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Home » Films » Page 128

Jackson Pollock at the Getty

March 20, 2014 by Lamb L.

Jackson Pollock is a giant of American painting and one of his largest and most important pieces has been restored and is now on display here in Los Angeles through June 1st. From the Getty website:

“Commissioned by art collector and dealer Peggy Guggenheim for the entry to her New York City apartment in 1943, Mural by Jackson Pollock (American, 1912–1956) is considered one of the iconic paintings of the twentieth century. Now in the collection of the University of Iowa Museum of Art, it represents a transitional moment in Pollock’s career, as he moved toward an experimental application of paint. Following extensive study and treatment at the J. Paul Getty Museum and the Getty Conservation Institute, this exhibition presents the newly conserved work alongside findings from the Getty’s research.”

This is a not-to-be-missed opportunity to see a part of our American heritage as it was meant to be seen, not on a computer monitor or the page of a book, but in person with one’s own eyes.

And if you go, consider supplementing your weekend of visual arts with one of two excellent films about fine art we are currently showing as Saturday/Sunday morning screenings– THE RAPE OF EUROPA and TIM’S VERMEER.

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Filed Under: Around Town, Claremont 5, Films, Playhouse 7, Santa Monica, Town Center 5

LOCKER 13 Q&A’s with the Cast and Crew Opening Weekend at the NoHo 7

March 18, 2014 by Lamb L.

Please join us for a special Questions & Answers session with Producer Maria White, Director Matthew Mebane, and Actors Jon Polito, Tatyana Ali, and Jesse Garcia after the 7:10 PM screening of LOCKER 13 on Friday March 28th at the NoHo 7. Also, please join us for a special Questions & Answers session with Producers Neil Mather and Danny Del Toro, Actors Jon Gries, Carmen Perez, and Bart Johnson after the 7:10 PM screening on Saturday, March 29th.

http://www.youtube.com/watch?v=MMZsXAAkLVA

 

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Filed Under: Films, NoHo 7, Q&A's

L.A. Times: “Anita Hill’s still standing 22 years later”

March 18, 2014 by Lamb L.

We’re proud to open the “enthralling and revealing” documentary ANITA, about feminist heroine Anita Hill, this Friday at the Royal, Playhouse and Town Center. (Click here for details about Q&A’s with the filmmaker.) The L.A. Times published a piece about the film on Sunday which will give you an idea of how much more there is to Ms. Hill’s story:

THE TAKEAWAY

Anita Hills’s still standing 22 years later

The law professor who testified that Supreme court nominee Clarence Thomas had sexually harassed her in the subject of a new documentary.

By Robin Abcarian

March 16, 2014

The new documentary about Anita Hill opens with a close-up of a telephone and a bizarre voice mail message:

“Good morning, Anita Hill. It’s Ginni Thomas, and I just wanted to reach across the air waves, and the years and ask you to consider something. I would love you to consider an apology sometime, and some full explanation of why you did what you did with my husband. So give it some thought, I certainly pray about this and hope one day you will help us understand why you did what you did. OK! Have a good day.”

That obnoxious request, left on Hill’s office voice mail in October 2010, is the last we hear from Ginni Thomas in “Anita: Speaking Truth to Power” by Oscar-winning director Freida Mock. The film, which opened in Los Angeles and New York on Friday, is a perfect jumping-off point for Hill’s story, as it so perfectly distills the right-wing’s fervent desire to rewrite the history of the Clarence Thomas Supreme Court hearings.

It’s been more than 22 years since the Senate Judiciary Committee heard a soft-spoken 35-year-old University of Oklahoma law professor recount graphic instances of sexual harassment at the hands of her former boss. Despite Ginni Thomas’ prayers, Hill has never backed down from her allegations.

Why would she, since she was so obviously telling the truth?

The documentary is an unabashed love letter to Hill, guaranteed to open old wounds. It examines Hill’s life in the aftermath of a spotlight she did not seek, and the positive legacy of her testimony.

At 57, Hill seems serene and happy. She teaches law at Brandeis University and is in a long-term relationship with a restaurateur named Chuck Malone, who seems crazy about her.

It’s painful to be dragged back into the past via old clips as senators try to embarrass Hill by forcing her to repeat porn names like “Long Dong Silver,” descriptions of pubic hair on Coke cans and discussions of penis size that she says she was forced to endure as Thomas’ employee at the Equal Employment Opportunity Commission.

At a long table by herself, in a blue turquoise suit, she sits calmly, without erupting or crying. When pressed about why she hadn’t come forward sooner, she seems as perplexed as some of the senators. But 20 years ago, that wasn’t exactly unusual behavior for women whose bosses made unwanted sexual advances. It still isn’t. Hiring a sexual harassment attorney is now one of the best paths to take, whereas all those years ago it wasn’t seen as normal, because it was swept under the rug as much as possible to protect the ‘reputations’ of these harassers.

