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Home » Theater Buzz » Page 15

A HARD DAY’S NIGHT 60th Anniversary Screening June 25 with pop music expert Domenic Priore.

June 19, 2024 by Jordan Deglise Moore

Laemmle Theatres and the Anniversary Classics Series present the 60th anniversary of A HARD DAY’S NIGHT (1964). Starring the Beatles at the height of Beatlemania, we’ll screen this rock ‘n’ roll movie classic on Tuesday, June 25, 7:30 PM at the historic Royal theatre in West Los Angeles. Directed by Richard Lester from an Oscar-nominated original screenplay by Alun Owen, the milestone film was also aptly nominated for musical scoring. (George Martin lost to Andre Previn for My Fair Lady.)

After the Beatles exploded onto the global stage by early 1964, the British pop group (John Lennon, Paul McCartney, George Harrison, Ringo Starr) conquered the American pop music charts with record-breaking domination, and their appearance on the “Ed Sullivan Show” on American television in February that year cemented their phenomenal popularity. A movie starring the quartet was then put into production in England, planned for a summer release. The finished film, A HARD DAY’S NIGHT, portrays 36 hours in the life of the group as they prepare for a televised variety show concert. Director Richard Lester utilizes several techniques in a semi-documentary style, reinforced by Gilbert Taylor’s black-and-white cinematography, all on dazzling display in the high energy musical comedy.

Lester’s approach was fully embraced by film critic Andrew Sarris, who wrote in the Village Voice, “A HARD DAY’S NIGHT (is)… the Citizen Kane of jukebox musicals, the brilliant crystallization of such diverse cultural particles as pop music, rock ‘n’ roll, cinema-verite, the nouvelle vague, free cinema, and studied spontaneity.” Roger Ebert was equally impressed, citing it as “one of the great life-affirming landmarks of the movies.” Bosley Crowther of the New York Times, one of the powerful tastemakers of the era, also raved, calling it “a whale of a comedy…a wonderfully lively and altogether good-natured spoof of the juvenile madness called Beatlemania.” Comparing the Beatles’ clowning to the Marx Brothers, Crowther enthusiastically endorsed the movie as “rollicking, madcap fun.”

The film was highly influential, spawning numerous imitators including the pop group the Monkees‘ television series later in the decade, and the advent of music videos in the 1980s. Lester went onto a long career, helming the second Beatles’ film Help, The Knack, A Funny Thing Happened on the Way to the Forum, Petulia, and The Three (and Four) Musketeers among others. The Beatles, of course, became the most influential and innovative pop musicians of the twentieth century, achieving that lofty status in a single decade, the 1960s, before going their separate ways. A HARD DAY’S NIGHT showcases their dynamic music early in their careers, and, as pointed out by TV Guide, “ the strength of their songcraft is stirring.”

Our guest Domenic Priore is an author, pop music historian, and pop culture commentator. He has contributed to several books and is the co-author of “Riot on Sunset Strip: Rock ‘n’ Roll’s Last Stand in Hollywood.”

A HARD DAY’S NIGHT plays one night only Tuesday, June 25, 7:30 PM at the historic Royal Theatre, celebrating its centennial year, operating continuously as a movie theatre since opening in 1924. Our next attractions include The Secret Garden with guest Agnieszka Holland on June 29, and A Summer Place with film music historian Steven C. Smith on July 11.

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Filed Under: Anniversary Classics, Featured Films, Films, Q&A's, Repertory Cinema, Royal, Theater Buzz

I USED TO BE FUNNY starring Rachel Sennott opens Friday.

