James Gray, writer-director of THE IMMIGRANT, will participate in a Q&A after the 7 PM screening at the Royal on Friday, May 23.
http://www.youtube.com/watch?v=eeXtjrHLbTc

James Gray, writer-director of THE IMMIGRANT, will participate in a Q&A after the 7 PM screening at the Royal on Friday, May 23.
http://www.youtube.com/watch?v=eeXtjrHLbTc


It’s nearly time for Last Remaining Seats, the always-compelling series of film classics presented by the L.A. CONSERVANCY in our city’s grand, vintage movie palaces. The program opens this year on June 11, 2014, 8pm with the iconic comedy THE LADY EVE (1941, Preston Sturges) at the downtown LOS ANGELES THEATRE. What’s more, the evening will be hosted by our own GREG LAEMMLE who will be in conversation with PRESTON STURGES JR. and TOM STURGES, sons of the legendary director. It promises to be a captivating evening and we invite you to join in our support of the L.A. Conservancy by attending. If you haven’t been to the lavish LOS ANGELES THEATRE on Broadway, you are sure to be astonished.
Tickets for this event and other screenings are available through the L.A. CONSERVANCY who produces the series as a way to highlight the treasure trove of beautiful and historically significant theaters that remain in our city. In addition to the Los Angeles Theatre, this year’s line up includes the PALACE THEATRE (The Great Madcap), ORPHEUM THEATRE (Citizen Kane, Footlight Parade), the THEATRE AT ACE HOTEL (Back to the Future), and the DOROTHY CHANDLER PAVILION (West Side Story).
Tickets are pre-sold to Conservancy members, but are now also available to the general public. Seating is limited, however, so you must act quickly. We’ve already learned that one of the screenings has been sold out. GO HERE for more program and ticketing info.
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Program notes from the Conservancy:
The Los Angeles Conservancy has assembled an esteemed slate of special guests for its twenty-eighth season of Last Remaining Seats. This annual series presents classic films as they were meant to be seen: on the big screen, in a beautiful historic theatre, surrounded by fellow fans. Each event in the series is full of extras, including live entertainment, special guests, cartoons, and more. What began in 1987 as a way to draw attention to Los Angeles’ historic theatres is now a summer tradition, drawing thousands of people from the region, the nation, and outside the U.S.
While subject to change, the special guests and live entertainment for 2014 are outlined below.
The season kicks off June 11 with a screening of The Lady Eve at the Los Angeles Theatre. Evening host for opening night is Greg Laemmle, president of Laemmle Theatres. Laemmle will interview Preston Sturges, Jr. and Tom Sturges, sons of Preston Sturges, who wrote and directed the acclaimed 1941 comedy.
On June 14, West Side Story at The Music Center’s Dorothy Chandler Pavilion will feature one of the film’s stars, George Chakiris, in conversation with dance critic Debra Levine. Chakiris won an Academy Award® for his performance as Bernardo, leader of the Sharks, in this classic 1961 musical.
Guests at 1933’s Footlight Parade at the Orpheum Theatre on June 18 will enjoy two live performances. Robert Salisbury will perform on the theatre’s 1928 Mighty Wurlitzer organ, followed by Maxwell DeMille Presents “The Lullaby of Broadway:” A Tribute to the 1930s Movie Music of Harry Warren and Al Dubin, with Dean Mora and his Orchestra.
Renowned film critic and historian Leonard Maltin will host the sold-old evening screening of Back to the Future at The Theatre at Ace Hotel on June 21. Maltin will interview cast members Lea Thompson, Claudia Wells, and Don Fullilove. A DeLorean Time Machine will make a special appearance at both the matinee and evening screenings.
Co-presented with the Latin American Cinemateca of Los Angeles, the screening of Luis Buñuel’s El gran calavera (The Great Madcap) on June 25 will be hosted by Oscar Arce, director of the Luis Buñuel Film Institute. Arce will appear on stage before the film with special guest Pablo Ferro, award-winning film title designer.
