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Tickets: http://laemmle.com/film/conformist | Subscribe: http://bit.ly/3b8JTym | Bernardo Bertolucci’s breakthrough movie, The Conformist, is based on the celebrated novel by Alberto Moravia and was nominated for an Oscar for Best Adapted Screenplay of 1971. Set in the 1930s, the film explores the psychological roots of fascism as the main character, Marcello Clerici (Jean-Louis Trintignant), tries to expunge his artistic and homosexual inclinations by conforming to the brutally repressive mores of the times. "Bertolucci's masterpiece." (Village Voice)

Tickets: http://laemmle.com/film/conformist

RELEASE DATE: 2/3/2023
Director: Bernardo Bertolucci
Cast: Jean-Louis Trintignant, Stefania Sandrelli, Gastone Moschin, Dominique Sanda, Pierre Clémenti

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/filmmakers-prosecution-nuremberg-its-lesson-today | Subscribe: http://bit.ly/3b8JTym | FILMMAKERS: Near the end of WWII, filmmaker John Ford, head of the Field Photographic Branch of OSS, assigns the Schulberg brothers to carry out a special mission: track down German footage and photographs of Nazi atrocities in order to convict the leaders scheduled to stand trial. Screening w/NUREMBERG: ITS LESSON FOR TODAY: One of the greatest courtroom dramas in history, the film shows how  prosecutors built their case against Nazi war criminals using their own films and records.

Tickets: http://laemmle.com/film/filmmakers-prosecution-nuremberg-its-lesson-today

RELEASE DATE: 2/3/2023
Director: Jean-Christophe Klotz (FILMMAKERS) & Stuart Schulberg (NUREMBERG)

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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Tickets: http://laemmle.com/film/geographies-solitude | Subscribe: http://bit.ly/3b8JTym | An immersion into the rich ecosystem of Sable Island, a remote sliver of land in the Northwest Atlantic, the film follows Zoe Lucas, a naturalist and environmentalist who has lived there for over 40 years collecting, cleaning and documenting marine litter that persistently washes up on the island's shores. Shot on 16mm and created using eco-friendly filmmaking techniques, Geographies of Solitude is a playful and reverent collaboration with the natural world filled with arresting images and made with an activist spirit.

Tickets: http://laemmle.com/film/geographies-solitude

RELEASE DATE: 2/13/2023
Director: Jacquelyn Mills

-----
ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
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2 days ago

Laemmle Theatres
⭐ “This is what cinema is all about. An audacious and riveting portrait of maternal life that’ll leave you wailing into the night.” -IndieWire ⭐The directorial debut of playwright Bess Wohl, BABY RUBY stars Noémie Merlant & Kit Harington.NOW PLAYING: Laemmle Monica Film Center & Laemmle Glendale🎟️ laemmle.com/film/baby-ruby ... See MoreSee Less

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3 days ago

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“Haunting and vivid." -The New York Times In Jean-Christophe Klotz’s #FilmmakersfortheProsecution, prosecutors use film evidence to convict Nazi war criminals at the Nuremberg trials.Opens 2/3 Laemmle Town Center 5 and 2/6 & 2/7 as part of Laemmle Theatres long-running "Culture Vulture" series! 🎟️ laemmle.com/culturevulture ... See MoreSee Less

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TOMORROW is #NationalPopcornDay, and we'll be offering ⭐ ONE FREE POPCORN ⭐ w/purchase of any beverage all day to celebrate! So Pop In!Here's a kernel of wisdom for you: Want free popcorn every Thursday? Become a Premiere Card holder for $3 off theatre tickets*, 20% off concessions, $6 Tuesdays and one free popcorn every Thursday!laemmle.com/premiere#laemmle #discounts #freepopcorn ... See MoreSee Less

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“The kind of film where the viewer loses sense of time itself, mesmerized by the beauty and melancholy of each shot,” NANNY opens Friday.

November 30, 2022 by Jordan Deglise Moore

Nanny, the acclaimed psychological horror fable of displacement, is about Aisha (Anna Diop), a woman who recently emigrated from Senegal. She is hired to care for the daughter of an affluent couple (Michelle Monaghan and Morgan Spector) living in New York City. Haunted by the absence of the young son she left behind, Aisha hopes her new job will afford her the chance to bring him to the U.S., but becomes increasingly unsettled by the family’s volatile home life. As his arrival approaches, a violent presence begins to invade both her dreams and her reality, threatening the American dream she is painstakingly piecing together.

