In-Person Wim Wenders Q&A for ANSELM 3D Saturday in Glendale; 2D runs this week at other venues; MUST END SOON!
If you haven’t yet seen Wim Wenders’ 3D documentary Anselm in Glendale, there’s still time! We’ll have this fascinating portrait of painter and sculptor Anselm Kiefer in 3D for at least one more week in the Jewell City and we’ll open 2D engagements this Friday in Santa Monica, Encino, Claremont and Newhall. What’s more the director will participate in an in-person Q&A following the Saturday, January 13 1 pm screening in Glendale. Matt Carey will moderate.
“Anselm offers both a thrilling portrait of the artist at work and, with the aid of terrific archival footage, lets us see what infuses his work with such intensity.” ~ John Powers, NPR
“The director [Wim Wenders] has fashioned a mesmerizing engagement with Kiefer’s art, including just enough face time with the subject to elevate the work’s immersive, bleak majesty, rather than give it an aggrandizing spin.” ~ Robert Abele, Los Angeles Times
“This is a superbly controlled and expressed film and its high seriousness about the nature and purpose of art really is invigorating.” Peter Bradshaw, Guardian
More Oscar Shortlisted Documentaries this Weekend! BOBI WINE: THE PEOPLE’S PRESIDENT + 32 SOUNDS.
Contest! Submit your Top Ten Films of 2023 for a chance to win gift cards.
Have you caught up on all the 2023 movies you wanted to see? Regardless, it’s time to submit your Top Ten lists! Tell us which films you liked best here and you’ll be entered into a raffle for one of three $25 Laemmle gift cards. If you need inspiration, here’s my highly subjective alphabetical list. (Greg Laemmle will announce his list when we announce the winners of this contest, at which point he should have caught up to May December, Anatomy of a Fall and a couple others.)
Anatomy of a Fall: Sandra Hüller, formidable in court and dominating one of the gnarliest, most riveting marital arguments in cinema history.
Asteroid City: Wes Anderson gives us another melancholy, gorgeous, sui generis movie. “The notion of a perfect movie is absurd, but some movies attain an ideal synthesis of the director’s body of work. Wes Anderson’s latest, Asteroid City, is one such film.” ~ Richard Brody, The New Yorker
Fallen Leaves: Like Asteroid City, it’s a melancholy but funny and silver-lined one-of-a-kind work from a one-of-a-kind filmmaker.
Indiana Jones and the Dial of Destiny: A wise man (U.C. Berkeley English Professor Stephen Booth) told his students: never be ashamed of what you like. This movie made me laugh out loud, it was so entertaining. Pass the popcorn!
Oppenheimer: Chilling, masterfully done, and awesome, in the original sense of the word.
Past Lives: Celine Song and Greta Lee! Deeply romantic and moving.
Showing Up: Kelly Reichardt and Michelle Williams! “A serene, pulse-lowering charmer.” ~ Michael Phillips, Chicago Tribune
You Hurt My Feelings: Nicole Holofcener and Julia Louis-Dreyfus! “Warm-hearted and rueful and hilarious in all the best ways.” ~ Alissa Wilkinson, Vox
The Zone of Interest: The terrifying banality of evil. Sandra Hüller again, this time paired with an equally scary Christian Friedel as Rudolf Höss, as the Macbeth and Lady Macbeth of Auschwitz.
One caveat: I still haven’t seen Barbie, All of Us Strangers, Poor Things or Afire and based one what others have said about them, my list might look different had I seen them. I did see Killers of the Flower Moon with two people who adored it and maybe I caught it on a bad night because, you know what? — I kept checking my watch.
Q1 2024 Culture Vulture Films Announced!
See the Academy Shortlisted Foreign Films and Feature Documentaries at Laemmle.
As a gifted filmmaker told the New Yorker last year, seeing a movie at home rather than in a movie theater is “like reading a novel where you read one word out of two.” With that in mind, check out the Academy’s just-announced list of feature documentaries and international films that they have shortlisted for nominations. We’ll be playing a number of them:
SOCIETY OF SNOW (Spain) is now playing at the NoHo for two-week run.
THE TEACHERS’ LOUNGE (Germany) opened Christmas Day at the Royal and is expanding in January.
Aki Kaurismäki’s FALLEN LEAVES (Finland) is on screen at the Monica Film Center and set to return to Glendale.
THE PROMISED LAND from Denmark (with Mads Mikkelsen!), THE MONK AND THE GUN from Bhutan and TOTEM from Mexico are all set to open on February 2. And THE TASTE OF THINGS from France (with Juliette Binoche and Benoît Magimel!) will be back starting February 9.
And finally, we expect to be opening Jonathan Glazer’s THE ZONE OF INTEREST (United Kingdom) and Wim Wenders’ PERFECT DAYS (Japan)!
Make plans to enjoy the cinematic feast of the holiday season well into 2024!
THE STING 50th Anniversary Screening December 27.