The season ends June 28 with two screenings of Citizen Kane at the Orpheum Theatre. Both screenings will be preceded by a live performance by Tony Wilson on the Mighty Wurlitzer organ. The matinee will be hosted by author and film historian Alan K. Rode, with the evening screening hosted by Ben Mankiewicz, weekend daytime host of Turner Classic Movies and the grandson of the film’s co-writer with Orson Welles, Herman J. Mankiewicz.
Details and tickets are available at laconservancy.org.
Tickets cost $16 for L.A. Conservancy members and $20 for the general public.
Dan Geller and Dayna Goldfine, the co-directors of THE GALAPAGOS AFFAIR, will participate in Q&A’s after the 7 PM screenings and introduce the 9:55 PM screenings at the Royal on Friday and Saturday, April 18 and 19.

We are very pleased to welcome AFTERNOON OF A FAUN director Nancy Biurski, who will participate in a Q&A after the 7:50 PM screening at the Royal on Friday, April 11.
Pierre Dulaine, the internationally renowned ballroom dancer featured in DANCING IN JAFFA, along with the film’s executive producer Nigel Lythgoe and producer Diane Nabatoff, will participate in a Q&A after the 7:45 PM screening at the Royal on Friday, April 18. Renae Williams will moderate.
Mr. Dulaine and Ms. Nabatoff will participate in a Q&A after the 3:15 PM screening at the Royal on Saturday, April 19. Jeri Gaile will moderate.
A Q&A is also planned for the 7:45 PM screening on Saturday, April 19, again with Mr. Dulaine and Ms. Nabatoff as well as producer La Toya Jackson. The moderator is Madelyn Hammond.
Looking for an easy way to support sustainability, active transportation, and environmental causes? Buy one of our new tasty treats the next time you’re at Laemmle and we will donate a portion of sales to Climate Ride! One dollar of every Kind Bar, $2 of any O.N.E. Coconut Water, and $3 of all Climate Ride Combo purchases will go to help the environment. The combo includes a Small popcorn, one Kind Bar, and a Coconut Water.

This short video featuring company president Greg Laemmle will run before each film we screen to help raise awareness. Watch it here first and enjoy an exclusive outtake not in theaters:
Climate Ride Wine Country 2014 is a fully-supported, four-day group ride covering 250 miles of stellar Northern California scenery starting in San Francisco and winding through the famous wine growing regions of Napa Valley and the Russian River Valley. It culminates at the iconic state capitol building in Sacramento. Interested in doing more for Climate Ride? You can support the winners of our Climate Ride contest or register to participate in the ride yourself! Special thanks to our partners at Kind, O.N.E. Coconut Water, Climate Ride, and the Laemmle Charitable Foundation.
Check out this short video essay about the Oscar nominee for Best Foreign Film, THE MISSING PICTURE. The writer essentially made a “handmade” thank you letter to the filmmaker, Rithy Panh, that gives one a good idea of what a powerful, unique movie this is.
http://www.youtube.com/watch?v=Hn4hUsM6OTs
We’re proud to open the “enthralling and revealing” documentary ANITA, about feminist heroine Anita Hill, this Friday at the Royal, Playhouse and Town Center. (Click here for details about Q&A’s with the filmmaker.) The L.A. Times published a piece about the film on Sunday which will give you an idea of how much more there is to Ms. Hill’s story:
THE TAKEAWAY
Anita Hills’s still standing 22 years later
The law professor who testified that Supreme court nominee Clarence Thomas had sexually harassed her in the subject of a new documentary.
By Robin Abcarian
March 16, 2014
The new documentary about Anita Hill opens with a close-up of a telephone and a bizarre voice mail message:
“Good morning, Anita Hill. It’s Ginni Thomas, and I just wanted to reach across the air waves, and the years and ask you to consider something. I would love you to consider an apology sometime, and some full explanation of why you did what you did with my husband. So give it some thought, I certainly pray about this and hope one day you will help us understand why you did what you did. OK! Have a good day.”
