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Finding Harmony in Wartime: The Choral and the Power of Collective Song

December 16, 2025 by Lamb Laemmle Leave a Comment

In The Choral, writer Alan Bennett and director Nicholas Hytner reunite for a thoughtful period drama that finds grace, humor, and resilience in the unlikeliest of places: a Yorkshire choral society during the First World War. Anchored by a powerful performance from Ralph Fiennes as the enigmatic Dr. Henry Guthrie, the film offers a portrait of a community seeking harmony—at once musical and human—in the face of loss and disruption.

Catch The Choral in theaters beginning December 25th at the Laemmle Royal, with an expansion to other theaters coming in January.

Finding Harmony in Wartime: The Choral and the Power of Collective Song

Set in the fictional mill town of Ramsden in 1916, The Choral explores what happens when music becomes not just performance, but a cherished source of purpose. With most of the town’s men already enlisted on the Western Front, the local choral society finds its ranks dangerously thin. In response, it appoints Dr. Guthrie, a cultured and unconventional choirmaster recently returned from Germany and met with suspicion for his background and aesthetic sensibilities. Tasked with leading the group, he proposes an ambitious performance of Edward Elgar’s The Dream of Gerontius, a spiritually rich oratorio that resonates deeply with a community acutely aware of its own mortality.

Fiennes embodies Guthrie with both gravitas and warmth, portraying a man whose intellect and devotion to music are inseparable from his own private sorrows. Around him, an ensemble cast—featuring Roger Allam as a grieving mill owner and Simon Russell Beale as Elgar himself—creates a tapestry of characters whose collective journey toward mounting a successful choral performance becomes a testament to the restorative power of art and beauty amid wartime disruption.

Finding Harmony in Wartime: The Choral and the Power of Collective Song

Alan Bennett’s screenplay is marked by his characteristic wit and emotional honesty. He balances the weight of loss with sharp dialogue and unexpected moments of levity, inviting audiences into a world where communal bonds are tested by war and yet strengthened by shared purpose. The film doesn’t shy away from the era’s anxieties—patriotism, class divisions, and suspicion of outsiders, etc.—but what emerges is a story less about the battlefield than the home front’s quiet courage.

The Choral may not be a rousing blockbuster in the conventional sense, but it’s precisely its reflective tone and ensemble performances that give it strength. It’s a film about how, in communities fractured by war and uncertainty, coming together in song can become a kind of salvation, a way to honor what was lost and to imagine something like grace.

“An unsentimental but deeply felt drama which subcontracts actual passion to the music of Elgar and leaves us with a heartbeat of wit, poignancy and common sense.” – Peter Bradshaw, The Guardian

“A reminder that life goes on, just like a song, even when it seems like everything should stop in the face of so much horror.” – Kate Erbland, IndieWire

“The film is best when it chafes quietly against our expectations of gentle British comfort viewing…” – Guy Lodge, Variety

Leave a Comment Filed Under: Royal

A Christmas Harmony: Why Song Sung Blue Is the Season’s Perfect Crowd-Pleaser

December 16, 2025 by Lamb Laemmle Leave a Comment

Arriving on Christmas Day, Song Sung Blue is the kind of theatrical experience that feels tailor-made for the holiday season: warm, generous, and powered by the simple pleasure of shared music. Directed by Craig Brewer, the film blends biography, romance, and performance into a story about second chances and the quiet triumphs that come from believing in yourself as well as one another.

Catch Song Sung Blue in theaters beginning Thursday, December 25th at the Laemmle Glendale, Newhall, Town Center, NoHo, and Claremont to see for yourself why it’s Tish Laemmle’s favorite movie of 2025, a fun fact made even funner by this ringing endorsement of both the film and Laemmle Theatres in general made by iconic filmmaker Baz Luhrmann.

Inspired by a true story, Song Sung Blue follows Mike and Claire Sardina, a Wisconsin couple whose dreams of musical success have dimmed with time. When they form a Neil Diamond tribute band called Lightning & Thunder, what began as a modest idea becomes a lifeline. Through local gigs, long drives, and moments of doubt, the couple reconnects not just with audiences, but with the reasons they fell in love with music—and with each other—in the first place.