No question, what the Senate hearings unleashed was dreadful for Hill (and certainly it was no picnic for Clarence Thomas, either). But it was also a watershed moment in American politics. American women looked at how the Senate treated Hill and said: This is not right.

The all-male Senate Judiciary Committee, chaired by then-Sen. Joe Biden, grilled her, impugned her honesty and forced her to repeat the most graphic insults.

“They were humiliating her by making her go over these things again and again and again,” said New Yorker reporter Jane Mayer, who appears in the film along with Jill Abramson, now the New York Times executive editor, with whom she wrote the 1994 book “Strange Justice.” (The book will leave you with no doubts about Thomas’ proclivities.)

Hill was hung out to dry by the committee’s Democrats, who really did not want to have a conversation about a black Supreme Court nominee and leader of the EEOC allegedly sexually harassing an employee. (Sen. Edward M. Kennedy, the documentary points out, was so compromised that he was played in a”Saturday Night Live” skit about the hearings by an actor with a bag over his head.)

And she was brutalized by the committee’s Republicans. The documentary shows a clip of Alan Simpson of Wyoming saying he’d gotten letters, phone calls and faxes warning him to “watch out for this woman” about “this sexual harassment crap.”

I’m glad that Mock included the powerful clip of Thomas responding to Hill’s accusations, his only meaningful appearance in the film. It is a tour de force of indignation as he tells senators he is the victim of a “high-tech lynching for uppity blacks.”

That phrase still resonates today for John Carr, an African American attorney and friend of Hill’s who testified on her behalf in the Senate. “I hate the term ‘race card,'” Carr says now. “But that’s what he did.”

Charles Ogletree, a Harvard University law professor who stepped forward to support Hill when he saw that no other high-profile black men had, also took exception to Thomas’ phrase.

“They didn’t say, ‘Hey, wait a minute. What about the legal lynching of a black woman?” Ogletree says. “They didn’t want to be appearing to go after a black man who said ‘I didn’t do it.’ And for them, the case was closed.”

A few days after Hill testified, Thomas was confirmed by the Senate, 52 to 48.

Without a trace of rancor, Hill says that when she returned to Oklahoma afterward, “Republicans tried to get the school to fire me, even though I was tenured. My dean – they tried to get him fired. They tried to close the law school. I was threatened with just about everything – death, sexual violence.”

Click here to read the rest of the piece at the L.A. Times website.

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Filed Under: Films, News, Playhouse 7, Royal, Town Center 5

THE RAPE OF EUROPA: The L.A. Times’ Kenneth Turan on this Essential Documentary

March 12, 2014 by Lamb L.

Posted this afternoon on the L.A. Times website:

MOVIES NOW

FILMS: PAST, PRESENT AND FUTURE

Critic’s Pick: The feature film ‘The Monuments Men’ has brought about the re-release of the documentary “The Rape of Europa,’ which details the Nazi wartime theft of European art.

By Kenneth Turan, Los Angeles Times Film Critic

If George Clooney’s “The Monuments Men” did nothing else, it made possible the theatrical re-release of “The Rape of Europa,” a splendid documentary that shows the true story behind the Nazi theft of European art and interviews some of the real-life Monuments Men who got it back. The film is packed with information and also tells a series of wonderful truth-is-stranger-than-fiction tales. “The Rape of Europa” even details the postwar fights about who owns which paintings that culminated in the sale of Gustav Klimt’s gold portrait for a record $135 million. This documentary paints a picture that is vivid and timely. Playing on Saturday and Sunday at [11 AM at] Laemmle’s Monica 4 in Santa Monica, Town Center 5 in Encino, Playhouse 7 in Pasadena and Claremont 5 in Claremont.

Adolf HItler was drawn to art. “The Rape of Europa” details Nazi looting of Europe’s works. (Lynn Nicholas Collection / Agon Arts & Entertainment)

 

 

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Filed Under: Claremont 5, Films, Playhouse 7, Santa Monica, Town Center 5

SPARKS Cast and Crew at the NoHo for a Q&A

February 13, 2014 by Lamb L.

The cast and crew of the indie superhero noir thriller SPARKS will participate in a Q&A after the 7 PM screening at the NoHo 7 on Saturday, March 15.

http://www.youtube.com/watch?v=qgM48TVD-g0

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Filed Under: Films, NoHo 7, Q&A's

A Plethora of Oscar-Nominated Docs and Shorts on the Big Screen

February 13, 2014 by Lamb L.

Last year was a great movie year and we’re still enjoying the cream of the Oscar-nominated crop. Moviegoers still have time to catch many of the documentaries and shorts in all their big-screen glory before filling out their Oscar ballots, either at work or with Laemmle. This weekend we’re opening the live action, animated and documentary shorts and if you haven’t yet enjoyed the doc features THE SQUARE, TWENTY FEET FROM STARDOM or CUTIE AND THE BOXER, we’re playing those too! It’s a splendid time to be a cinephile.

