The Official Blog of Laemmle Theatres.

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The official blog of Laemmle Theatres

The 2023 Laemmle Oscar Contest results are in.

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It’s the day after Pi Day, but check out these cool pie charts to see who won our Umpteenth Annual Oscar Contest (the winner got 21 correct; the final question about the running time proved to be a tiebreaker between the second and third place winners, who both got 19 correct) and confirm that Laemmle moviegoers are crazy savvy about predicting how the Academy will vote. Of the 23 categories, the Laemmle hive mind accurately guessed all but four categories:

Best Supporting Actress (Jamie Lee Curtis/Everyone Everywhere All at Once bested Angela Bassett/Black Panther: Wakanda Forever);

Best Makeup & Hairstyling (The Whale swallowed Elvis);

Best Score (All Quiet on the Western Front defeated Babylon);

Best Production Design (All Quiet topped Babylon again)
Thanks for playing and get excited for the the next Oscar race by reading this round-up of early favorites to be nominated, which includes new films by Scorsese, Michael Mann, Wes Anderson, Ari Aster, Christopher Nolan, Ridley Scott and more!

Farewell, Chaim Topol.

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The brilliant actor Topol, who so completely embodied the character of Tevye the milkman in Fiddler on the Roof that he went on to play him literally thousands of times – passed away last week in Tel Aviv. Thank you, Sir, for bringing so much joy to the world, for your humanitarian work, and for making our many Christmas Eve Fiddler Sing-Along screenings such memorable and meaningful experiences.
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Margalit Fox ended her New York Times obituary by sharing this 2009 Topol quote about the meaning he got in return from playing the role: “I did Fiddler a long time thinking that this was a story about the Jewish people. But now I’ve been performing all over the world. And the fantastic thing is wherever I’ve been — India, Japan, England, Greece, Egypt — people come up to me after the show and say, ‘This is our story as well.’”
Last year’s fine documentary ‘Fiddler’s’ Journey to the Big Screen is an excellent place to learn more about Topol’s masterpiece. (Did you know Frank Sinatra was considered for the lead role?!)

WHAT THE HELL HAPPENED TO BLOOD, SWEAT & TEARS? Q&A schedule.

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What the Hell Happened to Blood, Sweat & Tears? Q&A schedule:

Join John Scheinfeld, director and Bobby Colomby, Drummer and Bandleader for Blood, Sweat & Tears for Q&As on:
Friday, March 31st at 7:10pm & Saturday, April 1st at 7:10pm @ Laemmle Monica Film Center; five-time Grammy winner Jimmy Jam will moderate.
Monday, April 3rd at 7:00pm @ Laemmle Noho
Tuesday, April 4th @ Laemmle Claremont CANCELLED
Wednesday, April 5th at 7:00pm @ Laemmle Town Center; Steve Edwards, TV personality and three-time Honorary Mayor of Encino, will moderate
Thursday, April 6th @ 7:00pm @ Laemmle at Glendale

ONLY IN THEATERS wraps up Bay Area tour, returns to L.A. later this month.

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Greg and Tish Laemmle just finished a tour of the Bay Area with the documentary about the family business, Only in Theatres, participating in nine Q&As over nine days at eight venues; great reviews and word-of-mouth brought out the crowds. Encore Los Angeles screenings are planned on March 30 and April 2 and will include Q&As with filmmaker Raphael Sparge with Greg & Tish.
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“A pity party that has no business being so much fun,” UNA VITA DIFFICLE opens in the U.S. after a 62 year wait.

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The long-awaited U.S. premiere of Dino Risi’s Una Vita Difficile, starring one of the most beloved of all Italian actors, Alberto Sordi (Mafioso, Il Boom, Fellini’s The White Sheik and I Vitelloni, etc.), was greeted with big crowds and admiring reviews when Rialto Pictures opened its restoration in New York last month. Laemmle Theatres opens the film about a resistance fighter-turned-journalist and his wife (Lea Massari) navigating life in post-war Italy on Friday, March 17 at the Royal and Town Center and March 24 at the Monica Film Center and Laemmle Glendale.

The New York Times’ critic A.O. Scott hailed it as “a stellar specimen of commedia all’italiana.” In his review for Air Mail, Michael Sragow proclaimed, “Alberto Sordi triumphs at jet-black comedy…(he’s) Jack Lemmon and Walter Matthau in their prime, rolled into one.”

In Italy, Una Vita Difficile has long been cherished as a highlight of the 1950s and 60s golden age of Italian comedy, which also gave the world Big Deal on Madonna Street, Divorce Italian Style, Mafioso, Yesterday, Today and Tomorrow, and Risi’s own Il Sorpasso (made the year after Una Vita Difficile). While these and others were major arthouse hits in the U.S., Una Vita Difficile was inexplicably never released here…until now.