June 12, 2024 by Jordan Deglise Moore

Actress Rachel Sennott (Shiva Baby, Bottoms) returns to Laemmle screens this Friday at the Monica Film Center, NoHo 7 and Town Center 5 with I Used to Be Funny. She plays an aspiring stand-up comedian and au pair struggling with PTSD as she decides whether or not to join the search for Brooke (Olga Petsa), a missing teenage girl she used to nanny.
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Click here to watch the trailer.
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“Rachel Sennott has the greatest face. It cannot lie, no matter what her characters are saying. That honesty makes her ideal for films with tricky tones… And it’s essential to I Used to Be Funny.” – Johanna Schneller, Globe and Mail
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“In her film debut, [writer-director Ally Pankiw] delivers a full and fulfilling narrative arc that is anchored by a surprisingly complex performance from Sennott.” – Katie Walsh, Tribune News Service

“Pankiw and Sennott bring Sam’s story to life with an inventive yet sensitive approach, creating a sympathetic portrait of someone learning to cope with the tragedies of life and embrace their funny side despite it all.” – Monica Castillo, RogerEbert.com

“A former stand-up herself, Sennott holds a stage with command.” – Amy Nicholson, New York Times

“Healing is not linear, and I Used to Be Funny adeptly displays that process, exploring Sam’s pain without making the experience of watching the film painful, and honestly refreshing exploration of a subject that’s so often brutal to witness.” – Jenny Nulf, Austin Chronicle

“Sennott is perfectly cast, portraying Sam as simultaneously lifeless and hilarious with her default blasé attitude and dry-wit humor.” – Weiting Liu, Little White Lies

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Filed Under: Featured Films, Films, News, NoHo 7, Press, Santa Monica, Theater Buzz, Town Center 5

The “unequivocally beautiful” Senegalese film BANEL & ADAMA opens Friday at the Royal.

June 12, 2024 by Jordan Deglise Moore

A rare debut feature that premiered in competition at the Cannes Film Festival, and Senegal’s official submission to the 96th Academy Awards, Banel & Adama is a lush and lyrical West African dreamscape, a tragic romance that soars to the heights of longing and descends deep into the realm of myth as it sets its protagonists’ perfect everlasting love on a collision course with their community’s traditions. We’re proud to open it this Friday at the Royal. Click here to see the trailer.

“Unequivocally beautiful. Sy paints breathtaking scenes with her camera, demonstrating a gorgeous way of seeing the world.” – Lovia Gyarke, Hollywood Reporter

“A striking debut that puts Sy on the map. The combination of ethereal voiceover with nature at its most breathtaking evokes our cinema’s philosophical high priest, Terrence Malick.” – Sophie Monks Kaufman, Indiewire

 

“Transfixing… a tragic, evocative love story.” – Robert Daniels, OkayAfrica

“In Ramata-Toulaye Sy’s impressive debut, she’s saying we’re more than flesh and blood – and that if things are falling apart, we can still make sense of it because we’re storytellers.” – Steve Pond, TheWrap

“The directorial debut of French-Senegalese filmmaker Ramata-Toulaye Sy, this is one of those pictures to which the phrase “every frame a painting” might apply.” – Glenn Kenny, RogerEbert.com

“A cosmic love story. With its balletic choreography of performance and statuesque visual approach, Sy’s film is a work of remarkable composition.”  – Little White Lies

“Wonderfully photographed and vehemently acted, the film is full of ideas. An impressive piece of work from a natural filmmaker.” – Peter Bradshaw, Guardian

“It really gets under your skin.” – Damon Wise, Deadline

“It’s a remarkable performance from Mane, who conveys the mutinous, deluded anger in a young woman who would bend the world around her to her will if she could.” – Wendy Ide, Screen International

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Filed Under: Featured Films, Featured Post, Films, Press, Royal, Theater Buzz

GREEN BORDER + THE SECRET GARDEN – get ready for a weekend with Agnieszka Holland.

June 5, 2024 by Jordan Deglise Moore

Filmmaker Agnieszka Holland will be in town later this month for her latest film, the powerful Green Border. She’ll participate in Q&As after the evening screenings at the Royal on Friday and Saturday, June 28 and 29 and for good measure join us for a Q&A after the June 29 screening of her 1993 family film The Secret Garden, which we’re screening as part of our Anniversary Classics series. One moviegoer might want to ask her how she manages such range, because the movies are quite different.