That obnoxious request, left on Hill’s office voice mail in October 2010, is the last we hear from Ginni Thomas in “Anita: Speaking Truth to Power” by Oscar-winning director Freida Mock. The film, which opened in Los Angeles and New York on Friday, is a perfect jumping-off point for Hill’s story, as it so perfectly distills the right-wing’s fervent desire to rewrite the history of the Clarence Thomas Supreme Court hearings.
It’s been more than 22 years since the Senate Judiciary Committee heard a soft-spoken 35-year-old University of Oklahoma law professor recount graphic instances of sexual harassment at the hands of her former boss. Despite Ginni Thomas’ prayers, Hill has never backed down from her allegations.
Why would she, since she was so obviously telling the truth?
The documentary is an unabashed love letter to Hill, guaranteed to open old wounds. It examines Hill’s life in the aftermath of a spotlight she did not seek, and the positive legacy of her testimony.
At 57, Hill seems serene and happy. She teaches law at Brandeis University and is in a long-term relationship with a restaurateur named Chuck Malone, who seems crazy about her.
It’s painful to be dragged back into the past via old clips as senators try to embarrass Hill by forcing her to repeat porn names like “Long Dong Silver,” descriptions of pubic hair on Coke cans and discussions of penis size that she says she was forced to endure as Thomas’ employee at the Equal Employment Opportunity Commission.
At a long table by herself, in a blue turquoise suit, she sits calmly, without erupting or crying. When pressed about why she hadn’t come forward sooner, she seems as perplexed as some of the senators. But 20 years ago, that wasn’t exactly unusual behavior for women whose bosses made unwanted sexual advances. It still isn’t. Hiring a sexual harassment attorney is now one of the best paths to take, whereas all those years ago it wasn’t seen as normal, because it was swept under the rug as much as possible to protect the ‘reputations’ of these harassers.
No question, what the Senate hearings unleashed was dreadful for Hill (and certainly it was no picnic for Clarence Thomas, either). But it was also a watershed moment in American politics. American women looked at how the Senate treated Hill and said: This is not right.
The all-male Senate Judiciary Committee, chaired by then-Sen. Joe Biden, grilled her, impugned her honesty and forced her to repeat the most graphic insults.
“They were humiliating her by making her go over these things again and again and again,” said New Yorker reporter Jane Mayer, who appears in the film along with Jill Abramson, now the New York Times executive editor, with whom she wrote the 1994 book “Strange Justice.” (The book will leave you with no doubts about Thomas’ proclivities.)
Hill was hung out to dry by the committee’s Democrats, who really did not want to have a conversation about a black Supreme Court nominee and leader of the EEOC allegedly sexually harassing an employee. (Sen. Edward M. Kennedy, the documentary points out, was so compromised that he was played in a”Saturday Night Live” skit about the hearings by an actor with a bag over his head.)
And she was brutalized by the committee’s Republicans. The documentary shows a clip of Alan Simpson of Wyoming saying he’d gotten letters, phone calls and faxes warning him to “watch out for this woman” about “this sexual harassment crap.”
I’m glad that Mock included the powerful clip of Thomas responding to Hill’s accusations, his only meaningful appearance in the film. It is a tour de force of indignation as he tells senators he is the victim of a “high-tech lynching for uppity blacks.”
That phrase still resonates today for John Carr, an African American attorney and friend of Hill’s who testified on her behalf in the Senate. “I hate the term ‘race card,'” Carr says now. “But that’s what he did.”
Charles Ogletree, a Harvard University law professor who stepped forward to support Hill when he saw that no other high-profile black men had, also took exception to Thomas’ phrase.
“They didn’t say, ‘Hey, wait a minute. What about the legal lynching of a black woman?” Ogletree says. “They didn’t want to be appearing to go after a black man who said ‘I didn’t do it.’ And for them, the case was closed.”
A few days after Hill testified, Thomas was confirmed by the Senate, 52 to 48.
Without a trace of rancor, Hill says that when she returned to Oklahoma afterward, “Republicans tried to get the school to fire me, even though I was tenured. My dean – they tried to get him fired. They tried to close the law school. I was threatened with just about everything – death, sexual violence.”
Click here to read the rest of the piece at the L.A. Times website.