From THE SQUARE

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Filed Under: Claremont 5, Films, Music Hall 3, NoHo 7, Playhouse 7, Royal

L.A. Times Interview: “Filmmaker flashes back to her ’90s girlhood in Georgia for IN BLOOM”

February 5, 2014 by Lamb L.

From today’s L.A. Times:

Filmmaker flashes back to her ’90s girlhood in Georgia for IN BLOOM

Nana Ekvtimishvili recalls things being even worse than depicted in her movie IN BLOOM, which is set in a newly independent Georgia. She and husband/co-filmmaker Simon Gross discuss the film.

By Susan King

“In Bloom,” the foreign language film Oscar submission from Georgia, revolves around two 14-year-old girls coming of age in 1992. Best friends Eka and Natia live in Tbilisi, the capital of Georgia, a newly independent country after the collapse of the Soviet Union, but independence hasn’t made life any easier.

There’s violence and unrest, with justice doled out vigilante style. Food is scarce and bread lines are long. And a lot of young girls don’t even get the opportunity to be teenagers because they are kidnapped by men and forced into marriage.

Nana Ekvtimishvili, who was raised in Tbilisi, wrote the film, which opens Friday, and co-directed it with her German-born husband, Simon Gross. The two met in Munich, Germany, as film students and currently live and work in Tbilisi.

Read the interview on the L.A. Times website.

Filmmakers Nana Ekvtimishvili and Simon Gross of IN BLOOM

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Filed Under: Featured Films, Films, Music Hall 3, Playhouse 7, Press

Manohla Dargis/N.Y. Times Dispatch from Sundance

January 24, 2014 by Lamb L.

We greatly admire the film writing of Manohla Dargis, first of the Village Voice, then the L.A. Weekly, then the L.A. Times and now the New York Times. Her reviews and reporting from important film festivals like Sundance are required reading in our little corner of the film industry. She posted this yesterday and as always it’s exciting to hear what we have to look forward to, including Boyhood, We Come as Friends and Land Ho! The latter, Ms. Dargis writes, features “the breakout star of this year’s festival,” Earl Lynn Nelson, which is refreshing because the actor is neither a comely ingenue nor a chiseled hunk but rather an elderly man.

Earl Lynn Nelson, left, and Paul Eenhoorn in Martha Stephens and Aaron Katz's "Land Ho!"

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Filed Under: Films, News, Q&A's

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Tickets: http://laemmle.com/film/lost-starlight | Subscribe: http://bit.ly/3b8JTym | In 2050 Seoul, astronaut Nan-young’s ultimate goal is to visit Mars. But she fails the final test to onboard the fourth Mars Expedition Project. The musician Jay buries his dreams in a vintage audio equipment shop.

The two fall in love after a chance encounter. As they root for each other and dream of a new future. Nan-young is given another chance to fly to Mars, which is all she ever wanted…

“Don’t forget. Out here in space, there’s someone who’s always rooting for you

Tickets: http://laemmle.com/film/lost-starlight

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/ghost | Subscribe: http://bit.ly/3b8JTym | Sam Wheat (Patrick Swayze) is a banker, Molly Jensen (Demi Moore) is an artist, and the two are madly in love. However, when Sam is murdered by friend and corrupt business partner Carl Bruner (Tony Goldwyn) over a shady business deal, he is left to roam the earth as a powerless spirit. When he learns of Carl's betrayal, Sam must seek the help of psychic Oda Mae Brown (Whoopi Goldberg) to set things right and protect Molly from Carl and his goons.

Tickets: http://laemmle.com/film/ghost

RELEASE DATE: 5/21/2025
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Cast: Patrick Swayze, Demi Moore, Whoopi Goldberg, Tony Goldwyn

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/polish-women | Subscribe: http://bit.ly/3b8JTym | Rio de Janeiro, early 20th century. Escaping famine in Poland, Rebeca (Valentina Herszage), together with her son Joseph, arrives in Brazil to meet her husband, who immigrated first hoping for a better life for the three of them. However, she finds a completely different reality in Rio de Janeiro. Rebeca discovers that her husband has passed away and ends up a hostage of a large network of prostitution and trafficking of Jewish women, headed by the ruthless Tzvi (Caco Ciocler). To escape this exploitation, she will need to transgress her own beliefs

Tickets: http://laemmle.com/film/polish-women

RELEASE DATE: 7/16/2025
Director: João Jardim
Cast: Valentina Herszage, Caco Ciocler, Dora Friend, Amaurih Oliveira, Clarice Niskier, Otavio Muller, Anna Kutner

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