“A potent emotional charge, very contemporary eco-consciousness, and film-making that at its best fairly sizzles in its strangeness mark out EO as an animal film that stands defiantly on its own hooves.” ~ Jonathan Romney, Screen International
EXPERIMENT IN TERROR 60th Anniversary Screening with co-star Stefanie Powers in person December 7
Laemmle Theatres and the Anniversary Classics Series present the 60th anniversary of director Blake Edwards’ neo-noir suspense thriller Experiment in Terror, one of the noteworthy films from the milestone movie year 1962. Stefanie Powers, who has a key supporting role, will appear for a Q&A after the film. The one-night-only screening will play at the Laemmle NoHo theater on Wednesday, December 7 at 7 PM.
The story deals with vicious criminal Red Garland (Ross Martin), who terrorizes San Francisco bank teller Kelly Sherwood (Lee Remick), forcing her to steal $100,000 for him. Although he threatens to kill her and her teenage sister Toby (Stefanie Powers) if she goes to the police, Remick contacts the local FBI office, where agent John Ripley (Glenn Ford) undertakes a manhunt for Garland. To ensure Kelly’s full cooperation, Garland kidnaps Toby and a race against the clock ensues. Filmed on location in San Francisco, the film notably climaxes in the Bay City’s mid-century landmark, Candlestick Park.
Blake Edwards, known primarily as a comedy specialist, followed the biggest hit of his early career, Breakfast at Tiffany’s, with a complete change of pace in this taut suspenser adapted by the Gordons from their novel “Operation Terror.” He took advantage of the genre change by utilizing a full range of stylistic flourishes, superbly assisted in exploring the neo-noir format by cinematographer Philip Lathrop, filming appropriately in sharp-edged black and white, and composer Henry Mancini, contributing a striking, eclectic score. Edwards, Remick, Lathrop, and Mancini would all reunite later in the year for the memorable drama Days of Wine and Roses.
Critics of the day appreciated the investigative protocol, mystery elements, and the convincing, unsentimental acting and storytelling. Later reviewers embraced Edwards’ directing approach, with Time Out stating, “Edwards’ classical feel for pure cinema remains unalloyed.” Emmanuel Levy noted, “this stylish noir thriller is one of Edwards’ best films and one of the genre’s highlights.” The movie also greatly influenced filmmaker David Lynch, particularly his acclaimed Twin Peaks. Richard Brody, film critic of The New Yorker, wrote in 2015 that Experiment in Terror is “a movie about movies, a very early American reflection of the methods and moods of the French New Wave, realized as a mainstream Hollywood film…the exaltation of the ordinary into something extraordinary by means of the power of cinema itself.”
Our special guest Stefanie Powers is still actively enjoying her seventh decade in show business, starting as a teenager under contract for Columbia Pictures at the end of the studio era. In 1962 she co-starred in three popular movies, If a Man Answers, The Interns, and Experiment in Terror. Later in the decade she starred on television as The Girl from U.N.C.L.E., followed by over 200 appearances on weekly TV series and miniseries, culminating in the hit show Hart to Hart (1979-84), in which she co-starred with longtime friend Robert Wagner. In 1982 she founded the William Holden Wildlife Foundation in Kenya after the 1981 death of her life partner Holden. She remains involved in wildlife conservation and environmental activism in addition to her acting career.
Greg Laemmle on ONLY IN THEATERS: The filmmaker “ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business.”
ETERNAL SPRING Q&As at the Royal.
Eternal Spring director Jason Loftus and subject-animator Daxiong will participate in Q&As at the Royal following the 7:10 PM screening on Saturday, November 19 and the 1:20 screening on Sunday, November 20. Matt Carey will moderate.
“A stunner, a heartbreaker,” AFTERSUN opens Friday.
At a fading vacation resort, 11-year-old Sophie treasures rare time together with her loving and idealistic father, Calum. As a world of adolescence creeps into view, beyond her eye Calum struggles under the weight of life outside of fatherhood. Twenty years later, Sophie’s tender recollections of their last holiday become a powerful and heartrending portrait of their relationship, as she tries to reconcile the father she knew with the man she didn’t, in Charlotte Wells’ superb and searingly emotional debut film. We open Aftersun this Friday at the Newhall, NoHo and Town Center and November 18 at the Claremont 5.
Charlotte Wells is a Scottish filmmaker based in New York. She wrote and directed three short films as a student in the MBA/MFA dual-degree program at NYU where she was supported by BAFTA New York and Los Angeles. Wells has been featured in Filmmaker Magazine’s “25 Faces of Independent Film” and was a Fellow at the 2020 Sundance Institute Screenwriters and Directors Labs. Aftersun is her first feature.
“A stunner, a heartbreaker on love, grief and the random moments in life that solidify into haunting memories.” ~ Randy Myers, San Jose Mercury News
“Aftersun stirs powerfully inarticulate emotions of what has been given and what is owed – what we had that we missed knowing we had and what we hold on to because it’s the only thing that’s left.” ~ Ty Burr, Ty Burr’s Watchlist
“A film to be experienced — just go with it — the full impact of Aftersun comes as the credits start to roll, and the processing begins.” ~ G. Allen Johnson, San Francisco Chronicle
“The performances here are quiet marvels.” ~ Stephanie Zacharek, TIME Magazine\
“A work of masterful and almost unbearable melancholy.” ~ Alison Willmore, New York Magazine/Vulture
“Sublime,” “meditative and deeply romantic” UTAMA opens Friday the Royal. Plus: Current & coming competitors for the Best International Film Oscar.
