Special screenings of ATTACK ON TITAN PART ONE and TWO in Claremont, NoHo, and Pasadena!

We’re pleased to announce that ATTACK ON TITAN THE MOVIE PART ONE and TWO will screen at our theaters in Claremont, NoHo, and Pasadena!

The ATTACK ON TITAN (“Shingeki no Kyojin” in Japanese) live-action movies, which take their name from the original manga series, were developed in close collaboration with series’ creator Hajime Isayama and tell the story of a world where the last of humanity fights to survive against almost unstoppable, man-eating giants. With more than 50 million copies in print today, the “Attack on Titan” manga series has inspired four spin-offs as well as a terrific 25-episode anime series.

PART ONE of the live-action film screens at 7:30pm on Wednesday, 9/30 and at 9:55pm on Thursday, 10/1 at the Claremont 5, NoHo 7, and Playhouse 7. Tickets are available here!

PART TWO screens at 7:30pm on Tuesday, October 20 and at 9:55pm on Thursday, October 22 at the Claremont 5, NoHo 7, and Playhouse 7. Tickets are available here!

Throwback Thursday: MEAN GIRLS at 7:30pm on 9/3 in NoHo. $5 Early Bird Tickets*

This #TBT at the Laemmle NoHo 7: Lindsay Lohan, Rachel McAdams, Amanda Seyfried, Lacey Chabert, and Tina Fey star in MEAN GIRLS!

*Buy your tickets before Wednesday, 9/2 at noon and pay only $5! Full price tickets are $11.

MEAN GIRLS screens at 7:30PM on 9/3 at the Laemmle NoHo 7 and is part of our THROWBACK THURSDAY series in partnership with Eat|See|Hear. The Haute Burger truck (where classy meets trashy) will arrive at the theater around 6:30pm. You can bring food from the truck into the theater! See you there!

Click here to buy tickets.


The French Hit Comedy PAULETTE Stars Legendary Actress Bernadette Lafont in One of Her Last Roles.

Next Friday, September 4th we’ll be opening a French comedy that stars the wonderful actress Bernadette Lafont in one of her last performances, playing the title character in PAULETTE. A brash and opinionated retiree, Paulette lives alone in a housing project on the outskirts of Paris. One evening, upon observing some mysterious dealings outside her building, she discovers a surprising way to supplement her meager pension: an unlikely but successful career selling cannabis.

Writing in Film Journal International, Doris Toumarkine wrote that “PAULETTE offers a heap of laughs and ultimately delights like a shelf of colorful fresh pastries.”

In his L.A. Weekly review, Chuck Wilson wrote that Lafont “died in 2013, at age 74, one year after PAULETTE became a hit in France. A working actress since she was 19 [IMDB lists 190 credits over the course of her career], Lafont was at the forefront of the French New Wave, with François Truffaut, who discovered her, once calling her, lovingly, ‘a wild child.’ It would appear that she remained so all her working life.”

Vox: “The quietly radical DIARY OF A TEENAGE GIRL turns the page on coming-of-age films.”

This Friday, at five of our six venues, we’ll be opening a film we enjoyed immensely, THE DIARY OF A TEENAGE GIRL. The girl of the title is Minnie Goetze (fantastic newcomer Bel Powley), who is longing for love, acceptance and a sense of purpose in the world. She begins a complex love affair with her mother’s (Kristen Wiig) boyfriend, “the handsomest man in the world,” Monroe Rutherford (Alexander Skarsgård). What follows is a sharp, funny and provocative account of one girl’s sexual and artistic awakening, without judgment.

Based on a 2002 graphic novel, film critics have embraced the film (it has a 93% fresh rating on Rotten Tomatoes as of this writing). Writing in New York Magazine, Bilge Ebiri exclaimed, “the first thing to know about THE DIARY OF A TEENAGE GIRL is that young British actress Powley is staggeringly good in it.” In the L.A. Times, Rebecca Keegan wrote, “big summer action movies can be thrilling, but if you really want to feel your heart pounding out of your chest, try being a 15-year-old girl for 101 minutes.” In the New Republic, Elaine Teng called the film “a startlingly tough, authentic depiction of budding womanhood.” And in the New York Times, Manohla Dargis declared the film “exhilarating…the novel is life-specific, but what makes Minnie – on the page and now on the screen – greater than any one girl is how she tells her own story in her own soaringly alive voice.”