Hugh Jackman brings warmth, vulnerability, and charm to Mike, a performer learning to reclaim his voice after years of disillusionment. Opposite him, Kate Hudson gives one of her more versatile performances to-date as Claire, infusing the role with optimism, humor, and emotional clarity. Together, they create a portrait of partnership that feels deeply human: messy, supportive, occasionally strained, but ultimately resilient. The supporting cast—highlighted by Michael Imperioli, Fisher Stevens, and Jim Belushi—adds texture and humor to the world surrounding the band.

A Christmas Harmony: Why Song Sung Blue Is the Season’s Perfect Crowd-Pleaser

Music, however, is the film’s connective tissue. Songs like “Sweet Caroline” and “Cherry, Cherry” are woven naturally into the narrative, not as spectacle but as compelling expressions of longing, joy, and perseverance. Brewer’s direction resists gloss in favor of sincerity, allowing the actors’ performances to unfold with intimacy and ease. Rather than chasing the highs of overnight success, Song Sung Blue finds its emotional payoff in the smaller victories: the applause of a local crowd, the harmony between two voices, and the triumph of simply being seen.

As a Christmas theater-going experience, Song Sung Blue hits a rare sweet spot. It’s uplifting without being sentimental, musical without being flashy, and rooted in the belief that it’s never too late to rediscover one’s purpose. Perfect for audiences looking to close out the year with something heartfelt and communal, the film reminds us that joy often arrives not with fireworks, but with a familiar song sung together and at just the right moment.

“A family movie in the best sense of the term, a crowd-pleaser with a ton of heart.” – David Rooney, The Hollywood Reporter

“Let-it-rip acting with the fussiness burned off.” – Owen Gleiberman, Variety

“If the right Diamond song at the right time can turn you into mush, you’re likely to find that Brewer’s film is capable of tugging on the same heartstrings.” – Christian Zilko, IndieWire

Leave a Comment Filed Under: Claremont 5, Glendale, Newhall, NoHo 7, Town Center 5

Laemmle Holiday Gifts: Wear Your Love of Cinema (Literally)

December 10, 2025 by Lamb Laemmle Leave a Comment

As the year winds down and the hunt for the perfect gift ramps up, we’re delighted to remind you that you can always give the joy of movies, the comfort of good merch, and a slice of the Laemmle spirit you can wear, wrap, or swipe at the box office. Whether you’re shopping for a devoted cinephile(s) in your life or simply indulging in a little self-treating (highly encouraged), our 2025 line of Laemmle merchandise and gift cards is here just in time for the holidays.

Laemmle Holiday Gifts: Wear Your Love of Cinema (Literally)

Men’s T-Shirt

If you’re afraid of subtitles, don’t even talk to us about film. If you’re not afraid, you belong both in a Laemmle auditorium and in this shirt! Soft, lightweight, and flattering, this tee is crafted from 100% combed and ring-spun cotton (with some polyester in the Heather colors) and has just the right amount of stretch to be comfortable enough for marathon screenings as well as stylish enough for post-film debates.

Women’s T-Shirt

This just might be the softest, most comfortable women’s tee you’ll ever own! With a relaxed fit, smooth fabric, and multiple cotton-poly blends depending on color, it’s effortless to style: jeans for everyday, a blazer for business casual, anything for the movies. Pre-shrunk, side-seamed, and easy to love.
Black t-shirt with bold text design. Black t-shirt with bold text design.
 

Laemmle Hoodie

When the lights dim, the temperature drops. Our Laemmle hoodie offers warmth, coziness, and a minimalist cinema-kid aesthetic. Made with a 100% cotton face and a 65/35 ring-spun cotton/polyester blend, it features a front pouch pocket, matching drawstrings, a 3-panel hood, and a self-fabric patch on the back. One note: They do run small, so consider ordering one size up! They’re produced on demand to reduce overproduction, so order yours before you need it.
 

Laemmle Hat

Low-profile, unstructured, and endlessly wearable, this hat is made from 100% chino cotton twill with six embroidered eyelets and an adjustable strap with antique buckle. It’s the perfect topping for any outfit, whether your style leans auteur-casual or projection-booth chic. Like our hoodies, it’s produced on demand, which means each one is made just for you.
Laemmle Holiday Gifts: Wear Your Love of Cinema (Literally) Laemmle Holiday Gifts: Wear Your Love of Cinema (Literally)

Laemmle Gift Cards

A classic for a reason. Available from $25 to $100, Laemmle Gift Cards can be used for movie tickets, concessions, merchandise—anything we sell at our theaters or online at Laemmle.com. They’re a splendid present for anyone who loves arthouse cinema, eclectic programming, or the simple magic of the theatergoing experience.