Thirty years after her Oscar-nominated film Europa Europa, Holland’s poignant and essential Green Border is set in the treacherous and swampy forests that make up the so-called “green border” between Belarus and Poland. Here refugees from the Middle East and Africa trying to reach the European Union are trapped in a geopolitical crisis cynically engineered by Belarusian dictator Alexander Lukashenko. In an attempt to provoke Europe, refugees are lured to the border by propaganda promising easy passage to the EU. Finding themselves pawns in this hidden war, the lives of Julia, a newly minted activist who has given up her comfortable life; Jan, a young border guard; and a Syrian family intertwine.

“A heart-in-mouth thriller… Agnieszka Holland‘s bruisingly powerful new refugee drama ultimately comes from a place of optimism.” – Jessica Kiang, Variety

“A righteous, infuriating and woefully compelling watch.” – Laura Bobiak, Observer

“Profoundly moving, flawlessly executed… if cinema is an empathy machine, to paraphrase the late Roger Ebert, then Agnieszka Holland‘s new film is one precision-tooled specimen.” – Leslie Felperin, The Hollywood Reporter

“A humanitarian masterpiece.” – Damon Wise, Deadline

The Secret Garden follows a young British girl born and reared in India who is returned to her uncle’s English castle after becoming an orphan. She begins exploring the estate and discovers a garden that has been locked and forgotten. Aided by one of the servants’ boys, she begins restoring the garden, and eventually discovers some other secrets of the manor. Writing in the New York Times, Janet Maslin began her review of The Secret Garden this way: “A fawn, a bunny, a lamb: these are among the last things anyone might expect to see in a film directed by Agnieszka Holland, whose other work (including Europa, Europa and Olivier, Olivier) had not a trace of sugarplums in its makeup. Yet Ms. Holland’s film of The Secret Garden is elegantly expressive, a discreet and lovely rendering of the children’s classic by Frances Hodgson Burnett. That book is a paean to the restorative powers of the natural world, and Ms. Holland succeeds in conveying much of its delicate beauty.”

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Filed Under: Anniversary Classics, Filmmaker in Person, Films, News, Q&A's, Royal, Theater Buzz

THE LOVERS (LES AMANTS) 65th Anniversary Screenings June 19.

June 5, 2024 by Jordan Deglise Moore

Laemmle Theatres and the Anniversary Classics Abroad Series present 65th anniversary screenings of Louis Malle’s ‘The Lovers‘ (‘Les Amants’) starring Jeanne Moreau, on June 19 for one night only at 7:00 PM in West Los Angeles, Encino, Glendale, Claremont, and Santa Clarita. When first released in the United States in 1959, the film became an art house sensation with frank sexuality and nudity that inflamed the prudish American censors. Those censors, the Catholic Legion of Decency, and the repressive Hollywood Production Code wielded considerable influence at that time, preventing American films from exploring adult themes in a provocative manner.

 

The film tells the story of a bored and neglected French upper-middle-class wife and mother (Moreau) who falls for a young archaeologist (Jean-Marc Bory), commencing an affair just hours after their initial meeting. Their extended seminude lovemaking scene was the incendiary element that sparked conservative outrage and crackdowns on theaters showing the film. In one notorious case that was later resolved by the Supreme Court, a suburban Cleveland theater manager was arrested on obscenity charges. When other Ohio communities also banned the film, Variety reported, “It looked like Ohio, for a time, might declare war on France.”

Louis Malle made his feature directorial debut with the crime thriller ‘Elevator to the Gallows’ in 1958, also starring Moreau, so the sensual drama ‘The Lovers‘ as his second film “marked the stylistically conscious Malle apart from his tear-away Nouvelle Vague colleagues” according to Time Out. In ‘The Lovers,’ adapted by novelist Louise de Vilmorin from a 19th century short story, Malle presents a study of “bourgeois emptiness and sexual yearnings,” illuminated by the deft black-and-white cinematography of Henri Decae. Malle would go onto an esteemed career that included such notable films as ‘Murmur of the Heart,’ ‘Lacombe Lucien,’ ‘Atlantic City,’ and ‘Au Revoir Les Enfants’ over the next three decades.

