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A.K.A. DOC POMUS Q and A’s this Weekend at the Music Hall with Doc’s Daughter

October 16, 2013 by Lamb Laemmle

A.K.A. DOC POMUS co-producer (and Doc’s daughter) Sharyn Felder will participate in Q&A’s after the 5 PM screenings at the Music Hall on Friday and Saturday, October 18 and 19.

http://vimeo.com/69767201

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Filed Under: Music Hall 3, Q&A's

GOD LOVES UGANDA Director on MSNBC: “Meet Roger Ross Williams, exposing America’s exported intolerance” + Q and A’s at the Royal

October 15, 2013 by Lamb Laemmle

For hundreds of years, Africans suffered terribly from European colonialism and are, of course, still dealing with the consequences. So it is deeply troubling to learn from the documentary GOD LOVES UGANDA that some U.S. citizens — religious zealots — are perpetuating that tragic legacy with missionary work that leads to violent homophobia. The Oscar-winning filmmaker Roger Ross Williams was recently interviewed on MSNBC to talk about his important new movie. You can also meet him at the Royal this weekend. Here is the Q&A schedule:

Friday // 530pm – Q&A with director Roger Ross Williams and special guest, Los Angeles World Affairs Council President Terry McCarthy

Friday // 750pm – Q&A with director Roger Ross Williams

Saturday // 310pm       – Q&A with director Roger Ross Williams and special guest

Saturday // 530pm – Q&A with director Roger Ross Williams and special guest Chris Freeman, ONE Archives

Saturday // 750pm       Q&A with director Roger Ross Williams and special guest  Samantha Curley, founder and executive co-director of Level Ground

 

Roger Ross Williams

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Filed Under: Around Town, Q&A's, Royal

THE PAW PROJECT Q and A’s this weekend at the Playhouse and Monica 4

October 15, 2013 by Lamb Laemmle

THE PAW PROJECT Q&A schedule:

SANTA MONICA – 
Saturday – 11:20 Meet the filmmaker Dr. Jennifer Conrad
Sunday – 11:20 Meet the filmmaker Dr. Jennifer Conrad

with special guests: Aragon the Cat (AKA Lord Tubbington from GLEE) and Randall The Honey Badger guy
PASADENA:
Friday – 3:20 PM  Meet the filmmaker Dr. Jennifer Conrad
Sunday – 3:20 PM  Meet the filmmaker Dr. Jennifer Conrad

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Filed Under: Films, Playhouse 7, Q&A's, Santa Monica

FIGHTING FOR FREEDOM Q and A’s at the NoHo on Friday

October 15, 2013 by Lamb Laemmle

FIGHTING FOR FREEDOM director Farah Mann, stars Kristanna Loken and Patricia De Leon and co-screenwriter Chris Loken will participate in a Q&A after the 7:50 screening at the NoHo on Friday, October 18.

http://www.youtube.com/watch?v=LebMHHmBH8s&feature=youtu.be

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Filed Under: Films, NoHo 7, Q&A's

AMERICAN PROMISE Filmmakers at Music Hall and Playhouse for Q and A’s

October 15, 2013 by Lamb Laemmle

AMERICAN PROMISE filmmakers Joe Brewster and Michele Stephenson will participate in Q&A’s on the following schedule:

FRIDAY , 10/25
  • MUSIC HALL/BEVERLY HILLS – after the 4:30 and 8:00 PM screenings;
SATURDAY, 10/26
  • MUSIC HALL/BEVERLY HILLS – after the 1 and after 4:30 PM screenings;
  • PLAYHOUSE 7/PASADENA- after the 7 PM screening (with their son Idris);
SUNDAY, 10/27
  • MUSIC HALL/BEVERLY HILLS – after 1 the PM screening.

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Filed Under: Featured Films, Music Hall 3, Playhouse 7, Q&A's

BLOOD BROTHER Q and A’s Opening Weekend at the Royal

October 11, 2013 by Lamb Laemmle

BLOOD BROTHER director Steve Hoover will participate in Q&A’s opening weekend at the Royal: after the 5:30 and 7:50 shows on Friday and Saturday, October 25th and 26th; and after the 3:15 show on Sunday the 27th.

http://www.vimeo.com/34800252

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Filed Under: Films, Q&A's, Royal

L.A. Times Editorial: “Sharing the Road: Can L.A. be a cyclist’s town?”