The Premiere Card

If Gift Cards are lovely, the Premiere Card is almost suspiciously generous. Pre-loaded with $100 to spend at any Laemmle location or online, it’s the single best deal in cinema today. Cardholders get $3 off every ticket on all regular programming, 20% off concessions, and one free popcorn every Thursday. Think of it as buying a gift card for yourself—or as giving a friend the keys to the kingdom.

Let us know which items you are interested in! Whether you’re gifting, receiving, or simply treating yourself to a little cinematic flair, Laemmle merch and cards bring the theater experience into daily life. After all, loving movies isn’t just a pastime—It’s a lifestyle. And now, it can be a wardrobe, too.

Happy Holidays!

– Your friends at Laemmle Theatres

store.laemmle.com

#NotAfraidOfSubtitles

Leave a Comment Filed Under: Featured Films, News, Special promotion

Resurrection: Inside Bi Gan’s Cinematic Dreamscape

December 9, 2025 by Lamb Laemmle Leave a Comment

With Resurrection, Bi Gan delivers one of the boldest and most ambitious films of 2025, a hallucinatory odyssey that blurs time, memory, and what it means to be human. Emerging from the festival circuit with notable buzz and a reputation for eliciting polarized reactions, the film asks audiences to surrender to its own shifting realities, promising a unique cinematic experience for those willing to go along for the ride.

Catch Resurrection in theaters beginning December 11th at the Laemmle Royal and December 14th at the Laemmle Glendale, with post-showing Q&As with director Bi Gan following the 7:10 p.m. showing on Saturday the 13th, the 4 p.m. show on the 14th (at the Royal), and both the 1 p.m. and 7 p.m. shows at Glendale on the 14th.

Resurrection: Inside Bi Gan’s Cinematic Dreamscape

In Resurrection, humanity has traded its ability to dream for immortality. Only one man—an enigma known only as the “Fantasmer,” portrayed by Jackson Yee—continues to dream. His journey propels us through various eras of Chinese history, from silent-film-era tableaux to the turbulence of war, from stylized noir to near-futuristic club scenes. Alongside him, Shu Qi plays a figure from the present who becomes entangled in his visions. Together, they traverse an uncertain landscape where dreams and reality collide, and where cinema becomes the medium for resurrection itself.

Bi Gan builds Resurrection as a kaleidoscopic collage rather than following a traditional narrative. Chapters flit by, each done in its own style: gothic horror, dreamlike fantasy, gritty noir, romantic tragedy, and beyond, each new iteration shifting tone, genre, and even logic itself. Ultimately, the film is less a story than a meditation on history, memory, identity, and the cinematic act. Period-specific cinematography, color palettes, and soundscapes dissolve into one another; time feels elastic, uncanny, haunted. The direction suggests that history isn’t linear, but rather layered, fragmented, haunted by what’s remembered as well as what’s repressed.

That boldness has divided viewers. Some hail the film as a triumph, a vividly realized vision of cinema in all its possibilities, and a sensory experience that stretches the imagination. Others find the abstraction disorienting, the emotional core elusive, or the structure too slippery for narrative comfort. Even among its admirers, there’s a clinging sense that Resurrection demands patience—or better yet, submission to its dream logic.

Resurrection: Inside Bi Gan’s Cinematic Dreamscape

Still, for fans of experimental cinema, Resurrection feels like a return to something all-too-rare: an audacious and immersive cinematic odyssey that’s unafraid to wander through memory and myth. It isn’t a film to understand so much as feel, one that continues to resonate long after the credits have faded.

For those willing to take the leap, Resurrection poses a haunting question: What if cinema could resurrect not just images, but forgotten dreams? What if memory and desire, when filtered through light and sound, could transcend time? Resurrection doesn’t supply its own answers, but it does offer something even rarer: a place to dream again.

