WHITE RABBIT actress Vivian Bang will participate in Q&A’s after the 5:20pm and 7:30pm show on Friday, September 21 at the Glendale.
by Lamb L.
WHITE RABBIT actress Vivian Bang will participate in Q&A’s after the 5:20pm and 7:30pm show on Friday, September 21 at the Glendale.
by Lamb L.
Laemmle Theatres and the Anniversary Classics Series present a screening of one of the groundbreaking movies from the tumultuous year of 1968, Richard Lester’s PETULIA. Set in 1960’s San Francisco, the story of a troubled love affair between a divorced surgeon and a free-spirited socialite captures some of the disruptions of a society in transition.
The extraordinary cast includes Oscar winners George C. Scott and Julie Christie, Oscar nominee and Emmy winner Shirley Knight, Golden Globe winner Richard Chamberlain, Pippa Scott, Kathleen Widdoes, and veteran actor Joseph Cotten, one of the stars of ‘Citizen Kane.’
Lester, the winner of the Career Achievement Award from the Los Angeles Film Critics Association in 2014, first came to attention as the director of comedies like ‘The Mouse on the Moon’ and the brilliantly innovative Beatles musicals, ‘A Hard Day’s Night’ and ‘Help!’
PETULIA marked his first foray into dramatic filmmaking, though it retained the comic and satiric touches of his early movies. Lester’s daring approach to non-linear storytelling had a tremendous influence on a later generation of filmmakers, including director Steven Soderbergh, who published a series of interviews with Lester.
PETULIA, produced by Raymond Wagner, was adapted from a novel by John Haase. Lawrence B. Marcus, who later earned an Oscar nomination for his script of ‘The Stunt Man,’ wrote the screenplay. The technical team behind the movie was also first-rate.
Master cinematographer Nicolas Roeg went on to become the acclaimed director of such films as ‘Don’t Look Now’ and ‘The Man Who Fell to Earth.’ Film editor Antony Gibbs worked on such films as ‘A Taste of Honey’ and Lester’s ‘The Knack,’ as well as Oscar winners ‘Tom Jones’ and ‘Fiddler on the Roof.’
Five-time Oscar winner John Barry composed the score, with some help from on-screen performances by Big Brother and the Holding Company, the Grateful Dead, and other San Francisco bands of the ’60s.
Roger Ebert reviewed the film at the time and wrote, “I am unable to find a single thing wrong with it.” Life Magazine’s Richard Schickel declared, “PETULIA is a terrific movie, at once a sad and savage comment on the ways we waste our time, our money and ourselves in upper-middle-class America.” Leonard Maltin praised the film’s “terrific acting, especially by Scott and Knight, in one of the decade’s best films.”
Shirley Knight earned two Oscar nominations early in her career, for ‘The Dark at the Top of the Stairs’ and ‘Sweet Bird of Youth.’
She went on to star in the film version of Leroi Jones’ controversial play ‘Dutchman,’ in Francis Ford Coppola’s ‘The Rain People,’ Sidney Lumet’s film version of Mary McCarthy’s best-selling novel ‘The Group,’ and in James L. Brooks’ Oscar winner ‘As Good As It Gets.’
For television she starred in Ingmar Bergman’s script ‘The Lie’ and won an Emmy for her performance in ‘Indictment: The McMartin Trial.’
Richard Chamberlain, star of stage, screen, and television, will join the Q&A of PETULIA with actress Shirley Knight. Chamberlain was best known for the Dr. Kildare TV series when director Richard Lester decided to cast the actor against type as the abusive husband of Julie Christie in PETULIA. The role helped to alter Chamberlain’s image and enhance his reputation and his visibility.
He went on to co-star in Lester’s enormously popular ‘Three Musketeer’ movies. He played Tchaikovsky in Ken Russell’s film ‘The Music Lovers’, also co-starred in such films as ‘The Towering Inferno’ and Peter Weir’s ‘The Last Wave.’
Chamberlain became best known for his starring roles in several popular TV movies and miniseries, including ‘Centennial,’ ‘Shogun,’ ‘The Thorn Birds,’ and ‘Wallenberg: A Hero’s Story.’
PETULIA screens on Thursday, September 20th at 7pm at the Laemmle Royal in West LA. Q&A with Shirley Knight and Richard Chamberlain. Click here for tickets.
Format: DVD
by Lamb L.
THE RANGER director Jenn Wexler, producers Heather Buckley and Andrew van den Houten, and star Amanda Grace Benitez will participate in a Q&A moderated by EW’s Clark Collis after the 7:40 PM at the Music Hall, tonight, Friday, September 7.
by Lamb L.
LICENCE TO KILL actor Robert Davi will participate in a Q&A after the screening at the NoHo on Thursday, August 23.
by Lamb L.
Laemmle Theatres and the Anniversary Classics Series present a 65th anniversary screening of one of the most beloved Westerns of all time, George Stevens’ production of SHANE.
The 1950s happened to be a golden age for cowboy sagas, and as the Hollywood Reporter observed, “George Stevens’ SHANE earns a place along with ‘High Noon’ and ‘The Gunfighter’ as one of the great tumbleweed sagas of the decade.” Or as Leonard Maltin declared decades later, “Classic Western is splendid in every way.”
Alan Ladd, Paramount’s biggest star of the era, plays a mysterious gunfighter who arrives in a small Western town and finds a turf war between the farmers and cattle ranchers who want to drive them off the land.
