmle, Newhall, NoHo 7, Q&A's, Royal, Theater Buzz, Town Center 5

ONLY IN THEATERS, documentary about Laemmle Theatres, tickets on sale + Q&A schedule.

November 2, 2022 by Jordan Deglise Moore 3 Comments

We have launched advance ticket sales for Only in Theaters, the new documentary about our 84-year-old art house cinema chain. What’s more, Laemmle Theatres third-generation president Greg Laemmle will participate in multiple Q&As all over L.A. County:
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Friday, 11/18 @ 7:30 PM @ Royal
Saturday, 11/19 @ 1:30 PM @ Claremont, moderated by Claremont Courier Editor Mick Rhodes.
Saturday, 11/19 @ 4:30 PM @ Newhall
Saturday, 11/19 @ 7:30 PM @ Royal
Sunday, 11/20 @ 1:20 PM @ Town Center
Sunday, 11/20 @ 4:30 PM @ Royal
Sunday, 11/20 @ 7:30 PM @ NoHo
Monday, 11/21 @ 7:30 PM @ Royal
Tuesday, 11/22 @ 7:30 PM @ Glendale
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ONLY IN THEATERS, documentary about Laemmle Theatres, tickets on sale + Q&A schedule.
Greg’s wife Tish Laemmle will join him for the Q&As at the Royal on the 18th and 19th, and possibly more. Filmmaker Raphael Sbarge will join him for all but the November 18 screening. The film’s editor, Rick Pratt, will join for the Q&A at the Newhall on Saturday at 4:30 PM. We hope you can join them too!
ONLY IN THEATERS, documentary about Laemmle Theatres, tickets on sale + Q&A schedule.
Watch the trailer!

3 Comments Filed Under: Featured Films, Claremont 5, Filmmaker in Person, Films, Glendale, Greg Laemmle, Newhall, NoHo 7, Q&A's, Royal, Theater Buzz, Town Center 5

LOUIS ARMSTRONG’S BLACK & BLUES: Experience an unprecedented look into the life of the founding father of jazz.

October 26, 2022 by Jordan Deglise Moore 2 Comments

We are honored to open Louis Armstrong’s Black & Blues, the new bio-doc that offers an intimate and revealing look at the world-changing genius musician. Presented through a lens of archival footage and never-before-heard home recordings and personal conversations, this definitive documentary, directed by Sacha Jenkins, honors Armstrong’s legacy as a founding father of jazz, one of the first internationally known and beloved stars, and a cultural ambassador of the United States. The film shows how Armstrong’s own life spans the shift from the Civil War to the Civil Rights movement, and how he became a lightning rod figure in that turbulent era. Screenings begin Friday, October 28 at the NoHo.
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“Sacha Jenkins is undaunted by the complexity of his subject, plunging ahead with swagger and not worrying if we have unanswered questions at the end. A delightful experience for jazz buffs and more than an eye-opener for any youngsters who barely know who Armstrong was.” ~ John DeFore, The Hollywood Reporter
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“A doc that will make you appreciate Armstrong, the man. Someone far too complex to reduce to any one thing.” ~ Christian Blauvelt, indieWire
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LOUIS ARMSTRONG'S BLACK & BLUES: Experience an unprecedented look into the life of the founding father of jazz.
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“Like one of Armstrong’s great solos, it feels packed with dynamics, sprinkled with astonishing high notes, and immensely pleasurable.” Leslie Felperin, The Guardian
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“The magical sounds Satchmo created gave people joy and so will this deeply affecting bio/doc.” ~ Dwight Brown, DwightBrownInk.com
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LOUIS ARMSTRONG'S BLACK & BLUES: Experience an unprecedented look into the life of the founding father of jazz.
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“The director’s spelunking of the film archives is amazing.” Ty Burr, Ty Burr’s Watch List

2 Comments Filed Under: News, Featured Films, Films, NoHo 7, Press, Theater Buzz

“A genre work of superior, silken craftsmanship, so sinister, serpentine and sexy as to be downright swoon-worthy,” DECISION TO LEAVE opens Friday.

October 19, 2022 by Jordan Deglise Moore Leave a Comment

What happens when an object of suspicion becomes a case of obsession? Winner of the Best Director prize earlier this year at Cannes, Park Chan-wook (Oldboy, The Handmaiden) returns with Decision to Leave, a seductive romantic thriller that takes his renowned stylistic flair to dizzying new heights. As of this writing the film’s Rotten Tomatoes’ score is 93%, with the most sophisticated critics kvelling about the film’s artistry and suggesting repeat viewings. We open the film Friday at the NoHo and Glendale with additional engagements planned in the subsequent weeks around town.

“Even the most expositional passages of this elegant, tricky murder mystery brim with quietly stunning craft.” ~ A.A. Dowd, Chron
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“The film is a box of secret compartments; just when you think you’ve got it all figured out, one more panel springs open.” ~
Stephanie Zacharek, TIME Magazine
"A genre work of superior, silken craftsmanship, so sinister, serpentine and sexy as to be downright swoon-worthy," DECISION TO LEAVE opens Friday.
“A genre work of superior, silken craftsmanship, so sinister, serpentine and sexy as to be downright swoon-worthy.” ~ Nick Schager, The Daily Beast
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“[Park Chan-wook’s] perspective is unmistakable in exploring the dark and twisted ways in which people relate to each other… So sumptuous, wrong, and fun.” ~ Christy Lemire, FilmWeek (KPCC – NPR Los Angeles)
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“The ambiguity of what is really going on is what makes the film so tantalizing…. Decision to Leave is a stunning achievement that ends by deliberately raising more questions than it answers.” ~ Gary M. Kramer, Salon.com
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"A genre work of superior, silken craftsmanship, so sinister, serpentine and sexy as to be downright swoon-worthy," DECISION TO LEAVE opens Friday.