“A marvelously maximalist movie of opulent ambition.” – Jessica Kiang, Variety

“A time-tripping, genre-jumping paean to the big screen.” – Jordan Mintzer, The Hollywood Reporter

Leave a Comment Filed Under: Filmmaker in Person, Glendale, Royal

Anniversary Classics Presents: Power, Politics, and Passion in Nixon and Doctor Zhivago

December 2, 2025 by Lamb Laemmle Leave a Comment

This holiday season, Laemmle Theatres and the Anniversary Classics Series present two sweeping cinematic epics: Oliver Stone’s Nixon and David Lean’s Doctor Zhivago, the latter celebrating its 60th anniversary. Though separated by three decades and worlds apart in style, these films form a captivating double feature: one a feverish psychological portrait of American power, the other an expansive romantic epic set against the convulsions of revolutionary Russia. Together, they reflect cinema’s enduring ability to illuminate the human stakes behind history’s most turbulent eras.

Get your tickets today to see Nixon on December 21st, featuring an in-person Q&A with director Oliver Stone alongside author Tim Grieving to discuss his new book on legendary composer John Williams, or Doctor Zhivago on December 30th, both playing at the Laemmle Royal.

Anniversary Classics Presents: Power, Politics, and Passion in Nixon and Doctor Zhivago

Oliver Stone’s Nixon (1995) remains one of the filmmaker’s boldest achievements. Rather than approaching Richard Nixon as a political symbol, Stone crafts a bruised, haunted character study of a man who carried childhood wounds into the Oval Office. Anthony Hopkins delivers a mesmerizing performance as Nixon, capturing him in all his yearning, paranoia, cunning, and profound isolation. Then there’s John Williams’ brooding, elegant score, which guest speaker Tim Grieving argues ranks among the composer’s most underrated works. His and Stone’s post-screening conversation promises an illuminating look into the film’s creation, its political resonance, and the musical architecture that gives it shape.

Seen nearly three decades after its release, Nixon feels startlingly contemporary, its themes of secrecy, ambition, partisan rage, and the weight of personal demons on public decision-making continuing to echo. Stone’s approach, blending documentary grit with operatic intensity, constructs not a straightforward biopic but a cautionary American tragedy.

Anniversary Classics Presents: Power, Politics, and Passion in Nixon and Doctor Zhivago

If Nixon examines a presidency from the inside out, Doctor Zhivago (1965) offers a radically different but equally powerful meditation on individuals swept into history’s path. Even sixty years after its making, David Lean’s adaptation of Boris Pasternak’s Nobel Prize–winning novel remains one of cinema’s most beloved epics: a story of love, revolution, and moral endurance set during Russia’s collapse into modernity. Omar Sharif gives one of his finest performances as Yuri Zhivago, a poet and physician who is forced to navigate the conflicting directives of loyalty, passion, and survival, while Julie Christie’s luminous turn as Lara elevates the film into mythic territory.

Lean’s filmmaking—full of painterly compositions, sweeping landscapes, and meticulous craftsmanship—creates a world that feels both intimate and vast. The film’s visual grandeur is matched by Maurice Jarre’s iconic score, whose themes have become synonymous with cinematic romance. Yet for all its beauty, Doctor Zhivago is fundamentally a story about how political upheaval reshapes the contours of private life, and how love endures even as the world fractures.

Screened across consecutive weekends at the Laemmle Royal, these Anniversary Classics invite audiences to rediscover the emotional, historical, and artistic power of these two landmark films. Whether exploring the shadows of American politics or the passions of a Russia in revolt, Nixon and Doctor Zhivago remind us why great cinema remains one of the profoundest tools we have for understanding both our past and our present.

Leave a Comment Filed Under: Anniversary Classics, Featured Films, Filmmaker in Person, Royal

La Grazia: Sorrentino’s Quiet Reckoning with Power and Conscience

December 2, 2025 by Lamb Laemmle Leave a Comment

This winter, Paolo Sorrentino returns with a film that trades some of his usual baroque excesses for a more pared-back, reflective tone. La Grazia, which opened the 82nd Venice International Film Festival, follows Mariano De Santis, an aging Italian president played by Toni Servillo, as he confronts a cluster of moral dilemmas in what increasingly feels like the final stretch of his public life. The film is less about political theater, however, than about the interior weather of a man whose decisions will echo far beyond his lifetime.

