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Home » Monica Film Center

1970s New York City on the brink ~ DROP DEAD CITY opens tomorrow.

May 21, 2025 by Jordan Deglise Moore Leave a Comment

Named after the famous New York Daily News headline “Ford to City: Drop Dead,” Drop Dead City is the first documentary to focus on the New York City fiscal crisis of 1975, an overlooked episode in urban American history that saw that city of eight million people come face to face with bankruptcy.

The film is an immersive ticking-clock drama built entirely from archival 16mm footage interspersed with present eyewitness interviews, and propelled by a great soundtrack drawn from 1970s radio as it follows a year in the life and near death of this iconic city. Laemmle Theatres opens the film May 22 at the NoHo and May 23 at the Monica Film Center and Town Center.

The film captures N.Y.C. at a moment of contrast, gritty and down on its luck, but also vibrant and alive. The basic underlying questions of governance, community and economic priorities are of immediate relevance to Los Angeles and so many other American cities.

These are unprecedented times for Americans, and for our public institutions. The systematic dismantling of the administrative state, as well as the demonizing of public servants, is something we are watching happen every day. The playbook of today’s right-wing government bashing has it’s roots in the rightward swing of the Republican Party in the 1970’s. NYC’s near-bankruptcy was a critical event in this transformation. Drop Dead City addresses these themes and ideologies, and examines the origins of NYC’s problems with an even hand. Was it the banks, the unions, the poor who were arriving, or the rich who were leaving? Was it the recession? Was it cynicism in the White House or incompetence in City Hall?

“Our goal as filmmakers was to honor the story and the people in it – the men and women who stepped up to deal with this challenge as well as the so-called ordinary New Yorkers who dealt with this uncertainty as a fact of life during this tumultuous period,” said directors Peter Yost and Michael Rohatyn. “While the film often feels like a wild time machine ride to New York in its good-old bad days, we also hope it inspires conversations on how urban centers can fairly cope with the enormous challenges we face today.”

“The film raises striking parallels with the present…a visual delight for anyone who enjoys footage of vintage New York City…Set to a funk and soul soundtrack that would make Tarantino’s music supervisor bow in respect.” – WNYC / Gothamist

100% Rotten Tomatoes rating!

Drop Dead City is produced and directed by Peter Yost and Michael Rohatyn. Executive produced by Karoline Durr. The archival producer is Frauke Levin. Cinematography by Jerry Risius. Edited by Don Kleszy and Anna Auster. The film’s running time is 108 minutes.

Rohatyn and Yost will participate in Q&A’s after the evening screenings on May 22 at the NoHo and May 23 and 24 at the Monica Film Center.

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Filed Under: Director's Statement, Featured Films, Featured Post, Filmmaker in Person, Filmmaker's Statement, Monica Film Center, NoHo 7, Q&A's, Santa Monica, Theater Buzz, Town Center 5

RAN, Akira Kurosowa’s final epic masterpiece, back on the big screen May 23.

May 13, 2025 by Jordan Deglise Moore 2 Comments

There are movies. There is cinema. And then there is auteur cinema. All are best experienced theatrically, but the last category, in particular, necessitates the big screen, the darkness, the audience of strangers. Next week, we are thrilled to once again unveil Ran, the 27th film by legendary Japanese director Akira Kurosawa (Rashomon, Seven Samurai, Hidden Fortress).

In its epic scale, stylistic grandeur and tragic contemplation of human destiny, Ran (literally, “chaos” or “turmoil”) brings together the great themes and gorgeous images of the director’s life work. A brilliantly conceived meditation on Shakespeare’s King Lear crossed with Japan’s 16th-century civil wars, it stars the great Tatsuya Nakadai (Kagemusha, High and Low, Yojimbo, Hara Kiri) as Lord Hidetora Ichimonji, an aging ruler who decides to abdicate and divide his land equally among his three sons, unleashing an intense power struggle as his sons and daughters-in-law scheme for power and revenge. A spectacular adventure punctuated by epic battle scenes, Ran was, at the time of its release, the most expensive film ever made in Japan, with breathtaking color and a visual splendor that remains unparalleled. (Kurosawa devised the entire film in watercolors ten years before production began). Named Best Foreign Film of the Year by the New York Film Critics Circle and Best Film of the Year by the National Society of Film Critics, Ran was also Oscar-nominated for Best Director, Cinematography, and Art Direction, with Emi Wada winning for her dazzling, three-years-in-the-making costumes.

