Now playing Thursday nights at the DBA Hollywood, “For The Record: BAZ” is an exploration of the music used in THE GREAT GATSBY, ROMEO+JULIET, MOULIN ROUGE, and STRICTLY BALLROOM. This is a unique and engaging performance that is sure to capture any music fans attention, even if they weren’t wild about the films the songs came from. The stories of these four sets of lovers is heartbreaking and beautifully staged. The run has been extended by popular demand, and shows sell out about a week in advance so be sure to get your tickets early through dbahollywood.com.

Also at The DBA Hollywood Friday through Sunday nights is “For a The Record: Dear John Hughes” featuring songs from THE BREAKFAST CLUB, PRETTY IN PINK, FERRIS BEULLER’S DAY OFF, and several other beloved 80s classics.

For the full schedule of performances and to purchase tickets, visit: http://dbahollywood.com/calendar/

About the Author: Caitlin Kleppinger is a 5-year Laemmle employee. She writes screenplays with her partner in crime / sister and blogs at http://908south.blogspot.com/ .

The good folks at the Pico Union Project are hosting a powerful one-man play called WRESTLING JERUSALEM on Friday and Saturday, February 6 and 7. Set in America, Israel and Palestine, WRESTLING JERUSALEM follows one man’s journey to understand the Israeli-Palestinian conflict. Aaron Davidman, who also wrote the play, delivers a solo performance that grapples with the complexities of identity, history, and social justice. Giving voice to over a dozen characters, the play sheds light on one of the most entrenched conflicts of our time. Tickets are available here.

People love to see movies on holidays, whether to enhance the day or escape unrealistic expectations of delight and good cheer, so Laemmle Theatres is open every day of the year. We do, however, close a little early on New Year’s Eve, skipping the last round of shows so our theater managers and staff can enjoy some well-deserved time off. With that in mind, allow us to point you to an impressive list of New Year’s Eve events planned in and around Los Angeles, compiled by LAist.com. Assuming you prefer attending a public event to a private house party or staying home with a good book, the free (as in no entrance fee and alcohol-free) celebration downtown — Grand Park’s New Year’s Eve L.A. — looks like the most promising of the bunch: food trucks, lots of live music, KCRW DJ’s, free public transportation, and much more, all in a terrific public space. Regardless of how you see in it in, Happy New Year! Thank you for your patronage in 2014 and here’s to more great movies in 2015.

We are big bicycle boosters here at Laemmle Theatres so get quite excited about big things like CicLAvia and small things that most people wouldn’t notice, like the installation of bike corrals. So naturally when we heard that our friends at UCLA’s Fowler Museum were planning an exhibit about a seminal event in the early history of bicycling, we wanted to help spread the word. From the Fowler website:

“In the summer of 1890, two young Americans, William Sachtleben and Thomas Allen, Jr., set off to circle the globe on new-fangled “safety” bicycles. Three years later, after pedaling some 18,000 miles across three continents, their harrowing tales of adventure made them international celebrities. Their timely championing of the bicycle helped spark the great bike boom of the mid-1890s, which transformed cycling from an elitist, male-dominated pastime into a wildly popular means of recreation and transportation for all. Along the way, Sachtleben and Allen chronicled their adventures with two novel compact Kodak film cameras, heralding a new “democratic” era for photography, as well.

“Round Trip: Bicycling Asia Minor, 1891—on display at the Fowler Museum from Dec. 14, 2014–Apr. 5, 2015—features forty-two circular black-and-white photographs taken by the cyclists and reproduced from recently scanned negatives held by the UCLA Library Special Collections. The images track a year on the road between Athens, Greece, and Tashkent, Uzbekistan, and their accompanying captions are based on Sachtleben’s meticulous notes, written on the envelopes that contained each original negative.

“The photographs vividly convey what the two adventurers experienced as they pedaled across barren dirt roads, river crossings, mountain passes, and volcanic terrains, encountering peoples and cultures entirely foreign to them. The scenes of everyday life also reflect how the locals—many of whom had never before seen a Westerner or a bicycle—reacted to them and to the marvelous technologies that were destined to change ancient ways of life.

“During their three-year journey, Sachtleben and Allen traversed Europe, Asia, and North America and recorded some 1,200 circular images on 3.5-inch nitrate negatives. Only about a third of the negatives are known to have survived, and these are now part of the Sachtleben Collection kept since 1984 by UCLA Special Collections. The negatives were scanned in 2013—a complicated process, given their fragile and combustible state.

“The exhibition features four of the countries Sachtleben and Allen toured in 1891, arranged chronologically: Greece, Turkey, Persia (Iran), and the Russian Empire (Turkmenistan and Uzbekistan). Approximately ten images have been selected from each country, and enlarged to 20” in diameter.

“Round Trip: Bicycling Asia Minor, 1891 is organized by the Fowler Museum at UCLA and co-sponsored by the UCLA Library Special Collections. The guest-curator is David V. Herlihy, historian and author of Bicycle: The History and Lost Cyclist: The Epic Tale of an American Adventurer and His Mysterious Disappearance.