Catch La Grazia in theaters beginning December 12th at the Laemmle Royal and Glendale.

La Grazia: Sorrentino’s Quiet Reckoning with Power and Conscience

Servillo gives a performance that folds restraint into thunder. He embodies a figure who has been both admired and mocked, nicknamed “reinforced concrete” for his resolute public persona, yet now hesitates in private. Mariano must weigh whether to sign a bill legalizing euthanasia, he must decide on clemency petitions for men convicted of killing their partners, and he wrestles with a decades-old suspicion about his late wife’s fidelity. These are not simple plot devices but moral fulcrums that expose what power leaves behind in the chambers of the self.

Sorrentino’s camerawork here is unusually intimate. Where his earlier films luxuriated in spectacle, La Grazia presents more subtly. At times, the director allows a whisper of the surreal—a gaggle of policemen humoring a president’s joke, a rain-soaked banquet that slips into the uncanny—but mostly he leans into silence and the slow erosion of certainty. The result is a meditation on conscience rather than a polemic about institutions.

What makes La Grazia especially compelling is how it links public choices to private loss. Mariano’s deliberations are haunted by grief and a stubborn loyalty to principle; the final refuge of a man who has spent a lifetime making hard judgments and is forced, at the end, to reckon with the consequences.

La Grazia: Sorrentino’s Quiet Reckoning with Power and Conscience

In the end, La Grazia is neither an easy dismissal of political life nor a blind exaltation of following one’s conscience. It is, instead, a film that asks what grace looks like when measured against law, tradition, and love. Sorrentino frames no tidy answers; he simply enlarges the questions, and in so doing paints a picture of an office whose decisions are at once juridical and profoundly human.

For viewers who appreciate films that interrogate the emotional cost of leadership, Sorrentino’s latest is a modest but resonant triumph: a film that listens, and then lingers in the mind.

“Paolo Sorrentino has rediscovered his voice, his wan humour and his flair for the surreal… a welcome reassertion of his natural style.” – Peter Bradshaw, The Guardian

“The beauty of the script is the way the turbulent thoughts of De Santis’ past… feed into his most important final responsibilities and his state of mind as he steps away from his seat of power.” – David Rooney, The Hollywood Reporter

Leave a Comment Filed Under: Glendale, Royal

Laemmle Sells Claremont 5: Official Annoucement

December 1, 2025 by Lamb Laemmle Leave a Comment

To the loyal patrons of the Claremont 5:

It is with a sense of reflective pride that we announce the sale of the Laemmle Claremont property to a new owner. Proud of all the wonderful independent, and award-winning films that we have brought to The City of Trees and PhDs since our opening in 2007. And proud to report that the new owner intends to continue operating a movie theater at this location, marking the beginning of an exciting new chapter for this venue.

“Of all the possible outcomes, we feel that this is truly the best option for Laemmle, the new owner, and the community,” according to Laemmle President Greg Laemmle. “It’s an overused term, but in this case, this really is a win-win situation.”

Laemmle Theatres will continue to operate the theatre post-sale.  A handover will happen toward the end of January. But until then, it is business as usual.

Patrons can continue to use Premiere Card balances, gift certificates and Frequent Moviegoer Vouchers to see year end releases like WICKED: FOR GOOD, ZOOTOPIA 2, HAMNET, ETERNITY, SONG SUNG BLUE and MARTY SUPREME at the theater.  And don’t forget, you’ll have one last chance to attend our popular Christmas Eve sing-along presentation of FIDDLER ON THE ROOF.
“Thank you to the Claremont community for 18 years of patronage.  It is sad to say goodbye, but we truly believe that we are leaving you in good hands,” said Greg Laemmle in closing.

Laemmle Sells Claremont 5: Official Annoucement

Groundbreaking ceremony: August 4th, 2005

From left to right: Jon Tolkin, the Manager of Claremont Village Expansion and Claremont Village Inn – Jay Reisbaum (VP of Laemmle Theatres) – Bob Laemmle (owner) – Bob Laemmle loved driving out to check on the progress of construction so that he could visit the Some Crust Bakery on Yale Ave

Leave a Comment Filed Under: Claremont 5, Greg Laemmle, Moviegoing, News, Press

A World Erased: Shttl Opens at Laemmle

November 25, 2025 by Lamb Laemmle Leave a Comment

This week, we’re proud to welcome Shttl (2022) to the big screen—a breathtaking, audacious film that rebuilds a vanished Yiddish-speaking village with a level of authenticity and emotional power that few works of historical cinema can match. Written and directed by Ady Walter, Shttl takes place entirely on June 21, 1941, just one day before the commencement of Operation Barbarossa, wherein Nazi Germany invaded the Soviet Union. What follows feels less like a fast-unfolding tragedy than a prayer, a time capsule, and an elegy rolled into one.

