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THE GOOD GIRL (2002) Screening November 15 with the Filmmakers in Person.

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Guest Speakers: Director Miguel Arteta, Producers Carol Baum and Matthew Greenfield and Casting Director Joanna Colbert Wednesday, November 15, at 7 PM at Laemmle’s Royal Theatre.

Laemmle Theatres and the Anniversary Classics Series present a screening of the indie hit ‘The Good Girl‘ starring ‘Friends’ megastar Jennifer Aniston and Oscar nominees Jake Gyllenhaal and John C. Reilly. It was written by Mike White, the Emmy-winning creator of the smash hit series ‘The White Lotus,’ and directed by Miguel Arteta, who collaborated with White on ‘Chuck & Buck’ and ‘Beatriz at Dinner’ in addition to this movie.

‘Friends,’ the most successful sitcom in television history, was still going strong when Aniston demonstrated her versatility by starring as a dissatisfied store clerk in a small Texas town. She is unhappily married to Reilly when she begins a dangerous affair with a younger, mentally unstable coworker played by Gyllenhaal. The strong supporting cast includes a bevy of gifted performers, including Tim Blake Nelson, Zooey Deschanel, John Carroll Lynch, Deborah Rush, and White himself.

The film premiered at the Sundance Film Festival in 2002 and later won an Independent Spirit award for best screenplay of the year. Critics appreciated Aniston’s determination to branch out and tackle a more complex role. As Ella Taylor wrote in L.A. Weekly, “it is especially gratifying to see her playing a woman who’s had it up to here with making nice and making do.” Roger Ebert praised the movie as “an independent film of satiric fire and emotional turmoil.” Writing in the Chicago Tribune, Michael Wilmington called the film “a dark comedy about false dreams and lost illusions—and, thanks to a fine cast and a smart script, it’s an effective one.” The Village Voice’s J. Hoberman acclaimed “a droll, well-acted character-driven comedy with unexpected deposits of feeling.”

Miguel Arteta’s other films include ‘Star Maps,’ ‘Youth in Revolt,’ ‘Duck Butter,’ and ‘Cedar Rapids.’ He has also directed for some of the most acclaimed TV series of recent years, including ‘Freaks and Geeks,’ ‘Six Feet Under,’ ‘American Horror Story,’ ‘Succession,’ and Aniston’s current hit, ‘The Morning Show.’

Matthew Greenfield produced Arteta’s films ‘Star Maps,’ ‘Chuck & Buck,’ and ‘The Good Girl.’ He is currently president of Searchlight Pictures, the company that has produced Oscar-winning hits ‘Slumdog Millionaire,’ ’12 Years a Slave,’ ‘The Shape of Water,’ and ‘Nomadland.’

Joanna Colbert has cast over 50 films and was head of casting at Universal Pictures. She produced the HBO documentary ‘Casting By,’ which called attention to the frequently underestimated but crucial role that casting directors play in creating successful movies.

Carol Baum has produced 34 movies, including ‘Father of the Bride’ with Steve Martin and Diane Keaton, ‘I.Q.’ with Walter Matthau and Meg Ryan, ‘Dead Ringers’ with Jeremy Irons and Genevieve Bujold, ‘Jacknife’ with Robert De Niro and Ed Harris, ‘Straight Talk’ with Dolly Parton, Noah Baumbach’s directorial debut, ‘Kicking and Screaming,’ and the Oscar-winning documentary ‘Common Threads: Stories from the Quilt.’ She will be discussing, selling and signing her new book, ‘Creative Producing: A Pitch-to-Picture Guide to Movie Development,’ written with her husband, screenwriter Tom Baum. The book offers practical tips into all the stages of movie production, along with candid anecdotes about her many movies and the stars and filmmakers she encountered. Mike White called Baum “one of the most astute, wise, kind, funny, and indefatigable producers in our business.”

John Le Carré shares stories from his life with Errol Morris in the “enthralling” new documentary THE PIGEON TUNNEL, opening Friday at the NoHo.

