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Greg Laemmle’s Top Ten Movies of 2023.

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What were your favorite films of 2023, an excellent movie year? Click here to tell us and we’ll enter you in a raffle to win Laemmle gift cards! Here’s Greg Laemmle on the year just past and his top ten films:
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While we are still in the process of getting all the numbers together, early projections are that we finally got back into the black in 2023. I know that this post isn’t supposed to be about the economic state of things, but let’s at least take a moment to express thanks that the financial picture for the exhibition business is looking better after three years of less-than-stellar ticket sales.
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Leaving aside the numbers, the following are the films that I found to be the most memorable of 2023. A few are still playing in theatres, so I encourage you to check them out while you can.
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#1 – AFIRE – This summer release from director Christian Petzold may have suffered commercially because it was so hard to define. Was it a drama? Or a comedy? And a comedy from Germany? Whoever heard of such a thing. But while it may be hard to pigeonhole this picture, it should be easy to enjoy and appreciate the complete command the filmmaker has working with a superb cast of actors.
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#2 – ANATOMY OF A FALL – This October release is still playing in theatres. And if there is any justice, it will be recognized on Tuesday with Oscar nominations for writer director Justine Triet, lead performer Sandra Huller, and that rarest of things, a nomination for a foreign language film as Best Picture.
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#3 – SPIDER-MAN: ACROSS THE SPIDER-VERSE – While I appreciated the daring animation style of the preceding film SPIDER-MAN: INTO THE SPIDER-VERSE, I was truly wowed by what this film delivered both in terms of further stylistic daring, and a real emotional pull in the storytelling. I believe the film is being brought back this week so if you can, go see it.
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#4 – THE TEACHERS’ LOUNGE – Another terrific film from Germany. And this one is the German entry for the Best International Feature category at the Oscars. Look for it to receive a nomination on Tuesday, and make sure to see it when it goes into wider release following the nominations.
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#5 – PAST LIVES – A word-of-mouth hit that played all summer, this wistful romance is a terrific debut for filmmaker Celine Song, and a superb showcase for actress Greta Lee.
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#6 – THE HOLDOVERS – Writer-director Alexander Payne and actor Paul Giamatti re-team nearly 20 years after their success with SIDEWAYS, and the result is a film of deep maturity and thoughtfulness. With a story and visual style (and soundtrack) that beautifully evokes some of now-classic films and filmmakers of the early ’70s, this is one to see.
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#7 – THE TASTE OF THINGS – The pacing in Tran Anh Hung’s film is deliberate. But also perfectly matched to a time period where the world was not in such a rush. So relax and enjoy the exquisite scenes of food preparation, not to mention the pleasure of seeing the luminous Juliette Binoche.
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#8 – THE ZONE OF INTEREST – A monster movie. But a monster movie where the monsters have spouses, children, pressure at work, and all the other things that we can relate to in our everyday lives. Director Jonathan Glazer takes Hannah Arendt’s idea of “the banality of evil” and it is both terrifying and serene.
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#9 – BOBI WINE: THE PEOPLE’S PRESIDENT – I didn’t see as many of this year’s documentaries as I would like. But of the one’s I did see, this is the best.
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#10 – AIR – I love it when Hollywood makes a thoughtful movie for adults. And I especially love it when it makes such a movie without overly stressing the “importance” of the movie. While the Oscar nominations may end up going to other pictures, for my money, this is the best put-together studio film of the year. Kudos to director Ben Affleck, screenwriter Alex Convery, star Matt Damon, and the always fabulous Viola Davis for their work here. Please, Hollywood, send us lots more like this one in the years to come.
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The business is still in the process of recovering from the pandemic closure. But it is recovering. So another request Please keep coming out to see stuff in theatres, and be a part of rebuilding a vibrant moviegoing scene that has something for everyone.

In-Person Wim Wenders Q&A for ANSELM 3D Saturday in Glendale; 2D runs this week at other venues; MUST END SOON!