October 10, 2013 by Lamb Laemmle

From the September 27 L.A. Times editorial page:

Is biking a major shift in the city’s lifestyle, or are the commutes too long and the roads too dangerous?

By The Times editorial board

Colorado Boulevard is going on a diet. The section of the six-lane street that runs through Eagle Rock has begun a serious reducing regimen, with city transportation workers removing one motor vehicle lane in either direction, adding a landscaped median, improving crosswalks and re-striping the street for bike lanes.

Other parts of Los Angeles, from Porter Ranch to Venice to South L.A., have already been put on similar “road diets,” and other slimming programs in every part of the city are slated for the near future. The same thing is happening up and down California – in fact, across the nation – as cities reallocate their asphalt to accommodate and encourage cyclists. Up until now cycling on these roads has been very dangerous and cyclists have had to memorise la traffic times in order to avoid potential collisions. However, will these slimmer roads now cause problems for cars instead?

In many cases, the changes make cars move more slowly, and not by accident. It is the culmination of decades’ worth of re-envisioning public space and re-imagining the use of public money.

Still, the new street thinking – road diets, bike lanes, bike trains (companion bike commuters), bike libraries (check out a bike, ride to your destination and check your bike in), CicLAvia – strikes many Angelenos as shockingly new and subversive in a city that just four years ago was still arguing over how best to turn parking lanes into commuter traffic lanes and which streets – Pico? Olympic? – should be remade as virtual freeways by adding as many lanes as could fit to get as many motorists from the Westside to downtown and back again as quickly and seamlessly as possible.

Even as the Orange Line whisked riders across the Valley, there remained talk of packing in more cars on other boulevards. Sherman Way, for example. Victory Boulevard. And even as most big cities have stopped building freeways, car-dependent – car-crazy? – Los Angeles is still grappling with the possible extension of the 710 through Alhambra, South Pasadena and perhaps Northeast L.A. on its way to Pasadena and the 210. More cars on more streets feeding to more freeways.

After all, isn’t that what streets are for? Aren’t they paved for cars, signed and signaled for drivers, paid for by motoring taxpayers? Aren’t we built around drive-ins, drive-throughs, drop-offs? That’s what Los Angeles has grown up to believe. The distances are so great, the hills are so steep, the commutes are so long. Road diets notwithstanding, there are so many cars, driving so fast and hogging space, leaving little margin for error for cyclists. Accidents involving cars are not uncommon and can often result in the victim sustaining a significant injury, whether a pedestrian, cyclist or another driver. Those involved in such an incident may want to see about filing car accidents claims in Baltimore or wherever they live.

Can L.A. ever be a biker’s town?

It’s a question not just for the growing number of cyclists who commute to work and back on L.A. streets, or for the drivers who pass them (and are passed by them, at least during rush hour). It’s a question that touches on the expenditure of tax money, the crafting of transportation and planning policy, the best and broadest use of city streets, Los Angeles’ very identity – its inner psyche – and the shape of its future.

If we moved so quickly from a speed-the-traffic orientation to a just-slow-down approach, how sure can we be that we won’t just switch back in another year or two? Is cycling a major shift in L.A.’s urban lifestyle, analogous to the resurgence of downtowns and the reversal of the commuter flow between the dense urban core and the single-family suburbs? Or is it a passing fancy, with barely more staying power than the Segway, or the formerly green bike lane that marked several blocks of downtown’s Spring Street before the paint was stripped off this month? How could we, as one City Council candidate asked in the recent campaign, devote so much time, money, attention and road space to a cycling population that accounts for less than 4% of the city’s street users? Or, as other candidates asked, how could we not – given the city’s younger population, its demand for faster commutes, its insistence that not every traffic dollar go to making the streets more car-oriented?