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Academy Award-winning documentarian Errol Morris pulls back the curtain on the storied life and career of former British spy David Cornwell — better known as John le Carré — in The Pigeon Tunnel, opening Friday at the NoHo.
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“It’s a treat to learn that, before he died in 2020, the great novelist David Cornwell, aka John le Carré, provided Mr. Morris with an in-depth discussion of his deceit-steeped life and works. I was enthralled by every minute of it.” ~ Kyle Smith, Wall Street Journal
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“It’s much richer than a mere biographical documentary, fascinating even to those who haven’t read Cornwall’s work.” ~ Alissa Wilkinson, Vox
 

“In Errol Morris’s documentary, the sense of getting nowhere in particular proves to be crucial toward grasping John le Carré in all his impish glory.” ~ Keith Uhlich, Slant Magazine

“Through it all is the tension of whether one can truly know le Carré, a man who first made a living hiding his true self, and then another living as a writer delving into it. Morris captures that paradox… quite perfectly.” ~ David Sims, The Atlantic

“An interrogation of art and artist, The Pigeon Tunnel is an enthralling documentary both for fans of le Carré and those who’ve never read a page of his work.” ~ Barry Levitt, Empire Magazine

“Errol Morris’s biographical documentaries have got to the heart of figures ranging from Stephen Hawking to Donald Rumsfeld, but in John le Carré he has found a subject as unknowable as he is eloquent.” ~ Jake Kerridge, Daily Telegraph

“The result is a wide-ranging dialogue that manages to be both philosophical and playful, a personal portrait that goes exactly as deep as Cornwell wants it to go but never feels as if the author is getting away with obfuscation.” ~ Steve Pond, TheWrap

“He’s a grand chronicler of his own biography, and expertly goaded on by Morris, whose queries challenge present and past statements and compel further elaboration and contemplation.” ~ Nick Schager, The Daily Beast

CAT PERSON Opens Friday; Director Susanna Fogel in Person for Conversations with Monica Lewinsky & Alex Winter October 12 & 13.

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“Margot met Robert on a Wednesday night toward the end of her fall semester. She was working behind the concession stand at the artsy movie theatre downtown when he came in and bought a large popcorn and a box of Red Vines.”

So begins Kristen Roupenian’s short story Cat Person. When The New Yorker published it in 2017, it struck a nerve with readers and was the first work of short fiction to ever go viral, spurring conversations around the world about the modern dating scene, seduction, and consent. After the film adaptation’s buzzy premiere at Sundance in January, Cat Person is finally where it belongs, at “artsy movie theatre[s],” opening this weekend at the Royal, Town Center and Glendale and October 13 at the Monica Film Center and NoHo. We’re also pleased to host two special screenings at the NoHo with the filmmaker Susanna Fogel in person for conversations with social activist and writer Monica Lewinsky on October 12 and  with actor-writer-director Alex Winter on October 13.

Director Susanna Fogel stated “Like the short story that stirred so much controversy, Cat Person will call upon you to reflect on romantic encounters you’ve had in the past, and to question the role (or multiple roles) you may have played. We’ve all been the victim in some narratives and the villain in others, and I hope you’ll walk out of this film with a strong opinion, ready to debate.”

Susanna Fogel. Credit: Roger Kisby/Getty Images for Disney
Monica Lewinsky. Credit: Greg Gorman
Alex Winter

“A film that’s funny in places, horrifying in others and all but destined to be a reference point in future discussions about courtship.” ~ Peter Debruge, Variety

“The relief…is in the filmmakers’ approach to these tense scenes: Fogel and Ashford loosen their grip, at last trusting us to sit in our discomfort, draw our own conclusions and sharpen our tools for the discourse.” — The Hollywood Reporter

“Once upon a midnight dreary,” Price, Corman, Karloff & Lorre! THE RAVEN 60th Anniversary Screening October 19.

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Update October 12: This screening has been cancelled.

Laemmle Theatres and the Anniversary Classics Series present the 60th anniversary of THE RAVEN (1963), the fifth film of Roger Corman’s cinematic adaptations of the works of American literary titan Edgar Allan Poe. The movie, written by acclaimed horror, fantasy, and mystery author Richard Matheson, stars horror icons Vincent Price and Boris Karloff in a rare big screen collaboration, and co-stars Peter Lorre, Hazel Court, and future superstar Jack Nicholson early in his career. The horror comedy plays one night only, Thursday, October 19 at 7 PM at the Royal in West Los Angeles. For added fun there will be a Poe/Corman trivia contest before the movie.