Although she had been acting in films for a decade, ‘The Lovers‘ established Moreau’s screen persona as a “commanding, willful, and sultry presence,” propelling her to international stardom. Her career highlights in the 1960s include memorable performances in ‘Jules and Jim,’ ‘La Notte,’ ‘Diary of a Chambermaid’ and ‘The Bride Wore Black.’ As a legacy, the commercial success of ‘The Lovers’ helped popularize foreign language films in the United States in that era, now regarded as the golden age of the art house.

“It is incredible to think that Malle was only 25 years old when he made ‘The Lovers,’ as it seems to hold the wisdom and erotic impulses of a much older man.” ~ Justine Smith, Vague Visages

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Filed Under: Abroad, Anniversary Classics, Claremont 5, Featured Films, Featured Post, Films, Glendale, Newhall, News, Royal, Theater Buzz, Town Center 5

“The future of cinema is where it started: in a movie theater.” ~ ANORA director Sean Baker in his Palme d’Or acceptance speech.

May 29, 2024 by Jordan Deglise Moore

Over the weekend, writer-director Sean Baker (Tangerine, The Florida Project, Red Rocket) was awarded the Palme d’Or, the top prize, at this year’s Cannes Film Festival for Anora, his comedy about a sex worker. New York Times film critic Manohla Dargis called the film “a giddily ribald picaresque.” In his acceptance speech, Baker spoke eloquently about seeing movies in theaters. You can watch the whole thing online, but here’s the key excerpt:
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“This literally has been my singular goal as a filmmaker for the past 30 years. So I’m not really sure what I’m gonna do with the rest of my life, but I do know that I will continue to fight for cinema because right now, as filmmakers, we have to fight to keep cinema alive. This means making feature films intended for theatrical exhibition. The world has to be reminded that watching a film at home while scrolling through your phone and checking mail, emails and half paying attention is just not the way, although some tech companies would like us to think so. Watching a film with others in a movie theater is one of the great communal experiences. We share laughter, sorrow, anger, fear, and, hopefully, have a catharsis with our friends and strangers, and that’s sacred. So I see the future of cinema is where it started: in a movie theater.”

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Filed Under: Awards, Claremont 5, Festival, Films, Glendale, Moviegoing, Newhall, NoHo 7, Royal, Santa Monica, Theater Buzz, Town Center 5

“A full-tilt melodrama with the passionate vehemence of Victor Hugo or Charles Dickens,” KIDNAPPED opens Friday.

May 29, 2024 by Jordan Deglise Moore

This Friday we open the intense Italian drama Kidnapped: The Abduction of Edgardo Mortara at the Royal and Town Center, which is based on the true story of a Jewish family in 19th century Bologna whose young son was secretly baptized as a baby by his nurse. Years later, the cardinal orders the boy abducted so he can receive a Catholic education. The scandal received wide attention at the time and now gets a terrific film adaptation by Marco Bellocchio (The Wedding Director, The Traitor, Marx Can Wait) which, among other accolades, earned a Palme d’Or nomination at Cannes and a Best Foreign Film nomination at the César Awards.
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“It is a full-tilt melodrama with the passionate vehemence of Victor Hugo or Charles Dickens, which lays bare an ugly formative episode of Europe’s Catholic church: an affair of antisemitism and child abuse.” ~ Peter Bradshaw, Guardian
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“The director, Marco Bellocchio, anchors the period with a somber visual elegance and employs surreal gestures to tease out the psychological and spiritual aspects of the tragedy.” ~ Lisa Kennedy, New York Times
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“[Edgardo Mortara’s] tortuous journey gets the respect it deserves in this sensitive and beautifully realized drama.” ~ Kyle Smith, Wall Street Journal
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“With stately restraint, Bellocchio manages to put the audience in an ever-tightening chokehold of tension and outrage.” ~ Wendy Ide, Observer