Shane decides to become a protector of these homesteaders and strikes up a friendship with one family; Van Heflin plays the father, Jean Arthur (in her final screen performance) plays the mother, and young actor Brandon De Wilde plays their son, Joey.
Jack Palance was cast as the villain of the piece, a black-clad gunslinger hired by the cattle ranchers to eliminate Shane, along with the rest of the farmers.
The supporting cast includes gifted character actors Ben Johnson, Edgar Buchanan, Emile Meyer, and Elisha Cook Jr. Ladd received the best reviews of his career for the picture. The Saturday Review wrote, “As Shane, Alan Ladd has one of his best roles and gives what is surely his most rewarding performance.”
Stevens had won the Academy Award for best director of 1951 for ‘A Place in the Sun.’ SHANE gave him his third nomination in the directing category (he would win a second Oscar for ‘Giant’ in 1956).
SHANE earned six nominations in all, including Best Picture and two nods in the supporting actor category, for both Palance and De Wilde. The Oscar-nominated screenplay was written by A.B. Guthrie Jr., who adapted the novel by Jack Schaefer. The picture won the Oscar for the magnificent color cinematography of Loyal Griggs.
In tune with the fashions of the era, Stevens chose to shoot on location in the magnificent Grand Tetons outside Jackson Hole, Wyoming.
Because of the care he took with the production, the film went over budget, and the studio was nervous. But the film turned out to be a box office smash and proved enticing to adult and family audiences alike. Kids who saw the move in 1953 are not likely to forget the emotional ending and young De Wilde’s cry, “Come back, Shane!”
Joining us for a Q&A will be David Ladd, the son of Alan Ladd. David went on to be a popular child actor in the 1950s. He appeared with his father in two films, ‘The Big Land’ and ‘The Proud Rebel;’ he then starred on his own in two family hits, ‘Misty’ and ‘A Dog of Flanders.’ He went on to act in a few films as an adult but then segued into a career as producer and studio executive.
SHANE screens on Sunday, August 26, at 3pm at Ahrya Fine Arts Theatre. Click here for tickets.
Format: DCP
by Lamb L.
The director, producer and several cast members of MAKING A KILLING will participate in a Q&A after the opening night screening.
by Lamb L.
ON HER MAJESTY’S SECRET SERVICE star George Lazenby will be participate in a Q&A at the NoHo after the screening on Thursday, August 9.
by Lamb L.
Laemmle Theatres and the Anniversary Classics Series present the 60th anniversary of AUNTIE MAME (1958), the hilarious film version of the best-selling novel by Patrick Dennis (Edward Everett Tanner III) based on his madcap, eccentric aunt, and starring Rosalind Russell in her signature role.
The book became a hit Broadway play in 1956, adapted by Jerome Lawrence and Robert E. Lee. For the film version, acclaimed screenwriters Betty Comden and Adolph Green (Singin’ in the Rain, The Bandwagon) fashioned a witty script from the same source material. The film was a box office bonanza, the second highest grossing movie released that year.
The story focuses on Mame Dennis, a wealthy Manhattan sybarite with a social conscience, who takes charge of her orphaned ten-year-old nephew Patrick in 1928. Their adventures through the next two decades exposes Patrick to bohemian characters and lifestyles that clash with the upper class conventions, prejudices and pretensions of the era.
Mame’s financial wipeout in the Wall Street Crash of 1929 only adds to the merriment as she resourcefully pursues her life’s philosophy, “Life is a banquet, and most poor suckers are starving to death!” Directed by Morton Da Costa (The Music Man), who brought the same touches he used for the stage version (blackouts, fadeouts) to the film for a tone of heightened theatricality.
The movie version garnered six Academy Award nominations, including best picture, best actress (Russell) and best supporting actress (Peggy Cass), both of whom had originated their parts on Broadway. Other nominations went to Harry Stradling’s bright color cinematography, Malcolm Bert’s and George James Hopkin’s lavish art direction-set decoration, and William Ziegler’s film editing.
Rosalind Russell, the celebrated comedienne and dramatic actress (The Women, His Girl Friday, My Sister Eileen, Picnic, Gypsy), had the role of a lifetime with Auntie Mame, and she made the most of it, resulting in her greatest career triumph. She is ably supported by a game and skilled cast, including Broadway holdovers (Peggy Cass, Jan Handzlik, Yuki Shimoda) and Hollywood players (Roger Smith, Coral Browne, Fred Clark, Joanna Barnes, Pippa Scott, Patric Knowles, Lee Patrick).
Critical consensus felt that the character could have easily been overbearing in the wrong hands, but Russell and company overcame any reservations. Bosley Crowther of The New York Times offered high praise for Russell, “Lets herself go with even more gushiness and grandeur of gesture than she did on the stage,” he said, also noting the warmth and heart she brought to the part. Variety cheered the “handsome and slick production… hilarious and human in equal measure.”
Crowther’s opening line of his highly favorable review in 1958 indicates the appeal of the film, which has never dated. As he stated, “Hurricanes may be out of season, but one blew into the (Radio City) Music Hall yesterday…this full movie version of the stage play with Rosalind Russell again at the center of it, does sure enough generate gales of laughter as it sweeps across the screen.”
Come see AUNTIE MAME once again on the big screen, showing at the Ahrya Fine Arts theatre on Saturday, August 4 at 7:30pm. Before the screening there will be a Q&A with co-star Pippa Scott (The Searchers, Petulia), one of the last remaining survivors of the cast. Click here for tickets.
Format: DCP