Winner of the World Cinema Grand Jury Prize this year at Sundance, Utama is set in the arid Bolivian highlands and follows an elderly Quechua couple that has been living the same daily routine for years. While he takes their small herd of llamas out to graze, she keeps house and walks for miles with the other local women to fetch precious water. When an uncommonly long drought threatens everything they know, Virginio and Sisa must decide whether to stay and maintain their traditional way of life or admit defeat and move to the city with their descendants. Their dilemma is precipitated by the arrival of their grandson Clever, who comes to visit with news. The three of them must face, each in their own way, the effects of a changing environment, the importance of tradition, and the meaning of life itself. (Watch the trailer.)
This visually jaw-dropping debut feature by photographer-turned-filmmaker Alejandro Loayza Grisi is lensed by award-winning cinematographer Barbara Alvarez (Lucretia Martel’s The Headless Woman).
We open Utama Friday at the Royal. Loayza Grisi and producer Santiago Loayza Grisi will participate in Q&As after the 7:30 PM screenings on Friday and Saturday, November 11 and 12. Moderators: Friday – Carlos Aguilar (Los Angeles Times, New York Times); Saturday – Katie Walsh (Los Angeles Times, The Wrap).
“Sublime. From the breathtaking opening shot… the film looks unlike anything else.” – Variety
“Meditative and deeply romantic. Rarely has the [climate] crisis been addressed as organically—or with quite so many llamas.” – RogerEbert.com
“Visually stunning… combines magical realism with gorgeously precise cinematography. The images conjured in Utama momentarily let us into the language of the unknown, of what we can not comprehend unless we are as in tune with the land as those whose existence is so deeply tied to it.” – IndieWire
Utama is one of several Best International Oscar competitors that we’re already screening, with more to come, including:
ONLY IN THEATERS, documentary about Laemmle Theatres, tickets on sale + Q&A schedule.
Tribute to Angela Lansbury ~ THE MANCHURIAN CANDIDATE 60th Anniversary Screening.
As a tribute to the late Angela Lansbury, we present a 60th anniversary screening of the movie that she considered her greatest achievement, The Manchurian Candidate. When Lansbury joined us in person for a sold-out anniversary screening of Death on the Nile in 2018, she told the audience that The Manchurian Candidate was her favorite of all her film roles. She received her third and final Oscar nomination for her performance in this 1962 movie. The screening is Wednesday, November 16, 7 PM at the Royal Theater.
John Frankenheimer’s film was a hit in 1962 and remains one of the most highly acclaimed of all political thrillers. In 1994 it was selected for the National Film Registry of the Library of Congress, an honor reserved for films of “historical, cultural, or aesthetic significance.” This story of a diabolical plot to engineer a Russian takeover of the White House was provocative in 1962 and seems frighteningly prescient today. As Frankenheimer said in remarkably prophetic comments a few years before his death, “I think our society is brainwashed by television commercials, by advertising, by politicians, by a censored press… More and more I think that our society is becoming manipulated and controlled.”
The Manchurian Candidate was adapted from Richard Condon’s novel by screenwriter George Axelrod, who also wrote such films as The Seven-Year Itch and Breakfast at Tiffany’s. It tells the chilling story of a soldier in the Korean War, played by Laurence Harvey, who is captured and brainwashed by Russian and Chinese Communists into becoming an assassin in the employ of the Soviet regime. Frank Sinatra plays a fellow soldier trying to halt the assassination plot. Lansbury won awards from the Hollywood Foreign Press and the National Board of Review for her portrayal of Harvey’s manipulative mother, who plays a crucial role in the conspiracy.
In addition to its achievements as a political thriller, the film was one of the first to satirize the anti-Communist hysteria that had gripped the country and divided the Hollywood community during the 1950s. James Gregory plays Lansbury’s husband, a dimwitted U.S. Senator modeled on Joseph McCarthy. This mockery of fanatical politicians enraged right wing pundits at the time of the film’s release, but it received the best reviews of any movie released in 1962. Variety wrote, “Every once in a rare while a film comes along that works in all departments… Such is The Manchurian Candidate.”
Over the years, rave reviews continued to pour in. Roger Ebert called it “a work as alive and smart as when it was first released.” Pauline Kael said, “The picture plays some wonderful, crazy games about the Right and the Left; although it’s a thriller, it may be the most sophisticated political satire ever made in Hollywood.” Writing in Time magazine in 2007, Richard Corliss said, “Lansbury and Harvey are both sensational in a movie that remains pointed and current. It still touches you like a clammy hand in the dark.”
Lansbury’s portrayal of the malevolent Mrs. Iselin was ranked as one of the 25 greatest villains in film history by the American Film Institute. Unlike other female villains in film noir, who were motivated by sex or money, Lansbury’s character had much more grandiose ambitions; her aim was to become the most powerful person in the entire country, a concept that was way ahead of its time in 1962.
After the screening, Stephen Farber and Michael McClellan, co-authors of Cinema ’62: The Greatest Year at the Movies (which includes a lengthy section on The Manchurian Candidate) will discuss the film with the audience. Other surprise guests may join the conversation.
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