Nanny won the Grand Jury Prize for drama at Sundance at the Directors to Watch award at the Palm Springs International Film Festival and is a nominee for the Someone to Watch prize at the Spirit Awards. We open the film Friday at the Monica Film Center, Claremont 5 and NoHo 7.

“Diop’s delicate, fine-tuned performance works harmoniously with movie’s shape-shifting and with the other actors, especially Monaghan’s more full-bodied, quietly violent turn.” ~ Manohla Dargis, New York Times

“Nanny starts as a movie about a reality that we’d rather not face and ends as a movie about reality that we cannot bear. That is the horror of it — and, in Jusu’s hands, the galvanizing thrill.” ~ K. Austin Collins, Rolling Stone

“The film is an experience for the senses; you’ll hold your breath as you’re consumed.” ~ Pilar Galvan, NPR
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“A work of compassion and unease heralding a thoughtful, genre-probing talent.” ~ Robert Abele, Los Angeles Times

“Its feeling and its images stayed with me long after it ended.” ~ Sahir Avid D’souza, TimeOut
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“Jusu digs into her heroine’s psyche in a way that is unsettling and unforgettable.” ~ Esther Zuckerman, Thrillist
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“It’s the kind of film where the viewer loses sense of time itself, mesmerized by the beauty and melancholy of each shot.” ~ Jourdain Searles, Hollywood Reporter

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Filed Under: Claremont 5, Featured Films, Featured Post, Films, News, NoHo 7, Press, Santa Monica, Theater Buzz

The “deeply felt and tenderly funny family drama” MEMORIES OF MY FATHER opens Friday at the Royal and Town Center.

November 23, 2022 by Jordan Deglise Moore

Colombia’s official selection for the 93rd Academy Awards and an official selection at Cannes 2022, Memories of My Father follows the life of Héctor Abad Gómez, one of Colombia’s most beloved national figures. Beautifully dramatized by Fernando Trueba, the director of Academy Award winning Belle Epoque, we open the film this Friday at the Royal in West L.A. and the Town Center in Encino.

 

Almodóvar regular Javier Cámara plays Gómez, in this adaptation of his son’s Héctor Abad Faciolince richly evocative memoir. It recounts life in the turbulent South American country in the 1970s and 1980s, charting how the city of Medellín’s descent into corruption transformed the halcyon days of Héctor’s youth as his father became an increasingly outspoken critic of the government. Shifting between the stark black and white images of the 1980s and warmer color tones that define life the 1970s, Fernando Trueba’s film balances a nuanced portrait of family life with the harsher realities of a rapidly changing world. Cámara, who drew worldwide acclaim as the nurse in Talk to Her, movingly captures Gómez as both caring father and activist whose politics were based less on ideology and more on the human rights of everyday people in being able to access the necessities of life: Food, water and adequate shelter.

“This is a wonderfully sympathetic, deeply felt and tenderly funny family drama with a novelistic attention to details and episodes.” ~ Peter Bradshaw, The Guardian

“A bracingly affectionate biopic that compels despite (and because) of its unapologetic sentimentality, Fernando Trueba’s Memories of My Father pays loving tribute to someone who took comfort in the knowledge that he would be forgotten.” ~ David Ehrlich, indieWire
“Those seeking a pleasantly expansive, somewhat old-school dose of laughter and tears — one not so distant from the director’s Oscar-winning “Belle Epoque” three decades ago — will enjoy this handsomely produced tale.” ~ Dennis Harvey
Variety

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Filed Under: Featured Films, Films, News, Press, Royal, Theater Buzz, Town Center 5

“Wild, boldly expressionistic” EO advance screening with the filmmaker in person Nov. 28; regular engagement begins December 2.