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If you haven’t yet seen Wim Wenders’ 3D documentary Anselm in Glendale, there’s still time! We’ll have this fascinating portrait of painter and sculptor Anselm Kiefer in 3D for at least one more week in the Jewell City and we’ll open 2D engagements this Friday in Santa Monica, Encino, Claremont and Newhall. What’s more the director will participate in an in-person Q&A following the Saturday, January 13 1 pm screening in Glendale. Matt Carey will moderate.

“Anselm offers both a thrilling portrait of the artist at work and, with the aid of terrific archival footage, lets us see what infuses his work with such intensity.” ~ John Powers, NPR

“The director [Wim Wenders] has fashioned a mesmerizing engagement with Kiefer’s art, including just enough face time with the subject to elevate the work’s immersive, bleak majesty, rather than give it an aggrandizing spin.” ~ Robert Abele, Los Angeles Times

“This is a superbly controlled and expressed film and its high seriousness about the nature and purpose of art really is invigorating.” Peter Bradshaw, Guardian

“The meditative experience is heightened by Wenders’s innovative use of sound: indistinct whispers flutter like bats through the cavernous spaces.” ~ Wendy Ide, Guardian

Contest! Submit your Top Ten Films of 2023 for a chance to win gift cards.

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Have you caught up on all the 2023 movies you wanted to see? Regardless, it’s time to submit your Top Ten lists! Tell us which films you liked best here and you’ll be entered into a raffle for one of three $25 Laemmle gift cards. If you need inspiration, here’s my highly subjective alphabetical list. (Greg Laemmle will announce his list when we announce the winners of this contest, at which point he should have caught up to May December, Anatomy of a Fall and a couple others.)

Anatomy of a Fall: Sandra Hüller, formidable in court and dominating one of the gnarliest, most riveting marital arguments in cinema history.

Asteroid City: Wes Anderson gives us another melancholy, gorgeous, sui generis movie. “The notion of a perfect movie is absurd, but some movies attain an ideal synthesis of the director’s body of work. Wes Anderson’s latest, Asteroid City, is one such film.” ~ Richard Brody, The New Yorker

Fallen Leaves: Like Asteroid City, it’s a melancholy but funny and silver-lined one-of-a-kind work from a one-of-a-kind filmmaker.

Indiana Jones and the Dial of Destiny: A wise man (U.C. Berkeley English Professor Stephen Booth) told his students: never be ashamed of what you like. This movie made me laugh out loud, it was so entertaining. Pass the popcorn!

Oppenheimer: Chilling, masterfully done, and awesome, in the original sense of the word.

Past Lives: Celine Song and Greta Lee! Deeply romantic and moving.

Showing Up: Kelly Reichardt and Michelle Williams! “A serene, pulse-lowering charmer.” ~ Michael Phillips, Chicago Tribune

You Hurt My Feelings: Nicole Holofcener and Julia Louis-Dreyfus! “Warm-hearted and rueful and hilarious in all the best ways.” ~ Alissa Wilkinson, Vox

The Zone of Interest: The terrifying banality of evil. Sandra Hüller again, this time paired with an equally scary Christian Friedel as Rudolf Höss, as the Macbeth and Lady Macbeth of Auschwitz.

One caveat: I still haven’t seen Barbie, All of Us Strangers, Poor Things or Afire and based one what others have said about them, my list might look different had I seen them. I did see Killers of the Flower Moon with two people who adored it and maybe I caught it on a bad night because, you know what? — I kept checking my watch.

Q1 2024 Culture Vulture Films Announced!

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Happy New Year! Laemmle Theatres President Greg Laemmle just finished putting the finishing touches on our Q1 films for Culture Vulture, our long-running weekly film series of fine art, theater, opera, music and more. Have a look! The screenings are every Monday evening and Tuesday matinee at the Laemmle Claremont, Glendale, Monica Film Center and, expanding the map to the San Fernando Valley, the Town Center in Encino.
01/22 – 01/23   MENUS-PLAISIRS: LES TROISGROS
01/29 – 01/30   DEAR ENGLAND
02/05 – 02/06   CALL ME DANCER
02/12 – 02/13   ROMEO & JULIET
02/26 – 02/27   THE IMMORTALS: THE WONDERS OF THE MUSEO EGIZIO
03/04 – 03/05   SKYLIGHT
03/11 – 03/12   PAINTING THE MODERN GARDEN: MONET TO MATISSE
03/18 – 03/19   VANYA
03/25 – 03/26   AMERICAN SOCIALIST: THE LIFE & TIMES OF EUGENE VICTOR DEBS

See the Academy Shortlisted Foreign Films and Feature Documentaries at Laemmle.

