All In Viaggio screenings at the Monica Film Center will be followed by a pre-recorded conversation featuring a panel of experts and faith leaders discussing Pope Francis, his mission and methods, and issues raised in the documentary. The panel will run between 15-20 minutes. The participants are: Ricardo da Silva, S.J. (Jesuit priest, assoc. editor America Media, Columbia Journalism School); Christiana Zenner (Theology/Ethics/Ecology Professor); Natalia Imperatori-Lee (Theologian at Manhattan College); Joshua McElwee (editor, National Catholic Reporter); Moderator: David Gibson – (award-winning religion journalist and director of the Center on Religion and Culture at Fordham University).
WHAT THE HELL HAPPENED TO BLOOD, SWEAT & TEARS? opens March 31.
A fascinating documentary/political thriller with a classic rock band at the heart of the action, What the Hell Happened to Blood, Sweat & Tears? involves the U.S. State Department, the Nixon White House, the governments of Yugoslavia, Romania and Poland and documentary footage that has been suppressed for over 50 years by one or all of the above. We open the film March 31 at the Monica Film Center with special one-night screenings and Q&As April 3 at the NoHo, April 4 at the Claremont and April 5 at the Glendale. The full Q&A schedule is here.
Director’s statement:
In early 2020, just prior to the worldwide explosion of COVID 19, Bobby Colomby, an acquaintance and founding member of Blood, Sweat & Tears, called me for a friendly check in. As a fan of the band in its heyday, I innocently asked him, “What the hell happened to Blood, Sweat & Tears?”
Bobby proceeded to tell me the story of the events surrounding the Iron Curtain Tour. He mentioned that a documentary film crew had accompanied the band to shoot material for what was intended to be a theatrical documentary. That film was never released and Bobby had no idea what became of it.
I loved the mystery and intrigue behind this story, but would we be able to find that documentary footage or enough audio/visual material to tell the story effectively? I also love a good treasure hunt. So, as the pandemic was shutting the country down, my team and I began a search. Soon enough, we found references to National General Television Productions as having been the company behind the documentary and that their crew had shot 65 hours of footage during the Iron Curtain Tour.
We cast a wide net around the world to locate this footage, contacting anyone and everyone who had a connection to National General or the film crew, as well as private archives, independent storage facilities and film labs. It was one dead end after another. It appeared that the footage and related elements had completely vanished.
And then, finally, success. While searching for the raw footage, we stumbled upon a pristine print of a 53-minute version of the documentary that had been edited for television syndication. This was an unexpected find as no such version was ever broadcast. A new high-definition transfer was made from this print and watching it provided a fascinating time capsule of our nation, the world, and this group of nine young men on an unprecedented adventure from 50 years earlier. I knew then we had the makings of a fantastic documentary and, indeed, 40 minutes of the “lost” Blood, Sweat & Tears documentary is the backbone of our film.
Some additional heavy digging led us to the Margaret Herrick Library at the Academy of Motion Picture Arts and Sciences, where we ultimately uncovered five raw audio tapes that were recorded live during concerts on the Iron Curtain Tour. The band had a mobile 8-track machine on the tour and we later determined that their engineer had recorded a total of 18 tapes, but only these five were found.
Our search into the private collections of band members and others who were on the Iron Curtain Tour yielded hundreds of never-before-seen photographs and memorabilia. I never gave up hope of finding the 65 hours of original footage. However, after two full years of chasing down every lead and digging deep into vaults across the country as well as government storage facilities in Washington, D.C., Maryland and Virginia, we came up empty. The mystery of what became of that material remains.
This film sheds light on history through a fascinating lens. It’s not a biography of the band, nor is it just for music lovers or fans of Blood, Sweat & Tears. It’s a compelling story that explores a unique moment in time and has surprisingly powerful resonance and parallels to what’s going on in the world today. ~ John Scheinfeld
The 2023 Laemmle Oscar Contest results are in.
It’s the day after Pi Day, but check out these cool pie charts to see who won our Umpteenth Annual Oscar Contest (the winner got 21 correct; the final question about the running time proved to be a tiebreaker between the second and third place winners, who both got 19 correct) and confirm that Laemmle moviegoers are crazy savvy about predicting how the Academy will vote. Of the 23 categories, the Laemmle hive mind accurately guessed all but four categories:
Best Supporting Actress (Jamie Lee Curtis/Everyone Everywhere All at Once bested Angela Bassett/Black Panther: Wakanda Forever);
Best Makeup & Hairstyling (The Whale swallowed Elvis);
Best Score (All Quiet on the Western Front defeated Babylon);
Farewell, Chaim Topol.
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WHAT THE HELL HAPPENED TO BLOOD, SWEAT & TEARS? Q&A schedule.
What the Hell Happened to Blood, Sweat & Tears? Q&A schedule:
Friday, March 31st at 7:10pm & Saturday, April 1st at 7:10pm @ Laemmle Monica Film Center; five-time Grammy winner Jimmy Jam will moderate.