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“The performances, meanwhile, are exemplary, the screenplay powerful, and each scene is lit like high-era Caravaggio.” ~ Kevin Maher, Times

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“Kidnapped is an expertly paced, gorgeously shot and evocative true story of faith, family, and the power of people coming together to right deeply ingrained wrongs.” ~ Barry Levitt, Empire Magazine

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Filed Under: Featured Films, Featured Post, Films, Royal, Theater Buzz, Town Center 5

FROM RUSSIA WITH LOVE 60th Anniversary Screening May 28 at the Royal.

May 22, 2024 by Jordan Deglise Moore

Laemmle Theatres and the Anniversary Classics Series present the third in our popular series of James Bond revival screenings. Following the successful showings of the very first Bond picture, ‘Dr. No,’ and the popular third film, ‘Goldfinger,’ we present the second movie in the long-running series, ‘From Russia with Love.’ This screening takes place almost 60 years to the day when the movie enjoyed its wide U.S. release in May 1964.

‘Dr. No’ had been a big hit when it opened a year earlier, and producers Albert R. Broccoli and Harry Saltzman decided to bring Bond back. They chose Ian Fleming’s novel ‘From Russia with Love’ in part because President John F. Kennedy had listed that book as one of his ten all-time favorite books in an article that appeared in Life magazine. The producers doubled the budget from $1 million to $2 million for this second appearance of 007, which turned out to be a modest investment considering that the new movie ended up grossing close to $80 million, approximately $800 million in today’s dollars. Terence Young, who had helmed ‘Dr. No,’ returned to the director’s chair. The screenplay was penned by Richard Maibaum (a frequent Bond screenwriter) and Johanna Harwood.

Sean Connery returned for his second appearance as Bond, along with Bernard Lee as M and Lois Maxwell as Miss Moneypenny. There were some new additions to the cast—Mexican actor Pedro Armandariz, who died before the film was released, and Oscar nominees Robert Shaw and Lotte Lenya as two of the villains. Daniela Banchi played the heroine, a Russian agent who defects to the West as a result of her romance with Bond.

A number of other elements that came to define the Bond series were introduced in ‘From Russia With Love.’ It was the first film to have a pre-title action sequence, and it was also the first picture to have a title song, written by Lionel Bart, the enormously successful composer of ‘Oliver!’ (British singer Matt Monro performed the song.) John Barry wrote his first Bond movie score, embellishing the theme music penned by Monty Norman for ‘Dr. No.’ In addition, this was the first picture in which Bond gets an arsenal of nifty weapons, though far more modest than what his team provided for him in later movies.

This picture also sent Bond to exotic locations—Istanbul and Venice, along with a perilous journey on the famed Orient Express. Other scenes were filmed at Pinewood Studios outside London. There were other novelties. Hollywood’s Production Code had been revised in 1961 to allow discreet treatment of homosexuality for the very first time, and the producers took advantage of this leniency to depict Lenya’s Rosa Klebb as a lesbian with fairly overt designs on the glamorous but naïve Banchi.

Robert Shaw (later to star in such enormous hits as ‘A Man For All Seasons,’ ‘The Sting,’ and ‘Jaws’), with his dyed-blond hair, also has a slightly androgynous quality as the fighter recruited by Klebb to assassinate Bond. The fight scene between Connery and Shaw aboard the Orient Express, regarded as one of the best fight scenes in cinema history, took three weeks to film.

Even though reviews were not crucial to the success of the Bond movies, ‘From Russia With Love’ had some of the best reviews of the entire franchise, currently listed at 97 percent positive on Rotten Tomatoes. At the time, Penelope Gilliatt, writing for The Observer, noted, “The set-pieces are a stunning box of tricks.” Time magazine called the picture “fast, smart, shrewdly directed and capably performed.” Variety praised “a preposterous, skillful slab of hard-hitting, sexy hokum.”