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As a gifted filmmaker told the New Yorker last year, seeing a movie at home rather than in a movie theater is “like reading a novel where you read one word out of two.” With that in mind, check out the Academy’s just-announced list of feature documentaries and international films that they have shortlisted for nominations. We’ll be playing a number of them:

SOCIETY OF SNOW (Spain) is now playing at the NoHo for two-week run.

THE TEACHERS’ LOUNGE (Germany) opened Christmas Day at the Royal and is expanding in January.

Aki Kaurismäki’s FALLEN LEAVES (Finland) is on screen at the Monica Film Center and set to return to Glendale.

THE PROMISED LAND from Denmark (with Mads Mikkelsen!), THE MONK AND THE GUN from Bhutan and TOTEM from Mexico are all set to open on February 2. And THE TASTE OF THINGS from France (with Juliette Binoche and Benoît Magimel!) will be back starting February 9.

And finally, we expect to be opening Jonathan Glazer’s THE ZONE OF INTEREST (United Kingdom) and Wim Wenders’ PERFECT DAYS (Japan)!

On the Doc side, we will be playing BEYOND UTOPIA, A STILL SMALL VOICE, THE ETERNAL MEMORY and TO KILL A TIGER for weekend morning shows at Glendale and the Monica starting on January 6.  And we expect to have a couple of the other shortlisted docs come back as well.
Twelve of the 15 shortlisted docs played on our screens earlier this year. Not bad!

Make plans to enjoy the cinematic feast of the holiday season well into 2024!

Now more than ever: Greg Laemmle on singing along to FIDDLER ON THE ROOF in times like these.

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From Greg Laemmle: “I started this as a Christmas Eve event (tradition!) specifically because I wanted to celebrate that as Jews in America, we did not need to hide in our homes. My grandmother hated this time of year because she had memories of her childhood in Tsarist Russia and the frequent episodes of violence (pogroms) against the Jewish communities there around the holiday. The America that I grew up in was open enough that it could accept the diversity of our society, recognizing that Americans of all religious (or non-religious) backgrounds were free to celebrate the end of year period in their own fashion. I’m not sure America is as accepting right now, but I’m not prepared to cede this ground to those pushing for a more restrictive vision of what America is. Now, more than ever, it is important that we not hide.  And now, as much as ever, we need to feel the joy of the free association that is a Constitutional right of living in America. Fiddler on the Roof tells a complicated tale about the fragility of living as a minority in an oppressive state. But it also shows the joy and beauty of life, and hints at the potential of modernity to provide a freer world that does not discriminate based on race, religion or gender. LOVE is the force that truly shakes the foundations of Tevye’s world. And LOVE, not HATE, will save us from our current predicaments.”

JOIN US on DEC. 24th for our umpteenth annual alternative Christmas Eve, the Fiddler on the Roof Sing-a-Long! Screening at 7 o’clock at our Claremont, Glendale, Newhall, NoHo, West L.A. and Encino theaters.

Belt out your holiday spirit … or your holiday frustrations. Either way, you’ll feel better as you croon along to all-time favorites like “TRADITION,” “IF I WERE A RICH MAN,” “TO LIFE,” “SUNRISE SUNSET,” “DO YOU LOVE ME?” and “ANATEVKA,” among many others.

We encourage you to come in costume! Guaranteed fun for all. Children are welcome (Fiddler is rated “G”) though some themes may be challenging for young children.

Prices this year start at $16 for General Admission and $13 for Premiere Card holders. Typically, Fiddler sells out … so don’t miss the buggy!