 

“A stellar specimen of commedia all’Italiana by a true maestro of the form. Pulsate[s] with the breathlessness and disorientation of a country simultaneously grappling with the past and speeding toward a confusing future…Belongs in the company of Fellini’s La Dolce Vita and Risi’s Il Sorpasso. It also stands by itself as an exuberant bad time, a pity party that has no business being so much fun.” — A.O. Scott, The New York Times

“It sounds absurd to even contemplate: an unreleased 1961 epic romance starring the legendary Alberto Sordi that tackles the decades after WWII — a mixture of sentiment and grand historic sweep that the Italians always did so well — that’s somehow just getting a U.S. release.” — Bilge Ebiri, New York Magazine

“Risi’s deft seriocomic panorama, from Mussolini’s fall to the rise of the postwar Roman oligarchy…Alberto Sordi triumphs at jet-black comedy when the antihero fails as an idealist, a husband, even as a sell-out. The closest America has come to Sordi is Jack Lemmon and Walter Matthau in their prime, rolled into one.” — Michael Sragow, Air Mail

Moviegoers, enter the Umpteenth Annual Laemmle Oscar Contest before time runs out.

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The Oscar race is in the final stretch. Almost all of the major guilds have spoken (the WGA awards are this Sunday) and Everything Everywhere All at Once is looking unbeatable. However…every year there are two or three surprises and doubtless 2023 won’t be an exception. The question is, do you think you can divine the surprises? Cate Blanchett instead of Michelle Yeoh for Best Actress? Spielberg instead of the Daniels for Best Director? Bill Nighy or Austin Butler instead of Brendan Fraser for Best Actor? There are so many possible ways this can go, you should weigh in! I mean, the stakes could not possibly be lower!

If you, dear moviegoer, can accurately predict how the members of the Academy of Motion Picture Arts & Sciences will vote in all 23 categories, (or close to it), you will win movie passes good at all Laemmle venues! The 95th Academy Awards take place on Sunday, March 12 and we’ll announce the winners soon afterwards. Good luck!

“John le Carré by way of David Lynch,” PACIFICTION opens Friday at the Royal, March 10 in Glendale.

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The gorgeous political thriller Pacifiction, from Catalan filmmaker Albert Serra (The Death of Louis XIV), was nominated for nine César Awards (winning two, Best Cinematography and Best Actor for Benoît Magimel). It’s set in Tahiti and follows the French government official De Roller (Magimel). A.O. Scott of the New York Times described the character this way:

“Played by Benoît Magimel with shambling delicacy, De Roller is like the French cousin of a character you might find in a Graham Greene novel or a tale by Joseph Conrad. He is a world-weary, somewhat dissolute avatar of colonial power — “a representative of the state” in his own assessment, which sounds both humble and boastful — going to seed in a tropical paradise. He is a diplomat, a fixer, a bon vivant and, thanks to Magimel’s louche charisma, a lost soul whose wandering and dithering carry a hint of pathos.”

Scott goes on to say of the film:

“It suggests John le Carré by way of David Lynch — a feverish and haunting but also wry and meditative rumination on power, secrecy and the color of clouds over water at sunset.”
  

“I can only say I was captivated by the film and its stealthy evocation of pure evil.” ~ Peter Bradshaw, Guardian

“A hallucinatory, disquieting, languid epic, Pacifiction willfully disorients. Prosaic plot specifics are ancillary to creating unfading images; it’s concerned more with sensation than sense. What tethers us to the film is Magimel’s superb performance.” Melissa Anderson, 4Columns

“Ultimately, the film’s greatest feat is in providing moments for delightful reverie through its sumptuous visuals while constantly making clear the colonialist reality of the island.” ~ Joshua Minsoo Kim, Chicago Reader

“Pacifiction is not a vicarious experience of luxury; it is an experience of life. Set to its own tidal rhythm, it is one of the most beautiful and rigorously introspective movies of this or any year.” ~ Christian Blauvelt, indieWire

“A magisterial, philosophical three-hour mood piece.” ~ Adam Nayman, The Ringer

FIRST STEP Q&A/discussion schedule Feb. 28-Mar. 2 at the Royal.

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2/28 Kamy Akhavan, Executive Director, USC Center for the Political Future
Brandon Kramer, Director, The First Step
Lance Kramer, Producer, The First Step
3/1 Pete White, Executive Director, LA CAN
3/2 Noreen McClendon, Exec. Director of Concerned Citizens of South Central Los Angeles
Terrall Tillman, Author of Formula For Success – Reentry 030