“Spectacular! Among the most thrilling movie experiences a viewer can have!” -The New York Times

“Awe inspiring! Takes its place among the major screen versions of Shakespeare. The battle scenes are horrifying, yet extraordinarily beautiful.” -The Village Voice

“Kurosawa’s late-period masterpiece, transposing King Lear to period Japan, is one of the most exquisite spectacles ever made, a color-coordinated epic tragedy of carnage and betrayal—passionate, somber, and profound.” -New York Magazine

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Filed Under: Featured Films, Films, Glendale, Monica Film Center, Repertory Cinema, Royal, Santa Monica, Theater Buzz

“Joel Potrykus, the undisputed maestro of ‘metal slackerism,’ again serves up a singular experience by taking a simple idea to its logical conclusion, and then a lot further.” VULCANIZADORA opens May 9.

April 30, 2025 by Jordan Deglise Moore 1 Comment

Filmmaker Joel Petrykus on his acclaimed, sui generis fifth feature film, Vulcanizadora, opening May 9 at the Laemmle Monica Film Center and NoHo: “One of my biggest concerns about fatherhood is that I’d soften up and start telling stories of hope and inspiration. Five years after the birth of my one and only son, and I’m mostly consumed with fears of inadequacy, abandonment, and mortality; going to prison by accident, falling off a cliff by accident, jumping off a cliff by accident. Vulcanizadora is my most heartfelt and personal, but not in a good way. It’s my most sincere and emotional, but also my bleakest and most haunting.”

“There is no film you’ll ever see like it.” – Collider

“A darkly funny heavy metal comedy that deftly shifts into a poignant existential drama. Potrykus helms with edgy style, but it’s his and Burge’s transformative performances that carry this unconventional gem.” -Meagan Navarro, Bloody Disgusting

“A fascinating film. What I admire most about the truly strange Vulcanizadora is that I haven’t seen anything like it. Joshua Burge is phenomenal.” -Brian Tallerico, RogerEbert.com

“Unexpectedly poignant. Potrykus’ most accessible film to date. A sincere rumination on mortality and enduring relationships.” -Stephen Saito, Moveable Fest

“Joel Potrykus, the undisputed maestro of ‘metal slackerism,” again serves up a singular experience by taking a simple idea to its logical conclusion, and then a lot further.” -David Ehrlich, IndieWire

“Mind-bending. Nothing can really prepare viewers for where Vulcanizadora ends up going.” -Carla Hay, Culture Mix

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Filed Under: Director's Statement, Featured Films, Filmmaker's Statement, Films, Monica Film Center, NoHo 7, Q&A's, Santa Monica, Theater Buzz

WORDS OF WAR ~ In-Person Q&A’s with Sean Penn, Jason Isaacs and Rep. Eric Swalwell.

April 27, 2025 by Jordan Deglise Moore Leave a Comment

Words of War Q&A’s at the Monica Film Center: Sean Penn and Jason Isaacs will participate in Q&A’s following the 7:00 P.M. screening on Friday, May 2; the 4:00 P.M. & 7:00 P.M. screenings on Saturday, May 3; and the 4:00 P.M. screening on Sunday, May 4. U.S. Congressional Rep. Eric Swalwell will join them for the 4:00 P.M. screening on Sunday.

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Filed Under: Actor in Person, Filmmaker in Person, Films, Monica Film Center, Q&A's, Santa Monica, Theater Buzz

Culture Vulture Q2: Beethoven, Chekhov, Tennessee Williams, and more.

April 2, 2025 by Jordan Deglise Moore Leave a Comment

Our long-running Culture Vulture series continues every Saturday and Sunday morning and Monday evening at our Claremont, Glendale, Newhall, Encino, and Santa Monica theaters.

April 5-7: Far Out: Life on and After the Commune ~ In 1968, a group of radical journalists leave the city and politics to live communally as organic farmers. The film examines their lives and return to the political world and how the commune became a community.

April 12-14: In Search of Beethoven ~ The makers of In Search of Mozart return with a new feature-length bio-doc about Beethoven. Director Phil Grabsky brings together the world’s leading performers and experts on Beethoven to reveal new insights into the legendary composer.