Originally based on Sholem Aleichem’s short story “Tevye and His Daughters,” Norman Jewison’s adaptation of the long-running Broadway musical is set in a Russian village at the beginning of the twentieth century. Israeli actor Topol repeats his legendary London stage performance as Tevye the milkman, whose equilibrium is constantly being challenged by his poverty, the prejudice of non-Jews, and the romantic entanglements of his five daughters. Fiddler was nominated for eight Oscars, including Best Picture, Director and Actor, and won three, for Cinematography, Sound and Score (John Williams).

Greg Laemmle on deactivating Laemmle Theatres’ Twitter accounts.

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From Laemmle Theatres President Greg Laemmle:

My wife’s uncle Bert has been guiding a Sunday morning family Zoom that started up during the early days of the pandemic.  While listening in, I have often heard him repeat a guiding principle for the group discussion.  Before speaking, ask yourself these questions:

1.) Is it true?
2.) Is it kind?
3.) Is it necessary?

A quick online search provides a number of different attributions.  This could come to us from Socrates (via Plato).  Another version is attributed to the great Sufi mystic, Rumi.  Or maybe it comes from radio host Bernard Meltzer …who may have picked it up from any number of Buddhist sources.  Whatever the origin, the point is that across multiple cultures and philosophic traditions, we are urged to think before we speak.

And then there’s the platform formerly known as Twitter.

While Twitter has always had a confrontational side, adequate content moderation kept rancid contributors in check, allowing it to better serve more positive activities like fostering community, encouraging democracy, providing a space for underserved voices, and allowing for a bit of irreverent fun. However, since its sale last year, Twitter is increasingly a bullhorn for hate and harassment, and the unfettered dissemination of conspiracy theories, disinformation, and outright lies. The new owner, who has loudly proclaimed himself a “free speech absolutist,” recently crossed a dangerous line into fascist hypocrisy by suing journalists for using their free speech rights to point out how corporations’ ads are appearing next to neo-Nazi content.  He regularly amplifies hateful posts and memes to his 164 million followers and for his latest provocation he has re-platformed the ghoulish torturer of Sandy Hook families, Alex Jones.

Twitter is not the only problematic platform.  Social media in general has encouraged disinhibition, contributing to a coarsening of public discourse. But whatever their faults (and crimes), at least these other platforms are working to improve so that they can have a greater positive influence.  Twitter has crossed into territory where the bad most definitely outweighs the good.  And from what we can see, they are aiming to go even lower.

At Laemmle Theatres, we have a high degree of tolerance for diverse and provocative voices.  But this chorus is offered in the hope that our community will be enriched by open discourse.  It is the exact opposite of the negative and hateful commentary that has become the bread and butter of Twitter.

At this time, we are deactivating our accounts on Twitter.  We hope to return, but only after serious efforts have been undertaken to provide greater content moderation and to root out hate speech.  This is not a First Amendment issue.  The Constitution limits the government’s ability to restrict speech.  But as a private platform, Twitter has the right (and responsibility) to restrict the most extreme and hateful speech.  They just don’t want to.

To connect with us on other platforms, visit laemmle.com/connect.

And for the New Year, let’s all make a resolution to better follow Uncle Bert’s maxim.  Whether in person or online, always remember the three rules when communicating.  Be truthful and kind, and always try to only say what is necessary for a listener to hear.

Greg Laemmle

ONLY IN THEATERS wins award from Film Threat. DVDs now on sale at all venues.

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Only in Theaters, the documentary about the history and future of Laemmle Theatres that includes interviews with Allison Anders, Cameron Crowe, Ava DuVernay, Nicole Holofcener, James Ivory, Kenneth Turan, Leonard Maltin and more, just won the Film Threat’s Award This! award in the Film About Movies or Filmmaking category. The ceremony was last Sunday at The Frida Cinema in Santa Ana. In his acceptance speech, which you can watch below, director Raphael Sbarge spoke about the century-long story he sought to tell and said “there’s been a Laemmle in the movie business since there’s been a movie business.”

The just-released Only in Theaters DVD is now available for sale at all seven of our theaters. In his recent Film Factual review of the release, Brent Simon described the film as “a rich and fortifying watch, and it thankfully isn’t fanciful enough to peddle easy solutions, or clear skies on the horizon. It’s funny and sad and at times emotionally piercing, but most of all it’s honest — a quality we should all want more of in movies, big and small.”