The film continues to be fondly remembered. Sean Connery, later Bond actors Timothy Dalton and Daniel Craig, as well as later Bond producer Barbara Broccoli have all named it as one of their favorite Bond movies.

Our guest Jon Burlingame is the nation’s leading writer on the the subject of music for film and television. He has taught film music history courses at the University of Southern California and has lectured on film and TV music over the past 30 years at locations around the world. Among his several books, he wrote the definitive history of 007 film music, THE MUSIC OF JAMES BOND, in addition to recently co-authoring MUSIC BY JOHN BARRY. He joins us to introduce ‘From Russia With Love‘ for a pre-screening Q & A at the historic Royal Theatre, celebrating its 100th anniversary this year.

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Filed Under: Anniversary Classics, Films, Q&A's, Repertory Cinema, Royal, Theater Buzz

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A new comedy that draws inspiration from the great ones of the past, BAD SHABBOS opens Friday.

Upcoming films in our Worldwide Wednesday series include movies from Brazil, Japan, France, Australia and Kazakhstan.

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After a decade-long relationship ends, filmmaker João finds himself at a crossroads in both his personal and professional lives. While trying to break into the film industry, he ends up directing amateur erotic films. With the support of loyal friends, João embarks on a dating journey, navigating modern romance and finding inspiration.
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Croupier actor #CliveOwen will participate in a Q&A following the June 4 screening at the Royal.  Producer-marketing consultant #MikeKaplan will introduce the screening.

Clive Owen, who had mainly appeared in British television dramas before this, rose to full-fledged movie stardom as a result of this movie. He plays an aspiring writer who takes a job at a casino where he juggles a few romantic relationships and also has to contend with a robbery threat. Alex Kingston, Gina McKee, Kate Hardie, and Nicholas Ball costar. The script was written by Paul Mayersberg, who also wrote Nicolas Roeg’s 'The Man Who Fell to Earth' and 'Eureka,' as well as Nagisa Oshima’s 'Merry Christmas, Mr. Lawrence.'
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Tickets: http://laemmle.com/film/k-pop-demon-hunters | Subscribe: http://bit.ly/3b8JTym | When they aren't selling out stadiums, K-pop superstars Rumi, Mira and Zoey use their secret identities as badass demon hunters to protect their fans from an ever-present supernatural threat. Together, they must face their biggest enemy yet – an irresistible rival boy band of demons in disguise.

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RELEASE DATE: 6/20/2025

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Tickets: http://laemmle.com/film/lost-starlight | Subscribe: http://bit.ly/3b8JTym | In 2050 Seoul, an astronaut dreaming of Mars and a musician with a broken dream find each other among the stars, guided by their hopes and love for one another.

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RELEASE DATE: 5/30/2025
Director: Han Ji-won
Cast: Justin H. Min, Kim Tae-ri, Hong Kyung

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Tickets: http://laemmle.com/film/echo-valley | Subscribe: http://bit.ly/3b8JTym | Kate lives a secluded life—until her troubled daughter shows up, frightened and covered in someone else's blood. As Kate unravels the shocking truth, she learns just how far a mother will go to try to save her child

Tickets: http://laemmle.com/film/echo-valley

RELEASE DATE: 6/13/2025

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  • A new comedy that draws inspiration from the great ones of the past, BAD SHABBOS opens Friday.
  • The brilliant documentary A PHOTOGRAPHIC MEMORY opens June 12 with in-person Q&A’s.
  • THE LAST TWINS Q&A’s June 19-21 at the Royal and Town Center.
  • Upcoming films in our Worldwide Wednesday series include movies from Brazil, Japan, France, Australia and Kazakhstan.
  • CROUPIER 25th Anniversary Screening with Clive Owen in Person June 4 at the Royal.
  • The Los Angeles Center of Photography (LACP) @ Laemmle NoHo ~ The World’s Greatest: Photography On and Off Stages.

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