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New York Times on WHAT THE HELL HAPPENED TO BLOOD, SWEAT & TEARS? ~ “How Cold War Politics Destroyed One of the Most Popular Bands in America.”

March 31, 2023 by Jordan Deglise Moore Leave a Comment

The Times just published a fascinating feature by rock critic Alan Light about the documentary we’re opening today at the Monica Film Center, with one-night screenings next week at the Laemmle NoHo, Claremont, Town Center and Glendale. (The filmmaker and a member of the band will participate in several Q&As; full schedule here.) The sub head: “A new documentary chronicles the strange, intrigue-filled saga of Blood, Sweat & Tears and its disastrous Eastern Bloc tour in 1970.”

The full piece is worth reading but it begins: “Last year, Rolling Stone compiled a list of “The 50 Worst Decisions in Music History.” Near the top, alongside very high-profile errors in judgment like Decca Records’ rejection of the Beatles, there was a much less familiar episode: the time Blood, Sweat & Tears embarked on an Eastern European concert tour, underwritten by the State Department while the Vietnam War was raging. The reputation of the U.S. government was in tatters for young people, meaning the band looked, as the magazine put it, like “propaganda pawns — which is, more or less, what they were.”

“Now the band members are telling their side of this bizarre story in the new documentary What the Hell Happened to Blood, Sweat & Tears? While everyone involved agrees with Rolling Stone’s conclusion — that the band’s career never recovered from that 1970 tour — the saga turns out to be more complicated than was previously known.

““This isn’t a music doc, it’s a political thriller,” the director John Scheinfeld said in a telephone interview. “It’s about a group of guys who unknowingly walked into this rat’s nest, and how political forces impacted a group of individuals.””

Read the full piece here.

Leave a Comment Filed Under: Featured Films, Claremont 5, Filmmaker in Person, Films, Glendale, NoHo 7, Q&A's, Santa Monica, Theater Buzz, Town Center 5

Upcoming Reel Talk with Stephen Farber screenings: ARE YOU THERE GOD? IT’S ME, MARGARET; IT AIN’T OVER; BOOK CLUB: THE NEXT CHAPTER; YOU HURT MY FEELINGS..

March 29, 2023 by Jordan Deglise Moore 1 Comment

Veteran film critic Stephen Farber’s popular Reel Talk screening series is now based at our Royal Theatre, where you can see a variety of outstanding films from the U.S. and around the world, including many top awards contenders, and then meet the filmmakers for provocative and revealing discussions led by Stephen. Recent guests and titles have included Paul Weitz and Andrew Miano, writer-director and producer of Moving On; John Scheinfeld and Bobby Colomby, director and lead band member from What the Hell Happened to Blood, Sweat & Tears?; Sarah Haskins and Emily Halpern, screenwriters of 80 for Brady; and Jerzy Skolimowski and Ewa Piaskowska, director/co-writer and co-writer/producer of the Oscar-nominated film EO. Next up:

April 24: Are You There God? It’s Me, Margaret; May 1: It Ain’t Over; May 3: Book Club: The Next Chapter; May 15: You Hurt My Feelings.

1 Comment Filed Under: News, Featured Films, Featured Post, Filmmaker in Person, Films, Q&A's, Reel Talk with Stephen Farber, Royal, Theater Buzz

WHAT THE HELL HAPPENED TO BLOOD, SWEAT & TEARS? opens March 31.

March 22, 2023 by Jordan Deglise Moore Leave a Comment

A fascinating documentary/political thriller with a classic rock band at the heart of the action, What the Hell Happened to Blood, Sweat & Tears? involves the U.S. State Department, the Nixon White House, the governments of Yugoslavia, Romania and Poland and documentary footage that has been suppressed for over 50 years by one or all of the above. We open the film March 31 at the Monica Film Center with special one-night screenings and Q&As April 3 at the NoHo, April 4 at the Claremont and April 5 at the Glendale. The full Q&A schedule is here.

Director’s statement:

In early 2020, just prior to the worldwide explosion of COVID 19, Bobby Colomby, an acquaintance and  founding member of Blood, Sweat & Tears, called me for a friendly check in. As a fan of the band in its  heyday, I innocently asked him, “What the hell happened to Blood, Sweat & Tears?” 

Bobby proceeded to tell me the story of the events surrounding the Iron Curtain Tour. He mentioned that a documentary film crew had accompanied the band to shoot material for what was intended to be a theatrical documentary. That film was never released and Bobby had no idea what became of it. 

  WHAT THE HELL HAPPENED TO BLOOD, SWEAT & TEARS? opens March 31.