How well does city government have its eyes on the road? As we create more bike lanes, for example, is there a commitment to step up citations of drivers who veer into them? Or of cyclists who ignore stop signs? What in the world is a “sharrow,” and why does the symbol look so similar to the one that marks bike lanes? Have cyclist fatalities increased along with the number of bikes, and what should we be doing about that? Can we make riders, walkers and drivers all safer? And all get along? Can we make the road diet into more of a road buffet? Can we find a way that reduces the number of accidents resulting in the need for a personal injury attorney?

These questions are raised in conversations that bike groups, city officials and state lawmakers, motorist organizations and others have been having among themselves for years, but it is past time to mainstream that discussion, to share the ideas, critiques and complaints with the broader community. It can be dangerous to cycle on some busier streets, with regular car accidents being reported in the news. If you, unfortunately, find yourself in one of these accidents, knowing how much accident damages are worth for both the car and the bicycle might be something you’ll need to look at.

The discussion necessarily is an intimate part of, and not separate from, the debate over whether to sell bonds to repair and repave streets, or whether drivers should be ticketed for parking at broken meters, or who should pay to fix the city’s broken and dangerous sidewalks.

The Times’ editorial page is pro-bike. We have noted repeatedly and with approval that cycling reduces traffic, cuts fossil fuel use and pollution and improves the health of those who do it; in fact, it’s beneficial in so many ways that cities, especially those such as Los Angeles that are beset by automotive-related problems, should go to great lengths to encourage it. But we intend to consider in greater depth the particular policy issues that arise from greater bike use. We seek a dialogue with cyclists, drivers, pedestrians, taxpayers and others about where we’re going collectively. And on how many wheels. Follow the conversation, and join in, at latimes.com/roadshare and #roadshareLA.

A cyclist rides past the Santa Monica Bike Center on Colorado Blvd. in Santa Monica. (Genaro Molina / Los Angeles Times / September 29, 2013)

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Filed Under: Around Town

ESCAPE FROM TOMORROW Q and A’s this Weekend at the Playhouse

October 10, 2013 by Lamb Laemmle

ESCAPE FROM TOMORROW actors Roy Abramsohn, Elena Schuber and Katelynn Rodriguez will participate in a Q&A at the Playhouse after the 5:30 screening on Saturday, October 12.

http://www.youtube.com/watch?v=66xbaiDwGj4

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Filed Under: Films, Playhouse 7, Q&A's

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An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

Leaving Laemmle: A Goodbye from Jordan

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Part of the #WorldwideWednesday Series! 🎟️ la Part of the #WorldwideWednesday Series! 🎟️ laemmle.com/ww
#ThePropagandist
Drawing on previously unpublished interviews, journals, family footage and propaganda films, THE PROPAGANDIST tracks the rise and fall of the Dutch filmmaker Jan Teunissen, who lived from 1898 to 1975.
❗FREE SNEAK PREVIEW SCREENING of MODI TONIGHT! ❗FREE SNEAK PREVIEW SCREENING of MODI TONIGHT!
 
👇 RSVP Instructions Below
🎟️ NOHO (North Hollywood) TONIGHT at 7:15pm 

Johnny Depp directs this depiction of a seventy-two-hour whirlwind in the life of bohemian artist Amedeo Modigliani (Riccardo Scamarcio). Al Pacino is the art collector who may change his life forever.
 
RSVP Instructions 
📆 TONIGHT at 7:15pm 
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#JuDou
Forbidden passion ignites in rural China! 🔥 A young bride, a cruel husband, and a forbidden love that births a dangerous secret. Witness the explosive drama of Ju Dou, a visually stunning masterpiece. #ForbiddenLove #ChineseCinema #ZhangYimou #GongLi
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#ChainsawsWereSinging

Monty Python meets Texas Chainsaw Massacre meets... Les Misérables.

Chainsaws Were Singing is an absolutely bonkers action-horror-musical-comedy B-movie epic from Estonia. Shot guerilla style in 2013, this true love letter to crowd-pleasing exploitation cinema then spent a modest 10 years in post-production and is finally out in 2024.

Due to some rude language and over-the-top comedic violence, it is probably not suitable for children under 2.
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Laemmle Theatres

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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
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