The extended Vox review included this observation by the film’s director, Marielle Heller: “I think as a society, we’re just a little bit afraid of teenage girls, and we’re definitely afraid of their sexuality. There’s a desire to shelter girls and also to ignore what they might be feeling or experiencing. The result of that is if you’re a teenage girl who’s having thoughts about sex, you think something’s wrong with you.”

THE DIARY OF A TEENAGE GIRL wonderfully rejects that path.

DEAL: Early bird tickets to 24 HOUR HOUR PARTY PEOPLE on 8/27 in NoHo are only $5 When Purchased Before Wednesday at Noon

When you have to choose between the truth and the legend, choose the legend.

24 HOUR PARTY PEOPLE stars Steve Coogan as Tony Wilson, co-founder of Factory Records, the label that brought Manchester’s Happy Mondays, Joy Division, and New Order to the world.

Buy your tickets before Wednesday, 8/26 at noon and pay only $5! Full price tickets are $11.

24 HOUR PARTY PEOPLE screens at 7:30PM on 8/27 at the Laemmle NoHo 7 and is part of our THROWBACK THURSDAY series in partnership with Eat|See|Hear.  The Farmer’s Belly Truck will arrive at the theater around 6:30pm. You can bring food from the truck into the theater! Click here to buy tickets.


There’s still time to meet THE OUTRAGEOUS SOPHIE TUCKER


Riveting Brazilian Film THE SECOND MOTHER Opens Next Week

An excitingly fresh take on some classic themes and ideas, THE SECOND MOTHER centers around Val, a hard-working live-in housekeeper in modern day Sao Paulo. Val is perfectly content to take care of every one of her wealthy employers’ needs, from cooking and cleaning to being a surrogate mother to their teenage son, who she has raised since he was a toddler. But when Val’s estranged daughter Jessica suddenly shows up the unspoken but intrinsic class barriers that exist within the home are thrown into disarray. Jessica is smart, confident, and ambitious, and refuses to accept the upstairs/downstairs dynamic, testing relationships and loyalties and forcing everyone to reconsider what family really means.

Variety film critic Geoff Berkshire called THE SECOND MOTHER “immensely endearing” and “a savvy, socially conscious crowdpleaser that occupies a rare middle ground between genteel and intellectual world cinema.” Hollywood Reporter writer Boyd van Hoeij declared “beautifully written and acted with precision, this film’s a winner.” We are extremely pleased to open THE SECOND MOTHER on August 28th at the Royal, September 4th at the Playhouse and Town Center, and September 11th at the Claremont.

ROSENWALD Filmmaker Aviva Kempner in the Forward: “To me, Julius Rosenwald is the best antidote to Donald Trump.”

Aviva Kempner’s Rosenwald, which we open at the Royal, Playhouse and Town Center on August 28th and the Claremont on September 5th, is the incredible story of Julius Rosenwald, who never finished high school but rose to become the president of Sears. Influenced by the writings of the educator Booker T. Washington, this Jewish philanthropist joined forces with African American communities during the Jim Crow South to build over 5,300 schools during the early part of the 20th century. The film sheds light on this silent partner of the pre-Civil Rights Movement. Rosenwald awarded fellowship grants to a who’s who of African American intellectuals and artists including: Marian Anderson, James Baldwin, the father and uncle of civil rights leader Julian Bond, Ralph Bunche, W. E. B. DuBois, Katherine Dunham, Ralph Ellison, Langston Hughes, Zora Neale Hurston, Gordon Parks, Jacob Lawrence and Augusta Savage along with Woody Guthrie. Inspired by the Jewish ideals of tzedakah (charity) and tikkunolam (repairing the world) and a deep concern over racial inequality in America, Julius Rosenwald used his wealth to become one of America’s most effective philanthropists. Because of his modesty, Rosenwald’s philanthropy and social activism are not well known today. He gave away $62 million in his lifetime.

In a Forward article titled “Is Julius Rosenwald Our Greatest Philanthropist,?” Ms. Kempner (The Life and Times of Hank Greenberg, Yoo-Hoo, Mrs. Goldberg) recently spoke about his latest film, saying “to me, Julius Rosenwald is the best antidote to Donald Trump. You see how pompous rich people can be, but Rosenwald is quite the contrary; he is one of the greatest examples for American Jews of tzedakah, tikkun olam , and repairing the world without fanfare — doing it just because he wants to make a difference.”