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Home » Monica Film Center » Page 2

SIDEWAYS 20th Anniversary Screening, Discussion and Book-Signing March 20, 2025 Laemmle Monica Film Center

February 26, 2025 by Jordan Deglise Moore

Laemmle Theatres and the Anniversary Classics Series present a 20th anniversary screening of one of the most acclaimed movies of the 21st century: Alexander Payne’s Oscar-winning ‘Sideways.’ The March 20 screening at the Monica Film Center is held in conjunction with the publication of the new book, ‘Sideways Uncorked: The Perfect Pairing of Film and Wine,’ written by critic and journalist Kirk Honeycutt and his wife, Mira Advani Honeycutt. Mira comes to the project with 25 years of experience as a wine journalist. They will be joined by the Oscar-nominated producer of ‘Sideways,’ Michael London.

‘Sideways,’ based on a novel by Rex Pickett, was adapted for the screen by Payne and his frequent collaborator, Jim Taylor. It follows a weeklong journey through Santa Barbara wine country by two mismatched pals, a teacher and unsuccessful writer, played by Paul Giamatti, and a part-time actor played by Thomas Haden Church. Along the way they have encounters with two tantalizing women (Sandra Oh and Virginia Madsen). The sharp, often hilarious insights into character energize the film.

When the film opened in the fall of 2004, it earned universally rave reviews. Kirk Honeycutt wrote the very first review out of the Toronto Film Festival. He declared, “The slapstick is perfectly timed and executed. As with the best comedies of Billy Wilder and Blake Edwards, laughs derive from excruciating pain, both emotional and physical.” Roger Ebert praised the film as “the best human comedy of the year—comedy because it is funny, and human, because it is surprisingly moving.” Newsweek’s David Ansen wrote, “Payne has created four of the most lived-in, indelible characters in recent American movies.”

Both the New York Film Critics Circle and the Los Angeles Film Critics Association named ‘Sideways‘ as the best film of 2004. The screenplay was named the year’s best by those two groups, along with the National Board of Review, the National Society of Film Critics, and the Writers Guild of America. Payne and Taylor also won the Oscar for Best Adapted Screenplay, and the film earned Academy nominations for Best Picture, Best Director, and Best Supporting Acting nods for Church and Madsen.

The film had an influence beyond the world of cinema. In one key scene in the film, Giamatti declaims against merlot and declares pinot noir to be the far superior wine. Sales of pinot noir soared all over the country after the film’s release.

‘Sideways‘ ended up grossing more than $100 million, a huge score for a film that started its life as a small arthouse release.

Kirk and Mira Honeycutt will be selling and signing copies of their book before and after the screening on March 20. Alexander Payne had high praise for it: “The Honeycutts’ account of ‘Sideways‘ and its reverberations is so thorough that even I learned things I hadn’t known. A delightful, accurate chronicle with great wine tips.” Leonard Maltin called ‘Sideways Uncorked’ “an astute and entertaining book about the making of a great American film and its aftermath in the world of wine.”

Producer Michael London has many other distinguished credits, including ‘House of Sand and Fog,’ ‘The Family Stone,’ ‘The Visitor,’ ‘Milk,’ and ‘Trumbo.’

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Filed Under: Anniversary Classics, Featured Films, Filmmaker in Person, Films, Monica Film Center, Q&A's, Repertory Cinema, Santa Monica, Theater Buzz

All movies free tonight and tomorrow at the Monicas and Royal!

January 22, 2025 by Jordan Deglise Moore

To honor our one-of-a-kind city and its amazing communities, we’re giving you the gift of FREE MOVIES! Thanks to our amazing friends at NEON, catch any film at the Monica Film Center and Royal tonight and tomorrow absolutely free. Come take a much-deserved break and experience the joy of an arthouse film. The offer only applies in-person at the theater box offices. Take the money you would have spent on tickets and donate it to fire relief.

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Filed Under: Charity Opportunity, Films, Monica Film Center, Moviegoing, Royal, Santa Monica, Theater Buzz

This week on Inside the Arthouse: Sally Aitken, the director of the inspiring L.A. nature documentary EVERY LITTLE THING.

January 15, 2025 by Jordan Deglise Moore

When is a documentary about hummingbirds more than just another educational nature documentary? In the case of Sally Aitken’s new movie Every Little Thing, we discover that small things are very big things— and you will be more than a little surprised. Hummingbirds’ wings beat fifty times per second, and with astounding high speed photography, they float like gossamer on the screen, captured like tiny, magical sprites. Terry Masear, the film’s subject, runs a hummingbird rescue and she, too, is magical and surprising. These remarkable birds, no bigger than your little finger, become bigger than life as we discover Terry’s care, attention, wisdom, and affection for them. It’s a film that will stay with you long after you leave the theater. Every Little Thing is big and wide and will leave you thinking about how small acts of tenderness and kindness, expressed to the tiniest of creatures, can have giant impacts.