November 23, 2022 by Jordan Deglise Moore

     With his first film in seven years, legendary director Jerzy Skolimowski (Deep End, Moonlighting) directs one of his most free and visually inventive films yet, following the travels of a nomadic gray donkey named EO. After being removed from the traveling circus, which is the only life he’s ever known, EO begins a trek across the Polish and Italian countryside, experiencing cruelty and kindness in equal measure, all the while observing the follies and triumphs of humankind. During his travels, EO is both helped and hindered by a cast of characters that includes a young Italian priest (Lorenzo Zurzolo), a Countess (Isabelle Huppert), and a rowdy Polish soccer team. Loosely inspired by Robert Bresson’s Au hazard Balthazar, and featuring immersive, stunning cinematography by Michal Dymek coupled by Pawel Mykietyn’s resonant score, Skolimowski’s film puts the viewer in the perspective of its four-legged protagonist. EO’s journey speaks to the world around us, an equine hero boldly pointing out societal ills, and serving as warning to the dangers of neglect and inaction, all while on a quest for freedom.
     We are screening EO on Monday, November 28 at the Monica Film Center as part of the Reel Talk with Stephen Farber series. Mr. Skolimowski will attend for a Q&A. The regular engagements begin December 2 at the Royal and December 9 at our Glendale theater.
     “EO is an astonishment and so too is this wild, boldly expressionistic movie that conveys the life of its largely silent protagonist with a bare minimum of dialogue.” ~ Manohla Dargis, New York Times
     “EO may be one of the greatest movies ever made about the spirit of animals, as much as we can know it.” ~ Stephanie Zacharek, Time Magazine
     “EO’s personality shines thanks to Skolimowski’s daringly imaginative depictions, both visual and emotional, of the donkey’s point of view.” ~ Richard Brody, New Yorker

“A potent emotional charge, very contemporary eco-consciousness, and film-making that at its best fairly sizzles in its strangeness mark out EO as an animal film that stands defiantly on its own hooves.” ~ Jonathan Romney, Screen International

     “EO is a damning polemic on our relationship to other intelligent species — as free labor, food and companions — as seen through the dewy, wide eyes of a donkey whom we come to adore.” ~ Peter Debruge, Variety
     “Think of Skolimowki at this stage of his career and life as a filmmaker happily grazing, indulging in an animal need for cinema.” ~ Mark Asch, Little White Lies
     “In Bresson’s version, it’s the humans around the donkey who are the true center of the story. Not so in EO. This is Donkeyvision, and we’re better off for it.” ~ Adam Solomons, indieWire

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Filed Under: Featured Films, Featured Post, Filmmaker in Person, Films, Glendale, News, Press, Q&A's, Reel Talk with Stephen Farber, Royal, Santa Monica, Theater Buzz

“Sublime,” “meditative and deeply romantic” UTAMA opens Friday the Royal. Plus: Current & coming competitors for the Best International Film Oscar.

November 9, 2022 by Jordan Deglise Moore

Winner of the World Cinema Grand Jury Prize this year at Sundance, Utama is set in the arid Bolivian highlands and follows an elderly Quechua couple that has been living the same daily routine for years. While he takes their small herd of llamas out to graze, she keeps house and walks for miles with the other local women to fetch precious water. When an uncommonly long drought threatens everything they know, Virginio and Sisa must decide whether to stay and maintain their traditional way of life or admit defeat and move to the city with their descendants. Their dilemma is precipitated by the arrival of their grandson Clever, who comes to visit with news. The three of them must face, each in their own way, the effects of a changing environment, the importance of tradition, and the meaning of life itself. (Watch the trailer.)

This visually jaw-dropping debut feature by photographer-turned-filmmaker Alejandro Loayza Grisi is lensed by award-winning cinematographer Barbara Alvarez (Lucretia Martel’s The Headless Woman).

We open Utama Friday at the Royal. Loayza Grisi and producer Santiago Loayza Grisi will participate in Q&As after the 7:30 PM screenings on Friday and Saturday, November 11 and 12. Moderators: Friday – Carlos Aguilar (Los Angeles Times, New York Times); Saturday – Katie Walsh (Los Angeles Times, The Wrap).