April 19-21: Art for Everybody ~ Thomas Kinkade’s pastoral landscapes made him the most collected painter of all time — and the most despised. Following his shocking death, his family discovers a vault of never-before-seen paintings that upend his entire image, revealing a complex, multifaceted American artist.

April 26-28: Escape to Life: The Erika and Klaus Mann Story ~ Narrated by Corin Redgrave and Vanessa Redgrave as the voices of Klaus Mann and Erika Mann, Escape to Life: The Erika and Klaus Mann Story is the result of a remarkable pairing between fiction and nonfiction filmmakers Wieland Speck and Andrea Weiss. It depicts another remarkable relationship, that of Erika and Klaus Mann, the brilliant eldest children of German author Thomas Mann.

May 3-5: Vanya ~ Andrew Scott (Sherlock, Fleabag) brings multiple characters to life in Simon Stephens’ radical new version of Chekhov’s Uncle Vanya. Hopes, dreams, and regrets are thrust into sharp focus in this one-man adaptation which explores the complexities of human emotions, directed by Sam Yates. Filmed live during its sold-out run in London’s West End.

May 10-12: Marcella ~ Marcella Hazan didn’t just teach Italian cooking—she changed the way America eats. Fearless, passionate, and exacting, she introduced authentic recipes to millions. Julia Child called Marcella “my mentor in all things Italian.” Featuring Jacques Pépin, Danny Meyer, April Bloomfield, and Lidia Bastianich, this intimate portrait reveals the bold woman who forever shaped home kitchens.

May 17-19: ADA: My Mother the Architect ~ Ada Karmi-Melamede is one of the most accomplished architects in the world, yet her work remains largely unrecognized beyond architectural circles. In the 1970s, she moved to New York from Israel, following her husband’s rising career, and spent the next 15 years balancing academia, large-scale public projects, and motherhood. In the early ’80s, after being denied tenure at Columbia, Ada left New York and her family for Israel where she designed landmarks such as the Supreme Court Building, the Open University, the Israel Institute for Democracy, and Ben Gurion University, among many others.

May 31-June 2: Michelangelo: Love and Death ~ Spanning his 89 years, Michelangelo: Love and Death takes a cinematic journey from the print and drawing rooms of Europe, through the great chapels and museums of Florence, Rome and the Vatican to explore the tempestuous life of Michelangelo. We go in search of a greater understanding of this most charismatic figure, his relationship with his contemporaries and his valuable artistic legacy.

June 7-9: A Streetcar Named Desire ~ Gillian Anderson (The X-Files, The Crown), Vanessa Kirby (The Crown), and Ben Foster (Lone Survivor) lead the cast in Tennessee Williams’ timeless masterpiece, returning to cinemas. As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski. From visionary director Benedict Andrews, this acclaimed production was filmed live during a sold-out run at the Young Vic Theatre in 2014.

June 14-16: A Photographic Memory ~ How well can we know someone through the things they leave behind? Director Rachel Elizabeth Seed was only 18 months old when her mother, the world-travelling journalist Sheila Turner-Seed, died suddenly. Thirty years later, after she discovers more than 50 hours of audio interviews conducted by her mother, Seed hears her mother’s voice for the first time. Through a wealth of audio recordings, photographs and films, the filmmaker sets out to connect with her late mother while at the same time unveiling an invaluable archive of conversations with some of the most renowned photographers of the 20th century.

We’re still finalizing the Culture Vulture schedule beyond that, but we do have two other terrific titles locked in for July and September:

July 5-7: Heartworn Highways ~ In the mid 1970s, filmmaker James Szalapski documented the then-nascent country music movement that would become known as “outlaw country.” Inspired, in part, by newly long-haired Willie Nelson’s embrace of hippie attitudes and audiences, a younger generation of artists including Townes Van Zandt, David Allan Coe, Steve Earle and Guy Clark popularized and developed the outlaw sound. It borrowed from rock, folk and bluegrass, with an edge that was missing from mainstream Nashville country. This newly restored documentary includes rarely captured performances of these musicians as they perfected this then-new style and helped change the course of country music history.

September 27-29: Inter Alia ~ Oscar-nominated Rosamund Pike (Gone Girl, Saltburn) is Jessica in the much-anticipated next play from the team behind Prima Facie. Jessica Parks is a smart Crown Court Judge at the top of her career. Behind the robe, she is a karaoke fiend, a loving wife and a supportive parent. When an event threatens to throw her life completely off balance, can she hold her family upright? Writer Suzie Miller and director Justin Martin reunite following their global phenomenon Prima Facie, with this searing examination of modern motherhood and masculinity.