Watch filmmaker Sally Aitken’s recent interview on Inside the Arthouse.

We screen Every Little Thing this Thursday, January 16 in Glendale and begin the regular engagement the next day in Santa Monica. The director, Sally Aitken, and producer, Bettina Dalton, will appear for Q&As after the Thursday, 7:30 PM screening in Glendale as well as after the Friday and Saturday, January 17 and 18, 7 PM shows with subject Terry Masear at the Laemmle Monica Film Center.

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Filed Under: Filmmaker in Person, Glendale, Inside the Arthouse, Monica Film Center, Q&A's, Santa Monica, Theater Buzz

New weekly series: Worldwide Wednesdays! Great new films from around the globe.

January 8, 2025 by Jordan Deglise Moore

Laemmle Theatres is pleased to announce our new weekly series of fresh international films, Worldwide Wednesdays. See below for the current schedule. Some are older films enjoying new restorations, but most are newer obscure films that we want to bring to a broader L.A. audience. Putting them in a weekly series format will hopefully help with create more awareness and help overcome the absence of what used to be a reliable marketing platform for smaller foreign films like these, critics’ reviews in the L.A. Times Calendar section. Also this format allows the films to play in multiple venues all over L.A. County rather than forcing interested audiences to schlep to a single location. The films, however, come from many thousands of miles away!
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January 22, 25 & 26, Eat the Night, France, 2024 ~ Pablo, a small-time drug dealer, and his teenage sister Apolline have forged an unbreakable bond through their shared obsession with the online video game Darknoon. When Pablo falls for the mysterious Night, he gets swept up in their liaison, abandoning his sister to deal with the impending shutdown of their digital haven alone. As Pablo’s reckless choices provoke the wrath of a dangerous rival gang, the end of their virtual life draws near, upending their reality. The newest vision from Caroline Poggi & Jonathan Vinel (Jessica Forever) is a bittersweet, apocalyptic love story with a modern MMORPG twist.

January 29, February 1 & 2, Oceans are the Real Continents, Cuba/Italy, 2023 ~ Three stories of migration, exile, and memory develop in the Cuban town of San Antonio De Los Baños, a place that time forgot. Alex and Edith, a young couple in their 30s, build their lives upon small gestures, reminisces, and a deep connection amidst the nation’s ruins. Milagros survives selling peanut cones on the street, spending her days listening to the radio and reading old letters. Nine-year-old best friends Frank and Alain go to school and dream of emigrating to the U.S. to become baseball players.

February 5, 8 & 9, Sujo, Mexico/France/USA, 2024 ~ After a sicario is murdered, four-year-old Sujo is left orphaned and at risk. With his aunt’s help, he survives in the isolated countryside, facing hardship and danger tied to his identity. As a teenager, he rebels and joins the local cartel. As a young man, Sujo seeks to escape his violent past, but when his father’s legacy resurfaces, he confronts the fate that seems destined for him.

February 12, 15 & 16, Ma Mère, France/Portugal/Austria/Spain, 2004 ~ Ma Mère takes place in the Canary Islands, where the film’s family shares a home. The mother Hélène (Isabelle Huppert), cool and in charge, and her teenaged son Pierre (Louis Garrel), a pious Catholic back from boarding school, discuss his father’s infidelity; the next they learn that he has died in a car crash. Hélène launches into a wild series of parties, gradually involving her son in her drugging, drinking and sex-fueled nights out.

February 19, 22 & 23, The Blond Boy from Casbah, France, 2023 ~ Filmmaker Antoine travels to his birthplace, Algiers, with his young son to present his new film: an account of his childhood in mid-20th century Algeria during the country’s civil war. As he wanders through the city, the filmmaker immerses us in the moments of happiness, laughter, and tears of his childhood – spent between school, friends, and his Jewish family. Growing up in the final moments of Algeria’s pre-independence period, the young Antoine discovers his profound fascination with cinema and starts to understand who he truly is.

February 26, 29 & 30, Amal, Belgium, 2023 ~ Amal is a powerful film by acclaimed Belgian-Moroccan director Jawad Rhalib, is a thought-provoking drama that explores the transformative power of education and self-expression. The title character is a teacher who courageously confronts fundamentalism through literature, offering a moving exploration of courage and compassion. Starring Lubna Azabal (The Blue Caftan, Incendies), Fabrizio Rongione (Two Days, One Night), and Catherine Salée (The Unknown Girl), Amal tackles urgent themes of identity, tolerance, and acceptance.