Catch Shttl in its Los Angeles theatrical debut beginning Friday, November 28th at the Laemmle Royal and Town Center. Tickets on sale now.

A World Erased: Shttl Opens at Laemmle

The film’s craftsmanship is nothing short of bold. The dialogue is spoken entirely in Yiddish, a deliberate choice by Walter, who refused to shortcut historical fidelity. With a commitment to authenticity that extends beyond the soundtrack, Walter and his team built a full-scale shtetl set, complete with homes, a synagogue, and winding paths. The effect is immersive, culminating in the kind of reconstruction that feels less like a museum than a living, restless community.

At the center of Shttl is Mendele, played by Moshe Lobel, an aspiring filmmaker who returns to his shtetl from Kyiv to pursue his former sweetheart and confront the world he left behind. His blend of idealism, hurt, and fierce longing gives the film its emotional heart. Meanwhile, veteran actor Saul Rubinek, fluent in Yiddish, plays the local rabbi with gravitas and humanity, embodying the moral complexity of a man steeped in tradition yet unflinchingly cognizant that his world may not survive the present era.

A World Erased: Shttl Opens at Laemmle

Walter’s film doesn’t shy away from the specter of disaster. As the day progresses, a sense of dread gradually builds—not with explosions, but with intimate tension, whispered fears, and the weight of unmet obligations. Yet even as catastrophe looms, Shttl finds beauty in its quietest moments: a mother’s blessing, children playing, a philosophical debate about faith and modernity. It’s a meditation on loss, but also on connection, and how people come together to sustain their humanity even when everything they know could vanish overnight.

For audiences drawn to films that balance historical gravity with human warmth, Shttl is a rare and deeply affecting experience. It’s a tribute to a lost way of life, a mournful love letter, and a bold reminder that what we reconstruct on screen carries the power to resurrect more than just buildings—It can resurrect memory.

“A keenly observed, deeply cathartic movie… the kind of film most filmmakers dream their entire lives of making.” – Barry Levitt, SlashFilm

“Like being dropped out of a time machine into a vanished world.” – Alan Zeitlin, Unpacked Media

Leave a Comment Filed Under: Royal, Town Center 5

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☘️ WEAR GREEN ☘️ $AVE GREEN ☘️ $2 OFF your concess ☘️ WEAR GREEN ☘️ $AVE GREEN ☘️ $2 OFF your concessions order!

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For the 21st consecutive year, Laemmle will be scr For the 21st consecutive year, Laemmle will be screening the Oscar-Nominated Short Films, opening on Feb. 20th. Showcasing the best short films from around the world, the 2026 Oscar®-Nominated Shorts includes three feature-length programs, one for each Academy Award® Short Film category: Animated, Documentary and Live Action.

ANIMATED SHORTS: (Estimated Running Time: 83 mins)
The Three Sisters
Forevergreen
The Girl Who Cried Pearls
Butterfly
Retirement Plan
 
LIVE ACTION SHORTS (Estimated Running Time: 119 minutes)
The Singers
A Friend Of Dorothy
Butcher’s Stain
Two People Exchanging Saliva
Jane Austin’s Period Drama

DOCUMENTARY SHORTS (Estimated Running Time: 158 minutes)
Perfectly A Strangeness
The Devil Is Busy
Armed Only With A Camera: The Life And Death Of Brent Renaud
All The  Empty Rooms
Children No More: “Were And Are Gone”

Please note that some films may not be appropriate for audiences under the age of 14 due to gun violence, shootings, language and animated nudity.
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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
Follow LAEMMLE on INSTAGRAM: http://bit.ly/3y2j1cp
Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
Follow LAEMMLE on INSTAGRAM: http://bit.ly/3y2j1cp
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An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

Leaving Laemmle: A Goodbye from Jordan