I loved the mystery and intrigue behind this story, but would we be able to find that documentary footage or enough audio/visual material to tell the story effectively? I also love a good treasure hunt. So, as the  pandemic was shutting the country down, my team and I began a search. Soon enough, we found references to National General Television Productions as having been the company behind the  documentary and that their crew had shot 65 hours of footage during the Iron Curtain Tour. 

WHAT THE HELL HAPPENED TO BLOOD, SWEAT & TEARS? opens March 31.

We cast a wide net around the world to locate this footage, contacting anyone and everyone who had a connection to National General or the film crew, as well as private archives, independent storage facilities and film labs. It was one dead end after another. It appeared that the footage and related elements had completely vanished.  

And then, finally, success. While searching for the raw footage, we stumbled upon a pristine print of a  53-minute version of the documentary that had been edited for television syndication. This was an  unexpected find as no such version was ever broadcast. A new high-definition transfer was made from this print and watching it provided a fascinating time capsule of our nation, the world, and this group of nine young men on an unprecedented adventure from 50 years earlier. I knew then we had the makings of  a fantastic documentary and, indeed, 40 minutes of the “lost” Blood, Sweat & Tears documentary is the  backbone of our film. 

WHAT THE HELL HAPPENED TO BLOOD, SWEAT & TEARS? opens March 31.

Some additional heavy digging led us to the Margaret Herrick Library at the Academy of Motion Picture Arts and Sciences, where we ultimately uncovered five raw audio tapes that were recorded live during concerts on the Iron Curtain Tour. The band had a mobile 8-track machine on the tour and we later determined that their engineer had recorded a total of 18 tapes, but only these five were found. 

Our search into the private collections of band members and others who were on the Iron Curtain Tour yielded hundreds of never-before-seen photographs and memorabilia. I never gave up hope of finding the 65 hours of original footage. However, after two full years of chasing down every lead and digging  deep into vaults across the country as well as government storage facilities in Washington, D.C., Maryland  and Virginia, we came up empty. The mystery of what became of that material remains.

This film sheds light on history through a fascinating lens. It’s not a biography of the band, nor is it just for music lovers or fans of Blood, Sweat & Tears. It’s a compelling story that explores a unique moment in time and has surprisingly powerful resonance and parallels to what’s going on in the world today. ~ John Scheinfeld

Leave a Comment Filed Under: Director's Statement, Claremont 5, Featured Films, Featured Post, Filmmaker in Person, Films, Glendale, NoHo 7, Q&A's, Santa Monica, Special Events, Theater Buzz

WHAT THE HELL HAPPENED TO BLOOD, SWEAT & TEARS? Q&A schedule.

March 13, 2023 by Jordan Deglise Moore Leave a Comment

What the Hell Happened to Blood, Sweat & Tears? Q&A schedule:

Join John Scheinfeld, director and Bobby Colomby, Drummer and Bandleader for Blood, Sweat & Tears for Q&As on:
Friday, March 31st at 7:10pm & Saturday, April 1st at 7:10pm @ Laemmle Monica Film Center; five-time Grammy winner Jimmy Jam will moderate.
Monday, April 3rd at 7:00pm @ Laemmle Noho
Tuesday, April 4th @ Laemmle Claremont CANCELLED
Wednesday, April 5th at 7:00pm @ Laemmle Town Center; Steve Edwards, TV personality and three-time Honorary Mayor of Encino, will moderate
Thursday, April 6th @ 7:00pm @ Laemmle at Glendale

Leave a Comment Filed Under: Filmmaker in Person, Claremont 5, Films, Glendale, NoHo 7, Q&A's, Santa Monica, Theater Buzz, Town Center 5

Oscar Doc Features – A HOUSE MADE OF SPLINTERS, NAVALNY & ALL THAT BREATHES

February 22, 2023 by Jordan Deglise Moore Leave a Comment

The already formidable 15 films shortlisted for the Best Feature Documentary Oscar have been whittled down to five, and it’s no exaggeration to say they’re all masterpieces that hit about 100 times harder when seen in a theater. People just had a chance to see Fire of Love on Valentine’s Day, and we’ve been playing All the Beauty and the Bloodshed for weeks (but Thursday is the last day!). We are bringing the remaining three to a big screen near you, so now is your chance.
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We’ll have Navalny at the Monica Film Center for 02/24 – 03/02.
Oscar Doc Features - A HOUSE MADE OF SPLINTERS, NAVALNY & ALL THAT BREATHES
A House Made of Splinters plays weekend shows in Glendale (02/25 – 02/26) and at the Royal (03/04 – 03/05).
Oscar Doc Features - A HOUSE MADE OF SPLINTERS, NAVALNY & ALL THAT BREATHES
And we’ll have All that Breathes on March 1 in Glendale and March 2 at the Royal.
Oscar Doc Features - A HOUSE MADE OF SPLINTERS, NAVALNY & ALL THAT BREATHES

Leave a Comment Filed Under: News, Featured Films, Featured Post, Filmmaker in Person, Films, Glendale, Press, Q&A's, Royal, Santa Monica, Theater Buzz

REMEMBER THIS Q&A schedule at the Monica Film Center Feb. 5 & 6.