Monday, April 3rd at 7:00pm @ Laemmle Noho
Tuesday, April 4th @ Laemmle Claremont CANCELLED
Wednesday, April 5th at 7:00pm @ Laemmle Town Center; Steve Edwards, TV personality and three-time Honorary Mayor of Encino, will moderate
Thursday, April 6th @ 7:00pm @ Laemmle at Glendale
“A pity party that has no business being so much fun,” UNA VITA DIFFICLE opens in the U.S. after a 62 year wait.
The long-awaited U.S. premiere of Dino Risi’s Una Vita Difficile, starring one of the most beloved of all Italian actors, Alberto Sordi (Mafioso, Il Boom, Fellini’s The White Sheik and I Vitelloni, etc.), was greeted with big crowds and admiring reviews when Rialto Pictures opened its restoration in New York last month. Laemmle Theatres opens the film about a resistance fighter-turned-journalist and his wife (Lea Massari) navigating life in post-war Italy on Friday, March 17 at the Royal and Town Center and March 24 at the Monica Film Center and Laemmle Glendale.
The New York Times’ critic A.O. Scott hailed it as “a stellar specimen of commedia all’italiana.” In his review for Air Mail, Michael Sragow proclaimed, “Alberto Sordi triumphs at jet-black comedy…(he’s) Jack Lemmon and Walter Matthau in their prime, rolled into one.”
In Italy, Una Vita Difficile has long been cherished as a highlight of the 1950s and 60s golden age of Italian comedy, which also gave the world Big Deal on Madonna Street, Divorce Italian Style, Mafioso, Yesterday, Today and Tomorrow, and Risi’s own Il Sorpasso (made the year after Una Vita Difficile). While these and others were major arthouse hits in the U.S., Una Vita Difficile was inexplicably never released here…until now.
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“It sounds absurd to even contemplate: an unreleased 1961 epic romance starring the legendary Alberto Sordi that tackles the decades after WWII — a mixture of sentiment and grand historic sweep that the Italians always did so well — that’s somehow just getting a U.S. release.” — Bilge Ebiri, New York Magazine
“Risi’s deft seriocomic panorama, from Mussolini’s fall to the rise of the postwar Roman oligarchy…Alberto Sordi triumphs at jet-black comedy when the antihero fails as an idealist, a husband, even as a sell-out. The closest America has come to Sordi is Jack Lemmon and Walter Matthau in their prime, rolled into one.” — Michael Sragow, Air Mail
Moviegoers, enter the Umpteenth Annual Laemmle Oscar Contest before time runs out.
The Oscar race is in the final stretch. Almost all of the major guilds have spoken (the WGA awards are this Sunday) and Everything Everywhere All at Once is looking unbeatable. However…every year there are two or three surprises and doubtless 2023 won’t be an exception. The question is, do you think you can divine the surprises? Cate Blanchett instead of Michelle Yeoh for Best Actress? Spielberg instead of the Daniels for Best Director? Bill Nighy or Austin Butler instead of Brendan Fraser for Best Actor? There are so many possible ways this can go, you should weigh in! I mean, the stakes could not possibly be lower!
If you, dear moviegoer, can accurately predict how the members of the Academy of Motion Picture Arts & Sciences will vote in all 23 categories, (or close to it), you will win movie passes good at all Laemmle venues! The 95th Academy Awards take place on Sunday, March 12 and we’ll announce the winners soon afterwards. Good luck!
Best International Features – Oscar nominees CLOSE & THE QUIET GIRL are finally opening in more theaters.
Happy to report we are opening Close, the Dutch/Flemish film about the intense friendship of two 13-year-old boys, this Friday in Santa Monica and March 3 in Santa Clarita, Claremont, and Encino. Acclaimed at the most prestigious festivals around the world and now up for an Academy Award, Close is a “sharply observed, heartbreaking masterpiece” (G. Allen Johnson, San Francisco Chronicle). Other critics have gushed:
“To the pantheon of films about the pains of leaving childhood behind — The 400 Blows, The Spirit of the Beehive, Rocks, The Go-Between, Boyhood et al — we should find a spot for this beautiful elegy of lost innocence from Belgian director Lukas Dhont.” ~ Philip De Semlyen, Time Out
“It features world-wise performances from its cast, a haunting score from composer Valentin Hadjadj and breathtaking cinematography from Malte Rosenfeld. It’s a treasure you’ll never forget.” ~ Randy Myers, San Jose Mercury News
“A picture which is intimate in scope but which packs a considerable emotional wallop.” ~ Wendy Ide, Screen International
We are also thrilled to open The Quiet Girl, the Irish film about a young girl in foster care, March 3 in Santa Monica and March 10 in Claremont, Encino, Santa Clarita and Glendale.
“Few films explore both the shelter and the solitude of silence with the eloquence of Colm Bairéad’s gently captivating Irish-language drama The Quiet Girl.” ~ David Rooney, Hollywood Reporter
“There may not be a movie more expressive of the season’s benevolent ethos than this hushed work about kith and kindness.” ~ Lisa Kennedy, New York Times
“One of the most exquisitely realised films of the year.” ~ Wendy Ide, Guardian
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