“Sublime. From the breathtaking opening shot… the film looks unlike anything else.” – Variety

“Meditative and deeply romantic. Rarely has the [climate] crisis been addressed as organically—or with quite so many llamas.” – RogerEbert.com

“Visually stunning… combines magical realism with gorgeously precise cinematography. The images conjured in Utama momentarily let us into the language of the unknown, of what we can not comprehend unless we are as in tune with the land as those whose existence is so deeply tied to it.” – IndieWire

Utama is one of several Best International Oscar competitors that we’re already screening, with more to come, including:

Holy Spider (Denmark)
Decision to Leave (South Korea) This one ends Thursday, though we’ll probably bring it back if it gets an Oscar nomination.
EO (Poland)
Return to Seoul (Cambodia)
Corsage (Austria)
Alcarras (Spain)
Last Film Show (India)
Cinema Sabaya (Israel)
BARDO, False Chronicle of a Handful of Truths (Mexico)
Saint Omer (France)
Hirokazu Koreeda’s Broker will not be Japan’s submission but we’re going to show it anyway, of course!

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Filed Under: Featured Films, Featured Post, Filmmaker in Person, Films, News, Press, Q&A's, Royal, Theater Buzz

LOUIS ARMSTRONG’S BLACK & BLUES: Experience an unprecedented look into the life of the founding father of jazz.

October 26, 2022 by Jordan Deglise Moore

We are honored to open Louis Armstrong’s Black & Blues, the new bio-doc that offers an intimate and revealing look at the world-changing genius musician. Presented through a lens of archival footage and never-before-heard home recordings and personal conversations, this definitive documentary, directed by Sacha Jenkins, honors Armstrong’s legacy as a founding father of jazz, one of the first internationally known and beloved stars, and a cultural ambassador of the United States. The film shows how Armstrong’s own life spans the shift from the Civil War to the Civil Rights movement, and how he became a lightning rod figure in that turbulent era. Screenings begin Friday, October 28 at the NoHo.
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“Sacha Jenkins is undaunted by the complexity of his subject, plunging ahead with swagger and not worrying if we have unanswered questions at the end. A delightful experience for jazz buffs and more than an eye-opener for any youngsters who barely know who Armstrong was.” ~ John DeFore, The Hollywood Reporter
*
“A doc that will make you appreciate Armstrong, the man. Someone far too complex to reduce to any one thing.” ~ Christian Blauvelt, indieWire
*
*
“Like one of Armstrong’s great solos, it feels packed with dynamics, sprinkled with astonishing high notes, and immensely pleasurable.” Leslie Felperin, The Guardian
*
“The magical sounds Satchmo created gave people joy and so will this deeply affecting bio/doc.” ~ Dwight Brown, DwightBrownInk.com
*
*
“The director’s spelunking of the film archives is amazing.” Ty Burr, Ty Burr’s Watch List

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Filed Under: Featured Films, Films, News, NoHo 7, Press, Theater Buzz

“A genre work of superior, silken craftsmanship, so sinister, serpentine and sexy as to be downright swoon-worthy,” DECISION TO LEAVE opens Friday.

October 19, 2022 by Jordan Deglise Moore

What happens when an object of suspicion becomes a case of obsession? Winner of the Best Director prize earlier this year at Cannes, Park Chan-wook (Oldboy, The Handmaiden) returns with Decision to Leave, a seductive romantic thriller that takes his renowned stylistic flair to dizzying new heights. As of this writing the film’s Rotten Tomatoes’ score is 93%, with the most sophisticated critics kvelling about the film’s artistry and suggesting repeat viewings. We open the film Friday at the NoHo and Glendale with additional engagements planned in the subsequent weeks around town.

“Even the most expositional passages of this elegant, tricky murder mystery brim with quietly stunning craft.” ~ A.A. Dowd, Chron
*******************************
“The film is a box of secret compartments; just when you think you’ve got it all figured out, one more panel springs open.” ~
Stephanie Zacharek, TIME Magazine
“A genre work of superior, silken craftsmanship, so sinister, serpentine and sexy as to be downright swoon-worthy.” ~ Nick Schager, The Daily Beast
***************************************
“[Park Chan-wook’s] perspective is unmistakable in exploring the dark and twisted ways in which people relate to each other… So sumptuous, wrong, and fun.” ~ Christy Lemire, FilmWeek (KPCC – NPR Los Angeles)
***************************************
“The ambiguity of what is really going on is what makes the film so tantalizing…. Decision to Leave is a stunning achievement that ends by deliberately raising more questions than it answers.” ~ Gary M. Kramer, Salon.com
***************************************

“If the erotic thrillers of the past explored the dangers of lust, Park Chan-wook explores the risks of longing. His take on the genre isn’t just sexy; it’s playful and mordant and convoluted — and it begs to be rewatched.” ~ Shirley Li, The Atlantic

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Filed Under: Claremont 5, Featured Films, Films, Glendale, Newhall, NoHo 7, Press, Santa Monica, Theater Buzz, Town Center 5

Documentary about Laemmle ONLY IN THEATERS plays Saturday at the Newport Beach Film Festival.