January 25, 2023 by Jordan Deglise Moore Leave a Comment

On February 5th following the 1:30pm screening, Howard Gordon of 24 Homeland will join Eva Anisko, producer of REMEMBER THIS for a Q&A.

On February 5th, following the 4:30pm screening, Jon Kean, President of the Santa Monica-Malibu Unified School District will moderate a post screening discussion with Rabbi, Writer & Professor Michael Berenbaum and Jessica Handler, Educator from Holocaust Museum in Los Angeles and 3rd generation survivor.

On February 6th, following the 7:20 screening, Lisa Ling, journalist, author, executive producer, television host of CNN/s original documentary series THIS IS LIFE WITH LISA LING ’s will join Jeff Hutchens, co-Director of REMEMBER THIS for a post screening discussion.

Leave a Comment Filed Under: Filmmaker in Person, Q&A's, Santa Monica, Theater Buzz

“Wild, boldly expressionistic” EO advance screening with the filmmaker in person Nov. 28; regular engagement begins December 2.

November 23, 2022 by Jordan Deglise Moore Leave a Comment

     With his first film in seven years, legendary director Jerzy Skolimowski (Deep End, Moonlighting) directs one of his most free and visually inventive films yet, following the travels of a nomadic gray donkey named EO. After being removed from the traveling circus, which is the only life he’s ever known, EO begins a trek across the Polish and Italian countryside, experiencing cruelty and kindness in equal measure, all the while observing the follies and triumphs of humankind. During his travels, EO is both helped and hindered by a cast of characters that includes a young Italian priest (Lorenzo Zurzolo), a Countess (Isabelle Huppert), and a rowdy Polish soccer team. Loosely inspired by Robert Bresson’s Au hazard Balthazar, and featuring immersive, stunning cinematography by Michal Dymek coupled by Pawel Mykietyn’s resonant score, Skolimowski’s film puts the viewer in the perspective of its four-legged protagonist. EO’s journey speaks to the world around us, an equine hero boldly pointing out societal ills, and serving as warning to the dangers of neglect and inaction, all while on a quest for freedom.
     We are screening EO on Monday, November 28 at the Monica Film Center as part of the Reel Talk with Stephen Farber series. Mr. Skolimowski will attend for a Q&A. The regular engagements begin December 2 at the Royal and December 9 at our Glendale theater.
     “EO is an astonishment and so too is this wild, boldly expressionistic movie that conveys the life of its largely silent protagonist with a bare minimum of dialogue.” ~ Manohla Dargis, New York Times
     “EO may be one of the greatest movies ever made about the spirit of animals, as much as we can know it.” ~ Stephanie Zacharek, Time Magazine
"Wild, boldly expressionistic" EO advance screening with the filmmaker in person Nov. 28; regular engagement begins December 2.
     “EO’s personality shines thanks to Skolimowski’s daringly imaginative depictions, both visual and emotional, of the donkey’s point of view.” ~ Richard Brody, New Yorker

“A potent emotional charge, very contemporary eco-consciousness, and film-making that at its best fairly sizzles in its strangeness mark out EO as an animal film that stands defiantly on its own hooves.” ~ Jonathan Romney, Screen International

"Wild, boldly expressionistic" EO advance screening with the filmmaker in person Nov. 28; regular engagement begins December 2.
     “EO is a damning polemic on our relationship to other intelligent species — as free labor, food and companions — as seen through the dewy, wide eyes of a donkey whom we come to adore.” ~ Peter Debruge, Variety
     “Think of Skolimowki at this stage of his career and life as a filmmaker happily grazing, indulging in an animal need for cinema.” ~ Mark Asch, Little White Lies
     “In Bresson’s version, it’s the humans around the donkey who are the true center of the story. Not so in EO. This is Donkeyvision, and we’re better off for it.” ~ Adam Solomons, indieWire

Leave a Comment Filed Under: News, Featured Films, Featured Post, Filmmaker in Person, Films, Glendale, Press, Q&A's, Reel Talk with Stephen Farber, Royal, Santa Monica, Theater Buzz

Greg Laemmle on ONLY IN THEATERS: The filmmaker “ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business.”