 

Producer-director Roger Corman, who began his career in the 1950s, is one of the most prolific independent filmmakers in movie history. Corman specialized in low budget cinema and is regarded as the “king of the B movie” with a steady diet of exploitation titles that spanned six decades and multiple movie genres. In 1960 he turned to the works of an author he had read and admired growing up, Edgar Allan Poe, the nineteenth century inventor of detective fiction and master of mystery and the macabre, and made a stylish if frugal version of The Fall of the House of Usher, hiring Vincent Price for the lead and acclaimed author Richard Matheson (The Incredible Shrinking Man, I am Legend, Somewhere in Time) to write the screenplay adaptation. The movie’s unexpected critical and commercial success spawned seven more Poe films in five years. The Raven, the fifth film, was released in January 1963 and was the first outright feature-length comic take on Poe’s most celebrated poem. The worldwide reception afforded the poem in 1845 made Poe the most famous American author of the 19th century, and he remains beloved in the 21st century for his pioneering detective fiction, horror tales, and haunting verse.

Matheson’s story lightens considerably the tone of the mesmeric poem, with the invention of sorcerer characters (Price and Karloff) who duel over Price’s wife (Hazel Court). Peter Lorre, transformed by Karloff into a raven, induces Price to help him break the spell and rescue Court. They are aided by Lorre’s son, played by Nicholson. Corman retained venerable cinematographer Floyd Crosby, production designer Daniel Haller, and composer Les Baxter from the prior Poe films to continue the atmospheric style which marks all the films. Matheson’s choice to inject humor throughout the movie led critics to pick up on the tongue-in-cheek tone, with one reviewer calling it “less of a Raven, and more of a lark.” Leonard Maltin found it a “funny horror satire [with the] climactic sorcerers’ duel a highlight.

This would be Matheson’s final Poe adaptation after writing House of Usher, The Pit and the Pendulum (1961), and Tales of Terror (1962). Price would continue as the principal Poe player to the end of the eight-film series with Tomb of Ligeia in 1964. All the Poe/Corman films entrenched Price as a legendary horrormeister, but in The Raven he would demonstrate his comic chops along with unexpected humorous turns from Boris Karloff and an improvising Peter Lorre. A young Jack Nicholson is the bonus in this affectionate, amusing homage to the genius of Edgar Allan Poe.

Pedro Almodóvar’s STRANGE WAY OF LIFE with THE HUMAN VOICE.

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Sony Pictures Classics and Laemmle Theatres are pleased to present Strange Way of Life, the new English language short film by Pedro Almodóvar, starring Pedro Pascal and Ethan Hawke. Screenings begin October 6 at the Royal.

A man rides a horse across the desert that separates him from Bitter Creek. He comes to visit Sheriff Jake. Twenty-five years earlier, both the sheriff and Silva, the rancher who rides out to meet him, worked together as hired gunmen. Silva visits him with the excuse of reuniting with his friend from his youth, and they do indeed celebrate their meeting, but the next morning Sheriff Jake tells him that the reason for his trip is not to go down the memory lane of their old friendship….

Strange Way of Life will be followed by The Human Voice starring Tilda Swinton. Released during the pandemic, this is another chance to see Pedro Almodóvar’s first English language short on the big screen.

“One of the most perfect movies in the history of Japanese cinema,” UGETSU 70th Anniversary Screenings.

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By the time he made Ugetsu, Kenji Mizoguchi was already an elder statesman of Japanese cinema, fiercely revered by Akira Kurosawa and other directors of a younger generation. And with this exquisite ghost story, a fatalistic wartime tragedy derived from stories by Akinari Ueda and Guy de Maupassant, he created a touchstone of his art, his long takes and sweeping camera guiding the viewer through a delirious narrative about two villagers whose pursuit of fame and fortune leads them far astray from their loyal wives. Moving between the terrestrial and the otherworldly, Ugetsu reveals essential truths about the ravages of war, the plight of women, and the pride of men.

We will screen Ugetsu on October 11 at our Glendale, Claremont, Royal and Newhall theaters.

Pauline Kael wrote, “This subtle, violent yet magical film is one of the most amazing of the Japanese movies that played American art houses after the international success of Rashomon in 1951.” Japanese film scholar Donald Richie called Ugetsu “one of the most perfect movies in the history of Japanese cinema.” Many later directors, including Martin Scorsese and Andrei Tarkovsky, cited it as a personal favorite.

