Elie Wiesel: Soul on Fire tells the story of one of the most important moral voices of the twentieth century. Directed by Oren Rudavsky, the film offers a deeply personal look at Elie Wiesel—Holocaust survivor, Nobel laureate, writer, and teacher—whose life was shaped by both unimaginable tragedy and an unshakable belief in humanity’s capacity for good.
Tune into Inside the Arthouse to hear Rudavsky discuss his latest project with co-hosts Greg Laemmle and Raphael Sbarge ahead of its release in NYC on September 5th and Los Angeles on October 3rd.
Oren Rudavsky is an award-winning documentary filmmaker known for exploring Jewish identity, history, and culture, often in collaboration with fellow documentarian Menachem Daum. His films blend personal narrative with historical inquiry, illuminating the intersection of faith, memory, and social conscience.
Soul on Fire moves from Wiesel’s childhood in the Romanian town of Sighet to his deportation at age sixteen to Auschwitz, where he would ultimately lose most of his family. Through a mixture of animated sequences, rare archival footage, and Wiesel’s own words, the film brings these early years into focus while tracing the beginnings of a lifelong struggle to put memory into language.
Alongside his story of survival, the film also follows Wiesel’s rise as an author and speaker whose message reached far beyond the Jewish community. Viewers hear from family members, friends, and scholars who illuminate both the man and his mission: to point out injustice, and not let the world look away.
Wiesel’s moral reach extended to many corners of the globe. He called attention to the plight of Soviet and Ethiopian Jews. He condemned apartheid in South Africa. He spoke out for Bosnian Muslims under siege, the victims of genocide in Rwanda, the Kurds, the Sudanese, and Argentina’s “Disappeared.” His Nobel Prize acceptance speech also included the recognition of Palestinian suffering, a reflection of his lifelong effort to encourage dialogue and understanding, eschewing static classifications of ‘oppressor’ and ‘oppressed’ for a more nuanced, constantly evolving understanding of what we owe to those around us.
What emerges is a portrait of a man who never stopped asking difficult questions. How can memory shape the future? What does it mean to bear witness? Where do we draw the line between silence and action?
Elie Wiesel: Soul on Fire does not present easy answers, but it does offer viewers an intimate encounter with Wiesel’s humanity and all that it encompasses: his faith, his doubts, and his determination to remind the world of its responsibility to those who suffer.
“Though Rudavsky eloquently includes archival footage and judiciously applies the now overused device of animated reenactments, it is that face, those eyes, that voice, and those words that make this such a stunning film.” – Peter Keough, Doc Talk
“[This] devastating, necessary documentary concerns being a witness to history and then disseminating the horrors that the world means to forget or maybe worse . . . distort and make light of.” – Brandon Judell, Bouncin’ and Behavin’ Blogs
“[Wiesel] wanted to create a world of witnesses, and he did so by bringing the story of the tragedy of the Holocaust to millions.” – Hannah Brown, The Jerusalem Post
Laemmle Theatres and the Anniversary Classics Series present this month’s film in our popular Anniversary Classics Abroad program: Regis Wargnier’s compelling and increasingly timely thriller, 
Laemmle Theatres and the Anniversary Classics Series invite you to celebrate the publication of Stephen Farber and Michael McClellan’s new book, Cinema ’62: The Greatest Year at the Movies, with screenings of one of the most memorable movies from 1962, John Frankenheimer’s The Manchurian Candidate.
Cinema ’62 provides fascinating anecdotes about this classic thriller and about many of the other masterpieces of this landmark year. Read all about them after you enjoy this innovative, frightening, wickedly funny, and ever-timely highlight from a year full of cinematic wonders.