Laemmle Theatres and the Anniversary Classics Series present a year-end holiday treat: a 50th anniversary screening of the Oscar-winning Best Picture of 1973, ‘The Sting,’ featuring the boffo box office team of Paul Newman and Robert Redford. Our screening is presented almost 50 years to the day when it originally opened, on December 25, 1973. It captivated audiences eager for lighthearted holiday entertainment and snagged huge box office returns in addition to seven Academy Awards in the spring of 1974. We’ll screen it at the Royal next Wednesday, December 27, at 7 PM.
Newman and Redford had scored an enormous success four years earlier when they teamed with director George Roy Hill to make the western romp, ‘Butch Cassidy and the Sundance Kid.’ They joined Hill again when they agreed to play two grifters in the 1930s. Their characters set out to get revenge against a mob boss (played by Robert Shaw) by devising an elaborate con to bilk him of a huge fortune. The Oscar-winning script by David S. Ward (inspired in part by a nonfiction book, ‘The Big Con,’ written by David Maurer) is full of nifty twists and turns as the grifters stalk their prey. The expert supporting cast includes Charles Durning, Ray Walston, Eileen Brennan, and Harold Gould. The movie was produced by Tony Bill, Julia Phillips and Michael Phillips.
In addition to its Oscars for Best Picture, Best Director, and Best Original Screenplay, the film was recognized for its expert art direction by Henry Bumstead and James Payne, costumes by veteran Edith Head, editing by William Reynolds, and music scoring by Marvin Hamlisch. The composer’s adaptation of ragtime hits by Scott Joplin (especially his signature tune, “The Entertainer”) helped to start a ragtime revival craze throughout the country. The award marked Hamlisch’s third Oscar that year; he also won for his Original Score and Best Song from another of the year’s hit movies, ‘The Way We Were.’
Variety raved about the movie, “George Roy Hill’s outstanding direction of David S. Ward’s finely crafted story of multiple deception and surprise ending will delight both mass and class audiences.” Roger Ebert agreed that it was “one of the most stylish movies of the year,” and the Los Angeles Times called it “an unalloyed delight.” According to New York magazine critic Judith Crist, “What glitters here is pure movie gold.” More recently, Richard Roeper of the Chicago Sun-Times called ‘The Sting‘ “one of the most enduring and exquisitely crafted blockbusters of all time.”
The movie took in over $160 million, a huge amount at the time, and it was added to the National Film Registry of the Library of Congress in 2005.
Now more than ever: Greg Laemmle on singing along to FIDDLER ON THE ROOF in times like these.
From Greg Laemmle: “I started this as a Christmas Eve event (tradition!) specifically because I wanted to celebrate that as Jews in America, we did not need to hide in our homes. My grandmother hated this time of year because she had memories of her childhood in Tsarist Russia and the frequent episodes of violence (pogroms) against the Jewish communities there around the holiday. The America that I grew up in was open enough that it could accept the diversity of our society, recognizing that Americans of all religious (or non-religious) backgrounds were free to celebrate the end of year period in their own fashion. I’m not sure America is as accepting right now, but I’m not prepared to cede this ground to those pushing for a more restrictive vision of what America is. Now, more than ever, it is important that we not hide. And now, as much as ever, we need to feel the joy of the free association that is a Constitutional right of living in America. Fiddler on the Roof tells a complicated tale about the fragility of living as a minority in an oppressive state. But it also shows the joy and beauty of life, and hints at the potential of modernity to provide a freer world that does not discriminate based on race, religion or gender. LOVE is the force that truly shakes the foundations of Tevye’s world. And LOVE, not HATE, will save us from our current predicaments.”
JOIN US on DEC. 24th for our umpteenth annual alternative Christmas Eve, the Fiddler on the Roof Sing-a-Long! Screening at 7 o’clock at our Claremont, Glendale, Newhall, NoHo, West L.A. and Encino theaters.
Belt out your holiday spirit … or your holiday frustrations. Either way, you’ll feel better as you croon along to all-time favorites like “TRADITION,” “IF I WERE A RICH MAN,” “TO LIFE,” “SUNRISE SUNSET,” “DO YOU LOVE ME?” and “ANATEVKA,” among many others.
We encourage you to come in costume! Guaranteed fun for all. Children are welcome (Fiddler is rated “G”) though some themes may be challenging for young children.
Prices this year start at $16 for General Admission and $13 for Premiere Card holders. Typically, Fiddler sells out … so don’t miss the buggy!
Originally based on Sholem Aleichem’s short story “Tevye and His Daughters,” Norman Jewison’s adaptation of the long-running Broadway musical is set in a Russian village at the beginning of the twentieth century. Israeli actor Topol repeats his legendary London stage performance as Tevye the milkman, whose equilibrium is constantly being challenged by his poverty, the prejudice of non-Jews, and the romantic entanglements of his five daughters. Fiddler was nominated for eight Oscars, including Best Picture, Director and Actor, and won three, for Cinematography, Sound and Score (John Williams).
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