“With rare humanity, Mizoguchi reveals the toll these misadventures take on the souls of both men and their wives, many moments an uncanny synthesis of the realistic and the otherworldly.” ~ Alan Scherstuhl, Village Voice

“Ugetsu, Kenji Mizoguchi’s most widely heralded film, is a mysterious, incantatory, and gorgeous parable.” ~ Eric Henderson, Slant Magazine

“A ravishingly composed, evocatively beautiful film.” ~ Rod McShane, Time Out

The beautifully acted late-life romance MY SAILOR, MY LOVE opens Friday.

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This Friday we’re pleased to open a touching and charming Irish indie film My Sailor, My Love. It follows Howard (James Cosmo), a widowed sailor living alone on the coast of Ireland and struggling to care for himself. His daughter, Grace (Catherine Walker), hires Annie (Bríd Brennan) to help out around the house. Though Howard initially rejects this imposition, Annie’s charm and gentle care win him over, and the two fall in love. Annie’s large and loving family welcomes Howard into their lives, but these new relationships only serve to illuminate the depth of pain and hurt between Howard and Grace, who is facing challenges of her own. Grace’s resentment tears at Howard and Annie’s otherwise idyllic seaside love story. This windswept drama deftly balances a universal family saga with a tender and timeless romance. We open My Sailor, My Love this Friday at the Town Center, Monica Film Center and Claremont with Saturday and Sunday morning screenings at our Newhall theater.

Critics around the world have been writing about the acting. The film’s director, acclaimed Finnish filmmaker Klaus Härö, said this about his experiences working with the actors:

“The cast has been an immense joy, from the moment the roles were confirmed and when we first went on set. I would often sit very close by to the actors and get to witness what goes into their work, which left me very impressed. Sometimes when I looked around, I could see the emotions brought to surface after a take. Someone might have tears in their eyes, or the crew might burst into applause after a scene. This isn’t very common on a movie set, and it might even seem unprofessional in a way. The atmosphere at the set has been exceptional, and the actors left a very strong imprint on the whole crew.”

“Sharp writing, subtle acting, and a winning Irish setting. My Sailor, My Love will play to any nation where humans struggle to make themselves understood.” – Donald Clarke, The Irish Times

“A quiet yet profoundly powerful feature, aching in emotional sophistication and depth. Cosmo and Brennan are divine.” – Andrew Murray, The Upcoming

“A lovely indie. Klaus Härö’s gentle and special family drama has much more at play than rote tear-jerking. Magnificently shot and acted. Sailor is filled with sage wisdom and vulnerable people struggling to do the best that they can even when they are at their worst.” – Randy Myers, San Jose Mercury News

“Prepare to be moved.” – Christopher Llewellyn Reed, Hammer to Nail

National Silent Movie Day: See Restored Classic THE JOHNSTOWN FLOOD September 27.

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In honor of Silent Movie Day, we are presenting screenings of Irving Cummings’ THE JOHNSTOWN FLOOD (1926), a pioneering disaster and special effects movie, starring Janet Gaynor and George O’Brien. A highlight of this year’s San Francisco Silent Film Festival, the film has been restored with a lush musical soundtrack by the Mont Alto Motion Picture Orchestra. We are screening the film September 27 only at our Royal, Glendale, Claremont and Newhall theaters.

THE JOHNSTOWN FLOOD re-creates one of the greatest disasters in American history, when, in 1889, over 2,000 people in Johnstown, Pennsylvania, lost their lives. In her first major role, Gaynor plays a teenage girl smitten with dashing engineer O’Brien, whose pleadings about the imminent collapse of the local dam are ignored. It’s up to Gaynor to ride through the streets à la Paul Revere to warn the townspeople of the imminent disaster. After 97 years, the movie’s flood sequence is still a pre-CGI marvel of optical effects, matte paintings, and miniatures.

THE JOHNSTOWN FLOOD has been newly restored in 4K by The Film Preserve, Ltd. and The Maltese Film Works, from 35mm elements preserved at George Eastman Museum. Noted preservationists Robert Harris and James Mockoski (archivist for Francis Ford Coppola) worked on the restoration.

Academy Award winners and film scholars Ben Burtt (sound designer of Star Wars, Raiders of the Lost Ark, and more) and Craig Barron (visual effects supervisor for The Curious Case of Benjamin Button, Batman Returns, and more), have recorded a 30-minute illustrated conversation deconstructing the movie’s visual effects, that will be screened following the feature.