 

 

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Filed Under: Claremont 5, Culture Vulture, Films, Glendale, Monica Film Center, Newhall, Santa Monica, Theater Buzz, Town Center 5

The bio-documentary JANIS IAN: BREAKING SILENCE opens tomorrow.

April 2, 2025 by Jordan Deglise Moore 2 Comments

Tomorrow we’ll be opening Janis Ian: Breaking Silence, the new documentary about the singer-songwriter. Filmmaker Varda Bar-Kar will participate in Q&A’s after the 7:00 o’clock shows on Thursday, April 3 at the Laemmle NoHo and April 4 and 5 at the Monica Film Center, as well as after the 1:00 o’clock show at the Laemmle Glendale on April 5.  Ms. Ian will join her for the NoHo and Santa Monica screenings. The filmmaker is also featured on the latest episode of Raphael Sbarge and Greg Laemmle’s video podcast Inside the Arthouse.

Director’s Statement: “The pandemic began when I finished my music documentary Fandango at the Wall (HBO/MAX), about a transformative musical convergence at the border between the United States and Mexico. Before Fandango, I had made another music documentary called Big Voice (Netflix) about a high school choir director and his most advanced ensemble. I love experimenting with the alchemy of combining film with music and wanted to continue working in that genre.

“Conversations about identity and how we identify were buzzing at that time. I considered my own identity. How do I identify? Do I feel represented in mainstream media? I resist defining my identity since definitions mainly serve to box us in. I am a free thinker, a bisexual woman, born Jewish, now with a Buddhist bent, and an artist. Like all artists, I am an outsider. I am capable, a roll-up-your-sleeves can-do-it kind of person, and I am an optimist. I don’t see many women like me represented in the media.

“I sat with the question, ‘If I made a film about a female artist with whom I closely identify, who would she be?’ Janis Ian popped into my mind. Her name hit me like a lightning strike. Yet I knew nothing about her outside of a lingering high school memory of listening to her masterful album Between the Lines and crying because her music penetrated my isolation, making me feel seen and heard. Her music assured me that I was not alone. Her music meant the world to me at that time.

“Through research, I discovered that Janis Ian has a significant body of work spanning 60 years. I compiled lengthy playlists of my favorite of her songs – many I had never heard before. I discovered she had written a riveting autobiography called Society’s Child. I could not put the
book down. I learned that not only has Janis made significant contributions to the music world, but she is also a social justice champion and an advocate for LGBTQ+ rights. She has endured tremendous hardships and overcome them one after another. Her story of commitment to
artistry and incredible resilience inspired me.

“How could it be that a film had not yet been made about her? This might sound crazy, and maybe it is, but I felt it was my destiny to make a film about Janis.

“I am forever grateful that Janis entrusted me with her magnificent musical story, and I am excited to share it with the world. I am also thankful to my unstoppable producing team and creative collaborators for working with me to overcome a myriad of obstacles and challenges to bring Janis Ian’s story to the screen so that today’s audiences can feel seen and heard just as I did when I listened to Between the Line so many years ago.”

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Filed Under: Director's Statement, Featured Films, Featured Post, Filmmaker in Person, Films, Glendale, Greg Laemmle, Inside the Arthouse, Monica Film Center, NoHo 7, Q&A's, Santa Monica, Theater Buzz

“Modest and moving, it’s a new sports-movie classic, as sneakily effective as the pitch which gives it its title.” ~ EEPHUS opens Thursday.

March 12, 2025 by Jordan Deglise Moore

Perhaps no other sport lends itself as well to cinema as baseball, and there have been some memorable ones over the years. The Natural, Moneyball, 42, Field of Dreams and Bull Durham spring to mind. Well, we have a funny, soul-soothing treat for you this week at our Glendale and Santa Monica theaters. “Modest and moving, it’s a new sports-movie classic, as sneakily effective as the pitch which gives it its title.” ~ Nick Schager, The Daily Beast

The filmmakers will participate in Q&A’s in Glendale after the 7:10 PM screenings on 3/13 with writer-director Carson Lund and actor Keith William Richards and moderator Amber A’Lee Frost (Chapo Trap House) and 3/15 with writer Mike Basta, writer-actor Nate Fisher, and moderator Brandon Harris (writer, filmmaker, baseball fan). Lund is also featured on the latest episode of Greg Laemmle (huge Dodger fan and former youth baseball coach) and Raphael Sbarge’s podcast Inside the Arthouse.