October 12, 2022 by Jordan Deglise Moore

     This Saturday presents a chance for an advance screening of the documentary Only in Theaters at the Newport Beach Film Festival. The filmmaker and some cast members will be there for a Q&A. We’ve been in business since 1938 but this is the first time we’ve been the subject of a film. Director Raphael Sbarge started filming a few months before the pandemic started and it was an opportune moment in terms of dramatic content because of course COVID-19 shut us down for a year, but he kept on filming. Variety Magazine described the film as “2022’s most emotional theatrical experience so far…watching Greg Laemmle struggle with the fate of his family’s eponymous arthouse business.”
     Synopsis: The Laemmle Theatres, a beloved 84-year-old art house cinema chain in Los Angeles, is facing seismic change. The family members behind this multigenerational business—whose sole mission has been to support the art of film—remain determined, despite enormous challenges.
     Some of the people interviewed for Only in Theaters include Ava DuVernay, Cameron Crowe, James Ivory, Nicole Holofcener, Kevin Thomas, Leonard Maltin, Kenneth Turran, Allison Anders, and Greg Laemmle.
     If you want to wait to see Only in Theaters at a Laemmle Theatre, we’ll open it on 11/18 at the Royal and other venues.

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Filed Under: Around Town, Claremont 5, Featured Post, Festival, Filmmaker in Person, Films, Glendale, Greg Laemmle, Newhall, News, NoHo 7, Press, Q&A's, Royal, Special Events, Theater Buzz, Town Center 5

“With civil liberties in America under attack, those willing to fight to keep the liberties we have in place could learn a thing or two from the Patricio Guzmán documentary.” MY IMAGINARY COUNTRY opens Friday at the NoHo.

September 28, 2022 by Jordan Deglise Moore

While several European nations are leaning toward or outright falling to reactionary leaders like Victor Orbán in Hungary, Latin American nations are going the other way. My Imaginary Country (Mi país imaginario), the most recent film by Chile’s master documentarian Patricio Guzmán, brilliantly shows us what is happening in Chile.

Young Chileans who demand a complete rejection of U.S.-installed/Pinochet fascism.

In October 2019, without warning, a revolution exploded across Chile. It was an event that Guzmán had been waiting for since 1973, when a violent military attack overthrew the democratically elected government of Salvador Allende, and became the ending of Guzman’s most famous film, and one of the greatest documentaries of all time, The Battle of Chile.

Now, millions of people took to the streets of Santiago and across the country, demanding economic justice, free education and health care and fundamentally, a new constitution.

Featuring harrowing front-line protest footage and interviews with dynamic activists—of a movement largely led by women and feminist leaders—My Imaginary Country powerfully, yet elegantly connects Chile’s complex, bloody history to the country’s contemporary social movements, and leading to the recent election of a new president.

An urgent and powerful film, My Imaginary Country also serves as an inspiring and exemplary tale for other nations of how a popular revolt can spark deep political change.

“With civil liberties in America under attack, those willing to fight to keep the liberties we have in place could learn a thing or two from the Patricio Guzmán documentary.” ~ Valerie Complex, Deadline

A Critic’s Pick in the New York Times, A.O. Scott’s review, headlined “Chile in Revolt: Patricio Guzmán, Chile’s cinematic conscience, chronicles the uprising that shook the country starting in 2019” is worth sharing in full:

The most powerful images in My Imaginary Country are of the demonstrations in the streets of Santiago, Chile, that began in October 2019. Hundreds of thousands of Chileans took to the streets, at first to protest a subway fare increase, and eventually to demand sweeping changes to the nation’s economic and political order. They were met with tear gas, baton charges and plastic bullets aimed at their eyes. Some fought back with cobblestones chiseled from the street, which they hurled at the police.