“If the erotic thrillers of the past explored the dangers of lust, Park Chan-wook explores the risks of longing. His take on the genre isn’t just sexy; it’s playful and mordant and convoluted — and it begs to be rewatched.” ~ Shirley Li, The Atlantic

Leave a Comment Filed Under: Featured Films, Claremont 5, Films, Glendale, Newhall, NoHo 7, Press, Santa Monica, Theater Buzz, Town Center 5

“In a world fraught with corporate values and shareholders, this was a family business that…understood the importance of planting a tree for the next generation.” Director Raphael Sbarge on his documentary ONLY IN THEATERS.

October 19, 2022 by Jordan Deglise Moore Leave a Comment

Only in Theaters filmmaker Raphael Sbarge kindly penned a director’s statement to share with you:

“I grew up in New York City, which at the time felt like a city filled with artists and colorful, intellectual, people. My father was an artist and a filmmaker, my mother, a Broadway costume designer. When I met the Laemmle family, they felt very familiar to me—their caring for one another, their openness and curiosity, their shared passion for art, music and culture, and their recognition that those things make life richer. 

“It was always the Laemmle family that drew me to this story. 

"In a world fraught with corporate values and shareholders, this was a family business that...understood the importance of planting a tree for the next generation." Director Raphael Sbarge on his documentary ONLY IN THEATERS.
Greg & Tish Laemmle

“Our plan was to highlight the Laemmle family’s unbelievable legacy and impact on the motion picture industry and set it against the slowly changing landscape. What we didn’t realize was the extent to which we were poised to witness history unfold. Not long after we started, we realized the story was much bigger than we had imagined. 

“We ended up following the family for over two-and-a-half years, during which the Laemmle story became a microcosm of the macrocosm. The question was, where was it all headed? 

"In a world fraught with corporate values and shareholders, this was a family business that...understood the importance of planting a tree for the next generation." Director Raphael Sbarge on his documentary ONLY IN THEATERS.
Greg Laemmle

“Multiple generations of a family had built a business on the core principle of celebrating artists. There was something so innate, so essential about the Laemmle family mission, which was ever more remarkable in a world that often undervalues artists, even though artists help us see the world, interpret it, and give it meaning. 

“In a world fraught with corporate values and shareholders, this was a family business that wasn’t driven only by money, but by people who understood the importance of planting a tree for the next generation. 

"In a world fraught with corporate values and shareholders, this was a family business that...understood the importance of planting a tree for the next generation." Director Raphael Sbarge on his documentary ONLY IN THEATERS.
Greg & Tish Laemmle

“We feel quite privileged to have been there, during what was the most tumultuous 24-month period in the theater’s history. We found ourselves quite suddenly in the “hot part of the flame,” witnessing the Laemmle’s’ challenges, which were echoed over and over by theaters around the country and around the world.” ~ Raphael Sbarge

Mr. Sbarge and cast member Greg Laemmle will participate in a Q&A following the 7 o’clock screening of Only in Theaters at the Monica Film Center on November 14 as part of the Reel Talk with Stephen Farber series. The regular engagements begin November 18 at the Royal and other Laemmle venues.

https://www.youtube.com/watch?v=er1BIUWv3MA

Leave a Comment Filed Under: Director's Statement, Claremont 5, Featured Films, Featured Post, Films, Glendale, Greg Laemmle, Newhall, News, NoHo 7, Royal, Santa Monica, Theater Buzz, Town Center 5

Documentary about Laemmle ONLY IN THEATERS plays Saturday at the Newport Beach Film Festival.

October 12, 2022 by Jordan Deglise Moore Leave a Comment

     This Saturday presents a chance for an advance screening of the documentary Only in Theaters at the Newport Beach Film Festival. The filmmaker and some cast members will be there for a Q&A. We’ve been in business since 1938 but this is the first time we’ve been the subject of a film. Director Raphael Sbarge started filming a few months before the pandemic started and it was an opportune moment in terms of dramatic content because of course COVID-19 shut us down for a year, but he kept on filming. Variety Magazine described the film as “2022’s most emotional theatrical experience so far…watching Greg Laemmle struggle with the fate of his family’s eponymous arthouse business.”
     Synopsis: The Laemmle Theatres, a beloved 84-year-old art house cinema chain in Los Angeles, is facing seismic change. The family members behind this multigenerational business—whose sole mission has been to support the art of film—remain determined, despite enormous challenges.
     Some of the people interviewed for Only in Theaters include Ava DuVernay, Cameron Crowe, James Ivory, Nicole Holofcener, Kevin Thomas, Leonard Maltin, Kenneth Turran, Allison Anders, and Greg Laemmle.
     If you want to wait to see Only in Theaters at a Laemmle Theatre, we’ll open it on 11/18 at the Royal and other venues.

Leave a Comment Filed Under: News, Around Town, Claremont 5, Featured Post, Festival, Filmmaker in Person, Films, Glendale, Greg Laemmle, Newhall, NoHo 7, Press, Q&A's, Royal, Special Events, Theater Buzz, Town Center 5

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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

Leaving Laemmle: A Goodbye from Jordan