Film critics adore Eephus. As of this writing, its Rotten Tomatoes score is 100% with 37 reviews.

“Its pearls of practical wisdom and jewels of melancholic wit make Eephus a gem, which is fitting, for a movie about a game played on a diamond.” ~ Jessica Kiang, Variety

“Many a true devotee will tell you that part of the game’s charm lies in its ability to facilitate socialization… Eephus is a film that understands this, and the script shuffles along with the rhythm of a baseball game.” ~ Christian Zilko, indieWire

“A modest but poignant hangout film that resonates long after the last pitch.” ~ Tim Grierson Screen International

“Carson Lund treats the power of a shared interest with profound, elegiac empathy.” ~ Jake Cole, Slant Magazine
*
“Eephus isn’t exactly a baseball movie — it’s something closer to movie-baseball, where characters endlessly jostle back and forth under no real time constraints, watching the day slowly pass them by, simply out of love for the sport.” ~ Jordan Mintzer, Hollywood Reporter
*

“Has about it a mournful, lightly absurd poetry of the mundane, a rapt attention to the intimacy of transience and the meanings we make from relics and rituals of a time we’re passing through.” ~ Isaac Feldberg, RogerEbert.com

“Baseball is the star, the game is the story, and the only conflicts that matter are the ones that the athletes resolve in play. Nonetheless, in Lund’s keenly discerning view, the game is inseparable from the human element.” ~ Richard Brody, The New Yorker
*

“Something about Eephus reminds me of Wiseman’s long, slow, methodical probing of institutions and of human behavior more broadly.” ~ Alissa Wilkinson, New York Times

“We come to Eephus expecting a metaphor for life and instead we are faced with life itself.” ~ Bilge Ebiri, New York Magazine/Vulture
*

“Eephus luxuriates in an unhurried afternoon of leisure.” ~ Dan Kois, Slate

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Filed Under: Actor in Person, Featured Post, Filmmaker in Person, Films, Glendale, Greg Laemmle, Inside the Arthouse, Monica Film Center, Press, Q&A's, Santa Monica, Theater Buzz

“A warmhearted, bittersweet tale of father and sons,” EX-HUSBANDS with Griffin Dunne opens Friday.

February 26, 2025 by Jordan Deglise Moore

Forty years after starring in Martin Scorsese’s After Hours, Griffin Dunne and Rosanna Arquette are back, their days of all-night Manhattan romantic misadventures given way to the sober realities of late middle age. Writer-director Noah Pritzker’s dramedy Ex-Husbands beautifully captures the low-key new milieu, in which Dunne plays a father whose faltering marriage coincides with his adult sons’ romantic troubles. (Both Pritzker and Dunne speak about the film in a recent episode of Inside the Arthouse.) Richard Benjamin, James Norton, and Miles Heizer, all terrific, costar. We open Ex-Husbands this Friday at the Monica Film Center in Santa Monica and the Town Center in Encino.

“A warmhearted, bittersweet tale of father and sons.” ~ Melanie Goodfellow, Deadline Hollywood

“A vibrantly charming lead turn from Griffin Dunne…Ex-Husbands is an accessible, ostensibly lightweight offering but one nevertheless carried off with expertise, intelligence and empathetic insight.” ~ Jonathan Romney, Screen Daily

“An interesting, intergenerational snapshot of masculine emotional drift in the modern world. What may strike some as lightweight will connect with attuned viewers as a compassionately observed collection of just-so moments—a worthwhile cinematic novella.” ~ Brent Simon, AV Club

“Pritzker navigates his compassionate tale empathetically, portraying a refreshingly kind, gentle, and soft side of masculinity through a group of characters all stuck inside a crossroads life has thrown at them.” ~ Tomris Laffly, RogerEbert.com

“It doesn’t pretend to offer solutions to the various predicaments it considers. But Mr. Pritzker has a sagacious understanding of our various stumbles and humiliations.” ~ Kyle Smith, Wall Street Journal

 

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Filed Under: Featured Films, Featured Post, Films, Greg Laemmle, Inside the Arthouse, Monica Film Center, Press, Santa Monica, Theater Buzz, Town Center 5

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1970s New York City on the brink ~ DROP DEAD CITY opens tomorrow.