To watch scenes like that in a documentary film — or, for that matter, on social media — is to experience a strong sense of déjà vu. What happened in Santiago in 2019 and 2020 feels like an echo of similar uprisings around the world; in Tehran in 2009 (and again this week); in Arab capitals like Tunis, Damascus and Cairo in 2011; in Kyiv in 2014; in Paris at the height of the Yellow Vest movement in 2018. Those episodes aren’t identical, but each represents the eruption of long-simmering dissatisfaction with a status quo that seems stubbornly indifferent to the grievances of the people.

Accompanying the exhilaration that these pictures might bring is a sense of foreboding. In almost every case, these rebellions ended in defeat, disappointment, stalemate or worse. The buoyant democratic promise of Tahrir Square in Cairo has been smothered by a decade of military dictatorship. Ukrainian democracy, seemingly victorious after the Maidan “revolution of dignity,” has since faced internal and external threats, most recently from Vladimir Putin’s army.

Jehane Noujaim’s “The Square” and Evgeny Afineevsky’s “Winter on Fire” are excellent in-the-moment films about Tahrir and Maidan, and My Imaginary Country belongs in their company. But it also has a resonance specific to Chile, and to the career of its director, Patricio Guzmán, who brings a unique and powerful historical perspective to his country’s present circumstances. He has seen events like this before, and has reason to hope that this time might be different.

Guzman, now in his early 80s, can fairly be described as Chile’s biographer, and also its cinematic conscience. His first documentary, footage from which appears in this one, was about the early months of Salvador Allende’s presidency, which began in an atmosphere of optimism and defiance in 1970 and ended in a brutal U.S.-supported military coup three years later. Guzman’s account of Allende’s fall and the repression that followed is the three-part “Battle of Chile,” which he completed while exiled in France, and which stands as one of the great political films of the past half-century.

More recently, in another trilogy— “Nostalgia For the Light,” “The Pearl Button” and “Cordillera of Dreams” — Guzman has explored Chile’s distinct cultural and geographical identity, musing on the intersections of ecology, demography and politics in a mode that is lyrical and essayistic. In “My Imaginary Country” he cites the French filmmaker Chris Marker as a mentor, and they share a spirit of critical humanism and a habit of looking for the meaning of history in the fine grain of experience.

While this is a first-person documentary, with the director providing voice-over narration, it expresses a poignant humility and a patient willingness to listen. Guzman interweaves footage of the demonstrations into interviews with participants, most of them young and all of them women.

This revolution, which culminated in the election of Gabriel Boric, a leftist in his 30s, to Chile’s presidency and a referendum calling for a new constitution, arose out of the economic frustrations of students and working people. But Guzman and the activists, scholars and journalists he talks to make clear that feminism was always central to the movement. They argue that the plight of poor and Indigenous Chileans can’t be understood or addressed without taking gender into account, and that the equality of women is foundational to any egalitarian politics.

My Imaginary Country ends with a new constituent assembly — including many veterans of the demonstrations — meeting to write a new constitution that they hope will finally dispel the legacy of Augusto Pinochet’s long dictatorship. After the film was completed, voters rejected their first draft, a setback to Boric and to the radical energy Guzman’s film captures and celebrates. Whatever the next chapter will be, we can hope that he is around to record it.

https://www.youtube.com/watch?v=gi-2FUeZYL8

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Filed Under: Featured Films, Films, NoHo 7, Press, Theater Buzz

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⭐ “This is what cinema is all about. An audaci ⭐ “This is what cinema is all about. An audacious and riveting portrait of maternal life that’ll leave you wailing into the night.” @IndieWire ⭐

The directorial debut of playwright Bess Wohl, BABY RUBY stars Noémie Merlant & Kit Harington.

NOW PLAYING: Laemmle Monica Film Center & Laemmle Glendale
🎟️ laemmle.com/film/baby-ruby
“Haunting and vivid." @nytimes In Jean-Christop “Haunting and vivid." @nytimes

In Jean-Christophe Klotz’s #FilmmakersfortheProsecution, prosecutors use film evidence to convict Nazi war criminals at the Nuremberg trials.