November 16, 2022 by Jordan Deglise Moore Leave a Comment

From Greg Laemmle:
     February, 2019.  We had recently hosted a screening of L.A. Foodways at the Fine Arts.  This documentary, about the history of agriculture in Los Angeles, and the current situation with food deserts in certain neighborhoods – where people were unable to easily access fresh fruits and vegetables – delved into a social issue that had interested me for many years.  And I was especially happy to see a favorite local charity, Food Forward, as one of the charity beneficiaries of the screening.
Greg Laemmle on ONLY IN THEATERS: The filmmaker "ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business."
Filmmaker Raphael Sbarge
     I was not surprised that the filmmaker, Raphael Sbarge, had found this a worthy subject for a documentary.  His previous film, A Concrete River: Reviving the Waters of Los Angeles has also turned a lens on something of local interest, and it also was able to see the natural land underneath the asphalt and buildings, and express a desire to see the city embrace this topography and hydrology so that L.A. could become a more sustainable and equitable place for its residents.  It didn’t hurt that my wife and I appeared as interviewees in A Concrete River. But beyond that, I truly felt that Raphael and I shared a similar hope for the City of Angels.
     So when Raphael called me in February, 2019, I was happy to make time to meet with him.
Greg Laemmle on ONLY IN THEATERS: The filmmaker "ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business."
Greg Laemmle
     At that meeting, he basically said that he wanted to make Laemmle Theatres the subject of his next documentary.  And given his previous films, I thought it was a natural fit. We may not be an environmental organization, but over 80+ years, we have become part of the fabric of the city, and I always hoped that we could grow and adapt, finding ways as a business where we could address some of the challenges confronting our home.
     Now over the years, many filmmakers have said that someone “should” make a movie about Laemmle Theatres. But Raphael was the first of them to say that he was going to do it. And within weeks, on March 21 and 22 of 2019, we were sitting in the auditorium at the Fine Arts having the first on-camera interviews. Little did we know how things would change over the course of the next two years.
Greg Laemmle on ONLY IN THEATERS: The filmmaker "ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business."
Robert Laemmle
     Without revealing too much, let’s just say that Raphael ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business. Do we sell? Do we not sell? And then beyond that, how do we survive being closed for 13 months during the coronavirus outbreak?
     The film ends on April 9, 2021. The day of the reopening of our theatres. It was a day of hopefulness, but also a day of reckoning. Clearly, and for a variety of reasons, it was going to take some time to reconnect with the audience, and get our business back on track.
Greg Laemmle on ONLY IN THEATERS: The filmmaker "ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business."
Nancy Laemmle
     As I write this now, with the finished film, Only in Theaters, about to open a theatrical run, how am I feeling? About the film, I feel very honored.  I won’t say proud, since beyond sitting for the interviews, I had nothing to do with the production or editing of the film. I trusted Raphael to make the film as he saw fit, and to be honest with his storytelling. But yes, honored.
     The reaction to the film at festival screenings across the country has been terrific, and while I know that festival enthusiasm does not always translate to the competitive realities of theatrical exhibition, I am confident that people who do see the film will emerge with a greater appreciation for the moviegoing experience, and by extension, the people who make that experience possible.
     The film is not what I thought it would be when I agreed to let Raphael make the movie. But it is honest and true, and that’s what’s important. And as hard as it is for me to watch some portions of the film, I will be forever grateful that it exists.
    Only in Theaters opens this Friday, with a full engagement at the Royal, and limited engagements at Claremont, Glendale, Newhall, NoHo and the Town Center. The filmmaker and I will be appearing at all the venues at some point over the first five days of the run for Q&A. Check here for details on which shows will have a Q&A. Whether you can make one of those screenings or not, I hope you’ll take the time to see the film. According to Joni Mitchell’s “Big Yellow Taxi,” we are destined to only find appreciation for things after they are gone. But really, it doesn’t need to be that way. We can appreciate the things that are unique, and that bring beauty and wonder into our lives. And we can support and nurture those things so that they will always be there for us and those that come after us. And you can start doing that this weekend.

Leave a Comment Filed Under: News, Claremont 5, Featured Films, Featured Post, Filmmaker in Person, Films, Glendale, Greg Laemmle, Newhall, NoHo 7, Q&A's, Royal, Theater Buzz, Town Center 5

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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

Leaving Laemmle: A Goodbye from Jordan