Dear opera, ballet, fine art and live theater buffs, we have completed the schedule for our weekly Culture Vulture series, January, February and March 2017 and we have got some wonderful things to show you. As you may or may not know, we screen these every Monday night at 7:30 and Tuesday afternoon at 1 at the Playhouse 7 in Pasadena, the Town Center 5 in Encino, the Claremont 5 in Claremont, the Ahyra Fine Arts and the Monica Film Center in Santa Monica. The full schedule is below and at https://www.laemmle.com/culturevulture.
January 9 & 10: THE GOLDEN AGE from the Bolshoi Ballet
A satire of Europe during the Roaring 20s, THE GOLDEN AGE makes for an original, colorful, and dazzling show with its jazzy score and music-hall atmosphere. This ballet that can only be seen at the Bolshoi has everything to it: mad rhythms, vigorous chase scenes, and decadent cabaret numbers. With its passionate love story featuring beautiful duets between Boris and Rita, the Bolshoi dancers plunge into every stylized step and gesture magnificently.
January 16 & 17: NO MAN’S LAND from the National Theatre
Ian McKellen and Patrick Stewart star Sean Mathias’ acclaimed production of NO MAN’S LAND, one of the most brilliantly entertaining plays by Harold Pinter. One evening, two aging writers, Hirst and Spooner, meet in a pub and continue their drinking into the night at Hirst’s stately house nearby. As the pair become increasingly inebriated, and their stories more unbelievable, the conversation soon turns into a revealing power game, further complicated by the intrusion of two sinister younger men.
January 23 & 24: THE CURIOUS WORLD OF HIERONYMOUS BOSCH from the Noordbrabants Museum
Who was Hieronymus Bosch? Why do his strange and fantastical paintings resonate with art lovers now more than ever? THE CURIOUS WORLD OF HIERONYMOUS BOSCH features the critically acclaimed exhibition ‘Visions of a Genius’ at the Noordbrabants Museum in the southern Netherlands, which brought the majority of Bosch’s paintings and drawings together for the first time to his home town of ‘s-Hertogenbosch and attracted almost half a million art lovers from all over the world.
January 30 & 31: CARVALHO’S JOURNEY
A real life 19th century American western adventure story, CARVALHO’S JOURNEY tells the extraordinary story of Solomon Nunes Carvalho (1815-1897), an observant Sephardic Jew born in Charleston, South Carolina, and his life as a groundbreaking photographer, artist and pioneer in American history.
February 6 & 7: SAMSON ET DALILA from l’Opéra de Paris.
Based on the biblical story, Saint-Saëns’s 1877 opera would not be performed at the Palais Garnier until fifteen years later. This first Parisian performance in 1892 included the hitherto unperformed “Dance Of The Priestesses.” Nevertheless, it became one of the most performed French operas in the world, together with Faust and Carmen. Conducted by Philippe Jordan, this new production brings back a repertoire masterpiece that has not been performed at the Paris Opera for twenty-five years.
February 13 & 14: FEELINGS ARE FACTS: THE LIFE OF YVONNE RAINER
Feelings Are Facts: The Life of Yvonne Rainer chronicles the defiant, uncompromising, and highly influential ideas of postmodern choreographer and filmmaker Yvonne Rainer. Over the course of her career, she revolutionized modern dance, generated what later became known as performance art, and changed the basic tenets of experimental filmmaking – all during a time when women were largely ignored in the art world.
February 20 & 21: AMADEUS from the National Theatre
Lucian Msamati (Luther, Game of Thrones, NT Live: The Comedy of Errors) plays Salieri in Peter Shaffer’s iconic play, captured live at the National Theatre, and with live orchestral accompaniment by Southbank Sinfonia. Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name. Seized by obsessive jealousy he begins a war with Mozart, with music, and ultimately, with God.
February 27 & 28: I, CLAUDE MONET
From award-winning director Phil Grabsky comes this fresh new look at arguably the world’s favorite artist – through his own words. Using letters and other private writings I, CLAUDE MONET reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries.
March 6 & 7: UN BALLO IN MASCHERA from the Bayerische Staatsoper
The Bavarian State Opera’s former music director Zubin Mehta returned to the fabled house, where his image in bronze adorns one of the foyers, to celebrate his 80th birthday by conducting Verdi’s middle-period masterpiece for the first time in a staged production. His remarkable cast includes soprano Anja Harteros singing Amelia for the first time and “filling every note with Verdian intensity;” tenor Piotr Beczala as a “visually and vocally dashing Riccardo;” and George Petean as an “exemplary” Renato (Neue Musikzeitung).
March 13 & 14: WOOLF WORKS from the Royal Opera House Ballet
The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf and starring Alessandra Ferri and Mara Galeazzi.
March 20 & 21: SAINT JOAN from the National Theatre
Joan: daughter, farm girl, visionary, patriot, king-whisperer, soldier, leader, victor, icon, radical, witch, heretic, saint, martyr, woman. From the torment of the Hundred Years’ War, the charismatic Joan of Arc carved a victory that defined France. Bernard Shaw’s classic play depicts a woman with all the instinct, zeal and transforming power of a revolutionary. Josie Rourke (Coriolanus, Les Liaisons Dangereuses) directs Gemma Arterton (Gemma Bovery, Nell Gwynn, Made in Dagenham) as Joan of Arc in this electrifying masterpiece.
March 27 & 28: THE ARTIST’S GARDEN: AMERICAN IMPRESSIONISM from the Florence Griswold Museum
American impressionism took its lead from French artists like Renoir and Monet but followed its own path that over a thirty-year period reveals as much about America as a nation as it does about a much-loved artistic movement. The story of American impressionism is closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Traveling to studios, gardens and treasured locations throughout the Eastern United States, UK and France, this mesmerizing film is a feast for the eyes.