Opens 2/3 Laemmle Town Center and 2/6 & 2/7 as part of @laemmletheatres long-running "Culture Vulture" series! 
🎟️ laemmle.com/culturevulture
TOMORROW is #NationalPopcornDay, and we'll be offe TOMORROW is #NationalPopcornDay, and we'll be offering ⭐ ONE FREE POPCORN ⭐ w/purchase of any beverage to celebrate! Pop In! 

Here's a kernel of wisdom for you: Want free popcorn every Thursday? Become a Premiere Card holder for $3 off theatre tickets*, 20% off concessions, $6 Tuesdays and one free popcorn every Thursday

laemmle.com/premiere
#laemmle #discounts #freepopcorn
⭐HAPPY NEW YEAR and THANK YOU! ⭐ Thank you fo ⭐HAPPY NEW YEAR and THANK YOU! ⭐

Thank you for all your #laemmlelove and support in 2022! We ended the year with a wonderful turnout for our annual Fiddler Sing-Along and are welcoming 2023 with many more powerful films!

Also, there is still time to catch the best films of 2022! 
Tickets at laemmle.com
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Recent Posts

  • “Breathtaking, slow burn, poetic journey” GODLAND opens February 10 at the Laemmle Glendale and Monica Film Center.
  • “A work of handcrafted beauty,” THE BLUE CAFTAN opens February 10 at the Royal.
  • Moviegoers, start your guesses: The Umpteenth Annual Laemmle Oscar Contest has begun.
  • REMEMBER THIS Q&A schedule at the Monica Film Center Feb. 5 & 6.
  • The Top Ten Films of 2022 contest results are in!
  • Top Ten Films of 2022 contest ends Sunday: Tell us your favorites for a chance to win free movie passes!

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laemmle Laemmle Theatres @laemmle ·
3 Feb

⭐ “This is what cinema is all about. An audacious and riveting portrait of maternal life that’ll leave you wailing into the night.” @IndieWire ⭐

BABY RUBY stars Noémie Merlant & Kit Harington.

NOW PLAYING: @laemmlemonica & @laemmleglendale
🎟️ http://laemmle.com/film/baby-ruby

Reply on Twitter 1621623131608678400 Retweet on Twitter 1621623131608678400 1 Like on Twitter 1621623131608678400 19 Twitter 1621623131608678400
laemmle Laemmle Theatres @laemmle ·
3 Feb

“Haunting and vivid." @nytimes

In Jean-Christophe Klotz’s #FilmmakersfortheProsecution, prosecutors use film evidence to convict Nazi war criminals at the Nuremberg trials.

Opens 2/3 @towncenter5 and 2/6 & 2/7 as part of the "Culture Vulture" series!
🎟️ http://laemmle.com/culturevulture

Reply on Twitter 1621310859854102528 Retweet on Twitter 1621310859854102528 Like on Twitter 1621310859854102528 4 Twitter 1621310859854102528
laemmle Laemmle Theatres @laemmle ·
19 Jan

TOMORROW is #NationalPopcornDay, and we'll be offering ⭐ ONE FREE POPCORN ⭐ w/purchase of any beverage all day to celebrate! So Pop In!

Here's a kernel of wisdom: Want free popcorn every Thursday? Become a Premiere Card holder!

http://laemmle.com/premiere
#freepopcorn

Reply on Twitter 1615862253625942017 Retweet on Twitter 1615862253625942017 1 Like on Twitter 1615862253625942017 5 Twitter 1615862253625942017
laemmle Laemmle Theatres @laemmle ·
31 Dec

⭐HAPPY NEW YEAR and THANK YOU! ⭐

Thank you for all your #laemmlelove and support in 2022! We ended the year with a wonderful turnout for our Fiddler Sing-Along and are welcoming 2023 with many more powerful films!

See you in the New Year!
🎟️ http://laemmle.com

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laemmle Laemmle Theatres @laemmle ·
18 Dec

⭐ Tickets going fast! ⭐ Fiddler on the Roof Sing-a-Long! Don't miss the buggy!

Belt out your holiday spirit … or your holiday frustrations on the 7th night of Hanukkah SATURDAY, DEC. 24th for an alternative Christmas Eve and candle lighting!

🎟️ http://laemmle.com/fiddler

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