“Laura Piani’s splendid debut balances reality with the effervescent charm of vintage swooners.” JANE AUSTEN WRECKED MY LIFE opens May 23.

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‼️In-Person Q&A with Director Jerry Zucker!
📍Join Us Wednesday May 21st @ 7pm

Laemmle Theatres and the Anniversary Classics Series present a special screening of one of the best loved movies of the 20th century, Jerry Zucker’s smash hit supernatural fantasy, 'Ghost.'
Part of the #WorldwideWednesdays Series! 🎟️ l Part of the #WorldwideWednesdays Series! 🎟️ laem.ly/419gzQ1

#DesertOfNamibia
Yôko Yamanaka’s second feature follows a 21-year-old Japanese woman with erratic humor as she ghosts one boyfriend after another. A beautician with little commitment to her work and no real desire to achieve anything, she burns every bridge, accumulating broken hearts in her wake. "Yuumi Kawai is immediately magnetic…Yamanaka’s work defies binaries… The film and its lead feel[s] pulsatingly alive." ~ Variety #DesertOfNamibia #WorldwideWednesdays #yokoyamanaka #yuumikawaii #山中瑶子 #河合優実
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#AllToPlayFor
Single mother Sylvie (César Award-winner Virginie Efira) lives with her two young sons, Sofiane and Jean-Jacques. One night, Sofiane is injured while alone, and child services removes him from their home. Sylvie is determined to regain custody of her son, against the full weight of the French legal system in this searing Cannes official selection.

“Virginie Efira excels [in this] gripping debut.” - Hollywood Reporter
Part of the #AnniversaryClassics Series! 🎟️ l Part of the #AnniversaryClassics Series! 🎟️ laem.ly/3EtHxsR

Join Us Wednesday May 21st @ 7pm 
In-Person Q&A with Director Jerry Zucker!

Laemmle Theatres and the Anniversary Classics Series present a special screening of one of the best loved movies of the 20th century, Jerry Zucker’s smash hit supernatural fantasy, 'Ghost.' When the movie opened in the summer of 1990, it quickly captivated audiences and eventually became the highest grossing movie of the year, earning $505 million on a budget of just $23 million.
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Tickets: http://laemmle.com/film/echo-valley | Subscribe: http://bit.ly/3b8JTym | Kate lives a secluded life—until her troubled daughter shows up, frightened and covered in someone else's blood. As Kate unravels the shocking truth, she learns just how far a mother will go to try to save her child

Tickets: http://laemmle.com/film/echo-valley

RELEASE DATE: 6/13/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/drop-dead-city | Subscribe: http://bit.ly/3b8JTym | NYC, 1975 - the greatest, grittiest city on Earth is minutes away from bankruptcy when an unlikely alliance of rookies, rivals, fixers and flexers finds common ground - and a way out. Drop Dead City is the first-ever feature documentary devoted to the NYC Fiscal Crisis of 1975, an extraordinary, overlooked episode in urban American history.

Tickets: http://laemmle.com/film/drop-dead-city

RELEASE DATE: 5/23/2025
Director: Michael Rohatyn, Peter Yost

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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Tickets: http://laemmle.com/film/lost-starlight | Subscribe: http://bit.ly/3b8JTym | In 2050 Seoul, astronaut Nan-young’s ultimate goal is to visit Mars. But she fails the final test to onboard the fourth Mars Expedition Project. The musician Jay buries his dreams in a vintage audio equipment shop.

The two fall in love after a chance encounter. As they root for each other and dream of a new future. Nan-young is given another chance to fly to Mars, which is all she ever wanted…

“Don’t forget. Out here in space, there’s someone who’s always rooting for you

Tickets: http://laemmle.com/film/lost-starlight

RELEASE DATE: 5/30/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Recent Posts

  • NORTHERN LIGHTS restored.
  • 1970s New York City on the brink ~ DROP DEAD CITY opens tomorrow.
  • RAN, Akira Kurosowa’s final epic masterpiece, back on the big screen May 23.
  • “Laura Piani’s splendid debut balances reality with the effervescent charm of vintage swooners.” JANE AUSTEN WRECKED MY LIFE opens May 23.
  • I KNOW CATHERINE week at Laemmle Glendale.
  • Argentine film MOST PEOPLE DIE ON SUNDAYS “squeezes magic out of melancholy.”

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