March 5, 8 & 9, My Motherland, France, 2023 ~ The celebrated actress Fanny Ardant plays the role of France, a wealthy Frenchwoman living alone in her Parisian apartment since the death of her husband. When she hears on the radio that the Singa association puts homeless migrants in contact with people who can take them in, she decides, against the advice of her friends and family, to take in Reza, a young Hazara Afghan refugee. Directed by Benoit Cohen, My Motherland is based on his own book Mohammad, My Mother, and Me, which is based on his mother’s experience welcoming a young Afghan refugee. This deeply personal film beautifully captures the complexities of navigating identity and belonging.

March 12, 15 & 16, Born for You, Italy, 2023 ~ Born for You tells the moving true story of Luca, a single gay Catholic man who in 2017 adopted Alba, a child with Down syndrome who was abandoned in the hospital shortly after being born. Thirty heterosexual families rejected her before the court decided to entrust her to him: with him, the legal foster care register for singles was inaugurated in Italy. Luca was, in fact, the first case in Italy of a single, gay person successfully adopting a daughter. But his was not a charitable gesture, nor to fight a system set against him and others like him: he simply wanted a family.

April 16, 19 & 20, Love Hotel, Japan, 1985 ~ Newly restored! A tale of two broken souls. A call-girl named Yumi, “night-blooming flower,” and Tetsuro, a married man with a debt to the yakuza, have a violent rendezvous in a cheap love hotel. Years later, haunted by the memory of that night, they reconnect and begin a strange love affair. Determined to finish what they started, they return to the scene of their first macabre passion. With a taste for wicked absurdity and coursing with undercurrents of operatic emotion, at times veering into near-musical territory, Love Hotel is moved by the irrational forces that attract two bodies together. It’s a film with a uniquely materialist sense of eros manifested in Shinji Somai’s long takes, each shot a tightrope-like predicament flushed with earthly tension and livewire physicality. Made in the same year as Typhoon Club, this elegiac erotica is one of Somai’s most bewitching and unnervingly romantic works, a high-water mark of Nikkatsu Studio’s legendary Roman Porno cycle of films.

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Filed Under: Claremont 5, Featured Post, Films, Glendale, Monica Film Center, Newhall, Theater Buzz, Town Center 5, Worldwide Wednesdays

FLOW may be the best animated film of the year.

December 4, 2024 by Jordan Deglise Moore

It has been another excellent year for animated features. Inside Out 2, The Wild Robot, Look Back, Art College 1994, Chicken for Linda and Memoir of a Snail stand out; Moana 2 just had a record-setting weekend; and we still have The Lord of the Rings: The War of the Rohirrim, The Colors Within and The Day the Earth Blew Up: A Looney Tunes Movie to look forward to.

But, as Yoda said, “there is another.” The adventure-fantasy Flow follows a courageous cat after his home is devastated by a great flood. Teaming up with a capybara, a lemur, a bird, and a dog to navigate a boat in search of dry land, they must rely on trust, courage, and wits to survive the perils of a newly aquatic planet. From the boundless imagination of the award-winning Latvian filmmaker Gints Zilbalodis (Away), Flow is a thrilling animated spectacle as well as a profound meditation on the fragility of the environment and the spirit of friendship and community. Steeped in the soaring possibilities of visual storytelling, it is a feast for the senses and a treasure for the heart and we open it this Friday at the Laemmle Claremont, Glendale, Monica Film Center, and Newhall.

“Critic’s Pick! Grade: A! A movie brimming with sentiment but not sentimentality, this is one of the most moving animated films in recent memory, and, beyond that, groundbreaking too. The anthropomorphic animal characters of 21st century U.S. animated features have nothing on the animal stars of ‘Flow.'” – Christian Blauvelt, Indiewire

“At the risk of sounding hyperbolic, there’s something about the purity of great animated storytelling that can shatter your heart and then make it whole again. (Think Toy Story 3.) Latvian director Gints Zilbalodis’ captivating second feature, Flow, is that kind of marvel, a vividly experiential white-knuckle survival adventure that takes place in a world on the brink of ruin. Told entirely without dialogue, this tale of a cat that evolves from self-preservation to solidarity with a motley crew of other species is something quite special” – David Rooney, The Hollywood Reporter

“Flow is as hard to resist as a pair of plaintive, saucer-shaped eyes peering out from a bundle of fur. Gints Zilbalodis’s second feature is a rousing animated adventure in which a devastating flood obliges an independent cat to seek allies among the animal kingdom. Technical virtuosity is matched by storytelling vigour and dramatic heft in a film with a ready appeal to ailurophiles and animal lovers of all ages.”- Allan Hunter, Screen Daily

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Filed Under: Claremont 5, Featured Films, Films, Glendale, Greg Laemmle, Inside the Arthouse, Monica Film Center, Newhall, Press, Theater Buzz

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